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He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":451,"_222":452,"_325":453,"_327":454,"_329":455,"_331":456,"_333":457,"_334":457,"_335":458,"_140":99},"1779","40 x 50 in. (101.6 x 127 cm)",127,101.6,1.2404942965779469,[436,437,438,439,440],{"_221":377,"_222":378,"_42":379,"_304":380},"2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_295":433,"_297":434,"_299":435},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_291":372,"_293":373},{"_225":428,"_125":429,"_285":430},{"_276":425,"_278":426,"_280":409,"_281":427},142,117.37854406130268,102.37854406130268,{"_287":225,"_123":431,"_154":432,"_140":99},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg",{"_311":449,"_313":450},{"_311":447,"_313":448},{"_311":445,"_313":446},{"_311":443,"_313":444},{"_311":441,"_313":442},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797","English",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","sir-thomas-rumbold-bt-aic-84707","Sir Thomas Rumbold, Bt.",{"_42":511,"_222":512,"_325":513,"_327":328,"_329":514,"_331":515,"_333":516,"_334":402,"_335":517,"_140":95},"1788","Painting","126.7 × 101.3 cm (49 7/8 × 39 7/8 in.); Framed: 149 × 123.2 × 8.3 cm (58 5/8 × 48 1/2 × 3 1/4 in.)",101,126,0.7977275284058949,[496,497,498,499,500],{"_221":492,"_222":493,"_42":494,"_304":495},"Courtesy of the Art Institute of Chicago","1955.1202","Joshua Reynolds painted this in 1788, aged 65. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_295":489,"_297":490,"_299":491},"https://img.ochreeditions.com/m/230.jpg?dl=1","/art/sir-thomas-rumbold-bt-aic-84707","/galleries/style/georgian-britain/sir-thomas-rumbold-bt-aic-84707",{"_291":372,"_293":373},{"_225":484,"_125":485,"_285":486},{"_276":481,"_278":482,"_280":483,"_281":466},115.51366857914276,141,100.51366857914276,{"_287":225,"_123":487,"_154":488,"_140":95},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/230/480.jpg","https://img.ochreeditions.com/a/230/960.jpg","https://img.ochreeditions.com/a/230/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":509,"_313":510},{"_311":507,"_313":508},{"_311":505,"_313":506},{"_311":503,"_313":504},{"_311":501,"_313":502},"#4e3c1b",0.0861,"#7b5f30",0.1161,"#652304",0.1777,"#301904",0.2331,"#201605",0.387,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","portrait-of-mrs-george-collier-cma-101852","Portrait of Mrs. George Collier",{"_42":511,"_222":512,"_325":513,"_327":328,"_329":514,"_331":515,"_333":516,"_334":402,"_335":517,"_140":95},"18th century",17,"oil on canvas","Framed: 112 x 101 x 12 cm (44 1/8 x 39 3/4 x 4 3/4 in.); Unframed: 80 x 67.3 cm (31 1/2 x 26 1/2 in.)",67.3,80,0.8194117647058824,[563,564,565,566,567],{"_221":559,"_222":560,"_42":561,"_304":562},"Courtesy of the Cleveland Museum of Art","1920.514","Joshua Reynolds painted this in 18th century. It is now at the Cleveland Museum of Art.",{"_118":556,"_557":558},"Portrait of Mrs. George Collier, by Joshua Reynolds, 18th century",{"_295":553,"_297":554,"_299":555},"https://img.ochreeditions.com/m/498.jpg?dl=1","/art/portrait-of-mrs-george-collier-cma-101852","/galleries/style/georgian-britain/portrait-of-mrs-george-collier-cma-101852",{"_291":372,"_293":373},{"_225":545,"_125":546,"_285":547},{"_276":542,"_278":543,"_280":544,"_281":526},80.5529411764706,95,65.5529411764706,{"_287":225,"_123":487,"_154":488,"_140":95},{"_287":125,"_123":551,"_154":552,"_140":369},{"_287":285,"_123":548,"_154":549,"_140":550},"era/17","The 17th century",266,"style/painting-17","More paintings of the 17th century","https://img.ochreeditions.com/a/498/480.jpg","https://img.ochreeditions.com/a/498/960.jpg","https://img.ochreeditions.com/a/498/1920.jpg","Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds. However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":576,"_313":577},{"_311":574,"_313":575},{"_311":572,"_313":573},{"_311":570,"_313":571},{"_311":568,"_313":569},"#dbae62",0.0772,"#543416",0.0793,"#a17433",0.0962,"#784818",0.1532,"#312311",0.5941,"john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","John