[{"_1":2,"_3":4},"root",{"_5":1138},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Georgian Britain, in the galleries · Ochre Editions","description","Portraits, conversation pieces and watercolour landscapes from Hogarth to Constable. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/georgian-britain","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/georgian-britain.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Georgian Britain, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",15,"https://www.ochreeditions.com/art/bray-church-yard-cma-119729",14,"https://www.ochreeditions.com/art/august-from-twelve-months-of-flowers-aic-127987",13,"https://www.ochreeditions.com/art/small-landscape-si-saam-1956-11-20",12,"https://www.ochreeditions.com/art/hannah-presenting-samuel-to-eli-aic-270369",11,"https://www.ochreeditions.com/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",10,"https://www.ochreeditions.com/art/athena-and-the-winds-aic-77249",9,"https://www.ochreeditions.com/art/theophilia-gwatkin-aic-251126",8,"https://www.ochreeditions.com/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",7,"https://www.ochreeditions.com/art/two-studies-of-a-right-hand-aic-249662",6,"https://www.ochreeditions.com/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",5,"https://www.ochreeditions.com/art/william-pitt-nga-52264",4,"https://www.ochreeditions.com/art/wooded-landscape-with-village-scene-aic-186081",3,"https://www.ochreeditions.com/art/cottage-children-the-wood-gatherers-met-436440",2,"https://www.ochreeditions.com/art/stoke-by-nayland-aic-4758",1,"https://www.ochreeditions.com/art/lord-rothes-si-saam-1956-11-60","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~georgian-britain.6190e6d7d8.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~georgian-britain.6190e6d7d8.jpg","alt","Georgian Britain, a room in the galleries: three of its 63 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Georgian Britain: 63 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~georgian-britain.jpg","key","style/georgian-britain","style","Georgian Britain","intro","Portraits, conversation pieces and watercolour landscapes from Hogarth to Constable.","wing","Style galleries","floor","layout","long","hang",8320,"/galleries/style/georgian-britain","total",63,"page","works",[203,204,205,206,207,208,209,210,211,212,213,214,215,216,217,218],"walls",[173,174,175,176,177],"doors",[164,165],"next_cursor","eyJvIjoxNiwiaCI6ODMyMCwiaSI6bnVsbCwiZyI6IjFFeFJqS0s1In0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/georgian-britain?hang=8320&cursor=eyJvIjoxNiwiaCI6ODMyMCwiaSI6bnVsbCwiZyI6IjFFeFJqS0s1In0&via=continue","label","Georgian Britain, room 2","move","doorway","first_wall_images",[160,161,162,163],"https://img.ochreeditions.com/a/1572/480.jpg","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/1651/480.jpg",{"_154":170,"_123":171,"_44":172,"_140":97},{"_154":166,"_123":167,"_44":168,"_140":169},"19th-century Britain","era/19-britain","/galleries/era/19-britain?hang=8320&via=continue",40,"More by Joseph Mallord William Turner","artist/joseph-mallord-william-turner","/galleries/artist/joseph-mallord-william-turner?hang=8320&via=continue",{"_42":200,"_179":201},{"_42":194,"_179":195},{"_42":190,"_179":191},{"_42":184,"_179":185},{"_42":178,"_179":180},"Section 3, north wall","work_ids",[181,182,183],310,542,558,"Section 2, north wall",[186,187,188,189],199,798,434,1910,"Section 2, south wall",[192,87,193],380,389,"Section 1, south wall",[196,197,198,199],1090,345,1551,433,"Section 1, north