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Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":510,"_220":511,"_323":512,"_325":513,"_327":514,"_329":515,"_331":516,"_333":334,"_335":517,"_140":97},"1830","mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[495,496,497,498,499],{"_219":491,"_220":492,"_42":493,"_302":494},"Courtesy National Gallery of Art, Washington","2001.118.27","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_293":488,"_295":489,"_297":490},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_289":290,"_291":292},{"_223":480,"_125":481,"_284":482},{"_275":477,"_277":478,"_279":460,"_280":479},49.2,41.94638671875,17.94638671875,{"_286":223,"_123":486,"_154":487,"_140":97},{"_286":125,"_123":483,"_154":484,"_140":485},{"_286":284,"_123":420,"_154":421,"_140":422},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_309":508,"_311":509},{"_309":506,"_311":507},{"_309":504,"_311":505},{"_309":502,"_311":503},{"_309":500,"_311":501},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"David Lucas","david-lucas","British, 1802–1881","British",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":568,"_220":569,"_323":570,"_325":326,"_327":571,"_329":572,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1827","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",101,127,0.7940150839347985,[553,554,555,556,557],{"_219":299,"_220":300,"_42":301,"_302":303},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":550,"_551":552},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_293":547,"_295":548,"_297":549},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_289":428,"_291":429},{"_223":542,"_125":543,"_284":544},{"_275":539,"_277":540,"_279":541,"_280":524},115.83991565971941,142,100.83991565971941,{"_286":223,"_123":545,"_154":546,"_140":89},{"_286":125,"_123":423,"_154":424,"_140":425},{"_286":284,"_123":420,"_154":421,"_140":422},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.","source","Text from the Art Institute of Chicago.",{"_309":566,"_311":567},{"_309":564,"_311":565},{"_309":562,"_311":563},{"_309":560,"_311":561},{"_309":558,"_311":559},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1782,1847,"descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":632,"_220":633,"_323":634,"_325":635,"_327":636,"_329":637,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1834","drawing","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[618,619,620,621,622],{"_219":614,"_220":615,"_42":616,"_302":617},"Courtesy of the Cleveland Museum of Art","1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":612,"_551":613},"Descent into the Plain of Granada, by David Roberts, 1834",{"_293":609,"_295":610,"_297":611},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_289":290,"_291":292},{"_223":601,"_125":602,"_284":603},{"_275":598,"_277":599,"_279":581,"_280":600},56.5,47.45735294117647,23.45735294117647,{"_286":223,"_123":607,"_154":608,"_140":89},{"_286":125,"_123":604,"_154":605,"_140":606},{"_286":284,"_123":420,"_154":421,"_140":422},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":630,"_311":631},{"_309":629,"_311":443},{"_309":627,"_311":628},{"_309":625,"_311":626},{"_309":623,"_311":624},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b","#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864","Scottish",1796,1864,"peamore-devon-nga-137152","Peamore, Devon",{"_42":688,"_220":689,"_323":690,"_325":513,"_327":691,"_329":452,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1799","wash and watercolor with pen and black ink over graphite on eight joined sheets of laid paper, on the artist's original mount","image: 45.2 x 57.3 cm (17 13/16 x 22 9/16 in.)",57.3,45.2,1.2337349397590363,[673,674,675,676,677],{"_219":491,"_220":492,"_42":493,"_302":494},"2007.16.1","John White Abbott painted this in 1799, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image shows a forest by a serene, tree-lined body of water. The horizon is high with tall trees extending close to it, creating a sense of depth. The brushstrokes