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(101.6 x 127 cm)",101.6,1.2404942965779469,[482,483,484,485,486],{"_219":478,"_220":479,"_42":480,"_302":481},"Courtesy of The Metropolitan Museum of Art","2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_293":475,"_295":476,"_297":477},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_289":290,"_291":292},{"_223":472,"_125":473,"_283":474},{"_274":345,"_276":470,"_278":328,"_279":471},117.37854406130268,102.37854406130268,{"_285":223,"_123":350,"_154":351,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_309":495,"_311":496},{"_309":493,"_311":494},{"_309":491,"_311":492},{"_309":489,"_311":490},{"_309":487,"_311":488},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":542,"_220":543,"_379":544,"_381":382,"_383":545,"_385":546,"_387":-5,"_389":-5,"_390":-5,"_140":103},"1792","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",36,0.7591623036649214,[527,528,529,530,531],{"_219":429,"_220":430,"_42":431,"_302":432},"2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_293":524,"_295":525,"_297":526},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_289":290,"_291":292},{"_223":519,"_125":520,"_283":521},{"_274":516,"_276":517,"_278":518,"_279":502},42.32984293193717,51,27.329842931937172,{"_285":223,"_123":522,"_154":523,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg",{"_309":540,"_311":541},{"_309":538,"_311":539},{"_309":536,"_311":537},{"_309":534,"_311":535},{"_309":532,"_311":533},"#89694e",0.141,"#26261b",0.1523,"#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,"noon-nga-119642","Noon",{"_42":606,"_220":607,"_379":608,"_381":609,"_383":610,"_385":611,"_387":612,"_389":613,"_390":614,"_140":97},"1830",19,"mezzotint on laid paper","plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,18.5,1.3927235634138049,[591,592,593,594,595],{"_219":588,"_220":589,"_42":590,"_302":303},"Courtesy National Gallery of Art, Washington","2001.118.23","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_293":585,"_295":586,"_297":587},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_289":424,"_291":425},{"_223":574,"_125":575,"_283":576},{"_274":571,"_276":572,"_278":554,"_279":573},49.5,42.3094482421875,18.3094482421875,{"_285":223,"_123":583,"_154":584,"_140":97},{"_285":125,"_123":580,"_154":581,"_140":582},{"_285":283,"_123":577,"_154":578,"_140":579},"era/19-britain","19th-century Britain",40,"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_309":604,"_311":605},{"_309":602,"_311":603},{"_309":600,"_311":601},{"_309":598,"_311":599},{"_309":596,"_311":597},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"David Lucas","david-lucas","British, 1802–1881","British",1802,1881,"Geddington Chase, Northamptonshire","London","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":663,"_220":664,"_379":665,"_381":609,"_383":666,"_385":386,"_387":-5,"_389":-5,"_390":667,"_140":99},"after 1788","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[648,649,650,651,652],{"_219":358,"_220":359,"_42":360,"_302":361},"1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":647,"_356":357},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_293":644,"_295":645,"_297":646},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_289":290,"_291":292},{"_223":639,"_125":640,"_283":641},{"_274":636,"_276":637,"_278":638,"_279":621},83.17205882352941,90.5,68.17205882352941,{"_285":223,"_123":642,"_154":643,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.",{"_309":661,"_311":662},{"_309":659,"_311":660},{"_309":657,"_311":658},{"_309":655,"_311":656},{"_309":653,"_311":654},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","may-from-twelve-months-of-flowers-aic-127984","May, from Twelve Months of Flowers",{"_42":715,"_220":716,"_379":717,"_381":382,"_383":718,"_385":719,"_387":-5,"_389":-5,"_390":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7948175568482284,[700,701,702,703,704],{"_219":429,"_220":430,"_42":431,"_302":432},"1946.402","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A lavish bouquet of the flowers that bloom in May fills this hand-coloured engraving, each blossom numbered and keyed to a list of names. It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_293":697,"_295":698,"_297":699},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_289":424,"_291":425},{"_223":692,"_125":693,"_283":694},{"_274":689,"_276":690,"_278":691,"_279":579},55.79270227392914,64,31.792702273929137,{"_285":223,"_123":695,"_154":696,"_140":99},{"_285":125,"_123":421,"_154":422,"_140":423},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg",{"_309":713,"_311":714},{"_309":711,"_311":712},{"_309":709,"_311":710},{"_309":707,"_311":708},{"_309":705,"_311":706},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":771,"_220":772,"_379":773,"_381":382,"_383":774,"_385":775,"_387":613,"_389":613,"_390":776,"_140":97},"1835","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,92,1.3465346534653466,[756,757,758,759,760],{"_219":358,"_220":359,"_42":360,"_302":361},"1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":755,"_356":357},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_293":752,"_295":753,"_297":754},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_289":290,"_291":292},{"_223":744,"_125":745,"_283":746},{"_274":741,"_276":742,"_278":725,"_279":743},138.2,106.49411764705881,91.49411764705881,{"_285":223,"_123":750,"_154":751,"_140":97},{"_285":125,"_123":747,"_154":748,"_140":749},{"_285":283,"_123":577,"_154":578,"_140":579},"style/painting-19","More