wall",[202,91],1913,{"_219":202,"_220":1096,"_20":1097,"_223":-5,"_225":468,"_226":1098,"_228":405,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":238,"_239":1099,"_241":1100,"_243":1101,"_245":1102,"_247":1103,"_249":1104,"_251":476,"_253":1105,"_255":256,"_257":1106,"_154":-5,"_260":-5,"_111":1107,"_262":1108,"_264":1109,"_266":1110,"_268":1111,"_270":1112,"_144":1113,"_273":1114},{"_219":91,"_220":1042,"_20":1043,"_223":1044,"_225":-5,"_226":1045,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":678,"_239":1046,"_241":1047,"_243":1048,"_245":1049,"_247":1050,"_249":1051,"_251":414,"_253":1052,"_255":256,"_257":1053,"_154":1054,"_260":-5,"_111":1055,"_262":1056,"_264":1057,"_266":1058,"_268":1059,"_270":1060,"_144":1061,"_273":1062},{"_219":196,"_220":991,"_20":992,"_223":993,"_225":-5,"_226":994,"_228":405,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":995,"_237":678,"_239":996,"_241":997,"_243":998,"_245":999,"_247":1000,"_249":1001,"_251":1002,"_253":1003,"_255":256,"_257":1004,"_154":-5,"_260":1005,"_111":1006,"_262":1007,"_264":1008,"_266":1009,"_268":1010,"_270":1011,"_144":1012,"_273":1013},{"_219":197,"_220":936,"_20":937,"_223":938,"_225":-5,"_226":939,"_228":405,"_230":231,"_232":-5,"_125":233,"_28":524,"_235":525,"_237":940,"_239":941,"_241":942,"_243":943,"_245":944,"_247":945,"_249":946,"_251":414,"_253":947,"_255":256,"_257":948,"_154":-5,"_260":949,"_111":950,"_262":951,"_264":952,"_266":953,"_268":954,"_270":955,"_144":956,"_273":957},{"_219":198,"_220":878,"_20":879,"_223":880,"_225":-5,"_226":881,"_228":405,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":882,"_239":883,"_241":884,"_243":885,"_245":886,"_247":887,"_249":888,"_251":889,"_253":890,"_255":256,"_257":891,"_154":-5,"_260":892,"_111":893,"_262":894,"_264":895,"_266":896,"_268":897,"_270":898,"_144":899,"_273":900},{"_219":199,"_220":827,"_20":828,"_223":829,"_225":-5,"_226":830,"_228":405,"_230":231,"_232":-5,"_125":233,"_28":524,"_235":525,"_237":831,"_239":832,"_241":833,"_243":834,"_245":835,"_247":836,"_249":837,"_251":414,"_253":838,"_255":256,"_257":839,"_154":-5,"_260":-5,"_111":840,"_262":841,"_264":842,"_266":843,"_268":844,"_270":845,"_144":846,"_273":847},{"_219":192,"_220":773,"_20":774,"_223":775,"_225":-5,"_226":776,"_228":405,"_230":231,"_232":-5,"_125":233,"_28":524,"_235":525,"_237":777,"_239":778,"_241":779,"_243":780,"_245":781,"_247":782,"_249":783,"_251":414,"_253":784,"_255":256,"_257":785,"_154":-5,"_260":-5,"_111":786,"_262":787,"_264":788,"_266":789,"_268":790,"_270":791,"_144":792,"_273":793},{"_219":87,"_220":728,"_20":729,"_223":730,"_225":-5,"_226":731,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":678,"_239":732,"_241":733,"_243":734,"_245":735,"_247":736,"_249":737,"_251":414,"_253":738,"_255":256,"_257":739,"_154":-5,"_260":740,"_111":741,"_262":742,"_264":743,"_266":744,"_268":745,"_270":746,"_144":747,"_273":748},{"_219":193,"_220":674,"_20":675,"_223":676,"_225":-5,"_226":677,"_228":405,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":678,"_239":679,"_241":680,"_243":681,"_245":682,"_247":683,"_249":684,"_251":414,"_253":685,"_255":256,"_257":686,"_154":-5,"_260":-5,"_111":687,"_262":688,"_264":689,"_266":690,"_268":691,"_270":692,"_144":693,"_273":694},{"_219":186,"_220":630,"_20":631,"_223":632,"_225":-5,"_226":404,"_228":405,"_230":231,"_232":-5,"_125":233,"_28":524,"_235":525,"_237":633,"_239":634,"_241":635,"_243":636,"_245":637,"_247":638,"_249":639,"_251":414,"_253":640,"_255":256,"_257":641,"_154":-5,"_260":-5,"_111":642,"_262":643,"_264":644,"_266":645,"_268":646,"_270":647,"_144":648,"_273":649},{"_219":187,"_220":577,"_20":578,"_223":579,"_225":-5,"_226":580,"_228":405,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":238,"_239":581,"_241":582,"_243":583,"_245":584,"_247":585,"_249":586,"_251":252,"_253":587,"_255":256,"_257":588,"_154":589,"_260":-5,"_111":590,"_262":591,"_264":592,"_266":593,"_268":594,"_270":595,"_144":596,"_273":597},{"_219":188,"_220":520,"_20":521,"_223":522,"_225":-5,"_226":523,"_228":405,"_230":231,"_232":-5,"_125":233,"_28":524,"_235":525,"_237":526,"_239":527,"_241":528,"_243":529,"_245":