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It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_293":421,"_295":422,"_297":423},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_289":419,"_291":420},{"_222":408,"_125":409,"_283":410},{"_274":405,"_276":406,"_278":407,"_279":390},79.64294930875576,93,64.64294930875576,{"_285":222,"_123":417,"_154":418,"_140":91},{"_285":125,"_123":414,"_154":415,"_140":416},{"_285":283,"_123":411,"_154":412,"_140":413},"era/18-britain","18th-century Britain",42,"style/painting-18","More paintings of the 18th century",168,"artist/thomas-lawrence","More by Thomas Lawrence","natural","ivory","https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_309":441,"_311":442},{"_309":439,"_311":440},{"_309":437,"_311":438},{"_309":435,"_311":436},{"_309":433,"_311":434},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":502,"_219":503,"_323":504,"_325":505,"_327":506,"_329":507,"_331":508,"_333":334,"_335":509,"_140":97},"early 1770s (not later than 1772)","watercolour","Drawing and Watercolor","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[487,488,489,490,491],{"_218":424,"_219":425,"_42":426,"_302":427},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_293":484,"_295":485,"_297":486},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_289":290,"_291":292},{"_222":477,"_125":478,"_283":479},{"_274":474,"_276":475,"_278":458,"_279":476},79,66.1776611694153,42.177661169415295,{"_285":222,"_123":482,"_154":483,"_140":97},{"_285":125,"_123":480,"_154":481,"_140":53},{"_285":283,"_123":411,"_154":412,"_140":413},"style/watercolour-18","More watercolours of the 18th century","artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_309":500,"_311":501},{"_309":498,"_311":499},{"_309":496,"_311":497},{"_309":494,"_311":495},{"_309":492,"_311":493},"#75643b",0.1438,"#483b21",0.1553,"#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788","English",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":557,"_219":558,"_323":559,"_325":505,"_327":560,"_329":561,"_331":-5,"_333":-5,"_335":562,"_140":99},"n.d.","Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[542,543,544,545,546],{"_218":424,"_219":425,"_42":426,"_302":427},"1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_293":539,"_295":540,"_297":541},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_289":290,"_291":292},{"_222":534,"_125":535,"_283":536},{"_274":531,"_276":532,"_278":516,"_279":533},53,44.521086780210865,20.52108678021087,{"_285":222,"_123":537,"_154":538,"_140":99},{"_285":125,"_123":480,"_154":481,"_140":53},{"_285":283,"_123":411,"_154":412,"_140":413},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg",{"_309":555,"_311":556},{"_309":553,"_311":554},{"_309":551,"_311":552},{"_309":549,"_311":550},{"_309":547,"_311":548},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":557,"_219":558,"_323":559,"_325":505,"_327":560,"_329":561,"_331":-5,"_333":-5,"_335":562,"_140":99},"c. 1783","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",47,34,1.2970566411080882,[593,594,595,596,597],{"_218":424,"_219":425,"_42":426,"_302":427},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_293":590,"_295":591,"_297":592},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_289":290,"_291":292},{"_222":587,"_125":588,"_283":589},{"_274":584,"_276":585,"_278":569,"_279":586},71,60.23588863463005,36.23588863463005,{"_285":222,"_123":537,"_154":538,"_140":99},{"_285":125,"_123":480,"_154":481,"_140":53},{"_285":283,"_123":411,"_154":412,"_140":413},"https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_309":606,"_311":607},{"_309":604,"_311":605},{"_309":602,"_311":603},{"_309":600,"_311":601},{"_309":598,"_311":599},"#a49483",0.0883,"#c2b09c",0.1626,"#8d7e6f",0.1783,"#ddc8b1",0.2793,"#d1b79b",0.2915,"the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":663,"_219":664,"_323":665,"_325":666,"_327":667,"_329":668,"_331":-5,"_333":-5,"_335":-5,"_140":103},"c. 1772","oil on canvas","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",127,101.5,1.2560029553010712,[649,650,651,652,653],{"_218":645,"_219":646,"_42":647,"_302":648},"Courtesy of the Cleveland Museum of Art","2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":642,"_643":644},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_293":639,"_295":640,"_297":641},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_289":419,"_291":420},{"_222":634,"_125":635,"_283":636},{"_274":631,"_276":632,"_278":614,"_279":633},142,116.11441176470589,101.11441176470589,{"_285":222,"_123":637,"_154":638,"_140":89},{"_285":125,"_123":414,"_154":415,"_140":416},{"_285":283,"_123":411,"_154":412,"_140":413},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":661,"_311":662},{"_309":659,"_311":660},{"_309":657,"_311":658},{"_309":655,"_311":656},{"_309":654,"_311":603},"#3a352c","#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":719,"_219":720,"_323":721,"_325":505,"_327":722,"_329":723,"_331":334,"_333":334,"_335":724,"_140":97},"1837–38","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[704,705,706,707,708],{"_218":424,"_219":425,"_42":426,"_302":427},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_293":701,"_295":702,"_297":703},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/georgian-britain/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_289":419,"_291":420},{"_222":693,"_125":694,"_283":695},{"_274":690,"_276":691,"_278":674,"_279":692},239,188.10233393177737,173.10233393177737,{"_285":222,"_123":699,"_154":700,"_140":97},{"_285":125,"_123":696,"_154":697,"_140":698},{"_285":283,"_123":166,"_154":165,"_140":168},"style/painting-19","More