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However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":405,"_314":406},{"_312":403,"_314":404},{"_312":401,"_314":402},{"_312":399,"_314":400},{"_312":397,"_314":398},"#dbae62",0.0772,"#543416",0.0793,"#a17433",0.0962,"#784818",0.1532,"#312311",0.5941,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","A Hero Born on a Bier, from The Master of Giants Portfolio",{"_42":473,"_222":474,"_326":475,"_328":329,"_330":476,"_332":477,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1779",18,"watercolour","Drawing and Watercolor","Brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper","38 × 56.5 cm (15 × 22 1/4 in.)",56,38,1.4658835950904052,[458,459,460,461,462],{"_221":454,"_222":455,"_42":456,"_305":457},"Courtesy of the Art Institute of Chicago","2023.3179","Prince Hoare painted this in 1779, aged 24. It is now at the Art Institute of Chicago.","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.",{"_296":451,"_298":452,"_300":453},"https://img.ochreeditions.com/m/433.jpg?dl=1","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",{"_292":293,"_294":295},{"_225":441,"_125":442,"_286":443},{"_277":350,"_279":439,"_281":423,"_282":440},62.20221481948321,38.20221481948321,{"_288":225,"_123":449,"_154":450,"_140":89},{"_288":125,"_123":447,"_154":448,"_140":53},{"_288":286,"_123":444,"_154":445,"_140":446},"era/18-britain","18th-century Britain",42,"style/watercolour-18","More watercolours of the 18th century","artist/contemporaries-of-prince-hoare","Prince Hoare's contemporaries","https://img.ochreeditions.com/a/433/480.jpg","https://img.ochreeditions.com/a/433/960.jpg","https://img.ochreeditions.com/a/433/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":471,"_314":472},{"_312":469,"_314":470},{"_312":467,"_314":468},{"_312":465,"_314":466},{"_312":463,"_314":464},"#585149",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","British, 1755–1834",1755,1834,"anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":527,"_222":528,"_326":529,"_328":329,"_330":530,"_332":531,"_334":532,"_336":337,"_338":533,"_140":91},"c. 1805","Oil on canvas","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",65,78,0.8287557603686636,[512,513,514,515,516],{"_221":454,"_222":455,"_42":456,"_305":457},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_296":509,"_298":510,"_300":511},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_292":380,"_294":381},{"_225":502,"_125":503,"_286":504},{"_277":499,"_279":500,"_281":501,"_282":485},79.64294930875576,93,64.64294930875576,{"_288":225,"_123":507,"_154":508,"_140":91},{"_288":125,"_123":505,"_154":506,"_140":377},{"_288":286,"_123":444,"_154":445,"_140":446},"style/painting-18","More paintings of the 18th century","artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_312":525,"_314":526},{"_312":523,"_314":524},{"_312":521,"_314":522},{"_312":519,"_314":520},{"_312":517,"_314":518},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":583,"_222":584,"_326":585,"_328":586,"_330":587,"_332":588,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1784, after the drawing of 1775","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",47,0.7011965811965812,[568,569,570,571,572],{"_221":454,"_222":455,"_42":456,"_305":457},"2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_296":565,"_298":566,"_300":567},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_292":293,"_294":295},{"_225":557,"_125":558,"_286":559},{"_277":554,"_279":555,"_281":556,"_282":484},69.57777777777778,89,45.57777777777778,{"_288":225,"_123":563,"_154":564,"_140":89},{"_288":125,"_123":560,"_154":561,"_140":562},{"_288":286,"_123":444,"_154":445,"_140":446},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_312":581,"_314":582},{"_312":579,"_314":580},{"_312":577,"_314":578},{"_312":575,"_314":576},{"_312":573,"_314":574},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829","English",1760,1829,"theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":407,"_222":408,"_326":409,"_328":329,"_330":410,"_332":411,"_334":412,"_336":337,"_338":413,"_140":95},"1776