and watercolor application are delicate, capturing textures of leaves and water gently. The color palette includes muted greens, soft browns, and hints of blue and cream. Closest to us is a dense cluster of trees on the right, curving over the water. Across the water, other tree clusters and shrubs recede into the misty background towards the left.",{"_293":670,"_295":671,"_297":672},"https://img.ochreeditions.com/m/1666.jpg?dl=1","/art/peamore-devon-nga-137152","/galleries/style/georgian-britain/peamore-devon-nga-137152",{"_289":290,"_291":292},{"_223":662,"_125":663,"_284":664},{"_275":659,"_277":660,"_279":644,"_280":661},81.3,70.4443359375,46.44433593749999,{"_286":223,"_123":668,"_154":669,"_140":89},{"_286":125,"_123":665,"_154":666,"_140":667},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-john-white-abbott","John White Abbott's contemporaries","https://img.ochreeditions.com/a/1666/480.jpg","https://img.ochreeditions.com/a/1666/960.jpg","https://img.ochreeditions.com/a/1666/1920.jpg",{"_309":686,"_311":687},{"_309":684,"_311":685},{"_309":682,"_311":683},{"_309":680,"_311":681},{"_309":678,"_311":679},"#afad94",0.085,"#ab9571",0.1157,"#6f624e",0.1563,"#8a7c62",0.2097,"#d9c9b1",0.4333,"John White Abbott","john-white-abbott","British, 1763–1851",1763,"mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":740,"_220":741,"_323":742,"_325":326,"_327":743,"_329":744,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1792","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",36,0.7591623036649214,[725,726,727,728,729],{"_219":299,"_220":300,"_42":301,"_302":303},"2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_293":722,"_295":723,"_297":724},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_289":428,"_291":429},{"_223":714,"_125":715,"_284":716},{"_275":711,"_277":712,"_279":713,"_280":697},42.32984293193717,51,27.329842931937172,{"_286":223,"_123":720,"_154":721,"_140":89},{"_286":125,"_123":717,"_154":718,"_140":719},{"_286":284,"_123":166,"_154":165,"_140":168},"style/painting-18","More paintings of the 18th century",168,"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg",{"_309":738,"_311":739},{"_309":736,"_311":737},{"_309":734,"_311":735},{"_309":732,"_311":733},{"_309":730,"_311":731},"#89694e",0.141,"#26261b",0.1523,"#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,"the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":794,"_220":795,"_323":796,"_325":326,"_327":797,"_329":798,"_331":-5,"_333":-5,"_335":-5,"_140":101},"n.d.","Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[779,780,781,782,783],{"_219":299,"_220":300,"_42":301,"_302":303},"1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_293":776,"_295":777,"_297":778},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_289":290,"_291":292},{"_223":769,"_125":770,"_284":771},{"_275":766,"_277":767,"_279":751,"_280":768},70,56.1976386036961,32.1976386036961,{"_286":223,"_123":774,"_154":775,"_140":89},{"_286":125,"_123":772,"_154":773,"_140":422},{"_286":284,"_123":420,"_154":421,"_140":422},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg",{"_309":792,"_311":793},{"_309":790,"_311":791},{"_309":788,"_311":789},{"_309":786,"_311":787},{"_309":784,"_311":785},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":846,"_220":847,"_323":848,"_325":849,"_327":850,"_329":851,"_331":-5,"_333":-5,"_335":-5,"_140":103},"c. 1772","oil on canvas","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",101.5,1.2560029553010712,[831,832,833,834,835],{"_219":614,"_220":615,"_42":616,"_302":617},"2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":830,"_551":613},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_293":827,"_295":828,"_297":829},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_289":428,"_291":429},{"_223":822,"_125":823,"_284":824},{"_275":540,"_277":820,"_279":524,"_280":821},116.11441176470589,101.11441176470589,{"_286":223,"_123":825,"_154":826,"_140":89},{"_286":125,"_123":717,"_154":718,"_140":719},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.