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It is now at the National Gallery of Art in Washington, DC.","note","Black and white cows graze beyond a fence, two men haul in a net from a boat near a pair of swans, and a donkey cart crosses a distant bridge, while the brick house of Wivenhoe Park appears through the trees beneath towering summer clouds.","We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting. A wooden fence closer to us crosses the landscape from the lower left corner and disappears where the land slopes down to meet the water at the center of the painting. Several black and white cows graze in the field beyond the fence to our left. Two men in a wooden boat pull in nets on the lake to our right near a pair of swans. The lake crosses the composition in the near distance, disappearing into a culvert farther back. A donkey pulls a small carriage with two people near a bridge that crosses the lake in the distance to our left. The brick manor house is visible through a break in the full, deep green trees that line the horizon, which comes halfway up the composition. The clouds cast noticeable shadows in the brightly sunlit scene.","images",{"_294":295,"_296":297,"_298":299},"download_url","https://img.ochreeditions.com/m/1327.jpg?dl=1","page_url","/art/wivenhoe-park-essex-nga-1147","walk_url","/galleries/style/georgian-britain/wivenhoe-park-essex-nga-1147","frame",{"_290":291,"_292":293},{"_223":282,"_125":283,"_284":285},"size",{"_275":276,"_277":278,"_279":242,"_280":281},"w",116.2,"h",69.8001953125,"image_w","image_h",54.8001953125,{"_286":223,"_123":170,"_154":169,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},"era",{"_286":284,"_123":166,"_154":165,"_140":168},"facet","style/painting-19","More paintings of the 19th century",432,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1327/480.jpg","960","https://img.ochreeditions.com/a/1327/960.jpg","1920","https://img.ochreeditions.com/a/1327/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_310":320,"_312":321},{"_310":318,"_312":319},{"_310":316,"_312":317},{"_310":314,"_312":315},{"_310":311,"_312":313},"hex","#796b3d","weight",0.0911,"#7c8b94",0.0987,"#4d442a",0.2058,"#322d1a",0.2536,"#837f77",0.3508,"John Constable","john-constable","bio","English, 1776–1837","nationality","English","birth_year",1776,"death_year",1837,"birth_place","death_place","about_excerpt","Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":395,"_220":396,"_324":397,"_326":398,"_328":399,"_330":400,"_332":401,"_333":402,"_334":403,"_140":95},"1776–81",18,"Oil on canvas","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[380,381,382,383,384],{"_219":376,"_220":377,"_42":378,"_303":379},"Courtesy of the Art Institute of Chicago","2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. 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H. Coussmaker (1759–1801)",{"_42":395,"_220":396,"_324":397,"_326":398,"_328":399,"_330":400,"_332":401,"_333":402,"_334":403,"_140":95},"1782","Paintings","93 3/4 x 57 1/4 in. (238.1 x 145.4 cm)",145.4,238.1,0.619244697361614,[440,441,442,443,444],{"_219":436,"_220":437,"_42":438,"_303":439},"Courtesy of The Metropolitan Museum of Art","20.155.3","Joshua Reynolds painted this in 1782, aged 59. It is now at The Met in New York.","Captain George Coussmaker leans against a tree with his legs casually crossed, his red coat glowing against the dark woodland, while his horse lowers its head behind him.","Captain George K. H. Coussmaker (1759–1801), by Joshua Reynolds, 1782",{"_294":433,"_296":434,"_298":435},"https://img.ochreeditions.com/m/1146.jpg?dl=1","/art/captain-george-k-h-coussmaker-1759-1801-met-437447","/galleries/style/georgian-britain/captain-george-k-h-coussmaker-1759-1801-met-437447",{"_290":291,"_292":293},{"_223":430,"_125":431,"_284":432},{"_275":427,"_277":428,"_279":429,"_280":411},162.4421624418003,253.1,147.4421624418003,{"_286":223,"_123":371,"_154":372,"_140":95},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":365,"_154":366,"_140":367},"https://img.ochreeditions.com/a/1146/480.jpg","https://img.ochreeditions.com/a/1146/960.jpg","https://img.ochreeditions.com/a/1146/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":453,"_312":454},{"_310":451,"_312":452},{"_310":449,"_312":450},{"_310":447,"_312":448},{"_310":445,"_312":446},"#4f2114",0.0473,"#ab9f82",0.0813,"#756850",0.0978,"#463929",0.2103,"#221b14",0.5633,"saint-john-the-evangelist-nga-54044","Saint John the Evangelist",{"_42":510,"_220":511,"_324":512,"_326":398,"_328":513,"_330":514,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1771","print","Print","chiaroscuro woodcut in tan and brown","sheet: 19.7 × 15.4 cm (7 3/4 × 6 