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Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.","source","Text from the Art Institute of Chicago.",{"_308":456,"_310":457},{"_308":454,"_310":455},{"_308":452,"_310":453},{"_308":450,"_310":451},{"_308":448,"_310":449},"#a8b3b4",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"John Constable","john-constable","English, 1776–1837","English",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":520,"_220":521,"_322":522,"_324":461,"_326":523,"_328":524,"_330":525,"_331":525,"_332":526,"_140":99},"Paintings","40 x 50 in. (101.6 x 127 cm)",127,101.6,1.2404942965779469,[505,506,507,508,509],{"_219":501,"_220":502,"_42":503,"_301":504},"Courtesy of The Metropolitan Museum of Art","2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_292":498,"_294":499,"_296":500},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_288":435,"_290":436},{"_223":490,"_125":491,"_283":492},{"_274":487,"_276":488,"_278":470,"_279":489},142,117.37854406130268,102.37854406130268,{"_285":223,"_123":496,"_154":497,"_140":99},{"_285":125,"_123":493,"_154":494,"_140":495},{"_285":283,"_123":167,"_154":166,"_140":169},"style/painting-18","More paintings of the 18th century",168,"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_308":518,"_310":519},{"_308":516,"_310":517},{"_308":514,"_310":515},{"_308":512,"_310":513},{"_308":510,"_310":511},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","portrait-of-mrs-george-collier-cma-101852","Portrait of Mrs. George Collier",{"_42":587,"_220":588,"_322":589,"_324":325,"_326":590,"_328":591,"_330":592,"_331":593,"_332":594,"_140":95},"18th century",17,"oil on canvas","Framed: 112 x 101 x 12 cm (44 1/8 x 39 3/4 x 4 3/4 in.); Unframed: 80 x 67.3 cm (31 1/2 x 26 1/2 in.)",67.3,0.8194117647058824,[572,573,574,575,576],{"_219":568,"_220":569,"_42":570,"_301":571},"Courtesy of the Cleveland Museum of Art","1920.514","Joshua Reynolds painted this in 18th century. It is now at the Cleveland Museum of Art.",{"_118":566,"_441":567},"Portrait of Mrs. George Collier, by Joshua Reynolds, 18th century",{"_292":563,"_294":564,"_296":565},"https://img.ochreeditions.com/m/498.jpg?dl=1","/art/portrait-of-mrs-george-collier-cma-101852","/galleries/style/georgian-britain/portrait-of-mrs-george-collier-cma-101852",{"_288":435,"_290":436},{"_223":553,"_125":554,"_283":555},{"_274":550,"_276":551,"_278":552,"_279":275},80.5529411764706,95,65.5529411764706,{"_285":223,"_123":561,"_154":562,"_140":95},{"_285":125,"_123":559,"_154":560,"_140":495},{"_285":283,"_123":556,"_154":557,"_140":558},"era/17","The 17th century",266,"style/painting-17","More paintings of the 17th century","artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/498/480.jpg","https://img.ochreeditions.com/a/498/960.jpg","https://img.ochreeditions.com/a/498/1920.jpg","Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds. However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_308":585,"_310":586},{"_308":583,"_310":584},{"_308":581,"_310":582},{"_308":579,"_310":580},{"_308":577,"_310":578},"#dbae62",0.0772,"#543416",0.0793,"#a17433",0.0962,"#784818",0.1532,"#312311",0.5941,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","London","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","peamore-devon-nga-137152","Peamore, Devon",{"_42":647,"_220":648,"_322":649,"_324":325,"_326":650,"_328":651,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1799","drawing","Drawing","wash and watercolor with pen and black ink over graphite on eight joined sheets of laid paper, on the artist's original mount","image: 45.2 x 57.3 cm (17 13/16 x 22 9/16 in.)",57.3,45.2,1.2337349397590363,[632,633,634,635,636],{"_219":372,"_220":373,"_42":374,"_301":375},"2007.16.1","John White Abbott painted this in 1799, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image shows a forest by a serene, tree-lined body of water. The horizon is high with tall trees extending close to