",{"_309":844,"_311":845},{"_309":842,"_311":843},{"_309":840,"_311":841},{"_309":838,"_311":839},{"_309":836,"_311":837},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":897,"_220":898,"_323":899,"_325":326,"_327":900,"_329":901,"_331":-5,"_333":-5,"_335":-5,"_140":99},"Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912519643792562,[882,883,884,885,886],{"_219":299,"_220":300,"_42":301,"_302":303},"1946.405","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_293":879,"_295":880,"_297":881},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_289":290,"_291":292},{"_223":874,"_125":875,"_284":876},{"_275":871,"_277":872,"_279":873,"_280":422},55.65007857517025,64,31.650078575170248,{"_286":223,"_123":877,"_154":878,"_140":99},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg",{"_309":895,"_311":896},{"_309":893,"_311":894},{"_309":891,"_311":892},{"_309":889,"_311":890},{"_309":887,"_311":888},"#796237",0.064,"#5c493a",0.0907,"#8a7b65",0.1271,"#baae9b",0.3131,"#d1c7b6",0.4051,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":948,"_220":949,"_323":950,"_325":326,"_327":951,"_329":952,"_331":-5,"_333":-5,"_335":953,"_140":99},"Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[933,934,935,936,937],{"_219":299,"_220":300,"_42":301,"_302":303},"1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_293":930,"_295":931,"_297":932},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_289":290,"_291":292},{"_223":925,"_125":926,"_284":927},{"_275":922,"_277":923,"_279":907,"_280":924},53,44.521086780210865,20.52108678021087,{"_286":223,"_123":928,"_154":929,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":53},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg",{"_309":946,"_311":947},{"_309":944,"_311":945},{"_309":942,"_311":943},{"_309":940,"_311":941},{"_309":938,"_311":939},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":1002,"_220":1003,"_323":1004,"_325":513,"_327":1005,"_329":1006,"_331":1007,"_333":334,"_335":1008,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[987,988,989,990,991],{"_219":614,"_220":615,"_42":616,"_302":617},"1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":986,"_551":613},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_293":983,"_295":984,"_297":985},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_289":428,"_291":429},{"_223":978,"_125":979,"_284":980},{"_275":975,"_277":976,"_279":977,"_280":960},185.63529411764705,211,170.63529411764705,{"_286":223,"_123":981,"_154":982,"_140":95},{"_286":125,"_123":717,"_154":718,"_140":719},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.",{"_309":1000,"_311":1001},{"_309":998,"_311":999},{"_309":996,"_311":997},{"_309":994,"_311":995},{"_309":992,"_311":993},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":1056,"_220":1057,"_323":1058,"_325":513,"_327":1059,"_329":1060,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1785","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[1041,1042,1043,1044,1045],{"_219":491,"_220":492,"_42":493,"_302":494},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_293":1038,"_295":1039,"_297":1040},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_289":290,"_291":292},{"_223":1033,"_125":1034,"_284":1035},{"_275":1030,"_277":1031,"_279":1015,"_280":1032},60.9,49.927294921875,25.927294921875,{"_286":223,"_123":1036,"_154":1037,"_140":89},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_309":1054,"_311":1055},{"_309":1052,"_311":1053},{"_309":1050,"_311":1051},{"_309":1048,"_311":1049},{"_309":1046,"_311":1047},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,1827,"georgiana-duchess-of-devonshire-nga-52263","Georgiana, Duchess of Devonshire",{"_42":1108,"_220":1109,"_323":1110,"_325":513,"_327":1111,"_329":1112,"_331":-5,"_333":-5,"_335":1113,"_140":99},"c. 1787/1796","overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.) framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in.)",39.9,59.1,0.666748046875,[1093,1094,1095,1096,1097],{"_219":491,"_220":492,"_42":493,"_302":494},"1970.17.119","Gainsborough