paintings of the 19th century",432,"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.",{"_309":769,"_311":770},{"_309":767,"_311":768},{"_309":765,"_311":766},{"_309":763,"_311":764},{"_309":761,"_311":762},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":824,"_220":825,"_379":826,"_381":609,"_383":827,"_385":828,"_387":-5,"_389":-5,"_390":-5,"_140":103},"1785","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[809,810,811,812,813],{"_219":588,"_220":589,"_42":590,"_302":303},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_293":806,"_295":807,"_297":808},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_289":424,"_291":425},{"_223":801,"_125":802,"_283":803},{"_274":798,"_276":799,"_278":783,"_279":800},60.9,49.927294921875,25.927294921875,{"_285":223,"_123":804,"_154":805,"_140":89},{"_285":125,"_123":421,"_154":422,"_140":423},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_309":822,"_311":823},{"_309":820,"_311":821},{"_309":818,"_311":819},{"_309":816,"_311":817},{"_309":814,"_311":815},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,1827,"wivenhoe-park-essex-nga-1147","Wivenhoe Park, Essex",{"_42":876,"_220":877,"_379":878,"_381":382,"_383":879,"_385":880,"_387":-5,"_389":-5,"_390":881,"_140":99},"1816","overall: 56.1 x 101.2 cm (22 1/16 x 39 13/16 in.) framed: 77.8 x 122.5 x 8.8 cm (30 5/8 x 48 1/4 x 3 7/16 in.)",101.2,56.1,1.8467087466185752,[861,862,863,864,865],{"_219":588,"_220":589,"_42":590,"_302":303},"1942.9.10","John Constable painted this in 1816, aged 40. It is now at the National Gallery of Art in Washington, DC.","Black and white cows graze beyond a fence, two men haul in a net from a boat near a pair of swans, and a donkey cart crosses a distant bridge, while the brick house of Wivenhoe Park appears through the trees beneath towering summer clouds.","We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting. A wooden fence closer to us crosses the landscape from the lower left corner and disappears where the land slopes down to meet the water at the center of the painting. Several black and white cows graze in the field beyond the fence to our left. Two men in a wooden boat pull in nets on the lake to our right near a pair of swans. The lake crosses the composition in the near distance, disappearing into a culvert farther back. A donkey pulls a small carriage with two people near a bridge that crosses the lake in the distance to our left. The brick manor house is visible through a break in the full, deep green trees that line the horizon, which comes halfway up the composition. The clouds cast noticeable shadows in the brightly sunlit scene.",{"_293":858,"_295":859,"_297":860},"https://img.ochreeditions.com/m/1327.jpg?dl=1","/art/wivenhoe-park-essex-nga-1147","/galleries/style/georgian-britain/wivenhoe-park-essex-nga-1147",{"_289":290,"_291":292},{"_223":853,"_125":854,"_283":855},{"_274":850,"_276":851,"_278":834,"_279":852},116.2,69.8001953125,54.8001953125,{"_285":223,"_123":856,"_154":857,"_140":99},{"_285":125,"_123":747,"_154":748,"_140":749},{"_285":283,"_123":577,"_154":578,"_140":579},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1327/480.jpg","https://img.ochreeditions.com/a/1327/960.jpg","https://img.ochreeditions.com/a/1327/1920.jpg",{"_309":874,"_311":875},{"_309":872,"_311":873},{"_309":870,"_311":871},{"_309":868,"_311":869},{"_309":866,"_311":867},"#796b3d",0.0911,"#7c8b94",0.0987,"#4d442a",0.2058,"#322d1a",0.2536,"#837f77",0.3508,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":933,"_220":934,"_379":935,"_381":609,"_383":936,"_385":937,"_387":938,"_389":613,"_390":939,"_140":91},"July 26, 1800","watercolour","Drawing and Watercolor","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",24,35,0.6863089606703608,[918,919,920,921,922],{"_219":429,"_220":430,"_42":431,"_302":432},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_293":915,"_295":916,"_297":917},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_289":424,"_291":425},{"_223":908,"_125":909,"_283":910},{"_274":905,"_276":906,"_278":907,"_279":891},48.02081362346263,59,24.02081362346263,{"_285":223,"_123":913,"_154":914,"_140":91},{"_285":125,"_123":911,"_154":912,"_140":53},{"_285":283,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_309":931,"_311":932},{"_309":929,"_311":930},{"_309":927,"_311":928},{"_309":925,"_311":926},{"_309":923,"_311":924},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","isabella-wolff-aic-4773","Isabella