it, creating a sense of depth. The brushstrokes and watercolor application are delicate, capturing textures of leaves and water gently. The color palette includes muted greens, soft browns, and hints of blue and cream. Closest to us is a dense cluster of trees on the right, curving over the water. Across the water, other tree clusters and shrubs recede into the misty background towards the left.",{"_292":629,"_294":630,"_296":631},"https://img.ochreeditions.com/m/1666.jpg?dl=1","/art/peamore-devon-nga-137152","/galleries/style/georgian-britain/peamore-devon-nga-137152",{"_288":289,"_290":291},{"_223":621,"_125":622,"_283":623},{"_274":618,"_276":619,"_278":603,"_279":620},81.3,70.4443359375,46.44433593749999,{"_285":223,"_123":627,"_154":628,"_140":89},{"_285":125,"_123":624,"_154":625,"_140":626},{"_285":283,"_123":167,"_154":166,"_140":169},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-john-white-abbott","John White Abbott's contemporaries","https://img.ochreeditions.com/a/1666/480.jpg","https://img.ochreeditions.com/a/1666/960.jpg","https://img.ochreeditions.com/a/1666/1920.jpg",{"_308":645,"_310":646},{"_308":643,"_310":644},{"_308":641,"_310":642},{"_308":639,"_310":640},{"_308":637,"_310":638},"#afad94",0.085,"#ab9571",0.1157,"#6f624e",0.1563,"#8a7c62",0.2097,"#d9c9b1",0.4333,"John White Abbott","john-white-abbott","British, 1763–1851",1763,1851,"the-white-horse-nga-1146","The White Horse",{"_42":458,"_220":459,"_322":460,"_324":461,"_326":462,"_328":463,"_330":-5,"_331":-5,"_332":464,"_140":99},"1818-1819","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,1.4306671323786238,[681,682,683,684,685],{"_219":372,"_220":373,"_42":374,"_301":375},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_292":678,"_294":679,"_296":680},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_288":435,"_290":436},{"_223":675,"_125":676,"_283":677},{"_274":672,"_276":673,"_278":657,"_279":674},198,142.912353515625,127.912353515625,{"_285":223,"_123":433,"_154":434,"_140":99},{"_285":125,"_123":430,"_154":431,"_140":432},{"_285":283,"_123":427,"_154":428,"_140":429},"https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_308":694,"_310":695},{"_308":692,"_310":693},{"_308":690,"_310":691},{"_308":688,"_310":689},{"_308":686,"_310":687},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":743,"_220":744,"_322":745,"_324":461,"_326":746,"_328":747,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1784, after the drawing of 1775","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",47,65,0.7011965811965812,[728,729,730,731,732],{"_219":298,"_220":299,"_42":300,"_301":302},"2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_292":725,"_294":726,"_296":727},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_288":289,"_290":291},{"_223":720,"_125":721,"_283":722},{"_274":717,"_276":718,"_278":719,"_279":703},69.57777777777778,89,45.57777777777778,{"_285":223,"_123":723,"_154":724,"_140":89},{"_285":125,"_123":364,"_154":365,"_140":366},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_308":741,"_310":742},{"_308":739,"_310":740},{"_308":737,"_310":738},{"_308":735,"_310":736},{"_308":733,"_310":734},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"saint-john-the-evangelist-nga-54043",{"_42":391,"_220":392,"_322":393,"_324":325,"_326":394,"_328":395,"_330":-5,"_331":-5,"_332":-5,"_140":101},"chiaroscuro woodcut in light and dark olive green","sheet: 19.7 × 15.3 cm (7 3/4 × 6 in.) other (text beneath image): 3.2 × 15.2 cm (1 1/4 × 6 in.) mount (irreg.): 43.7 × 31.9 cm (17 3/16 × 12 9/16 in.)",15.3,0.742431640625,[773,774,775,776,777],{"_219":372,"_220":373,"_42":374,"_301":375},"1973.58.2","This is a drawing of a seated figure on a large bird. The image depicts a classically draped figure seated on a stylized bird. The figure holds an open book and gazes into the distance. The bird has sharp features and spread wings. The background contains swirling clouds. The scene is framed with a