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Each bloom is numbered so that it can be matched to its name.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_295":441,"_297":442,"_299":443},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_291":292,"_293":294},{"_224":430,"_125":431,"_285":432},{"_276":427,"_278":428,"_280":429,"_281":169},55.65199378560331,64,31.651993785603313,{"_287":224,"_123":439,"_154":440,"_140":99},{"_287":125,"_123":436,"_154":437,"_140":438},{"_287":285,"_123":433,"_154":434,"_140":435},"era/18-britain","18th-century Britain",42,"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":461,"_316":462},{"_314":459,"_316":460},{"_314":457,"_316":458},{"_314":455,"_316":456},{"_314":453,"_316":454},"#766942",0.061,"#684c41",0.0717,"#94856f",0.1271,"#bcb09d",0.3294,"#d2c8b7",0.4108,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"a-dell-at-helmingham-park-suffolk-nga-119643","A Dell at Helmingham Park, Suffolk",{"_42":525,"_221":526,"_328":527,"_330":528,"_332":529,"_334":530,"_336":531,"_337":400,"_338":532,"_140":97},"1830","mezzotint on laid paper","plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.)",22.2,17.8,1.2397094430992737,[510,511,512,513,514],{"_220":506,"_221":507,"_42":508,"_307":509},"Courtesy National Gallery of Art, Washington","2001.118.21","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","A rough wooden footbridge crosses a shadowy ravine in the old woodland of Helmingham Park in Suffolk, with light filtering through the canopy and a path leading on into the trees.","The image shows a landscape scene with a frontal view of a dense forest. A wooden bridge spans across a narrow ravine or creek. The painting features vigorous and textural brushstrokes with dark tones creating a shadowy effect. The color palette includes deep blacks, dark browns, and occasional highlights of light filtering through the canopy. In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.",{"_295":503,"_297":504,"_299":505},"https://img.ochreeditions.com/m/1651.jpg?dl=1","/art/a-dell-at-helmingham-park-suffolk-nga-119643","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643",{"_291":292,"_293":294},{"_224":495,"_125":496,"_285":497},{"_276":491,"_278":492,"_280":493,"_281":494},49,44.166015625,25,20.166015625,{"_287":224,"_123":501,"_154":502,"_140":97},{"_287":125,"_123":498,"_154":499,"_140":500},{"_287":285,"_123":167,"_154":166,"_140":169},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/1651/960.jpg","https://img.ochreeditions.com/a/1651/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":523,"_316":524},{"_314":521,"_316":522},{"_314":519,"_316":520},{"_314":517,"_316":518},{"_314":515,"_316":516},"#cbb99e",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"David Lucas","david-lucas","British, 1802–1881","British",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","turtur-risorius-nga-53854","Turtur Risorius",{"_42":578,"_221":579,"_328":580,"_330":331,"_332":581,"_334":582,"_336":-5,"_337":-5,"_338":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,17,0.655517578125,[563,564,565,566,567],{"_220":506,"_221":507,"_42":508,"_307":509},"1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_295":560,"_297":561,"_299":562},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_291":292,"_293":294},{"_224":555,"_125":556,"_285":557},{"_276":553,"_278":491,"_280":554,"_281":493},40.387939453125,16.387939453125,{"_287":224,"_123":558,"_154":559,"_140":89},{"_287":125,"_123":436,"_154":437,"_140":438},{"_287":285,"_123":433,"_154":434,"_140":435},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_314":576,"_316":577},{"_314":574,"_316":575},{"_314":572,"_316":573},{"_314":570,"_316":571},{"_314":568,"_316":569},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859",1788,1859,"heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","Heroic Landscape with Fisherman, Cows, and Horsemen",{"_42":629,"_221":630,"_328":631,"_330":528,"_332":632,"_334":633,"_336":-5,"_337":-5,"_338":-5,"_140":101},"1744","chiaroscuro woodcut printed in color on laid paper","sheet: 42 x 58.5 cm (16 9/16 x 23 1/16 in.)",58.5,1.3880040664181634,[614,615,616,617,618],{"_220":506,"_221":507,"_42":508,"_307":509},"2012.92.61","John Baptist Jackson made this in 1744, aged 43. