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It is now at the National Gallery of Art in Washington, DC.","Georgiana, Duchess of Devonshire, political hostess and leader of fashion in Georgian society, stands at full length in a light silk dress and a large dark feathered hat, gathering her skirts in her arms beside tall trees.","This painting is a full-length portrait of a woman with her body facing the right and her head turned toward us. She has light skin, curly gray hair, arched eyebrows, and a small mouth in a neutral expression. She wears an elegant light-colored dress with a large bow on the back and a large, dark, feathered hat, and she has a flower tucked in her arms, which also gather up some of her skirts. The background shows tall trees, with the edge of a wall visible in the upper-right corner. The color scheme of the painting is mostly olive-green, and everything has a green tint.",{"_295":439,"_297":440,"_299":441},"https://img.ochreeditions.com/m/1550.jpg?dl=1","/art/georgiana-duchess-of-devonshire-nga-52263","/galleries/style/georgian-britain/georgiana-duchess-of-devonshire-nga-52263",{"_291":437,"_293":438},{"_225":429,"_125":430,"_286":431},{"_277":426,"_279":427,"_281":428,"_282":411},54.4048095703125,74.1,39.4048095703125,{"_288":225,"_123":435,"_154":436,"_140":99},{"_288":125,"_123":432,"_154":433,"_140":434},{"_288":286,"_123":167,"_154":166,"_140":169},"style/painting-18","More paintings of the 18th century",168,"artist/gainsborough-dupont","More by Gainsborough Dupont","natural","ivory","https://img.ochreeditions.com/a/1550/480.jpg","https://img.ochreeditions.com/a/1550/960.jpg","https://img.ochreeditions.com/a/1550/1920.jpg",{"_311":455,"_313":456},{"_311":453,"_313":454},{"_311":451,"_313":452},{"_311":449,"_313":450},{"_311":447,"_313":448},"#bba987",0.0696,"#3b2e29",0.1916,"#917f5d",0.2158,"#7a6236",0.2411,"#5b462d",0.2819,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","portrait-of-colonel-charles-heathcote-cma-302209","Portrait of Colonel Charles Heathcote",{"_42":519,"_222":520,"_325":521,"_327":328,"_329":522,"_331":461,"_333":523,"_335":523,"_337":524,"_140":99},"c. 1771–72","Oil on canvas","127 x 100 cm (50 x 39 3/8 in.)",100,127,0.7991176470588235,[504,505,506,507,508],{"_221":500,"_222":501,"_42":502,"_304":503},"Courtesy of the Cleveland Museum of Art","2017.100","Joseph Wright of Derby painted this in about 1771–72, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":497,"_498":499},"Portrait of Colonel Charles Heathcote, by Joseph Wright of Derby, c. 1771–72",{"_295":494,"_297":495,"_299":496},"https://img.ochreeditions.com/m/784.jpg?dl=1","/art/portrait-of-colonel-charles-heathcote-cma-302209","/galleries/style/georgian-britain/portrait-of-colonel-charles-heathcote-cma-302209",{"_291":437,"_293":438},{"_225":489,"_125":490,"_286":491},{"_277":486,"_279":487,"_281":488,"_282":470},116.48794117647058,142,101.48794117647058,{"_288":225,"_123":492,"_154":493,"_140":99},{"_288":125,"_123":432,"_154":433,"_140":434},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/784/480.jpg","https://img.ochreeditions.com/a/784/960.jpg","https://img.ochreeditions.com/a/784/1920.jpg","Assuming a relaxed but commanding pose, Colonel Charles Heathcote (1734–1797) stands beside a large oak tree in the foreground of an expansive