1/16 in.) other (text beneath image): 3.2 × 15.7 cm (1 1/4 × 6 3/16 in.) mount: 38.2 × 27.1 cm (15 1/16 × 10 11/16 in.)",15.4,19.7,0.702880859375,[495,496,497,498,499],{"_219":300,"_220":301,"_42":302,"_303":304},"1973.58.3","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a winged figure seated on a bird. The image depicts a figure with flowing robes, wings outstretched, holding an open book in one hand. The figure appears to be looking off to the side, with a serene expression. The lower part of the image includes a bird upon which the figure is seated. The bird's head is turned slightly upwards, following the direction in which the figure is gazing. The image is rendered in a warm, monochromatic palette. In the lower section of the image, there is some text, likely Latin.",{"_294":492,"_296":493,"_298":494},"https://img.ochreeditions.com/m/1572.jpg?dl=1","/art/saint-john-the-evangelist-nga-54044","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54044",{"_290":490,"_292":491},{"_223":482,"_125":483,"_284":484},{"_275":478,"_277":479,"_279":480,"_280":481},41.572021484375,49,17.572021484375,25,{"_286":223,"_123":488,"_154":489,"_140":89},{"_286":125,"_123":485,"_154":486,"_140":487},{"_286":284,"_123":365,"_154":366,"_140":367},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","white","snow","https://img.ochreeditions.com/a/1572/480.jpg","https://img.ochreeditions.com/a/1572/960.jpg","https://img.ochreeditions.com/a/1572/1920.jpg",{"_310":508,"_312":509},{"_310":506,"_312":507},{"_310":504,"_312":505},{"_310":502,"_312":503},{"_310":500,"_312":501},"#a28a5c",0.1319,"#d5b378",0.1774,"#b29562",0.1816,"#c1a26a",0.2372,"#d5c19a",0.2719,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","A Hero Born on a Bier, from The Master of Giants Portfolio",{"_42":566,"_220":567,"_324":568,"_326":398,"_328":569,"_330":570,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1779","watercolour","Drawing and Watercolor","Brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper","38 × 56.5 cm (15 × 22 1/4 in.)",56,38,1.4658835950904052,[551,552,553,554,555],{"_219":376,"_220":377,"_42":378,"_303":379},"2023.3179","Prince Hoare painted this in 1779, aged 24. It is now at the Art Institute of Chicago.","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.",{"_294":548,"_296":549,"_298":550},"https://img.ochreeditions.com/m/433.jpg?dl=1","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",{"_290":490,"_292":491},{"_223":541,"_125":542,"_284":543},{"_275":538,"_277":539,"_279":523,"_280":540},80,62.20221481948321,38.20221481948321,{"_286":223,"_123":546,"_154":547,"_140":89},{"_286":125,"_123":544,"_154":545,"_140":53},{"_286":284,"_123":365,"_154":366,"_140":367},"style/watercolour-18","More watercolours of the 18th century","artist/contemporaries-of-prince-hoare","Prince Hoare's contemporaries","https://img.ochreeditions.com/a/433/480.jpg","https://img.ochreeditions.com/a/433/960.jpg","https://img.ochreeditions.com/a/433/1920.jpg",{"_310":564,"_312":565},{"_310":562,"_312":563},{"_310":560,"_312":561},{"_310":558,"_312":559},{"_310":556,"_312":557},"#585149",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","British, 1755–1834",1755,1834,"anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":616,"_220":617,"_324":618,"_326":398,"_328":619,"_330":620,"_332":621,"_333":402,"_334":622,"_140":91},"c. 1805","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",65,78,0.8287557603686636,[601,602,603,604,605],{"_219":376,"_220":377,"_42":378,"_303":379},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.",{"_294":598,"_296":599,"_298":600},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_290":291,"_292":293},{"_223":593,"_125":594,"_284":595},{"_275":590,"_277":591,"_279":592,"_280":577},79.64294930875576,93,64.64294930875576,{"_286":223,"_123":596,"_154":597,"_140":91},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_310":614,"_312":615},{"_310":612,"_312":613},{"_310":610,"_312":611},{"_310":608,"_312":609},{"_310":606,"_312":607},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","lord-rothes-si-saam-1956-11-60","Lord Rothes","Unrecorded British maker","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[658,659,660,661,662],{"_219":655,"_220":656,"_42":657,"_303":304},"Courtesy of the Smithsonian American Art Museum","1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_294":652,"_296":653,"_298":654},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_290":291,"_292":293},{"_223":647,"_125":648,"_284":649},{"_275":644,"_277":645,"_279":646,"_280":629},117.51170000000002,143.3,102.51170000000002,{"_286":223,"_123":650,"_154":651,"_140":97},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg","si","smithsonian","Smithsonian