–81","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[617,618,619,620,621],{"_221":454,"_222":455,"_42":456,"_305":457},"2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.",{"_296":614,"_298":615,"_300":616},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_292":380,"_294":381},{"_225":611,"_125":612,"_286":613},{"_277":608,"_279":609,"_281":610,"_282":595},76.14076281287247,88,61.14076281287247,{"_288":225,"_123":378,"_154":379,"_140":95},{"_288":125,"_123":505,"_154":506,"_140":377},{"_288":286,"_123":444,"_154":445,"_140":446},"https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg",{"_312":630,"_314":631},{"_312":628,"_314":629},{"_312":626,"_314":627},{"_312":624,"_314":625},{"_312":622,"_314":623},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"saint-john-the-evangelist-nga-54044","Saint John the Evangelist",{"_42":680,"_222":681,"_326":682,"_328":329,"_330":683,"_332":684,"_334":-5,"_336":-5,"_338":-5,"_140":101},"1771","chiaroscuro woodcut in tan and brown","sheet: 19.7 × 15.4 cm (7 3/4 × 6 1/16 in.) other (text beneath image): 3.2 × 15.7 cm (1 1/4 × 6 3/16 in.) mount: 38.2 × 27.1 cm (15 1/16 × 10 11/16 in.)",15.4,19.7,0.702880859375,[665,666,667,668,669],{"_221":302,"_222":303,"_42":304,"_305":306},"1973.58.3","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a winged figure seated on a bird. The image depicts a figure with flowing robes, wings outstretched, holding an open book in one hand. The figure appears to be looking off to the side, with a serene expression. The lower part of the image includes a bird upon which the figure is seated. The bird's head is turned slightly upwards, following the direction in which the figure is gazing. The image is rendered in a warm, monochromatic palette. In the lower section of the image, there is some text, likely Latin.",{"_296":662,"_298":663,"_300":664},"https://img.ochreeditions.com/m/1572.jpg?dl=1","/art/saint-john-the-evangelist-nga-54044","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54044",{"_292":293,"_294":295},{"_225":657,"_125":658,"_286":659},{"_277":653,"_279":654,"_281":655,"_282":656},41.572021484375,49,17.572021484375,25,{"_288":225,"_123":660,"_154":661,"_140":89},{"_288":125,"_123":560,"_154":561,"_140":562},{"_288":286,"_123":444,"_154":445,"_140":446},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1572/480.jpg","https://img.ochreeditions.com/a/1572/960.jpg","https://img.ochreeditions.com/a/1572/1920.jpg",{"_312":678,"_314":679},{"_312":676,"_314":677},{"_312":674,"_314":675},{"_312":672,"_314":673},{"_312":670,"_314":671},"#a28a5c",0.1319,"#d5b378",0.1774,"#b29562",0.1816,"#c1a26a",0.2372,"#d5c19a",0.2719,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"small-landscape-si-saam-1956-11-20","Small Landscape","Unrecorded British maker","ca. 1750-1800","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[720,721,722,723,724],{"_221":717,"_222":718,"_42":719,"_305":306},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_296":714,"_298":715,"_300":716},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_292":380,"_294":381},{"_225":709,"_125":710,"_286":711},{"_277":706,"_279":707,"_281":690,"_282":708},70.2,58.4424,43.4424,{"_288":225,"_123":712,"_154":713,"_140":97},{"_288":125,"_123":505,"_154":506,"_140":377},{"_288":286,"_123":444,"_154":445,"_140":446},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_312":733,"_314":734},{"_312":731,"_314":732},{"_312":729,"_314":730},{"_312":727,"_314":728},{"_312":725,"_314":726},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":527,"_222":528,"_326":529,"_328":329,"_330":530,"_332":531,"_334":532,"_336":337,"_338":533,"_140":91},"July 26, 