530,"_247":531,"_249":532,"_251":414,"_253":533,"_255":256,"_257":534,"_154":-5,"_260":-5,"_111":535,"_262":536,"_264":537,"_266":538,"_268":539,"_270":540,"_144":541,"_273":542},{"_219":189,"_220":466,"_20":467,"_223":-5,"_225":468,"_226":469,"_228":405,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":238,"_239":470,"_241":471,"_243":472,"_245":473,"_247":474,"_249":475,"_251":476,"_253":477,"_255":256,"_257":478,"_154":-5,"_260":-5,"_111":479,"_262":480,"_264":481,"_266":482,"_268":483,"_270":484,"_144":485,"_273":486},{"_219":181,"_220":401,"_20":402,"_223":403,"_225":-5,"_226":404,"_228":405,"_230":231,"_232":-5,"_125":233,"_28":406,"_235":407,"_237":408,"_239":409,"_241":410,"_243":169,"_245":411,"_247":412,"_249":413,"_251":414,"_253":415,"_255":256,"_257":416,"_154":-5,"_260":-5,"_111":417,"_262":418,"_264":419,"_266":420,"_268":421,"_270":422,"_144":423,"_273":424},{"_219":182,"_220":340,"_20":341,"_223":342,"_225":-5,"_226":343,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":344,"_235":345,"_237":346,"_239":347,"_241":348,"_243":349,"_245":350,"_247":351,"_249":352,"_251":252,"_253":353,"_255":256,"_257":354,"_154":355,"_260":-5,"_111":356,"_262":357,"_264":358,"_266":359,"_268":360,"_270":361,"_144":362,"_273":363},{"_219":183,"_220":221,"_20":222,"_223":224,"_225":-5,"_226":227,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":238,"_239":240,"_241":242,"_243":244,"_245":246,"_247":248,"_249":250,"_251":252,"_253":254,"_255":256,"_257":258,"_154":259,"_260":-5,"_111":261,"_262":263,"_264":265,"_266":267,"_268":269,"_270":271,"_144":272,"_273":274},"id","slug","the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834","artist",{"_42":325,"_220":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":336,"_338":339,"_140":97},"unrecorded","date","1835","century",19,"place","britain","movement","georgian-britain","painting","classification","Painting","medium","oil on canvas","dimensions","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)","width_cm",123.2,"height_cm",92,"aspect",1.3465346534653466,"palette",[308,309,310,311,312],"museum",{"_219":303,"_220":304,"_42":305,"_306":307},"credit","Courtesy of the Cleveland Museum of Art","accession","1942.647","licence","CC0","story","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":300,"_301":302},"note","The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835","images",{"_294":295,"_296":297,"_298":299},"download_url","https://img.ochreeditions.com/m/558.jpg?dl=1","page_url","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","walk_url","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","frame",{"_290":291,"_292":293},{"_223":282,"_125":283,"_284":285},"size",{"_275":276,"_277":278,"_279":242,"_280":281},"w",138.2,"h",106.49411764705881,"image_w","image_h",91.49411764705881,{"_286":223,"_123":171,"_154":170,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},"era",{"_286":284,"_123":167,"_154":166,"_140":169},"facet","style/painting-19","More paintings of the 19th century",432,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/558/480.jpg","960","https://img.ochreeditions.com/a/558/960.jpg","1920","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_313":323,"_315":324},{"_313":321,"_315":322},{"_313":319,"_315":320},{"_313":317,"_315":318},{"_313":314,"_315":316},"hex","#bd914f","weight",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","bio","English, 1775–1851","nationality","English","birth_year",1775,"death_year",1851,"birth_place","London","death_place","about_excerpt","Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","bray-church-yard-cma-119729","Bray Church Yard",{"_42":395,"_220":396,"_327":397,"_329":398,"_331":399,"_333":400,"_335":-5,"_337":-5,"_338":-5,"_140":103},"1807","drawing","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[380,381,382,383,384],{"_219":303,"_220":304,"_42":305,"_306":307},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":379,"_301":302},"Bray