landscape. He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":517,"_313":518},{"_311":515,"_313":516},{"_311":513,"_313":514},{"_311":511,"_313":512},{"_311":509,"_313":510},"#762820",0.0221,"#977d5d",0.0414,"#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":579,"_222":580,"_325":581,"_327":399,"_329":582,"_331":583,"_333":584,"_335":336,"_337":585,"_140":91},"1801",19,"Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,0.7955882352941176,[564,565,566,567,568],{"_221":500,"_222":501,"_42":502,"_304":503},"1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":563,"_498":499},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_295":560,"_297":561,"_299":562},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_291":437,"_293":438},{"_225":549,"_125":550,"_286":551},{"_277":546,"_279":547,"_281":548,"_282":371},117.63088235294117,144,102.63088235294117,{"_288":225,"_123":558,"_154":559,"_140":91},{"_288":125,"_123":555,"_154":556,"_140":557},{"_288":286,"_123":552,"_154":553,"_140":554},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.",{"_311":577,"_313":578},{"_311":575,"_313":576},{"_311":573,"_313":574},{"_311":571,"_313":572},{"_311":569,"_313":570},"#bc9f72",0.1057,"#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":643,"_222":644,"_325":645,"_327":399,"_329":646,"_331":401,"_333":336,"_335":336,"_337":-5,"_140":103},"ca. 1803–5","drawing","Drawings","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[628,629,630,631,632],{"_221":624,"_222":625,"_42":626,"_304":627},"Courtesy of The Metropolitan Museum of Art","14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_295":621,"_297":622,"_299":623},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_291":292,"_293":294},{"_225":613,"_125":614,"_286":615},{"_277":610,"_279":611,"_281":612,"_282":595},50.26670344827586,63.2,26.266703448275862,{"_288":225,"_123":619,"_154":620,"_140":89},{"_288":125,"_123":616,"_154":617,"_140":618},{"_288":286,"_123":167,"_154":166,"_140":169},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":641,"_313":642},{"_311":639,"_313":640},{"_311":637,"_313":638},{"_311":635,"_313":636},{"_311":633,"_313":634},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,"mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":323,"_222":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_140":97},"c. 1776/1777","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",71,84,0.837890625,[677,678,679,680,681],{"_221":377,"_222":378,"_42":379,"_304":380},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_295":674,"_297":675,"_299":676},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_291":437,"_293":438},{"_225":671,"_125":672,"_286":673},{"_277":668,"_279":669,"_281":670,"_282":653},85.3828125,99,70.3828125,{"_288":225,"_123":171,"_154":170,"_140":97},{"_288":125,"_123":432,"_154":433,"_140":434},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_311":690,"_313":691},{"_311":688,"_313":689},{"_311":686,"_313":687},{"_311":684,"_313":685},{"_311":682,"_313":683},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":579,"_222":580,"_325":581,"_327":399,"_329":582,"_331":583,"_333":584,"_335":336,"_337":585,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[724,725,726,727,728],{"_221":500,"_222":501,"_42":502,"_304":503},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":723,"_498":499},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_295":720,"_297":721,"_299":722},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_291":437,"_293":438},{"_225":717,"_125":718,"_286":719},{"_277":713,"_279":714,"_281":715,"_282":716},163.0235294117647,255,148.0235294117647,240,{"_288":225,"_123":558,"_154":559,"_140":91},{"_288":125,"_123":432,"_154":433,"_140":434},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_311":737,"_313":738},{"_311":735,"_313":736},{"_311":733,"_313":734},{"_311":731,"_313":732},{"_311":729,"_313":730},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":786,"_222":787,"_325":788,"_327":328,"_329":789,"_331":790,"_333":-5,"_335":-5,"_337":791,"_140":99},"n.d.","Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[771,772,773,774,775],{"_221":301,"_222":302,"_42":303,"_304":305},"1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_295":768,"_297":769,"_299":770},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_291":292,"_293":294},{"_225":763,"_125":764,"_286":765},{"_277":760,"_279":761,"_281":745,"_282":762},53,44.521086780210865,20.52108678021087,{"_288":225,"_123":766,"_154":767,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":53},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg",{"_311":784,"_313":785},{"_311":782,"_313":783},{"_311":780,"_313":781},{"_311":778,"_313":779},{"_311":776,"_313":777},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","self-portrait-in-a-fur-cap-aic-76295","Self-Portrait