1800","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",24,35,0.6863089606703608,[765,766,767,768,769],{"_221":454,"_222":455,"_42":456,"_305":457},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_296":762,"_298":763,"_300":764},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_292":293,"_294":295},{"_225":759,"_125":760,"_286":761},{"_277":756,"_279":757,"_281":758,"_282":742},48.02081362346263,59,24.02081362346263,{"_288":225,"_123":507,"_154":508,"_140":91},{"_288":125,"_123":447,"_154":448,"_140":53},{"_288":286,"_123":444,"_154":445,"_140":446},"https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_312":778,"_314":779},{"_312":776,"_314":777},{"_312":774,"_314":775},{"_312":772,"_314":773},{"_312":770,"_314":771},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"saint-john-the-evangelist-nga-54043",{"_42":680,"_222":681,"_326":682,"_328":329,"_330":683,"_332":684,"_334":-5,"_336":-5,"_338":-5,"_140":101},"chiaroscuro woodcut in light and dark olive green","sheet: 19.7 × 15.3 cm (7 3/4 × 6 in.) other (text beneath image): 3.2 × 15.2 cm (1 1/4 × 6 in.) mount (irreg.): 43.7 × 31.9 cm (17 3/16 × 12 9/16 in.)",15.3,0.742431640625,[805,806,807,808,809],{"_221":302,"_222":303,"_42":304,"_305":306},"1973.58.2","This is a drawing of a seated figure on a large bird. The image depicts a classically draped figure seated on a stylized bird. The figure holds an open book and gazes into the distance. The bird has sharp features and spread wings. The background contains swirling clouds. The scene is framed with a border, and there is text at the bottom. The lines are bold and the shades are muted.",{"_296":802,"_298":803,"_300":804},"https://img.ochreeditions.com/m/1571.jpg?dl=1","/art/saint-john-the-evangelist-nga-54043","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54043",{"_292":293,"_294":295},{"_225":799,"_125":800,"_286":801},{"_277":797,"_279":654,"_281":798,"_282":656},42.560791015625,18.560791015625,{"_288":225,"_123":660,"_154":661,"_140":89},{"_288":125,"_123":560,"_154":561,"_140":562},{"_288":286,"_123":444,"_154":445,"_140":446},"https://img.ochreeditions.com/a/1571/480.jpg","https://img.ochreeditions.com/a/1571/960.jpg","https://img.ochreeditions.com/a/1571/1920.jpg",{"_312":818,"_314":819},{"_312":816,"_314":817},{"_312":814,"_314":815},{"_312":812,"_314":813},{"_312":810,"_314":811},"#b69e75",0.1243,"#877257",0.1513,"#9a8362",0.1745,"#cab68c",0.2161,"#d5c39a",0.3338,"the-white-horse-nga-1146","The White Horse",{"_42":870,"_222":871,"_326":872,"_328":586,"_330":873,"_332":874,"_334":-5,"_336":-5,"_338":875,"_140":99},"1818-1819","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,127,1.4306671323786238,[855,856,857,858,859],{"_221":302,"_222":303,"_42":304,"_305":306},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_296":852,"_298":853,"_300":854},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_292":380,"_294":381},{"_225":844,"_125":845,"_286":846},{"_277":841,"_279":842,"_281":825,"_282":843},198,142.912353515625,127.912353515625,{"_288":225,"_123":850,"_154":851,"_140":99},{"_288":125,"_123":847,"_154":848,"_140":849},{"_288":286,"_123":167,"_154":166,"_140":169},"style/painting-19","More paintings of the 19th century",432,"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_312":868,"_314":869},{"_312":866,"_314":867},{"_312":864,"_314":865},{"_312":862,"_314":863},{"_312":860,"_314":861},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":922,"_222":923,"_326":924,"_328":329,"_330":925,"_332":926,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1816","overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",231,150,1.522110739502044,[907,908,909,910,911],{"_221":302,"_222":303,"_42":304,"_305":306},"2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_296":904,"_298":905,"_300":906},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_292":380,"_294":381},{"_225":899,"_125":900,"_286":901},{"_277":896,"_279":897,"_281":881,"_282":898},246,166.762939453125,151.762939453125,{"_288":225,"_123":902,"_154":903,"_140":89},{"_288":125,"_123":847,"_154":848,"_140":849},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_312":920,"_314":921},{"_312":918,"_314":919},{"_312":916,"_314":917},{"_312":914,"_314":915},{"_312":912,"_314":913},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,"noon-nga-119642","Noon",{"_42":324,"_222":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":97},"mezzotint on laid