paintings of the 19th century",432,"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_309":717,"_311":718},{"_309":715,"_311":716},{"_309":713,"_311":714},{"_309":711,"_311":712},{"_309":709,"_311":710},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438",0.2133,"#736551",0.2481,"#9e886b",0.2634,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":772,"_219":773,"_323":774,"_325":505,"_327":775,"_329":776,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1827","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",101,0.7940150839347985,[757,758,759,760,761],{"_218":424,"_219":425,"_42":426,"_302":427},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":755,"_643":756},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_293":752,"_295":753,"_297":754},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_289":419,"_291":420},{"_222":747,"_125":748,"_283":749},{"_274":745,"_276":631,"_278":746,"_279":614},115.83991565971941,100.83991565971941,{"_285":222,"_123":750,"_154":751,"_140":89},{"_285":125,"_123":696,"_154":697,"_140":698},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.","Text from the Art Institute of Chicago.",{"_309":770,"_311":771},{"_309":768,"_311":769},{"_309":766,"_311":767},{"_309":764,"_311":765},{"_309":762,"_311":763},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1782,1847,"the-white-horse-nga-1146","The White Horse",{"_42":823,"_219":824,"_323":825,"_325":505,"_327":826,"_329":827,"_331":-5,"_333":-5,"_335":828,"_140":99},"1818-1819","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,1.4306671323786238,[808,809,810,811,812],{"_218":299,"_219":300,"_42":301,"_302":303},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_293":805,"_295":806,"_297":807},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_289":419,"_291":420},{"_222":800,"_125":801,"_283":802},{"_274":797,"_276":798,"_278":782,"_279":799},198,142.912353515625,127.912353515625,{"_285":222,"_123":803,"_154":804,"_140":99},{"_285":125,"_123":696,"_154":697,"_140":698},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_309":821,"_311":822},{"_309":819,"_311":820},{"_309":817,"_311":818},{"_309":815,"_311":816},{"_309":813,"_311":814},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","a-dell-at-helmingham-park-suffolk-nga-119643","A Dell at Helmingham Park, Suffolk",{"_42":321,"_219":322,"_323":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_140":97},"plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.)",22.2,17.8,1.2397094430992737,[858,859,860,861,862],{"_218":299,"_219":300,"_42":301,"_302":303},"2001.118.21","A rough wooden footbridge crosses a shadowy ravine in the old woodland of Helmingham Park in Suffolk, with light filtering through the canopy and a path leading on into the trees.","The image shows a landscape scene with a frontal view of a dense forest. A wooden bridge spans across a narrow ravine or creek. The painting features vigorous and textural brushstrokes with dark tones creating a shadowy effect. The color palette includes deep blacks, dark browns, and occasional highlights of light filtering through the canopy. In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.",{"_293":855,"_295":856,"_297":857},"https://img.ochreeditions.com/m/1651.jpg?dl=1","/art/a-dell-at-helmingham-park-suffolk-nga-119643","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643",{"_289":290,"_291":292},{"_222":852,"_125":853,"_283":854},{"_274":848,"_276":849,"_278":850,"_279":851},49,44.166015625,25,20.166015625,{"_285":222,"_123":170,"_154":169,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/1651/960.jpg","https://img.ochreeditions.com/a/1651/1920.jpg",{"_309":871,"_311":872},{"_309":869,"_311":870},{"_309":867,"_311":868},{"_309":865,"_311":866},{"_309":863,"_311":864},"#cbb99e",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":921,"_219":922,"_323":923,"_325":505,"_327":924,"_329":925,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1784, after the drawing of 