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The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.","images",{"_295":296,"_297":298,"_299":300},"download_url","https://img.ochreeditions.com/m/1326.jpg?dl=1","page_url","/art/the-white-horse-nga-1146","walk_url","/galleries/style/georgian-britain/the-white-horse-nga-1146","frame",{"_291":292,"_293":294},{"_224":283,"_125":284,"_285":286},"size",{"_276":277,"_278":279,"_280":243,"_281":282},"w",198,"h",142.912353515625,"image_w","image_h",127.912353515625,{"_287":224,"_123":171,"_154":170,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},"era",{"_287":285,"_123":167,"_154":166,"_140":169},"facet","style/painting-19","More paintings of the 19th century",432,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1326/480.jpg","960","https://img.ochreeditions.com/a/1326/960.jpg","1920","https://img.ochreeditions.com/a/1326/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_311":321,"_313":322},{"_311":319,"_313":320},{"_311":317,"_313":318},{"_311":315,"_313":316},{"_311":312,"_313":314},"hex","#786340","weight",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"John Constable","john-constable","bio","English, 1776–1837","nationality","English","birth_year",1776,"death_year",1837,"birth_place","death_place","about_excerpt","Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":399,"_221":400,"_325":401,"_327":328,"_329":402,"_331":403,"_333":-5,"_334":-5,"_335":-5,"_140":99},"n.d.",18,"print","Print","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912519643792562,[384,385,386,387,388],{"_220":380,"_221":381,"_42":382,"_304":383},"Courtesy of the Art Institute of Chicago","1946.405","Henry Fletcher painted this (n.d.), aged about 20. 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It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_295":435,"_297":436,"_299":437},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_291":292,"_293":294},{"_224":427,"_125":428,"_285":429},{"_276":424,"_278":425,"_280":409,"_281":426},135,116.953125,101.953125,{"_287":224,"_123":433,"_154":434,"_140":89},{"_287":125,"_123":430,"_154":431,"_140":432},{"_287":285,"_123":367,"_154":368,"_140":369},"style/painting-18","More paintings of the 18th century",168,"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg",{"_311":451,"_313":452},{"_311":449,"_313":450},{"_311":447,"_313":448},{"_311":445,"_313":446},{"_311":443,"_313":444},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823","Scottish",1756,1823,"small-landscape-si-saam-1956-11-20","Small Landscape","Unrecorded British maker","ca. 1750-1800","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[494,495,496,497,498],{"_220":491,"_221":492,"_42":493,"_304":305},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_295":488,"_297":489,"_299":490},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_291":292,"_293":294},{"_224":483,"_125":484,"_285":485},{"_276":480,"_278":481,"_280":464,"_281":482},70.2,58.4424,43.4424,{"_287":224,"_123":486,"_154":487,"_140":97},{"_287":125,"_123":430,"_154":431,"_140":432},{"_287":285,"_123":367,"_154":368,"_140":369},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_311":507,"_313":508},{"_311":505,"_313":506},{"_311":503,"_313":504},{"_311":501,"_313":502},{"_311":499,"_313":500},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"self-portrait-aic-11706","Self-Portrait",{"_42":560,"_221":561,"_325":562,"_327":328,"_329":563,"_331":564,"_333":-5,"_334":-5,"_335":565,"_140":99},"c. 1779","watercolour","Drawing and Watercolor","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",17,0.5697549441100602,[545,546,547,548,549],{"_220":380,"_221":381,"_42":382,"_304":383},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_295":542,"_297":543,"_299":544},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_291":375,"_293":376},{"_224":535,"_125":536,"_285":537},{"_276":532,"_278":533,"_280":534,"_281":346},41.0926483233018,54,17.092648323301805,{"_287":224,"_123":540,"_154":541,"_140":99},{"_287":125,"_123":538,"_154":539,"_140":53},{"_287":285,"_123":367,"_154":368,"_140":369},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_311":558,"_313":559},{"_311":556,"_313":557},{"_311":554,"_313":555},{"_311":552,"_313":553},{"_311":550,"_313":551},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":619,"_221":620,"_325":621,"_327":622,"_329":623,"_331":624,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",1.2560029553010712,[604,605,606,607,608],{"_220":600,"_221":601,"_42":602,"_304":603},"Courtesy