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The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_294":436,"_296":437,"_298":438},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_290":371,"_292":372},{"_224":425,"_125":426,"_284":427},{"_275":422,"_277":423,"_279":407,"_281":424},246,166.762939453125,151.762939453125,{"_286":224,"_123":434,"_154":435,"_140":89},{"_286":125,"_123":431,"_154":432,"_140":433},{"_286":284,"_123":428,"_154":429,"_140":430},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_310":452,"_312":453},{"_310":450,"_312":451},{"_310":448,"_312":449},{"_310":446,"_312":447},{"_310":444,"_312":445},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,"the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":514,"_221":515,"_324":516,"_326":517,"_328":518,"_330":519,"_332":333,"_334":333,"_335":520,"_140":97},"1835","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,92,1.3465346534653466,[499,500,501,502,503],{"_220":495,"_221":496,"_42":497,"_303":498},"Courtesy of the Cleveland Museum of Art","1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":492,"_493":494},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_294":489,"_296":490,"_298":491},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_290":371,"_292":372},{"_224":484,"_125":485,"_284":486},{"_275":481,"_277":482,"_279":464,"_281":483},138.2,106.49411764705881,91.49411764705881,{"_286":224,"_123":487,"_154":488,"_140":97},{"_286":125,"_123":431,"_154":432,"_140":433},{"_286":284,"_123":428,"_154":429,"_140":430},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":512,"_312":513},{"_310":510,"_312":511},{"_310":508,"_312":509},{"_310":506,"_312":507},{"_310":504,"_312":505},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851","English",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":573,"_221":574,"_324":575,"_326":327,"_328":576,"_330":577,"_332":578,"_334":333,"_335":579,"_140":91},"c. 1805","Oil on canvas","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",65,78,0.8287557603686636,[558,559,560,561,562],{"_220":554,"_221":555,"_42":556,"_303":557},"Courtesy of the Art Institute of Chicago","1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_294":551,"_296":552,"_298":553},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_290":371,"_292":372},{"_224":546,"_125":547,"_284":548},{"_275":543,"_277":544,"_279":545,"_281":528},79.64294930875576,93,64.64294930875576,{"_286":224,"_123":549,"_154":550,"_140":91},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":571,"_312":572},{"_310":569,"_312":570},{"_310":567,"_312":568},{"_310":565,"_312":566},{"_310":563,"_312":564},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":632,"_221":633,"_324":634,"_326":327,"_328":399,"_330":331,"_332":-5,"_334":-5,"_335":-5,"_140":103},"1785","print","Print","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[617,618,619,620,621],{"_220":376,"_221":377,"_42":378,"_303":379},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_294":614,"_296":615,"_298":616},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_290":291,"_292":293},{"_224":606,"_125":607,"_284":608},{"_275":603,"_277":604,"_279":588,"_281":605},60.9,49.927294921875,25.927294921875,{"_286":224,"_123":612,"_154":613,"_140":89},{"_286":125,"_123":609,"_154":610,"_140":611},{"_286":284,"_123":166,"_154":165,"_140":168},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_310":630,"_312":631},{"_310":628,"_312":629},{"_310":626,"_312":627},{"_310":624,"_312":625},{"_310":622,"_312":623},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827","portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":683,"_221":684,"_324":685,"_326":327,"_328":686,"_330":687,"_332":688,"_334":333,"_335":689,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[668,669,670,671,672],{"_220":495,"_221":496,"_42":497,"_303":498},"1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":667,"_493":494},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_294":664,"_296":665,"_298":666},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_290":371,"_292":372},{"_224":659,"_125":660,"_284":661},{"_275":656,"_277":657,"_279":658,"_281":641},185.63529411764705,211,170.63529411764705,{"_286":224,"_123":662,"_154":663,"_140":95},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.",{"_310":681,"_312":682},{"_310":679,"_312":680},{"_310":677,"_312":678},{"_310":675,"_312":676},{"_310":673,"_312":674},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","saint-john-the-evangelist-nga-54043","Saint