Johnstone, Betty Johnstone, and Miss Wedderburn",{"_42":624,"_222":625,"_325":626,"_327":627,"_329":628,"_331":629,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1790/1795","overall: 101.5 x 120 cm (39 15/16 x 47 1/4 in.) framed: 119.4 x 138.4 x 6.4 cm (47 x 54 1/2 x 2 1/2 in.)",120,101.5,1.1770114942528735,[609,610,611,612,613],{"_221":301,"_222":302,"_42":303,"_304":305},"1945.10.3","Sir Henry Raeburn painted this in about 1790/1795, aged about 34. It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_295":606,"_297":607,"_299":608},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_291":372,"_293":373},{"_225":601,"_125":602,"_285":603},{"_276":598,"_278":599,"_280":583,"_281":600},135,116.953125,101.953125,{"_287":225,"_123":604,"_154":605,"_140":89},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg",{"_311":622,"_313":623},{"_311":620,"_313":621},{"_311":618,"_313":619},{"_311":616,"_313":617},{"_311":614,"_313":615},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823","Scottish",1756,1823,"the-white-horse-nga-1146","The White Horse",{"_42":683,"_222":684,"_325":685,"_327":454,"_329":686,"_331":687,"_333":-5,"_334":-5,"_335":688,"_140":99},"1818-1819",19,"overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,1.4306671323786238,[668,669,670,671,672],{"_221":301,"_222":302,"_42":303,"_304":305},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_295":665,"_297":666,"_299":667},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_291":372,"_293":373},{"_225":654,"_125":655,"_285":656},{"_276":651,"_278":652,"_280":636,"_281":653},198,142.912353515625,127.912353515625,{"_287":225,"_123":663,"_154":664,"_140":99},{"_287":125,"_123":660,"_154":661,"_140":662},{"_287":285,"_123":657,"_154":658,"_140":659},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_311":681,"_313":682},{"_311":679,"_313":680},{"_311":677,"_313":678},{"_311":675,"_313":676},{"_311":673,"_313":674},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":737,"_222":738,"_325":739,"_327":328,"_329":740,"_331":741,"_333":402,"_334":402,"_335":-5,"_140":103},"ca. 1803–5","Drawings","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[722,723,724,725,726],{"_221":377,"_222":378,"_42":379,"_304":380},"14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_295":719,"_297":720,"_299":721},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_291":292,"_293":294},{"_225":714,"_125":715,"_285":716},{"_276":711,"_278":712,"_280":713,"_281":697},50.26670344827586,63.2,26.266703448275862,{"_287":225,"_123":717,"_154":718,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg",{"_311":735,"_313":736},{"_311":733,"_313":734},{"_311":731,"_313":732},{"_311":729,"_313":730},{"_311":727,"_313":728},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,1827,"heaton-park-races-nga-52254","Heaton Park Races",{"_42":788,"_222":789,"_325":790,"_327":328,"_329":791,"_331":792,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1829","overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,92,1.688375927452597,[773,774,775,776,777],{"_221":301,"_222":302,"_42":303,"_304":305},"1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_295":770,"_297":771,"_299":772},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_291":372,"_293":373},{"_225":765,"_125":766,"_285":767},{"_276":762,"_278":763,"_280":747,"_281":764},167.6,105.38271484375,90.38271484375,{"_287":225,"_123":768,"_154":769,"_140":89},{"_287":125,"_123":660,"_154":661,"_140":662},{"_287":285,"_123":657,"_154":658,"_140":659},"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_311":786,"_313":787},{"_311":784,"_313":785},{"_311":782,"_313":783},{"_311":780,"_313":781},{"_311":778,"_313":779},"#9f8033",0.1271,"#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,"the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":840,"_222":841,"_325":842,"_327":454,"_329":515,"_331":843,"_333":-5,"_334":-5,"_335":-5,"_140":101},"1834","Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",38,24,1.6425614803993183,[825,826,827,828,829],{"_221":492,"_222":493,"_42":494,"_304