in a Fur Cap",{"_42":519,"_222":520,"_325":521,"_327":328,"_329":522,"_331":461,"_333":523,"_335":523,"_337":524,"_140":99},"1765/68","Monochrome pastel (grisaille) on blue-gray laid paper","42.5 × 29.5 cm (16 3/4 × 11 5/8 in.)",0.6958228202971685,[821,822,823,824,825],{"_221":301,"_222":302,"_42":303,"_304":305},"1990.141","Joseph Wright of Derby painted this in 1765/68, aged about 31. It is now at the Art Institute of Chicago.","Joseph Wright of Derby portrays himself in a fur cap, drawn in monochrome pastel on blue-grey paper, with greys and blacks building the face and the soft texture of the fur.","Black, gray pastel portrait of man in a fur hat.",{"_295":818,"_297":819,"_299":820},"https://img.ochreeditions.com/m/193.jpg?dl=1","/art/self-portrait-in-a-fur-cap-aic-76295","/galleries/style/georgian-britain/self-portrait-in-a-fur-cap-aic-76295",{"_291":292,"_293":294},{"_225":815,"_125":816,"_286":817},{"_277":812,"_279":813,"_281":814,"_282":169},53.22455845248108,66,29.224558452481077,{"_288":225,"_123":492,"_154":493,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":53},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/193/480.jpg","https://img.ochreeditions.com/a/193/960.jpg","https://img.ochreeditions.com/a/193/1920.jpg",{"_311":834,"_313":835},{"_311":832,"_313":833},{"_311":830,"_313":831},{"_311":828,"_313":829},{"_311":826,"_313":827},"#85817a",0.0524,"#5b4224",0.0632,"#5e5a55",0.0962,"#403d37",0.2066,"#2f2d29",0.5816,"lord-rothes-si-saam-1956-11-60","Lord Rothes","Unrecorded British maker","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[871,872,873,874,875],{"_221":868,"_222":869,"_42":870,"_304":380},"Courtesy of the Smithsonian American Art Museum","1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_295":865,"_297":866,"_299":867},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_291":437,"_293":438},{"_225":860,"_125":861,"_286":862},{"_277":857,"_279":858,"_281":859,"_282":842},117.51170000000002,143.3,102.51170000000002,{"_288":225,"_123":863,"_154":864,"_140":97},{"_288":125,"_123":432,"_154":433,"_140":434},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg","si","smithsonian","Smithsonian Institution",{"_311":884,"_313":885},{"_311":882,"_313":883},{"_311":880,"_313":881},{"_311":878,"_313":879},{"_311":876,"_313":877},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015",0.3131,"virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":519,"_222":520,"_325":521,"_327":328,"_329":522,"_331":461,"_333":523,"_335":523,"_337":524,"_140":99},"1779","Paintings","40 x 50 in. (101.6 x 127 cm)",101.6,1.2404942965779469,[915,916,917,918,919],{"_221":624,"_222":625,"_42":626,"_304":627},"2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_295":912,"_297":913,"_299":914},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_291":437,"_293":438},{"_225":909,"_125":910,"_286":911},{"_277":487,"_279":907,"_281":470,"_282":908},117.37854406130268,102.37854406130268,{"_288":225,"_123":492,"_154":493,"_140":99},{"_288":125,"_123":432,"_154":433,"_140":434},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg",{"_311":928,"_313":929},{"_311":926,"_313":927},{"_311":924,"_313":925},{"_311":922,"_313":923},{"_311":920,"_313":921},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"turtur-risorius-nga-53854","Turtur