paper","plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,1.3927235634138049,[955,956,957,958,959],{"_221":302,"_222":303,"_42":304,"_305":306},"2001.118.23","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_296":952,"_298":953,"_300":954},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_292":293,"_294":295},{"_225":949,"_125":950,"_286":951},{"_277":946,"_279":947,"_281":932,"_282":948},49.5,42.3094482421875,18.3094482421875,{"_288":225,"_123":171,"_154":170,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_312":968,"_314":969},{"_312":966,"_314":967},{"_312":964,"_314":965},{"_312":962,"_314":963},{"_312":960,"_314":961},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":1018,"_222":1019,"_326":1020,"_328":586,"_330":1021,"_332":1022,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1827","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",101,0.7940150839347985,[1003,1004,1005,1006,1007],{"_221":454,"_222":455,"_42":456,"_305":457},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":1001,"_386":1002},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_296":998,"_298":999,"_300":1000},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_292":380,"_294":381},{"_225":993,"_125":994,"_286":995},{"_277":990,"_279":991,"_281":992,"_282":826},115.83991565971941,142,100.83991565971941,{"_288":225,"_123":996,"_154":997,"_140":89},{"_288":125,"_123":847,"_154":848,"_140":849},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.","Text from the Art Institute of Chicago.",{"_312":1016,"_314":1017},{"_312":1014,"_314":1015},{"_312":1012,"_314":1013},{"_312":1010,"_314":1011},{"_312":1008,"_314":1009},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1782,1847,"heaton-park-races-nga-52254","Heaton Park Races",{"_42":1069,"_222":1070,"_326":1071,"_328":329,"_330":1021,"_332":1072,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1829","overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,92,1.688375927452597,[1054,1055,1056,1057,1058],{"_221":302,"_222":303,"_42":304,"_305":306},"1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_296":1051,"_298":1052,"_300":1053},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_292":380,"_294":381},{"_225":1046,"_125":1047,"_286":1048},{"_277":1043,"_279":1044,"_281":1028,"_282":1045},167.6,105.38271484375,90.38271484375,{"_288":225,"_123":1049,"_154":1050,"_140":89},{"_288":125,"_123":847,"_154":848,"_140":849},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_312":1067,"_314":1068},{"_312":1065,"_314":1066},{"_312":1063,"_314":1064},{"_312":1061,"_314":1062},{"_312":1059,"_314":1060},"#9f8033",0.1271,"#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1860,"mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":1120,"_222":1121,"_326":1122,"_328":586,"_330":1123,"_332":1124,"_334":1125,"_336":337,"_338":1126,"_140":97},"c. 1776/1777","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",71,84,0.837890625,[1105,1106,1107,1108,1109],{"_221":302,"_222":303,"_42":304,"_305":306},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_296":1102,"_298":1103,"_300":1104},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_292":380,"_294":381},{"_225":1097,"_125":1098,"_286":1099},{"_277":1094,"_279":1095,"_281":1096,"_282":1079},85.3828125,99,70.3828125,{"_288":225,"_123":1100,"_154":1101,"_140":97},{"_288":125,"_123":505,"_154":506,"_140":377},{"_288":286,"_123":444,"_154":445,"_140":446},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_312":1118,"_314":1119},{"_312":1116,"_314":1117},{"_312":1114,"_314":1115},{"_312":1112,"_314":1113},{"_312":1110,"_314":1111},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.",{"_1128":-5,"_1129":1130,"_1131":1132,"_1133":8,"_1134":1135,"_1136":8},"user","csrf","c69f46c522fc6c08acf6f6dbfb0d35b9e3e69d87","cartCount",0,"dropLive","legal",[1137,1138,1139,1140,1141,1142,1143,1144,1145,1146,1147,1148],"uploadsEnabled",{"_222":1171,"_20":1172},{"_222":1169,"_20":1170},{"_222":1167,"_20":1168},{"_222":1165,"_20":1166},{"_222":1163,"_20":1164},{"_222":1161,"_20":1162},{"_222":1159,"_20":1160},{"_222":1157,"_20":1158},{"_222":1155,"_20":1156},{"_222":1153,"_20":1154},{"_222":1151,"_20":1152},{"_222":1149,"_20":1150},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]