Church Yard, by John Varley, 1807",{"_294":376,"_296":377,"_298":378},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_290":374,"_292":375},{"_223":367,"_125":368,"_284":369},{"_275":364,"_277":365,"_279":348,"_280":366},60.9,48.95091176470588,24.950911764705882,{"_286":223,"_123":372,"_154":373,"_140":89},{"_286":125,"_123":370,"_154":371,"_140":244},{"_286":284,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-john-varley","John Varley's contemporaries","white","snow","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_313":393,"_315":394},{"_313":391,"_315":392},{"_313":389,"_315":390},{"_313":387,"_315":388},{"_313":385,"_315":386},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842","British",1778,1842,"august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":461,"_220":462,"_327":463,"_329":330,"_331":464,"_333":465,"_335":-5,"_337":-5,"_338":-5,"_140":99},"n.d.",18,"print","Print","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912519643792562,[446,447,448,449,450],{"_219":442,"_220":443,"_42":444,"_306":445},"Courtesy of the Art Institute of Chicago","1946.405","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_294":439,"_296":440,"_298":441},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_290":374,"_292":375},{"_223":428,"_125":429,"_284":430},{"_275":425,"_277":426,"_279":427,"_280":169},55.65007857517025,64,31.650078575170248,{"_286":223,"_123":437,"_154":438,"_140":99},{"_286":125,"_123":434,"_154":435,"_140":436},{"_286":284,"_123":431,"_154":432,"_140":433},"era/18-britain","18th-century Britain",42,"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_313":459,"_315":460},{"_313":457,"_315":458},{"_313":455,"_315":456},{"_313":453,"_315":454},{"_313":451,"_315":452},"#796237",0.064,"#5c493a",0.0907,"#8a7b65",0.1271,"#baae9b",0.3131,"#d1c7b6",0.4051,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"small-landscape-si-saam-1956-11-20","Small Landscape","Unrecorded British maker","ca. 1750-1800","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[505,506,507,508,509],{"_219":501,"_220":502,"_42":503,"_306":504},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_294":498,"_296":499,"_298":500},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_290":291,"_292":293},{"_223":490,"_125":491,"_284":492},{"_275":487,"_277":488,"_279":471,"_280":489},70.2,58.4424,43.4424,{"_286":223,"_123":496,"_154":497,"_140":97},{"_286":125,"_123":493,"_154":494,"_140":495},{"_286":284,"_123":431,"_154":432,"_140":433},"style/painting-18","More paintings of the 18th century",168,"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution","Washington, DC",{"_313":518,"_315":519},{"_313":516,"_315":517},{"_313":514,"_315":515},{"_313":512,"_315":513},{"_313":510,"_315":511},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":571,"_220":572,"_327":573,"_329":330,"_331":574,"_333":575,"_335":-5,"_337":-5,"_338":576,"_140":99},"c. 1783","watercolour","Drawing and Watercolor","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",47,34,1.2970566411080882,[556,557,558,559,560],{"_219":442,"_220":443,"_42":444,"_306":445},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_294":553,"_296":554,"_298":555},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_290":374,"_292":375},{"_223":546,"_125":547,"_284":548},{"_275":543,"_277":544,"_279":528,"_280":545},71,60.23588863463005,36.23588863463005,{"_286":223,"_123":551,"_154":552,"_140":99},{"_286":125,"_123":549,"_154":550,"_140":53},{"_286":284,"_123":431,"_154":432,"_140":433},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_313":569,"_315":570},{"_313":567,"_315":568},{"_313":565,"_315":566},{"_313":563,"_315":564},{"_313":561,"_315":562},"#a49483",0.0883,"#c2b09c",0.1626,"#8d7e6f",