of the Cleveland Museum of Art","2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":597,"_598":599},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_295":594,"_297":595,"_299":596},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_291":292,"_293":294},{"_224":589,"_125":590,"_285":591},{"_276":586,"_278":587,"_280":245,"_281":588},142,116.11441176470589,101.11441176470589,{"_287":224,"_123":592,"_154":593,"_140":89},{"_287":125,"_123":430,"_154":431,"_140":432},{"_287":285,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":617,"_313":618},{"_311":615,"_313":616},{"_311":613,"_313":614},{"_311":611,"_313":612},{"_311":609,"_313":610},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":679,"_221":680,"_325":681,"_327":456,"_329":682,"_331":683,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1834","drawing","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[664,665,666,667,668],{"_220":600,"_221":601,"_42":602,"_304":603},"1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":663,"_598":599},"Descent into the Plain of Granada, by David Roberts, 1834",{"_295":660,"_297":661,"_299":662},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_291":375,"_293":376},{"_224":652,"_125":653,"_285":654},{"_276":649,"_278":650,"_280":633,"_281":651},56.5,47.45735294117647,23.45735294117647,{"_287":224,"_123":658,"_154":659,"_140":89},{"_287":125,"_123":655,"_154":656,"_140":657},{"_287":285,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.",{"_311":677,"_313":678},{"_311":675,"_313":676},{"_311":673,"_313":674},{"_311":671,"_313":672},{"_311":669,"_313":670},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864",1796,1864,"saint-john-the-evangelist-nga-54044","Saint John the Evangelist",{"_42":732,"_221":733,"_325":734,"_327":735,"_329":736,"_331":737,"_333":-5,"_334":-5,"_335":-5,"_140":101},"1771","chiaroscuro woodcut in tan and brown","sheet: 19.7 × 15.4 cm (7 3/4 × 6 1/16 in.) other (text beneath image): 3.2 × 15.7 cm (1 1/4 × 6 3/16 in.) mount: 38.2 × 27.1 cm (15 1/16 × 10 11/16 in.)",15.4,19.7,0.702880859375,[717,718,719,720,721],{"_220":301,"_221":302,"_42":303,"_304":305},"1973.58.3","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a winged figure seated on a bird. The image depicts a figure with flowing robes, wings outstretched, holding an open book in one hand. The figure appears to be looking off to the side, with a serene expression. The lower part of the image includes a bird upon which the figure is seated. The bird's head is turned slightly upwards, following the direction in which the figure is gazing. The image is rendered in a warm, monochromatic palette. In the lower section of the image, there is some text, likely Latin.",{"_295":714,"_297":715,"_299":716},"https://img.ochreeditions.com/m/1572.jpg?dl=1","/art/saint-john-the-evangelist-nga-54044","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54044",{"_291":375,"_293":376},{"_224":709,"_125":710,"_285":711},{"_276":705,"_278":706,"_280":707,"_281":708},41.572021484375,49,17.572021484375,25,{"_287":224,"_123":712,"_154":713,"_140":89},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1572/480.jpg","https://img.ochreeditions.com/a/1572/960.jpg","https://img.ochreeditions.com/a/1572/1920.jpg",{"_311":730,"_313":731},{"_311":728,"_313":729},{"_311":726,"_313":727},{"_311":724,"_313":725},{"_311":722,"_313":723},"#a28a5c",0.1319,"#d5b378",0.1774,"#b29562",0.1816,"#c1a26a",0.2372,"#d5c19a",0.2719,"John Skippe","john-skippe","British, 1742–1812","British",1742,1811,"portrait-of-colonel-charles-heathcote-cma-302209","Portrait of Colonel Charles Heathcote",{"_42":785,"_221":786,"_325":787,"_327":328,"_329":788,"_331":789,"_333":790,"_334":790,"_335":791,"_140":99},"c. 1771–72","Oil on canvas","127 x 100 cm (50 x 39 3/8 in.)",100,0.7991176470588235,[770,771,772,773,774],{"_220":600,"_221":601,"_42":602,"_304":603},"2017.100","Joseph Wright of