Dupont painted this in about 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","Georgiana, Duchess of Devonshire, political hostess and leader of fashion in Georgian society, stands at full length in a light silk dress and a large dark feathered hat, gathering her skirts in her arms beside tall trees.","This painting is a full-length portrait of a woman with her body facing the right and her head turned toward us. She has light skin, curly gray hair, arched eyebrows, and a small mouth in a neutral expression. She wears an elegant light-colored dress with a large bow on the back and a large, dark, feathered hat, and she has a flower tucked in her arms, which also gather up some of her skirts. The background shows tall trees, with the edge of a wall visible in the upper-right corner. The color scheme of the painting is mostly olive-green, and everything has a green tint.",{"_293":1090,"_295":1091,"_297":1092},"https://img.ochreeditions.com/m/1550.jpg?dl=1","/art/georgiana-duchess-of-devonshire-nga-52263","/galleries/style/georgian-britain/georgiana-duchess-of-devonshire-nga-52263",{"_289":428,"_291":429},{"_223":1085,"_125":1086,"_284":1087},{"_275":1082,"_277":1083,"_279":1084,"_280":1067},54.4048095703125,74.1,39.4048095703125,{"_286":223,"_123":1088,"_154":1089,"_140":99},{"_286":125,"_123":717,"_154":718,"_140":719},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1550/480.jpg","https://img.ochreeditions.com/a/1550/960.jpg","https://img.ochreeditions.com/a/1550/1920.jpg",{"_309":1106,"_311":1107},{"_309":1104,"_311":1105},{"_309":1102,"_311":1103},{"_309":1100,"_311":1101},{"_309":1098,"_311":1099},"#bba987",0.0696,"#3b2e29",0.1916,"#917f5d",0.2158,"#7a6236",0.2411,"#5b462d",0.2819,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","portrait-of-mrs-george-collier-cma-101852","Portrait of Mrs. George Collier",{"_42":1002,"_220":1003,"_323":1004,"_325":513,"_327":1005,"_329":1006,"_331":1007,"_333":334,"_335":1008,"_140":95},"18th century",17,"Framed: 112 x 101 x 12 cm (44 1/8 x 39 3/4 x 4 3/4 in.); Unframed: 80 x 67.3 cm (31 1/2 x 26 1/2 in.)",67.3,80,0.8194117647058824,[1151,1152,1153,1154,1155],{"_219":614,"_220":615,"_42":616,"_302":617},"1920.514","Joshua Reynolds painted this in 18th century. It is now at the Cleveland Museum of Art.",{"_118":1150,"_551":613},"Portrait of Mrs. George Collier, by Joshua Reynolds, 18th century",{"_293":1147,"_295":1148,"_297":1149},"https://img.ochreeditions.com/m/498.jpg?dl=1","/art/portrait-of-mrs-george-collier-cma-101852","/galleries/style/georgian-britain/portrait-of-mrs-george-collier-cma-101852",{"_289":428,"_291":429},{"_223":1139,"_125":1140,"_284":1141},{"_275":1136,"_277":1137,"_279":1138,"_280":1121},80.5529411764706,95,65.5529411764706,{"_286":223,"_123":981,"_154":982,"_140":95},{"_286":125,"_123":1145,"_154":1146,"_140":719},{"_286":284,"_123":1142,"_154":1143,"_140":1144},"era/17","The 17th century",266,"style/painting-17","More paintings of the 17th century","https://img.ochreeditions.com/a/498/480.jpg","https://img.ochreeditions.com/a/498/960.jpg","https://img.ochreeditions.com/a/498/1920.jpg","Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds. However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time.",{"_309":1164,"_311":1165},{"_309":1162,"_311":1163},{"_309":1160,"_311":1161},{"_309":1158,"_311":1159},{"_309":1156,"_311":1157},"#dbae62",0.0772,"#543416",0.0793,"#a17433",0.0962,"#784818",0.1532,"#312311",0.5941,{"_1167":-5,"_1168":1169,"_1170":1171,"_1172":8,"_1173":1174,"_1175":8},"user","csrf","7427ecbccbc4cf400a8f52423b91b688bb10b363","cartCount",0,"dropLive","legal",[1176,1177,1178,1179,1180,1181,1182,1183,1184,1185,1186,1187],"uploadsEnabled",{"_220":1210,"_20":1211},{"_220":1208,"_20":1209},{"_220":1206,"_20":1207},{"_220":1204,"_20":1205},{"_220":1202,"_20":1203},{"_220":1200,"_20":1201},{"_220":1198,"_20":1199},{"_220":1196,"_20":1197},{"_220":1194,"_20":1195},{"_220":1192,"_20":1193},{"_220":1190,"_20":1191},{"_220":1188,"_20":1189},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]