0.1783,"#ddc8b1",0.2793,"#d1b79b",0.2915,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":624,"_220":625,"_327":626,"_329":627,"_331":628,"_333":629,"_335":-5,"_337":-5,"_338":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",127,101.5,1.2560029553010712,[610,611,612,613,614],{"_219":303,"_220":304,"_42":305,"_306":307},"2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":609,"_301":302},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_294":606,"_296":607,"_298":608},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_290":291,"_292":293},{"_223":601,"_125":602,"_284":603},{"_275":598,"_277":599,"_279":582,"_280":600},142,116.11441176470589,101.11441176470589,{"_286":223,"_123":604,"_154":605,"_140":89},{"_286":125,"_123":493,"_154":494,"_140":495},{"_286":284,"_123":431,"_154":432,"_140":433},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.",{"_313":622,"_315":623},{"_313":620,"_315":621},{"_313":618,"_315":619},{"_313":616,"_315":617},{"_313":615,"_315":566},"#3a352c","#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":571,"_220":572,"_327":573,"_329":330,"_331":574,"_333":575,"_335":-5,"_337":-5,"_338":576,"_140":99},"Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[659,660,661,662,663],{"_219":442,"_220":443,"_42":444,"_306":445},"1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_294":656,"_296":657,"_298":658},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_290":374,"_292":375},{"_223":653,"_125":654,"_284":655},{"_275":650,"_277":651,"_279":635,"_280":652},53,44.521086780210865,20.52108678021087,{"_286":223,"_123":551,"_154":552,"_140":99},{"_286":125,"_123":549,"_154":550,"_140":53},{"_286":284,"_123":431,"_154":432,"_140":433},"https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg",{"_313":672,"_315":673},{"_313":670,"_315":671},{"_313":668,"_315":669},{"_313":666,"_315":667},{"_313":664,"_315":665},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":721,"_220":722,"_327":723,"_329":398,"_331":724,"_333":725,"_335":726,"_337":336,"_338":727,"_140":95},"1776–81","Oil on canvas","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[706,707,708,709,710],{"_219":442,"_220":443,"_42":444,"_306":445},"2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_294":703,"_296":704,"_298":705},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_290":291,"_292":293},{"_223":698,"_125":699,"_284":700},{"_275":695,"_277":696,"_279":697,"_280":681},76.14076281287247,88,61.14076281287247,{"_286":223,"_123":701,"_154":702,"_140":95},{"_286":125,"_123":493,"_154":494,"_140":495},{"_286":284,"_123":431,"_154":432,"_140":433},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg",{"_313":719,"_315":720},{"_313":717,"_315":718},{"_313":715,"_315":716},{"_313":713,"_315":714},{"_313":711,"_315":712},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":325,"_220":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":336,"_338":339,"_140":97},"1837–38","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[758,759,760,761,762],{"_219":442,"_220":443,"_42":444,"_306":445},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_294":755,"_296":756,"_298":757},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/georgian-britain/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_290":291,"_292":293},{"_223":752,"_125":753,"_284":754},{"_275":749,"_277":750,"_279":733,"_280":751},239,188.10233393177737,173.10233393177737,{"_286":223,"_123":171,"_154":170,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_313":771,"_315":772},{"_313":769,"_315":770},{"_313":767,"_315":768},{"_313":765,"_315":766},{"_313":763,"_315":764},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438",0.2133,"#736551",0.2481,"#9e886b",0.2634,"two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":820,"_220":821,"_327":822,"_329":398,"_331":823,"_333":824,"_335":825,"_337":336,"_338":826,"_140":91},"July 