Derby painted this in about 1771–72, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":769,"_598":599},"Portrait of Colonel Charles Heathcote, by Joseph Wright of Derby, c. 1771–72",{"_295":766,"_297":767,"_299":768},"https://img.ochreeditions.com/m/784.jpg?dl=1","/art/portrait-of-colonel-charles-heathcote-cma-302209","/galleries/style/georgian-britain/portrait-of-colonel-charles-heathcote-cma-302209",{"_291":292,"_293":294},{"_224":761,"_125":762,"_285":763},{"_276":759,"_278":586,"_280":760,"_281":245},116.48794117647058,101.48794117647058,{"_287":224,"_123":764,"_154":765,"_140":99},{"_287":125,"_123":430,"_154":431,"_140":432},{"_287":285,"_123":367,"_154":368,"_140":369},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/784/480.jpg","https://img.ochreeditions.com/a/784/960.jpg","https://img.ochreeditions.com/a/784/1920.jpg","Assuming a relaxed but commanding pose, Colonel Charles Heathcote (1734–1797) stands beside a large oak tree in the foreground of an expansive landscape. He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.",{"_311":783,"_313":784},{"_311":781,"_313":782},{"_311":779,"_313":780},{"_311":777,"_313":778},{"_311":775,"_313":776},"#762820",0.0221,"#977d5d",0.0414,"#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","stoke-by-nayland-aic-4758","Stoke-by-Nayland",{"_42":323,"_221":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":-5,"_334":-5,"_335":336,"_140":99},"1836","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)",169,126,1.358449273096764,[824,825,826,827,828],{"_220":380,"_221":381,"_42":382,"_304":383},"1922.4453","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":822,"_598":823},"Large English country landscape painting, farmers with horses, green trees.",{"_295":819,"_297":820,"_299":821},"https://img.ochreeditions.com/m/7.jpg?dl=1","/art/stoke-by-nayland-aic-4758","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758",{"_291":292,"_293":294},{"_224":816,"_125":817,"_285":818},{"_276":813,"_278":814,"_280":797,"_281":815},184,139.40655926352127,124.40655926352129,{"_287":224,"_123":171,"_154":170,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/7/960.jpg","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.","Text from the Art Institute of Chicago.",{"_311":837,"_313":838},{"_311":835,"_313":836},{"_311":833,"_313":834},{"_311":831,"_313":832},{"_311":829,"_313":830},"#a8b3b4",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":888,"_221":889,"_325":890,"_327":735,"_329":891,"_331":892,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1807","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[873,874,875,876,877],{"_220":600,"_221":601,"_42":602,"_304":603},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":872,"_598":599},"Bray Church Yard, by John Varley, 1807",{"_295":869,"_297":870,"_299":871},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_291":375,"_293":376},{"_224":864,"_125":865,"_285":866},{"_276":861,"_278":862,"_280":845,"_281":863},60.9,48.95091176470588,24.950911764705882,{"_287":224,"_123":867,"_154":868,"_140":89},{"_287":125,"_123":655,"_154":656,"_140":657},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_311":886,"_313":887},{"_311":884,"_313":885},{"_311":882,"_313":883},{"_311":880,"_313":881},{"_311":878,"_313":879},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":940,"_221":941,"_325":942,"_327":735,"_329":943,"_331":944,"_333":945,"_334":946,"_335":947,"_140":91},"1801","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,0.7955882352941176,[925,926,927,928,929],{"_220":600,"_221":601,"_42":602,"_304":603},"1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":924,"_598":599},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_295":921,"_297":922,"_299":923},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_291":292,"_293":294},{"_224":916,"_125":917,"_285":918},{"_276":913,"_278":914,"_280":915,"_281":372},117.63088235294117,144,102.63088235294117,{"_287":224,"_123":919,"_154":920,"_140":91},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.",{"_311":938,"_313":939},{"_311":936,"_313":937},{"_311":934,"_313":935},{"_311":932,"_313":933},{"_311":930,"_313":931},"#bc9f72",0.1057,"#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","London","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":995,"_221":996,"_325":997,"_327":328,"_329":998,"_331":999,"_333":1000,"_334":946,"_335":1001,"_140":97},"early 