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape scene from an elevated viewpoint. There are large columns of a classical ruin and a leafy tree on the left. On the right, there is a spreading tree with intricate leaves. In the background, there is a pastoral landscape with figures and animals. A shepherd and a cow are guiding a flock of sheep, and buildings can be seen in the distance. The horizon divides the image into sky and earth. The brushstrokes are detailed, capturing textures effectively. The color palette consists of earthy tones with touches of brighter colors on the figures' clothing.",{"_295":611,"_297":612,"_299":613},"https://img.ochreeditions.com/m/1656.jpg?dl=1","/art/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","/galleries/style/georgian-britain/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866",{"_291":292,"_293":294},{"_224":606,"_125":607,"_285":608},{"_276":603,"_278":604,"_280":589,"_281":605},82.5,66.1468505859375,42.1468505859375,{"_287":224,"_123":609,"_154":610,"_140":89},{"_287":125,"_123":436,"_154":437,"_140":438},{"_287":285,"_123":433,"_154":434,"_140":435},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1656/480.jpg","https://img.ochreeditions.com/a/1656/960.jpg","https://img.ochreeditions.com/a/1656/1920.jpg",{"_314":627,"_316":628},{"_314":625,"_316":626},{"_314":623,"_316":624},{"_314":621,"_316":622},{"_314":619,"_316":620},"#878e7d",0.1386,"#4e4232",0.1457,"#b3a284",0.1756,"#8b7c60",0.2035,"#6a5f48",0.3366,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":681,"_221":682,"_328":683,"_330":528,"_332":684,"_334":685,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1785","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[666,667,668,669,670],{"_220":506,"_221":507,"_42":508,"_307":509},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_295":663,"_297":664,"_299":665},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_291":292,"_293":294},{"_224":658,"_125":659,"_285":660},{"_276":655,"_278":656,"_280":640,"_281":657},60.9,49.927294921875,25.927294921875,{"_287":224,"_123":661,"_154":662,"_140":89},{"_287":125,"_123":436,"_154":437,"_140":438},{"_287":285,"_123":433,"_154":434,"_140":435},"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_314":679,"_316":680},{"_314":677,"_316":678},{"_314":675,"_316":676},{"_314":673,"_316":674},{"_314":671,"_316":672},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,1827,"captain-george-k-h-coussmaker-1759-1801-met-437447","Captain George K. H. Coussmaker (1759–1801)",{"_42":743,"_221":744,"_328":745,"_330":528,"_332":746,"_334":747,"_336":748,"_337":400,"_338":749,"_140":95},"1782","Paintings","Oil on canvas","93 3/4 x 57 1/4 in. (238.1 x 145.4 cm)",145.4,238.1,0.619244697361614,[728,729,730,731,732],{"_220":724,"_221":725,"_42":726,"_307":727},"Courtesy of The Metropolitan Museum of Art","20.155.3","Joshua Reynolds painted this in 1782, aged 59. It is now at The Met in New York.","Captain George Coussmaker leans against a tree with his legs casually crossed, his red coat glowing against the dark woodland, while his horse lowers its head behind him.","Captain George K. H. Coussmaker (1759–1801), by Joshua Reynolds, 1782",{"_295":721,"_297":722,"_299":723},"https://img.ochreeditions.com/m/1146.jpg?dl=1","/art/captain-george-k-h-coussmaker-1759-1801-met-437447","/galleries/style/georgian-britain/captain-george-k-h-coussmaker-1759-1801-met-437447",{"_291":373,"_293":374},{"_224":713,"_125":714,"_285":715},{"_276":710,"_278":711,"_280":712,"_281":694},162.4421624418003,253.1,147.4421624418003,{"_287":224,"_123":719,"_154":720,"_140":95},{"_287":125,"_123":716,"_154":717,"_140":718},{"_287":285,"_123":433,"_154":434,"_140":435},"style/painting-18","More paintings of the 18th century",168,"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/1146/480.jpg","https://img.ochreeditions.com/a/1146/960.jpg","https://img.ochreeditions.com/a/1146/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_314":741,"_316":742},{"_314":739,"_316":740},{"_314":737,"_316":738},{"_314":735,"_316":736},{"_314":733,"_316":734},"#4f2114",0.0473,"#ab9f82",0.0813,"#756850",0.0978,"#463929",0.2103,"#221b14",0.5633,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","william-pitt-nga-52264","William