John the Evangelist",{"_42":738,"_221":739,"_324":740,"_326":327,"_328":741,"_330":742,"_332":-5,"_334":-5,"_335":-5,"_140":101},"1771","chiaroscuro woodcut in light and dark olive green","sheet: 19.7 × 15.3 cm (7 3/4 × 6 in.) other (text beneath image): 3.2 × 15.2 cm (1 1/4 × 6 in.) mount (irreg.): 43.7 × 31.9 cm (17 3/16 × 12 9/16 in.)",15.3,19.7,0.742431640625,[723,724,725,726,727],{"_220":376,"_221":377,"_42":378,"_303":379},"1973.58.2","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a seated figure on a large bird. The image depicts a classically draped figure seated on a stylized bird. The figure holds an open book and gazes into the distance. The bird has sharp features and spread wings. The background contains swirling clouds. The scene is framed with a border, and there is text at the bottom. The lines are bold and the shades are muted.",{"_294":720,"_296":721,"_298":722},"https://img.ochreeditions.com/m/1571.jpg?dl=1","/art/saint-john-the-evangelist-nga-54043","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54043",{"_290":291,"_292":293},{"_224":715,"_125":716,"_284":717},{"_275":711,"_277":712,"_279":713,"_281":714},42.560791015625,49,18.560791015625,25,{"_286":224,"_123":718,"_154":719,"_140":89},{"_286":125,"_123":609,"_154":610,"_140":611},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1571/480.jpg","https://img.ochreeditions.com/a/1571/960.jpg","https://img.ochreeditions.com/a/1571/1920.jpg",{"_310":736,"_312":737},{"_310":734,"_312":735},{"_310":732,"_312":733},{"_310":730,"_312":731},{"_310":728,"_312":729},"#b69e75",0.1243,"#877257",0.1513,"#9a8362",0.1745,"#cab68c",0.2161,"#d5c39a",0.3338,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"georgiana-duchess-of-devonshire-nga-52263","Georgiana, Duchess of Devonshire",{"_42":790,"_221":791,"_324":792,"_326":327,"_328":793,"_330":794,"_332":-5,"_334":-5,"_335":795,"_140":99},"c. 1787/1796","overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.) framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in.)",39.9,59.1,0.666748046875,[775,776,777,778,779],{"_220":376,"_221":377,"_42":378,"_303":379},"1970.17.119","Gainsborough Dupont painted this in about 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","Georgiana, Duchess of Devonshire, political hostess and leader of fashion in Georgian society, stands at full length in a light silk dress and a large dark feathered hat, gathering her skirts in her arms beside tall trees.","This painting is a full-length portrait of a woman with her body facing the right and her head turned toward us. She has light skin, curly gray hair, arched eyebrows, and a small mouth in a neutral expression. She wears an elegant light-colored dress with a large bow on the back and a large, dark, feathered hat, and she has a flower tucked in her arms, which also gather up some of her skirts. The background shows tall trees, with the edge of a wall visible in the upper-right corner. The color scheme of the painting is mostly olive-green, and everything has a green