1770s (not later than 1772)","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[981,982,983,984,985],{"_220":380,"_221":381,"_42":382,"_304":383},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_295":978,"_297":979,"_299":980},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_291":375,"_293":376},{"_224":973,"_125":974,"_285":975},{"_276":970,"_278":971,"_280":954,"_281":972},79,66.1776611694153,42.177661169415295,{"_287":224,"_123":976,"_154":977,"_140":97},{"_287":125,"_123":538,"_154":539,"_140":53},{"_287":285,"_123":367,"_154":368,"_140":369},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_311":993,"_313":994},{"_311":991,"_313":992},{"_311":989,"_313":990},{"_311":988,"_313":832},{"_311":986,"_313":987},"#75643b",0.1438,"#483b21","#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":940,"_221":941,"_325":942,"_327":735,"_329":943,"_331":944,"_333":945,"_334":946,"_335":947,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[1034,1035,1036,1037,1038],{"_220":600,"_221":601,"_42":602,"_304":603},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":1033,"_598":599},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_295":1030,"_297":1031,"_299":1032},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_291":292,"_293":294},{"_224":1027,"_125":1028,"_285":1029},{"_276":1023,"_278":1024,"_280":1025,"_281":1026},163.0235294117647,255,148.0235294117647,240,{"_287":224,"_123":919,"_154":920,"_140":91},{"_287":125,"_123":430,"_154":431,"_140":432},{"_287":285,"_123":367,"_154":368,"_140":369},"https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_311":1047,"_313":1048},{"_311":1045,"_313":1046},{"_311":1043,"_313":1044},{"_311":1041,"_313":1042},{"_311":1039,"_313":1040},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":1096,"_221":1097,"_325":1098,"_327":735,"_329":1099,"_331":1100,"_333":-5,"_334":-5,"_335":-5,"_140":101},"1739","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[1081,1082,1083,1084,1085],{"_220":301,"_221":302,"_42":303,"_304":305},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_295":1078,"_297":1079,"_299":1080},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_291":375,"_293":376},{"_224":1073,"_125":1074,"_285":1075},{"_276":1070,"_278":1071,"_280":1072,"_281":1056},59.630419921874996,77.4,35.630419921874996,{"_287":224,"_123":1076,"_154":1077,"_140":89},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_311":1094,"_313":1095},{"_311":1092,"_313":1093},{"_311":1090,"_313":1091},{"_311":1088,"_313":1089},{"_311":1086,"_313":1087},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"noon-nga-119642","Noon",{"_42":1152,"_221":1153,"_325":1154,"_327":735,"_329":1155,"_331":1156,"_333":1157,"_334":946,"_335":1158,"_140":97},"1830","mezzotint on laid paper","plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,18.5,1.3927235634138049,[1137,1138,1139,1140,1141],{"_220":301,"_221":302,"_42":303,"_304":305},"2001.118.23","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_295":1134,"_297":1135,"_299":1136},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_291":375,"_293":376},{"_224":1126,"_125":1127,"_285":1128},{"_276":1123,"_278":1124,"_280":1107,"_281":1125},49.5,42.3094482421875,18.3094482421875,{"_287":224,"_123":1132,"_154":1133,"_140":97},{"_287":125,"_123":1129,"_154":1130,"_140":1131},{"_287":285,"_123":167,"_154":166,"_140":169},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_311":1150,"_313":1151},{"_311":1148,"_313":1149},{"_311":1146,"_313":1147},{"_311":1144,"_313":1145},{"_311":1142,"_313":1143},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.",{"_1160":-5,"_1161":1162,"_1163":1164,"_1165":8,"_1166":1167,"_1168":8},"user","csrf","340a5c12c4260e3e424b3ea5a7970a6463f460dd","cartCount",0,"dropLive","legal",[1169,1170,1171,1172,1173,1174,1175,1176,1177,1178,1179,1180],"uploadsEnabled",{"_221":1203,"_20":1204},{"_221":1201,"_20":1202},{"_221":1199,"_20":1200},{"_221":1197,"_20":1198},{"_221":1195,"_20":1196},{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]