26, 1800","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",24,35,0.6863089606703608,[805,806,807,808,809],{"_219":442,"_220":443,"_42":444,"_306":445},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_294":802,"_296":803,"_298":804},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_290":374,"_292":375},{"_223":797,"_125":798,"_284":799},{"_275":794,"_277":795,"_279":796,"_280":780},48.02081362346263,59,24.02081362346263,{"_286":223,"_123":800,"_154":801,"_140":91},{"_286":125,"_123":549,"_154":550,"_140":53},{"_286":284,"_123":431,"_154":432,"_140":433},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_313":818,"_315":819},{"_313":816,"_315":817},{"_313":814,"_315":815},{"_313":812,"_315":813},{"_313":810,"_315":811},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","A Hero Born on a Bier, from The Master of Giants Portfolio",{"_42":874,"_220":875,"_327":876,"_329":398,"_331":574,"_333":877,"_335":-5,"_337":-5,"_338":-5,"_140":103},"1779","Brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper","38 × 56.5 cm (15 × 22 1/4 in.)",56,38,1.4658835950904052,[859,860,861,862,863],{"_219":442,"_220":443,"_42":444,"_306":445},"2023.3179","Prince Hoare painted this in 1779, aged 24. It is now at the Art Institute of Chicago.","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.",{"_294":856,"_296":857,"_298":858},"https://img.ochreeditions.com/m/433.jpg?dl=1","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",{"_290":374,"_292":375},{"_223":851,"_125":852,"_284":853},{"_275":848,"_277":849,"_279":833,"_280":850},80,62.20221481948321,38.20221481948321,{"_286":223,"_123":854,"_154":855,"_140":89},{"_286":125,"_123":549,"_154":550,"_140":53},{"_286":284,"_123":431,"_154":432,"_140":433},"artist/contemporaries-of-prince-hoare","Prince Hoare's contemporaries","https://img.ochreeditions.com/a/433/480.jpg","https://img.ochreeditions.com/a/433/960.jpg","https://img.ochreeditions.com/a/433/1920.jpg",{"_313":872,"_315":873},{"_313":870,"_315":871},{"_313":868,"_315":869},{"_313":866,"_315":867},{"_313":864,"_315":865},"#585149",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","British, 1755–1834",1834,"william-pitt-nga-52264","William Pitt",{"_42":930,"_220":931,"_327":932,"_329":398,"_331":933,"_333":934,"_335":-5,"_337":-5,"_338":935,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[915,916,917,918,919],{"_219":912,"_220":913,"_42":914,"_306":504},"Courtesy National Gallery of Art, Washington","1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_294":909,"_296":910,"_298":911},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_290":291,"_292":293},{"_223":904,"_125":905,"_284":906},{"_275":901,"_277":169,"_279":902,"_280":903},34.62890625,19.62890625,25,{"_286":223,"_123":907,"_154":908,"_140":99},{"_286":125,"_123":493,"_154":494,"_140":495},{"_286":284,"_123":431,"_154":432,"_140":433},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_313":928,"_315":929},{"_313":926,"_315":927},{"_313":924,"_315":925},{"_313":922,"_315":923},{"_313":920,"_315":921},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":984,"_220":985,"_327":986,"_329":330,"_331":987,"_333":988,"_335":989,"_337":336,"_338":990,"_140":97},"early 1770s (not later than 1772)","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[969,970,971,972,973],{"_219":442,"_220":443,"_42":444,"_306":445},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_294":966,"_296":967,"_298":968},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_290":374,"_292":375},{"_223":961,"_125":962,"_284":963},{"_275":958,"_277":959,"_279":942,"_280":960},79,66.1776611694153,42.177661169415295,{"_286":223,"_123":964,"_154":965,"_140":97},{"_286":125,"_123":549,"_154":550,"_140":53},{"_286":284,"_123":431,"_154":432,"_140":433},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_313":982,"_315":983},{"_313":980,"_315":981},{"_313":978,"_315":979},{"_313":976,"_315":977},{"_313":974,"_315":975},"#75643b",0.1438,"#483b21",0.1553,"#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":984,"_220":985,"_327":986,"_329":330,"_331":987,"_333":988,"_335":989,"_337":336,"_338":990,"_140":97},"1787","Paintings","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[1027,1028,1029,1030,1031],{"_219":1023,"_220":1024,"_42":1025,"_306":1026},"Courtesy