border, and there is text at the bottom. The lines are bold and the shades are muted.",{"_292":770,"_294":771,"_296":772},"https://img.ochreeditions.com/m/1571.jpg?dl=1","/art/saint-john-the-evangelist-nga-54043","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54043",{"_288":289,"_290":291},{"_223":767,"_125":768,"_283":769},{"_274":765,"_276":358,"_278":766,"_279":360},42.560791015625,18.560791015625,{"_285":223,"_123":367,"_154":368,"_140":89},{"_285":125,"_123":364,"_154":365,"_140":366},{"_285":283,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1571/480.jpg","https://img.ochreeditions.com/a/1571/960.jpg","https://img.ochreeditions.com/a/1571/1920.jpg",{"_308":786,"_310":787},{"_308":784,"_310":785},{"_308":782,"_310":783},{"_308":780,"_310":781},{"_308":778,"_310":779},"#b69e75",0.1243,"#877257",0.1513,"#9a8362",0.1745,"#cab68c",0.2161,"#d5c39a",0.3338,"angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":836,"_220":837,"_322":838,"_324":325,"_326":839,"_328":840,"_330":593,"_331":593,"_332":-5,"_140":103},"ca. 1803–5","Drawings","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[821,822,823,824,825],{"_219":501,"_220":502,"_42":503,"_301":504},"14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_292":818,"_294":819,"_296":820},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_288":289,"_290":291},{"_223":813,"_125":814,"_283":815},{"_274":810,"_276":811,"_278":812,"_279":796},50.26670344827586,63.2,26.266703448275862,{"_285":223,"_123":816,"_154":817,"_140":89},{"_285":125,"_123":624,"_154":625,"_140":626},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg",{"_308":834,"_310":835},{"_308":832,"_310":833},{"_308":830,"_310":831},{"_308":828,"_310":829},{"_308":826,"_310":827},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,1827,"isabella-wolff-aic-4773","Isabella Wolff",{"_42":889,"_220":890,"_322":891,"_324":325,"_326":892,"_328":893,"_330":894,"_331":593,"_332":895,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[874,875,876,877,878],{"_219":298,"_220":299,"_42":300,"_301":302},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":873,"_441":442},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_292":870,"_294":871,"_296":872},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_288":435,"_290":436},{"_223":865,"_125":866,"_283":867},{"_274":862,"_276":863,"_278":864,"_279":847},116.09951287404314,143,101.09951287404314,{"_285":223,"_123":868,"_154":869,"_140":91},{"_285":125,"_123":430,"_154":431,"_140":432},{"_285":283,"_123":427,"_154":428,"_140":429},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.",{"_308":887,"_310":888},{"_308":885,"_310":886},{"_308":883,"_310":884},{"_308":881,"_310":882},{"_308":879,"_310":880},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":889,"_220":890,"_322":891,"_324":325,"_326":892,"_328":893,"_330":894,"_331":593,"_332":895,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[928,929,930,931,932],{"_219":568,"_220":569,"_42":570,"_301":571},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":927,"_441":567},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_292":924,"_294":925,"_296":926},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_288":435,"_290":436},{"_223":921,"_125":922,"_283":923},{"_274":917,"_276":918,"_278":919,"_279":920},163.0235294117647,255,148.0235294117647,240,{"_285":223,"_123":868,"_154":869,"_140":91},{"_285":125,"_123":493,"_154":494,"_140":495},{"_285":283,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_308":941,"_310":942},{"_308":939,"_310":940},{"_308":937,"_310":938},{"_308":935,"_310":936},{"_308":933,"_310":934},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":990,"_220":991,"_322":992,"_324":461,"_326":993,"_328":994,"_330":995,"_331":593,"_332":996,"_140":97},"c. 