":495},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_295":822,"_297":823,"_299":824},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_291":372,"_293":373},{"_225":817,"_125":818,"_285":819},{"_276":814,"_278":815,"_280":799,"_281":816},53,38.1345982804625,23.134598280462495,{"_287":225,"_123":820,"_154":821,"_140":89},{"_287":125,"_123":660,"_154":661,"_140":662},{"_287":285,"_123":657,"_154":658,"_140":659},"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_311":838,"_313":839},{"_311":836,"_313":837},{"_311":834,"_313":835},{"_311":832,"_313":833},{"_311":830,"_313":831},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1882,"lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":891,"_222":892,"_325":893,"_327":328,"_329":894,"_331":895,"_333":402,"_334":402,"_335":-5,"_140":103},"1796–97","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[876,877,878,879,880],{"_221":377,"_222":378,"_42":379,"_304":380},"06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_295":873,"_297":874,"_299":875},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_291":292,"_293":294},{"_225":868,"_125":869,"_285":870},{"_276":865,"_278":866,"_280":850,"_281":867},76,62.26731078904992,38.26731078904992,{"_287":225,"_123":871,"_154":872,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg",{"_311":889,"_313":890},{"_311":887,"_313":888},{"_311":885,"_313":886},{"_311":883,"_313":884},{"_311":881,"_313":882},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1775,1802,"small-landscape-si-saam-1956-11-20","Small Landscape","Unrecorded British maker","ca. 1750-1800","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[931,932,933,934,935],{"_221":928,"_222":929,"_42":930,"_304":305},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_295":925,"_297":926,"_299":927},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_291":372,"_293":373},{"_225":920,"_125":921,"_285":922},{"_276":917,"_278":918,"_280":901,"_281":919},70.2,58.4424,43.4424,{"_287":225,"_123":923,"_154":924,"_140":97},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_311":944,"_313":945},{"_311":942,"_313":943},{"_311":940,"_313":941},{"_311":938,"_313":939},{"_311":936,"_313":937},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":396,"_222":397,"_325":398,"_327":328,"_329":399,"_331":400,"_333":401,"_334":402,"_335":403,"_140":91},"July 26, 1800","watercolour","Drawing and Watercolor","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",35,0.6863089606703608,[979,980,981,982,983],{"_221":492,"_222":493,"_42":494,"_304":495},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_295":976,"_297":977,"_299":978},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_291":292,"_293":294},{"_225":971,"_125":972,"_285":973},{"_276":968,"_278":969,"_280":970,"_281":954},48.02081362346263,59,24.02081362346263,{"_287":225,"_123":370,"_154":371,"_140":91},{"_287":125,"_123":974,"_154":975,"_140":53},{"_287":285,"_123":167,"_154":166,"_140":169},"style/watercolour-18","More watercolours of the 18th century","https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_311":992,"_313":993},{"_311":990,"_313":991},{"_311":988,"_313":989},{"_311":986,"_313":987},{"_311":984,"_313":985},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":1039,"_222":1040,"_325":1041,"_327":454,"_329":1042,"_331":1043,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1792","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",27,36,0.7591623036649214,[1024,1025,1026,1027,1028],{"_221":492,"_222":493,"_42":494,"_304":495},"2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.",{"_295":1021,"_297":1022,"_299":1023},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_291":372,"_293":373},{"_225":1016,"_125":1017,"_285":1018},{"_276":1013,"_278":1014,"_280":1015,"_281":1000},42.32984293193717,51,27.329842931937172,{"_287":225,"_123":1019,"_154":1020,"_140":89},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg",{"_311":1037,"_313":1038},{"_311":1035,"_313":1036},{"_311":1033,"_313":1034},{"_311":1031,"_313":1032},{"_311":1029,"_313":1030},"#89694e",0.141,"#26261b",0.1523,"#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,"wivenhoe-park-essex-nga-1147","Wivenhoe