Pitt",{"_42":797,"_221":798,"_328":799,"_330":528,"_332":800,"_334":801,"_336":-5,"_337":-5,"_338":802,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[782,783,784,785,786],{"_220":506,"_221":507,"_42":508,"_307":509},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_295":779,"_297":780,"_299":781},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_291":373,"_293":374},{"_224":774,"_125":775,"_285":776},{"_276":772,"_278":169,"_280":773,"_281":493},34.62890625,19.62890625,{"_287":224,"_123":777,"_154":778,"_140":99},{"_287":125,"_123":716,"_154":717,"_140":718},{"_287":285,"_123":433,"_154":434,"_140":435},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_314":795,"_316":796},{"_314":793,"_316":794},{"_314":791,"_316":792},{"_314":789,"_316":790},{"_314":787,"_316":788},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":852,"_221":853,"_328":854,"_330":528,"_332":855,"_334":856,"_336":857,"_337":400,"_338":858,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[837,838,839,840,841],{"_220":304,"_221":305,"_42":306,"_307":308},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":836,"_302":303},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_295":833,"_297":834,"_299":835},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_291":373,"_293":374},{"_224":828,"_125":829,"_285":830},{"_276":824,"_278":825,"_280":826,"_281":827},163.0235294117647,255,148.0235294117647,240,{"_287":224,"_123":831,"_154":832,"_140":91},{"_287":125,"_123":716,"_154":717,"_140":718},{"_287":285,"_123":433,"_154":434,"_140":435},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_314":850,"_316":851},{"_314":848,"_316":849},{"_314":846,"_316":847},{"_314":844,"_316":845},{"_314":842,"_316":843},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":852,"_221":853,"_328":854,"_330":528,"_332":855,"_334":856,"_336":857,"_337":400,"_338":858,"_140":91},"c. 1822/1823","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[889,890,891,892,893],{"_220":506,"_221":507,"_42":508,"_307":509},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_295":886,"_297":887,"_299":888},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_291":373,"_293":374},{"_224":883,"_125":884,"_285":885},{"_276":880,"_278":881,"_280":882,"_281":865},116.6768798828125,143.5,101.6768798828125,{"_287":224,"_123":831,"_154":832,"_140":91},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_314":901,"_316":902},{"_314":899,"_316":900},{"_314":897,"_316":898},{"_314":896,"_316":895},{"_314":894,"_316":895},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":797,"_221":798,"_328":799,"_330":528,"_332":800,"_334":801,"_336":-5,"_337":-5,"_338":802,"_140":99},"after 1788","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[934,935,936,937,938],{"_220":304,"_221":305,"_42":306,"_307":308},"1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":933,"_302":303},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_295":930,"_297":931,"_299":932},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_291":373,"_293":374},{"_224":927,"_125":928,"_285":929},{"_276":924,"_278":925,"_280":926,"_281":909},83.17205882352941,90.5,68.17205882352941,{"_287":224,"_123":777,"_154":778,"_140":99},{"_287":125,"_123":716,"_154":717,"_140":718},{"_287":285,"_123":433,"_154":434,"_140":435},"https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.",{"_314":947,"_316":948},{"_314":945,"_316":946},{"_314":943,"_316":944},{"_314":941,"_316":942},{"_314":939,"_316":940},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"isabella-wolff-aic-4773","Isabella Wolff",{"_42":852,"_221":853,"_328":854,"_330":528,"_332":855,"_334":856,"_336":857,"_337":400,"_338":858,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[981,982,983,984,985],{"_220":444,"_221":445,"_42":446,"_307":447},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":979,"_302":980},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_295":976,"_297":977,"_299":978},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_291":373,"_293":374},{"_224":973,"_125":974,"_285":975},{"_276":970,"_278":971,"_280":972,"_281":955},116.09951287404314,143,101.09951287404314,{"_287":224,"_123":831,"_154":832,"_140":91},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","Text