of The Metropolitan Museum of Art","50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_294":1020,"_296":1021,"_298":1022},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_290":291,"_292":293},{"_223":1017,"_125":1018,"_284":1019},{"_275":1014,"_277":1015,"_279":1016,"_280":998},135.62100077780656,162.6,120.62100077780657,{"_286":223,"_123":964,"_154":965,"_140":97},{"_286":125,"_123":493,"_154":494,"_140":495},{"_286":284,"_123":431,"_154":432,"_140":433},"https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_313":1040,"_315":1041},{"_313":1038,"_315":1039},{"_313":1036,"_315":1037},{"_313":1034,"_315":1035},{"_313":1032,"_315":1033},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"stoke-by-nayland-aic-4758","Stoke-by-Nayland",{"_42":1090,"_220":1091,"_327":1092,"_329":330,"_331":1093,"_333":1094,"_335":-5,"_337":-5,"_338":1095,"_140":99},"1836","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)",169,126,1.358449273096764,[1076,1077,1078,1079,1080],{"_219":442,"_220":443,"_42":444,"_306":445},"1922.4453","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":1074,"_301":1075},"Large English country landscape painting, farmers with horses, green trees.",{"_294":1071,"_296":1072,"_298":1073},"https://img.ochreeditions.com/m/7.jpg?dl=1","/art/stoke-by-nayland-aic-4758","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758",{"_290":291,"_292":293},{"_223":1066,"_125":1067,"_284":1068},{"_275":1063,"_277":1064,"_279":1047,"_280":1065},184,139.40655926352127,124.40655926352129,{"_286":223,"_123":1069,"_154":1070,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/7/960.jpg","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.","Text from the Art Institute of Chicago.",{"_313":1088,"_315":1089},{"_313":1086,"_315":1087},{"_313":1084,"_315":1085},{"_313":1083,"_315":977},{"_313":1081,"_315":1082},"#a8b3b4",0.111,"#706346","#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","lord-rothes-si-saam-1956-11-60","Lord Rothes","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[1124,1125,1126,1127,1128],{"_219":501,"_220":502,"_42":503,"_306":504},"1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_294":1121,"_296":1122,"_298":1123},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_290":291,"_292":293},{"_223":1118,"_125":1119,"_284":1120},{"_275":1115,"_277":1116,"_279":1117,"_280":1101},117.51170000000002,143.3,102.51170000000002,{"_286":223,"_123":496,"_154":497,"_140":97},{"_286":125,"_123":493,"_154":494,"_140":495},{"_286":284,"_123":431,"_154":432,"_140":433},"https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg",{"_313":1137,"_315":458},{"_313":1135,"_315":1136},{"_313":1133,"_315":1134},{"_313":1131,"_315":1132},{"_313":1129,"_315":1130},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015",{"_1139":-5,"_1140":1141,"_1142":1143,"_1144":8,"_1145":1146,"_1147":8},"user","csrf","b5703f2dd52d6d434cab2dc5a0cfd54107f3d13b","cartCount",0,"dropLive","legal",[1148,1149,1150,1151,1152,1153,1154,1155,1156,1157,1158,1159],"uploadsEnabled",{"_220":1182,"_20":1183},{"_220":1180,"_20":1181},{"_220":1178,"_20":1179},{"_220":1176,"_20":1177},{"_220":1174,"_20":1175},{"_220":1172,"_20":1173},{"_220":1170,"_20":1171},{"_220":1168,"_20":1169},{"_220":1166,"_20":1167},{"_220":1164,"_20":1165},{"_220":1162,"_20":1163},{"_220":1160,"_20":1161},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]