1781/1782","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[975,976,977,978,979],{"_219":372,"_220":373,"_42":374,"_301":375},"1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_292":972,"_294":973,"_296":974},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_288":435,"_290":436},{"_223":967,"_125":968,"_283":969},{"_274":964,"_276":965,"_278":948,"_279":966},142.6,116.65009765625,101.65009765625,{"_285":223,"_123":970,"_154":971,"_140":97},{"_285":125,"_123":493,"_154":494,"_140":495},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg",{"_308":988,"_310":989},{"_308":986,"_310":987},{"_308":984,"_310":985},{"_308":982,"_310":983},{"_308":980,"_310":981},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":1045,"_220":1046,"_322":1047,"_324":325,"_326":1048,"_328":524,"_330":-5,"_331":-5,"_332":1049,"_140":99},"after 1788","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[1030,1031,1032,1033,1034],{"_219":568,"_220":569,"_42":570,"_301":571},"1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":1029,"_441":567},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_292":1026,"_294":1027,"_296":1028},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_288":435,"_290":436},{"_223":1021,"_125":1022,"_283":1023},{"_274":1018,"_276":1019,"_278":1020,"_279":1003},83.17205882352941,90.5,68.17205882352941,{"_285":223,"_123":1024,"_154":1025,"_140":99},{"_285":125,"_123":493,"_154":494,"_140":495},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.",{"_308":1043,"_310":1044},{"_308":1041,"_310":1042},{"_308":1039,"_310":1040},{"_308":1037,"_310":1038},{"_308":1035,"_310":1036},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":1096,"_220":1097,"_322":1098,"_324":461,"_326":591,"_328":1099,"_330":-5,"_331":-5,"_332":-5,"_140":101},"1834","Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",24,1.6425614803993183,[1081,1082,1083,1084,1085],{"_219":298,"_220":299,"_42":300,"_301":302},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_292":1078,"_294":1079,"_296":1080},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_288":435,"_290":436},{"_223":1073,"_125":1074,"_283":1075},{"_274":1070,"_276":1071,"_278":244,"_279":1072},53,38.1345982804625,23.134598280462495,{"_285":223,"_123":1076,"_154":1077,"_140":89},{"_285":125,"_123":430,"_154":431,"_140":432},{"_285":283,"_123":427,"_154":428,"_140":429},"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_308":1094,"_310":1095},{"_308":1092,"_310":1093},{"_308":1090,"_310":1091},{"_308":1088,"_310":1089},{"_308":1086,"_310":1087},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1882,"two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":889,"_220":890,"_322":891,"_324":325,"_326":892,"_328":893,"_330":894,"_331":593,"_332":895,"_140":91},"July 26, 1800","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",35,0.6863089606703608,[1129,1130,1131,1132,1133],{"_219":298,"_220":299,"_42":300,"_301":302},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_292":1126,"_294":1127,"_296":1128},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_288":289,"_290":291},{"_223":1123,"_125":1124,"_283":1125},{"_274":1120,"_276":1121,"_278":1122,"_279":1106},48.02081362346263,59,24.02081362346263,{"_285":223,"_123":868,"_154":869,"_140":91},{"_285":125,"_123":286,"_154":287,"_140":53},{"_285":283,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_308":1142,"_310":1143},{"_308":1140,"_310":1141},{"_308":1138,"_310":1139},{"_308":1136,"_310":1137},{"_308":1134,"_310":1135},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,{"_1145":-5,"_1146":1147,"_1148":1149,"_1150":8,"_1151":1152,"_1153":8},"user","csrf","0f6de8df1e2cd8938365640f9909ef15defba28f","cartCount",0,"dropLive","legal",[1154,1155,1156,1157,1158,1159,1160,1161,1162,1163,1164,1165],"uploadsEnabled",{"_220":1188,"_20":1189},{"_220":1186,"_20":1187},{"_220":1184,"_20":1185},{"_220":1182,"_20":1183},{"_220":1180,"_20":1181},{"_220":1178,"_20":1179},{"_220":1176,"_20":1177},{"_220":1174,"_20":1175},{"_220":1172,"_20":1173},{"_220":1170,"_20":1171},{"_220":1168,"_20":1169},{"_220":1166,"_20":1167},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]