1775","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",0.7011965811965812,[906,907,908,909,910],{"_218":424,"_219":425,"_42":426,"_302":427},"2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_293":903,"_295":904,"_297":905},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_289":290,"_291":292},{"_222":895,"_125":896,"_283":897},{"_274":892,"_276":893,"_278":894,"_279":389},69.57777777777778,89,45.57777777777778,{"_285":222,"_123":901,"_154":902,"_140":89},{"_285":125,"_123":898,"_154":899,"_140":900},{"_285":283,"_123":411,"_154":412,"_140":413},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_309":919,"_311":920},{"_309":917,"_311":918},{"_309":915,"_311":916},{"_309":913,"_311":914},{"_309":911,"_311":912},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"isabella-wolff-aic-4773","Isabella Wolff",{"_42":443,"_219":444,"_323":445,"_325":326,"_327":446,"_329":447,"_331":448,"_333":334,"_335":449,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[957,958,959,960,961],{"_218":424,"_219":425,"_42":426,"_302":427},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":956,"_643":756},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_293":953,"_295":954,"_297":955},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_289":419,"_291":420},{"_222":950,"_125":951,"_283":952},{"_274":947,"_276":948,"_278":949,"_279":932},116.09951287404314,143,101.09951287404314,{"_285":222,"_123":417,"_154":418,"_140":91},{"_285":125,"_123":696,"_154":697,"_140":698},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.",{"_309":970,"_311":971},{"_309":968,"_311":969},{"_309":966,"_311":967},{"_309":964,"_311":965},{"_309":962,"_311":963},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":1029,"_219":1030,"_323":1031,"_325":326,"_327":1032,"_329":1033,"_331":334,"_333":334,"_335":-5,"_140":103},"ca. 1803–5","drawing","Drawings","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[1014,1015,1016,1017,1018],{"_218":1010,"_219":1011,"_42":1012,"_302":1013},"Courtesy of The Metropolitan Museum of Art","14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_293":1007,"_295":1008,"_297":1009},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_289":290,"_291":292},{"_222":999,"_125":1000,"_283":1001},{"_274":996,"_276":997,"_278":998,"_279":981},50.26670344827586,63.2,26.266703448275862,{"_285":222,"_123":1005,"_154":1006,"_140":89},{"_285":125,"_123":1002,"_154":1003,"_140":1004},{"_285":283,"_123":411,"_154":412,"_140":413},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_309":1027,"_311":1028},{"_309":1025,"_311":1026},{"_309":1023,"_311":1024},{"_309":1021,"_311":1022},{"_309":1019,"_311":1020},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,1827,"phasianus-versicolor-nga-53855","Phasianus Versicolor",{"_42":1079,"_219":1080,"_323":1081,"_325":1082,"_327":507,"_329":1083,"_331":-5,"_333":-5,"_335":-5,"_140":101},"hand-colored etching","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)",17,10.8,1.593774319066148,[1064,1065,1066,1067,1068],{"_218":299,"_219":300,"_42":301,"_302":303},"1973.26.28","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.",{"_293":1061,"_295":1062,"_297":1063},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_289":290,"_291":292},{"_222":1056,"_125":1057,"_283":1058},{"_274":848,"_276":1054,"_278":850,"_279":1055},39.68603515625,15.686035156249998,{"_285":222,"_123":1059,"_154":1060,"_140":89},{"_285":125,"_123":898,"_154":899,"_140":900},{"_285":283,"_123":411,"_154":412,"_140":413},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg",{"_309":1077,"_311":1078},{"_309":1075,"_311":1076},{"_309":1073,"_311":1074},{"_309":1071,"_311":1072},{"_309":1069,"_311":1070},"#294d6a",0.0227,"#666947",0.0414,"#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1859,"seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":502,"_219":503,"_323":504,"_325":505,"_327":506,"_329":507,"_331":508,"_333":334,"_335":509,"_140":97},"c. 1781/1782","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[1114,1115,1116,1117,1118],{"_218":299,"_219":300,"_42":301,"_302":303},"1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_293":1111,"_295":1112,"_297":1113},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_289":419,"_291":420},{"_222":1108,"_125":1109,"_283":1110},{"_274":1105,"_276":1106,"_278":1089,"_279":1107},142.6,116.65009765625,101.65009765625,{"_285":222,"_123":482,"_154":483,"_140":97},{"_285":125,"_123":414,"_154":415,"_140":416},{"_285":283,"_123":411,"_154":412,"_140":413},"https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg",{"_309":1127,"_311":1128},{"_309":1125,"_311":1126},{"_309":1123,"_311":1124},{"_309":1121,"_311":1122},{"_309":1119,"_311":1120},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,{"_1130":-5,"_1131":1132,"_1133":1134,"_1135":8,"_1136":1137,"_1138":8},"user","csrf","873ed67e2915468dc71c5dba099fe035b6a0f3ad","cartCount",0,"dropLive","legal",[1139,1140,1141,1142,1143,1144,1145,1146,1147,1148,1149,1150],"uploadsEnabled",{"_219":1173,"_20":1174},{"_219":1171,"_20":1172},{"_219":1169,"_20":1170},{"_219":1167,"_20":1168},{"_219":1165,"_20":1166},{"_219":1163,"_20":1164},{"_219":1161,"_20":1162},{"_219":1159,"_20":1160},{"_219":1157,"_20":1158},{"_219":1155,"_20":1156},{"_219":1153,"_20":1154},{"_219":1151,"_20":1152},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]