from the Art Institute of Chicago.",{"_314":994,"_316":995},{"_314":992,"_316":993},{"_314":990,"_316":991},{"_314":988,"_316":989},{"_314":986,"_316":987},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":743,"_221":744,"_328":745,"_330":528,"_332":746,"_334":747,"_336":748,"_337":400,"_338":749,"_140":95},"1776–81","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[1025,1026,1027,1028,1029],{"_220":444,"_221":445,"_42":446,"_307":447},"2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_295":1022,"_297":1023,"_299":1024},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_291":373,"_293":374},{"_224":1019,"_125":1020,"_285":1021},{"_276":1016,"_278":1017,"_280":1018,"_281":1002},76.14076281287247,88,61.14076281287247,{"_287":224,"_123":719,"_154":720,"_140":95},{"_287":125,"_123":716,"_154":717,"_140":718},{"_287":285,"_123":433,"_154":434,"_140":435},"https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg",{"_314":1038,"_316":1039},{"_314":1036,"_316":1037},{"_314":1034,"_316":1035},{"_314":1032,"_316":1033},{"_314":1030,"_316":1031},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"saint-john-the-evangelist-nga-54044","Saint John the Evangelist",{"_42":1086,"_221":1087,"_328":1088,"_330":528,"_332":1089,"_334":1090,"_336":-5,"_337":-5,"_338":-5,"_140":101},"1771","chiaroscuro woodcut in tan and brown","sheet: 19.7 × 15.4 cm (7 3/4 × 6 1/16 in.) other (text beneath image): 3.2 × 15.7 cm (1 1/4 × 6 3/16 in.) mount: 38.2 × 27.1 cm (15 1/16 × 10 11/16 in.)",15.4,19.7,0.702880859375,[1071,1072,1073,1074,1075],{"_220":506,"_221":507,"_42":508,"_307":509},"1973.58.3","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a winged figure seated on a bird. The image depicts a figure with flowing robes, wings outstretched, holding an open book in one hand. The figure appears to be looking off to the side, with a serene expression. The lower part of the image includes a bird upon which the figure is seated. The bird's head is turned slightly upwards, following the direction in which the figure is gazing. The image is rendered in a warm, monochromatic palette. In the lower section of the image, there is some text, likely Latin.",{"_295":1068,"_297":1069,"_299":1070},"https://img.ochreeditions.com/m/1572.jpg?dl=1","/art/saint-john-the-evangelist-nga-54044","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54044",{"_291":292,"_293":294},{"_224":1063,"_125":1064,"_285":1065},{"_276":1061,"_278":491,"_280":1062,"_281":493},41.572021484375,17.572021484375,{"_287":224,"_123":1066,"_154":1067,"_140":89},{"_287":125,"_123":436,"_154":437,"_140":438},{"_287":285,"_123":433,"_154":434,"_140":435},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1572/480.jpg","https://img.ochreeditions.com/a/1572/960.jpg","https://img.ochreeditions.com/a/1572/1920.jpg",{"_314":1084,"_316":1085},{"_314":1082,"_316":1083},{"_314":1080,"_316":1081},{"_314":1078,"_316":1079},{"_314":1076,"_316":1077},"#a28a5c",0.1319,"#d5b378",0.1774,"#b29562",0.1816,"#c1a26a",0.2372,"#d5c19a",0.2719,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"weymouth-bay-met-682931","Weymouth Bay",{"_42":525,"_221":526,"_328":527,"_330":528,"_332":529,"_334":530,"_336":531,"_337":400,"_338":532,"_140":97},"Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[1121,1122,1123,1124,1125],{"_220":724,"_221":725,"_42":726,"_307":727},"39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_295":1118,"_297":1119,"_299":1120},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_291":292,"_293":294},{"_224":1115,"_125":1116,"_285":1117},{"_276":491,"_278":1113,"_280":493,"_281":1114},43.859539602028875,19.85953960202887,{"_287":224,"_123":501,"_154":502,"_140":97},{"_287":125,"_123":498,"_154":499,"_140":500},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg",{"_314":1134,"_316":1135},{"_314":1132,"_316":1133},{"_314":1130,"_316":1131},{"_314":1128,"_316":1129},{"_314":1126,"_316":1127},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,{"_1137":-5,"_1138":1139,"_1140":1141,"_1142":8,"_1143":1144,"_1145":8},"user","csrf","ff008b3ce2ca9640f9eb0eb0f6cc33b629e1ecf6","cartCount",0,"dropLive","legal",[1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156,1157],"uploadsEnabled",{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]