Park, Essex",{"_42":683,"_222":684,"_325":685,"_327":454,"_329":686,"_331":687,"_333":-5,"_334":-5,"_335":688,"_140":99},"1816","overall: 56.1 x 101.2 cm (22 1/16 x 39 13/16 in.) framed: 77.8 x 122.5 x 8.8 cm (30 5/8 x 48 1/4 x 3 7/16 in.)",101.2,56.1,1.8467087466185752,[1074,1075,1076,1077,1078],{"_221":301,"_222":302,"_42":303,"_304":305},"1942.9.10","John Constable painted this in 1816, aged 40. It is now at the National Gallery of Art in Washington, DC.","Black and white cows graze beyond a fence, two men haul in a net from a boat near a pair of swans, and a donkey cart crosses a distant bridge, while the brick house of Wivenhoe Park appears through the trees beneath towering summer clouds.","We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting. A wooden fence closer to us crosses the landscape from the lower left corner and disappears where the land slopes down to meet the water at the center of the painting. Several black and white cows graze in the field beyond the fence to our left. Two men in a wooden boat pull in nets on the lake to our right near a pair of swans. The lake crosses the composition in the near distance, disappearing into a culvert farther back. A donkey pulls a small carriage with two people near a bridge that crosses the lake in the distance to our left. The brick manor house is visible through a break in the full, deep green trees that line the horizon, which comes halfway up the composition. The clouds cast noticeable shadows in the brightly sunlit scene.",{"_295":1071,"_297":1072,"_299":1073},"https://img.ochreeditions.com/m/1327.jpg?dl=1","/art/wivenhoe-park-essex-nga-1147","/galleries/style/georgian-britain/wivenhoe-park-essex-nga-1147",{"_291":372,"_293":373},{"_225":1068,"_125":1069,"_285":1070},{"_276":1065,"_278":1066,"_280":1049,"_281":1067},116.2,69.8001953125,54.8001953125,{"_287":225,"_123":663,"_154":664,"_140":99},{"_287":125,"_123":660,"_154":661,"_140":662},{"_287":285,"_123":657,"_154":658,"_140":659},"https://img.ochreeditions.com/a/1327/480.jpg","https://img.ochreeditions.com/a/1327/960.jpg","https://img.ochreeditions.com/a/1327/1920.jpg",{"_311":1087,"_313":1088},{"_311":1085,"_313":1086},{"_311":1083,"_313":1084},{"_311":1081,"_313":1082},{"_311":1079,"_313":1080},"#796b3d",0.0911,"#7c8b94",0.0987,"#4d442a",0.2058,"#322d1a",0.2536,"#837f77",0.3508,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":1140,"_222":1141,"_325":1142,"_327":328,"_329":1143,"_331":1144,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1807","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[1125,1126,1127,1128,1129],{"_221":559,"_222":560,"_42":561,"_304":562},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":1124,"_557":558},"Bray Church Yard, by John Varley, 1807",{"_295":1121,"_297":1122,"_299":1123},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_291":292,"_293":294},{"_225":1114,"_125":1115,"_285":1116},{"_276":1111,"_278":1112,"_280":1095,"_281":1113},60.9,48.95091176470588,24.950911764705882,{"_287":225,"_123":1119,"_154":1120,"_140":89},{"_287":125,"_123":1117,"_154":1118,"_140":748},{"_287":285,"_123":657,"_154":658,"_140":659},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_311":1138,"_313":1139},{"_311":1136,"_313":1137},{"_311":1134,"_313":1135},{"_311":1132,"_313":1133},{"_311":1130,"_313":1131},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,{"_1146":-5,"_1147":1148,"_1149":1150,"_1151":8,"_1152":1153,"_1154":8},"user","csrf","36c44d7d02fce983c73ab93d0e1d20d36734b017","cartCount",0,"dropLive","legal",[1155,1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166],"uploadsEnabled",{"_222":1189,"_20":1190},{"_222":1187,"_20":1188},{"_222":1185,"_20":1186},{"_222":1183,"_20":1184},{"_222":1181,"_20":1182},{"_222":1179,"_20":1180},{"_222":1177,"_20":1178},{"_222":1175,"_20":1176},{"_222":1173,"_20":1174},{"_222":1171,"_20":1172},{"_222":1169,"_20":1170},{"_222":1167,"_20":1168},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]