Wolff",{"_42":933,"_220":934,"_379":935,"_381":609,"_383":936,"_385":937,"_387":938,"_389":613,"_390":939,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[972,973,974,975,976],{"_219":429,"_220":430,"_42":431,"_302":432},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":970,"_356":971},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_293":967,"_295":968,"_297":969},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_289":290,"_291":292},{"_223":964,"_125":965,"_283":966},{"_274":961,"_276":962,"_278":963,"_279":946},116.09951287404314,143,101.09951287404314,{"_285":223,"_123":913,"_154":914,"_140":91},{"_285":125,"_123":747,"_154":748,"_140":749},{"_285":283,"_123":577,"_154":578,"_140":579},"https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","Text from the Art Institute of Chicago.",{"_309":984,"_311":985},{"_309":982,"_311":983},{"_309":980,"_311":981},{"_309":979,"_311":535},{"_309":977,"_311":978},"#d0b89c",0.1026,"#8b6a53","#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":933,"_220":934,"_379":935,"_381":609,"_383":936,"_385":937,"_387":938,"_389":613,"_390":939,"_140":91},"c. 1822/1823","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[1016,1017,1018,1019,1020],{"_219":588,"_220":589,"_42":590,"_302":303},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_293":1013,"_295":1014,"_297":1015},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_289":290,"_291":292},{"_223":1010,"_125":1011,"_283":1012},{"_274":1007,"_276":1008,"_278":1009,"_279":992},116.6768798828125,143.5,101.6768798828125,{"_285":223,"_123":913,"_154":914,"_140":91},{"_285":125,"_123":747,"_154":748,"_140":749},{"_285":283,"_123":577,"_154":578,"_140":579},"https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_309":1028,"_311":1029},{"_309":1026,"_311":1027},{"_309":1024,"_311":1025},{"_309":1023,"_311":1022},{"_309":1021,"_311":1022},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":606,"_220":607,"_379":608,"_381":609,"_383":610,"_385":611,"_387":612,"_389":613,"_390":614,"_140":97},"mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,1.4041823791566679,[1058,1059,1060,1061,1062],{"_219":588,"_220":589,"_42":590,"_302":303},"2001.118.27","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_293":1055,"_295":1056,"_297":1057},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_289":424,"_291":425},{"_223":1052,"_125":1053,"_283":1054},{"_274":1049,"_276":1050,"_278":1035,"_279":1051},49.2,41.94638671875,17.94638671875,{"_285":223,"_123":583,"_154":584,"_140":97},{"_285":125,"_123":580,"_154":581,"_140":582},{"_285":283,"_123":577,"_154":578,"_140":579},"https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_309":1071,"_311":1072},{"_309":1069,"_311":1070},{"_309":1067,"_311":1068},{"_309":1065,"_311":1066},{"_309":1063,"_311":1064},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"sir-thomas-rumbold-bt-aic-84707","Sir Thomas Rumbold, Bt.",{"_42":1118,"_220":1119,"_379":1120,"_381":609,"_383":1121,"_385":1122,"_387":1123,"_389":613,"_390":1124,"_140":95},"1788","126.7 × 101.3 cm (49 7/8 × 39 7/8 in.); Framed: 149 × 123.2 × 8.3 cm (58 5/8 × 48 1/2 × 3 1/4 in.)",101,126,0.7977275284058949,[1103,1104,1105,1106,1107],{"_219":429,"_220":430,"_42":431,"_302":432},"1955.1202","Joshua Reynolds painted this in 1788, aged 65. It is now at the Art Institute of Chicago.",{"_293":1100,"_295":1101,"_297":1102},"https://img.ochreeditions.com/m/230.jpg?dl=1","/art/sir-thomas-rumbold-bt-aic-84707","/galleries/style/georgian-britain/sir-thomas-rumbold-bt-aic-84707",{"_289":290,"_291":292},{"_223":1095,"_125":1096,"_283":1097},{"_274":1092,"_276":1093,"_278":1094,"_279":1079},115.51366857914276,141,100.51366857914276,{"_285":223,"_123":1098,"_154":1099,"_140":95},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/230/480.jpg","https://img.ochreeditions.com/a/230/960.jpg","https://img.ochreeditions.com/a/230/1920.jpg",{"_309":1116,"_311":1117},{"_309":1114,"_311":1115},{"_309":1112,"_311":1113},{"_309":1110,"_311":1111},{"_309":1108,"_311":1109},"#4e3c1b",0.0861,"#7b5f30",0.1161,"#652304",0.1777,"#301904",0.2331,"#201605",0.387,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.",{"_1126":-5,"_1127":1128,"_1129":1130,"_1131":8,"_1132":1133,"_1134":8},"user","csrf","0a6947c8c9b57863b23bc81a14fe22692b70021f","cartCount",0,"dropLive","legal",[1135,1136,1137,1138,1139,1140,1141,1142,1143,1144,1145,1146],"uploadsEnabled",{"_220":1169,"_20":1170},{"_220":1167,"_20":1168},{"_220":1165,"_20":1166},{"_220":1163,"_20":1164},{"_220":1161,"_20":1162},{"_220":1159,"_20":1160},{"_220":1157,"_20":1158},{"_220":1155,"_20":1156},{"_220":1153,"_20":1154},{"_220":1151,"_20":1152},{"_220":1149,"_20":1150},{"_220":1147,"_20":1148},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]