tint.",{"_294":772,"_296":773,"_298":774},"https://img.ochreeditions.com/m/1550.jpg?dl=1","/art/georgiana-duchess-of-devonshire-nga-52263","/galleries/style/georgian-britain/georgiana-duchess-of-devonshire-nga-52263",{"_290":371,"_292":372},{"_224":767,"_125":768,"_284":769},{"_275":764,"_277":765,"_279":766,"_281":749},54.4048095703125,74.1,39.4048095703125,{"_286":224,"_123":770,"_154":771,"_140":99},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1550/480.jpg","https://img.ochreeditions.com/a/1550/960.jpg","https://img.ochreeditions.com/a/1550/1920.jpg",{"_310":788,"_312":789},{"_310":786,"_312":787},{"_310":784,"_312":785},{"_310":782,"_312":783},{"_310":780,"_312":781},"#bba987",0.0696,"#3b2e29",0.1916,"#917f5d",0.2158,"#7a6236",0.2411,"#5b462d",0.2819,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":843,"_221":844,"_324":845,"_326":517,"_328":846,"_330":847,"_332":-5,"_334":-5,"_335":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912998446400829,[828,829,830,831,832],{"_220":554,"_221":555,"_42":556,"_303":557},"1946.404","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_294":825,"_296":826,"_298":827},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_290":291,"_292":293},{"_224":820,"_125":821,"_284":822},{"_275":817,"_277":818,"_279":819,"_281":430},55.65199378560331,64,31.651993785603313,{"_286":224,"_123":823,"_154":824,"_140":99},{"_286":125,"_123":609,"_154":610,"_140":611},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg",{"_310":841,"_312":842},{"_310":839,"_312":840},{"_310":837,"_312":838},{"_310":835,"_312":836},{"_310":833,"_312":834},"#766942",0.061,"#684c41",0.0717,"#94856f",0.1271,"#bcb09d",0.3294,"#d2c8b7",0.4108,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"saint-john-the-evangelist-nga-54044",{"_42":738,"_221":739,"_324":740,"_326":327,"_328":741,"_330":742,"_332":-5,"_334":-5,"_335":-5,"_140":101},"chiaroscuro woodcut in tan and brown","sheet: 19.7 × 15.4 cm (7 3/4 × 6 1/16 in.) other (text beneath image): 3.2 × 15.7 cm (1 1/4 × 6 3/16 in.) mount: 38.2 × 27.1 cm (15 1/16 × 10 11/16 in.)",15.4,0.702880859375,[873,874,875,876,877],{"_220":376,"_221":377,"_42":378,"_303":379},"1973.58.3","This is a drawing of a winged figure seated on a bird. The image depicts a figure with flowing robes, wings outstretched, holding an open book in one hand. The figure appears to be looking off to the side, with a serene expression. The lower part of the image includes a bird upon which the figure is seated. The bird's head is turned slightly upwards, following the direction in which the figure is gazing. The image is rendered in a warm, monochromatic palette. In the lower section of the image, there is some text, likely Latin.",{"_294":870,"_296":871,"_298":872},"https://img.ochreeditions.com/m/1572.jpg?dl=1","/art/saint-john-the-evangelist-nga-54044","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54044",{"_290":291,"_292":293},{"_224":867,"_125":868,"_284":869},{"_275":865,"_277":712,"_279":866,"_281":714},41.572021484375,17.572021484375,{"_286":224,"_123":718,"_154":719,"_140":89},{"_286":125,"_123":609,"_154":610,"_140":611},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1572/480.jpg","https://img.ochreeditions.com/a/1572/960.jpg","https://img.ochreeditions.com/a/1572/1920.jpg",{"_310":886,"_312":887},{"_310":884,"_312":885},{"_310":882,"_312":883},{"_310":880,"_312":881},{"_310":878,"_312":879},"#a28a5c",0.1319,"#d5b378",0.1774,"#b29562",0.1816,"#c1a26a",0.2372,"#d5c19a",0.2719,"stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":939,"_221":940,"_324":941,"_326":327,"_328":942,"_330":943,"_332":944,"_334":333,"_335":945,"_140":97},"1830","mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[924,925,926,927,928],{"_220":376,"_221":377,"_42":378,"_303":379},"2001.118.27","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_294":921,"_296":922,"_298":923},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_290":291,"_292":293},{"_224":913,"_125":914,"_284":915},{"_275":910,"_277":911,"_279":894,"_281":912},49.2,41.94638671875,17.94638671875,{"_286":224,"_123":919,"_154":920,"_140":97},{"_286":125,"_123":916,"_154":917,"_140":918},{"_286":284,"_123":428,"_154":429,"_140":430},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_310":937,"_312":938},{"_310":935,"_312":936},{"_310":933,"_312":934},{"_310":931,"_312":932},{"_310":929,"_312":930},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":790,"_221":791,"_324":792,"_326":327,"_328":793,"_330":794,"_332":-5,"_334":-5,"_335":795,"_140":99},"after 