Institution",{"_310":671,"_312":672},{"_310":669,"_312":670},{"_310":667,"_312":668},{"_310":665,"_312":666},{"_310":663,"_312":664},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015",0.3131,"recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[700,701,702,703,704],{"_219":376,"_220":377,"_42":378,"_303":379},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_294":697,"_296":698,"_298":699},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_290":490,"_292":491},{"_223":694,"_125":695,"_284":696},{"_275":479,"_277":692,"_279":481,"_280":693},48.48828746872867,24.488287468728675,{"_286":223,"_123":650,"_154":651,"_140":97},{"_286":125,"_123":485,"_154":486,"_140":487},{"_286":284,"_123":365,"_154":366,"_140":367},"https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_310":713,"_312":714},{"_310":711,"_312":712},{"_310":709,"_312":710},{"_310":707,"_312":708},{"_310":705,"_312":706},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"self-portrait-in-a-fur-cap-aic-76295","Self-Portrait in a Fur Cap",{"_42":762,"_220":763,"_324":764,"_326":327,"_328":765,"_330":766,"_332":767,"_333":767,"_334":768,"_140":99},"1765/68","Monochrome pastel (grisaille) on blue-gray laid paper","42.5 × 29.5 cm (16 3/4 × 11 5/8 in.)",29,0.6958228202971685,[747,748,749,750,751],{"_219":376,"_220":377,"_42":378,"_303":379},"1990.141","Joseph Wright of Derby painted this in 1765/68, aged about 31. It is now at the Art Institute of Chicago.","Joseph Wright of Derby portrays himself in a fur cap, drawn in monochrome pastel on blue-grey paper, with greys and blacks building the face and the soft texture of the fur.","Black, gray pastel portrait of man in a fur hat.",{"_294":744,"_296":745,"_298":746},"https://img.ochreeditions.com/m/193.jpg?dl=1","/art/self-portrait-in-a-fur-cap-aic-76295","/galleries/style/georgian-britain/self-portrait-in-a-fur-cap-aic-76295",{"_290":490,"_292":491},{"_223":739,"_125":740,"_284":741},{"_275":736,"_277":737,"_279":738,"_280":367},53.22455845248108,66,29.224558452481077,{"_286":223,"_123":742,"_154":743,"_140":99},{"_286":125,"_123":544,"_154":545,"_140":53},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/193/480.jpg","https://img.ochreeditions.com/a/193/960.jpg","https://img.ochreeditions.com/a/193/1920.jpg",{"_310":760,"_312":761},{"_310":758,"_312":759},{"_310":756,"_312":757},{"_310":754,"_312":755},{"_310":752,"_312":753},"#85817a",0.0524,"#5b4224",0.0632,"#5e5a55",0.0962,"#403d37",0.2066,"#2f2d29",0.5816,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":815,"_220":816,"_324":817,"_326":398,"_328":818,"_330":819,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,123.2,0.79638671875,[800,801,802,803,804],{"_219":300,"_220":301,"_42":302,"_303":304},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_294":797,"_296":798,"_298":799},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_290":291,"_292":293},{"_223":792,"_125":793,"_284":794},{"_275":789,"_277":790,"_279":791,"_280":775},113.11484375,138.2,98.11484375,{"_286":223,"_123":795,"_154":796,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_310":813,"_312":814},{"_310":811,"_312":812},{"_310":809,"_312":810},{"_310":807,"_312":808},{"_310":805,"_312":806},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":866,"_220":867,"_324":868,"_326":327,"_328":400,"_330":869,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1834","Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",24,1.6425614803993183,[851,852,853,854,855],{"_219":376,"_220":377,"_42":378,"_303":379},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_294":848,"_296":849,"_298":850},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_290":291,"_292":293},{"_223":843,"_125":844,"_284":845},{"_275":840,"_277":841,"_279":524,"_280":842},53,38.1345982804625,23.134598280462495,{"_286":223,"_123":846,"_154":847,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_310":864,"_312":865},{"_310":862,"_312":863},{"_310":860,"_312":861},{"_310":858,"_312":859},{"_310":856,"_312":857},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1882,"self-portrait-aic-11706","Self-Portrait",{"_42":918,"_220":919,"_324":920,"_326":327,"_328":569,"_330":921,"_332":-5,"_333":-5,"_334":922,"_140":99},"c. 1779","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",17,30,0.5697549441100602,[903,904,905,906,907],{"_219":376,"_220":377,"_42":378,"_303":379},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_294":900,"_296":901,"_298":902},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_290":490,"_292":491},{"_223":895,"_125":896,"_284":897},{"_275":892,"_277":893,"_279":894,"_280":877},41.0926483233018,54,17.092648323301805,{"_286":223,"_123":898,"_154":899,"_140":99},{"_286":125,"_123":544,"_154":545,"_140":53},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_310":916,"_312":917},{"_310":914,"_312":915},{"_310":912,"_312":913},{"_310":910,"_312":911},{"_310":908,"_312":909},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"John