Risorius",{"_42":977,"_222":978,"_325":979,"_327":980,"_329":332,"_331":981,"_333":-5,"_335":-5,"_337":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,17,0.655517578125,[962,963,964,965,966],{"_221":377,"_222":378,"_42":379,"_304":380},"1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_295":959,"_297":960,"_299":961},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_291":292,"_293":294},{"_225":954,"_125":955,"_286":956},{"_277":950,"_279":951,"_281":952,"_282":953},40.387939453125,49,16.387939453125,25,{"_288":225,"_123":957,"_154":958,"_140":89},{"_288":125,"_123":369,"_154":370,"_140":371},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_311":975,"_313":976},{"_311":973,"_313":974},{"_311":971,"_313":972},{"_311":969,"_313":970},{"_311":967,"_313":968},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1859,"death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":1029,"_222":1030,"_325":1031,"_327":328,"_329":1032,"_331":1033,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1784, after the drawing of 1775","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",47,65,0.7011965811965812,[1014,1015,1016,1017,1018],{"_221":301,"_222":302,"_42":303,"_304":305},"2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_295":1011,"_297":1012,"_299":1013},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_291":292,"_293":294},{"_225":1006,"_125":1007,"_286":1008},{"_277":1003,"_279":1004,"_281":1005,"_282":989},69.57777777777778,89,45.57777777777778,{"_288":225,"_123":1009,"_154":1010,"_140":89},{"_288":125,"_123":369,"_154":370,"_140":371},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_311":1027,"_313":1028},{"_311":1025,"_313":1026},{"_311":1023,"_313":1024},{"_311":1021,"_313":1022},{"_311":1019,"_313":1020},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":1080,"_222":1081,"_325":1082,"_327":328,"_329":1083,"_331":1084,"_333":-5,"_335":-5,"_337":-5,"_140":99},"Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912998446400829,[1065,1066,1067,1068,1069],{"_221":301,"_222":302,"_42":303,"_304":305},"1946.404","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_295":1062,"_297":1063,"_299":1064},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_291":292,"_293":294},{"_225":1057,"_125":1058,"_286":1059},{"_277":1054,"_279":1055,"_281":1056,"_282":554},55.65199378560331,64,31.651993785603313,{"_288":225,"_123":1060,"_154":1061,"_140":99},{"_288":125,"_123":369,"_154":370,"_140":371},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg",{"_311":1078,"_313":1079},{"_311":1076,"_313":1077},{"_311":1074,"_313":1075},{"_311":1072,"_313":1073},{"_311":1070,"_313":1071},"#766942",0.061,"#684c41",0.0717,"#94856f",0.1271,"#bcb09d",0.3294,"#d2c8b7",0.4108,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[1112,1113,1114,1115,1116],{"_221":301,"_222":302,"_42":303,"_304":305},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_295":1109,"_297":1110,"_299":1111},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_291":292,"_293":294},{"_225":1106,"_125":1107,"_286":1108},{"_277":951,"_279":1104,"_281":953,"_282":1105},48.48828746872867,24.488287468728675,{"_288":225,"_123":863,"_154":864,"_140":97},{"_288":125,"_123":369,"_154":370,"_140":371},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_311":1125,"_313":1126},{"_311":1123,"_313":1124},{"_311":1121,"_313":1122},{"_311":1119,"_313":1120},{"_311":1117,"_313":1118},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,{"_1128":-5,"_1129":1130,"_1131":1132,"_1133":8,"_1134":1135,"_1136":8},"user","csrf","4bfdf46405484fec87afb751930dd894d3f29db3","cartCount",0,"dropLive","legal",[1137,1138,1139,1140,1141,1142,1143,1144,1145,1146,1147,1148],"uploadsEnabled",{"_222":1171,"_20":1172},{"_222":1169,"_20":1170},{"_222":1167,"_20":1168},{"_222":1165,"_20":1166},{"_222":1163,"_20":1164},{"_222":1161,"_20":1162},{"_222":1159,"_20":1160},{"_222":1157,"_20":1158},{"_222":1155,"_20":1156},{"_222":1153,"_20":1154},{"_222":1151,"_20":1152},{"_222":1149,"_20":1150},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]