1788","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[977,978,979,980,981],{"_220":495,"_221":496,"_42":497,"_303":498},"1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":976,"_493":494},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_294":973,"_296":974,"_298":975},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_290":371,"_292":372},{"_224":970,"_125":971,"_284":972},{"_275":967,"_277":968,"_279":969,"_281":952},83.17205882352941,90.5,68.17205882352941,{"_286":224,"_123":770,"_154":771,"_140":99},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.",{"_310":990,"_312":991},{"_310":988,"_312":989},{"_310":986,"_312":987},{"_310":984,"_312":985},{"_310":982,"_312":983},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":843,"_221":844,"_324":845,"_326":517,"_328":846,"_330":847,"_332":-5,"_334":-5,"_335":-5,"_140":99},0.7912519643792562,[1014,1015,1016,1017,1018],{"_220":554,"_221":555,"_42":556,"_303":557},"1946.405",{"_294":1011,"_296":1012,"_298":1013},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_290":291,"_292":293},{"_224":1008,"_125":1009,"_284":1010},{"_275":1006,"_277":818,"_279":1007,"_281":430},55.65007857517025,31.650078575170248,{"_286":224,"_123":823,"_154":824,"_140":99},{"_286":125,"_123":609,"_154":610,"_140":611},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg",{"_310":1026,"_312":1027},{"_310":1024,"_312":1025},{"_310":1023,"_312":838},{"_310":1021,"_312":1022},{"_310":1019,"_312":1020},"#796237",0.064,"#5c493a",0.0907,"#8a7b65","#baae9b",0.3131,"#d1c7b6",0.4051,"descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":1080,"_221":1081,"_324":1082,"_326":398,"_328":1083,"_330":1084,"_332":-5,"_334":-5,"_335":-5,"_140":103},"1834","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[1065,1066,1067,1068,1069],{"_220":495,"_221":496,"_42":497,"_303":498},"1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":1064,"_493":494},"Descent into the Plain of Granada, by David Roberts, 1834",{"_294":1061,"_296":1062,"_298":1063},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_290":291,"_292":293},{"_224":1054,"_125":1055,"_284":1056},{"_275":1051,"_277":1052,"_279":1035,"_281":1053},56.5,47.45735294117647,23.45735294117647,{"_286":224,"_123":1059,"_154":1060,"_140":89},{"_286":125,"_123":1057,"_154":1058,"_140":465},{"_286":284,"_123":428,"_154":429,"_140":430},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.",{"_310":1078,"_312":1079},{"_310":1076,"_312":1077},{"_310":1074,"_312":1075},{"_310":1072,"_312":1073},{"_310":1070,"_312":1071},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864",1796,1864,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":1132,"_221":1133,"_324":1134,"_326":327,"_328":1135,"_330":1136,"_332":-5,"_334":-5,"_335":-5,"_140":103},"1807","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",24.9,1.4789038712483689,[1117,1118,1119,1120,1121],{"_220":495,"_221":496,"_42":497,"_303":498},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":1116,"_493":494},"Bray Church Yard, by John Varley, 1807",{"_294":1113,"_296":1114,"_298":1115},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_290":291,"_292":293},{"_224":1108,"_125":1109,"_284":1110},{"_275":603,"_277":1106,"_279":588,"_281":1107},48.95091176470588,24.950911764705882,{"_286":224,"_123":1111,"_154":1112,"_140":89},{"_286":125,"_123":1057,"_154":1058,"_140":465},{"_286":284,"_123":428,"_154":429,"_140":430},"artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_310":1130,"_312":1131},{"_310":1128,"_312":1129},{"_310":1126,"_312":1127},{"_310":1124,"_312":1125},{"_310":1122,"_312":1123},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,{"_1138":-5,"_1139":1140,"_1141":1142,"_1143":8,"_1144":1145,"_1146":8},"user","csrf","e47c486ff894effe2e9880fb77e14b5a57b0ba65","cartCount",0,"dropLive","legal",[1147,1148,1149,1150,1151,1152,1153,1154,1155,1156,1157,1158],"uploadsEnabled",{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},{"_221":1169,"_20":1170},{"_221":1167,"_20":1168},{"_221":1165,"_20":1166},{"_221":1163,"_20":1164},{"_221":1161,"_20":1162},{"_221":1159,"_20":1160},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]