Flaxman","john-flaxman","English, 1755–1826",1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","the-white-horse-nga-1146","The White Horse",{"_42":322,"_220":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":-5,"_333":-5,"_334":335,"_140":99},"1818-1819","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,127,1.4306671323786238,[953,954,955,956,957],{"_219":300,"_220":301,"_42":302,"_303":304},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_294":950,"_296":951,"_298":952},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_290":291,"_292":293},{"_223":947,"_125":948,"_284":949},{"_275":944,"_277":945,"_279":928,"_280":946},198,142.912353515625,127.912353515625,{"_286":223,"_123":170,"_154":169,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_310":966,"_312":967},{"_310":964,"_312":965},{"_310":962,"_312":963},{"_310":960,"_312":961},{"_310":958,"_312":959},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":918,"_220":919,"_324":920,"_326":327,"_328":569,"_330":921,"_332":-5,"_333":-5,"_334":922,"_140":99},"c. 1783","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",47,34,1.2970566411080882,[998,999,1000,1001,1002],{"_219":376,"_220":377,"_42":378,"_303":379},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_294":995,"_296":996,"_298":997},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_290":490,"_292":491},{"_223":992,"_125":993,"_284":994},{"_275":989,"_277":990,"_279":974,"_280":991},71,60.23588863463005,36.23588863463005,{"_286":223,"_123":898,"_154":899,"_140":99},{"_286":125,"_123":544,"_154":545,"_140":53},{"_286":284,"_123":365,"_154":366,"_140":367},"https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_310":1011,"_312":1012},{"_310":1009,"_312":1010},{"_310":1007,"_312":1008},{"_310":1005,"_312":1006},{"_310":1003,"_312":1004},"#a49483",0.0883,"#c2b09c",0.1626,"#8d7e6f",0.1783,"#ddc8b1",0.2793,"#d1b79b",0.2915,"turtur-risorius-nga-53854","Turtur Risorius",{"_42":1057,"_220":1058,"_324":1059,"_326":1060,"_328":1061,"_330":1062,"_332":-5,"_333":-5,"_334":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,0.655517578125,[1042,1043,1044,1045,1046],{"_219":300,"_220":301,"_42":302,"_303":304},"1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_294":1039,"_296":1040,"_298":1041},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_290":490,"_292":491},{"_223":1034,"_125":1035,"_284":1036},{"_275":1032,"_277":479,"_279":1033,"_280":481},40.387939453125,16.387939453125,{"_286":223,"_123":1037,"_154":1038,"_140":89},{"_286":125,"_123":485,"_154":486,"_140":487},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_310":1055,"_312":1056},{"_310":1053,"_312":1054},{"_310":1051,"_312":1052},{"_310":1049,"_312":1050},{"_310":1047,"_312":1048},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1788,1859,"isabella-wolff-aic-4773","Isabella Wolff",{"_42":616,"_220":617,"_324":618,"_326":398,"_328":619,"_330":620,"_332":621,"_333":402,"_334":622,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[1096,1097,1098,1099,1100],{"_219":376,"_220":377,"_42":378,"_303":379},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":1093,"_1094":1095},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_294":1090,"_296":1091,"_298":1092},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_290":291,"_292":293},{"_223":1087,"_125":1088,"_284":1089},{"_275":1084,"_277":1085,"_279":1086,"_280":1069},116.09951287404314,143,101.09951287404314,{"_286":223,"_123":596,"_154":597,"_140":91},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","source","Text from the Art Institute of Chicago.",{"_310":1109,"_312":1110},{"_310":1107,"_312":1108},{"_310":1105,"_312":1106},{"_310":1103,"_312":1104},{"_310":1101,"_312":1102},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,{"_1112":-5,"_1113":1114,"_1115":1116,"_1117":8,"_1118":1119,"_1120":8},"user","csrf","25a562d17fc0e605f74324f4c7dc95638556b066","cartCount",0,"dropLive","legal",[1121,1122,1123,1124,1125,1126,1127,1128,1129,1130,1131,1132],"uploadsEnabled",{"_220":1155,"_20":1156},{"_220":1153,"_20":1154},{"_220":1151,"_20":1152},{"_220":1149,"_20":1150},{"_220":1147,"_20":1148},{"_220":1145,"_20":1146},{"_220":1143,"_20":1144},{"_220":1141,"_20":1142},{"_220":1139,"_20":1140},{"_220":1137,"_20":1138},{"_220":1135,"_20":1136},{"_220":1133,"_20":1134},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]