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It is now at the National Gallery of Art in Washington, DC.","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_294":364,"_296":365,"_298":366},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_290":362,"_292":363},{"_224":351,"_125":352,"_284":353},{"_275":348,"_277":349,"_279":331,"_280":350},49.5,42.3094482421875,18.3094482421875,{"_286":224,"_123":360,"_154":361,"_140":97},{"_286":125,"_123":357,"_154":358,"_140":359},{"_286":284,"_123":354,"_154":355,"_140":356},"era/19-britain","19th-century Britain",40,"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","white","snow","https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_310":383,"_312":384},{"_310":381,"_312":382},{"_310":379,"_312":380},{"_310":377,"_312":378},{"_310":375,"_312":376},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"David Lucas","david-lucas","bio","British, 1802–1881","nationality","British","birth_year",1802,"death_year",1881,"birth_place","Geddington Chase, Northamptonshire","death_place","London","about_excerpt","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby",{"_42":455,"_221":456,"_387":457,"_389":390,"_391":458,"_393":459,"_395":460,"_397":398,"_399":461,"_140":91},"1790","Paintings","Oil on canvas","94 in. × 57 1/2 in. (238.8 × 146.1 cm)",146.1,238.8,0.6134193548387097,[440,441,442,443,444],{"_220":436,"_221":437,"_42":438,"_303":439},"Courtesy of The Metropolitan Museum of Art","50.135.5","Thomas Lawrence painted this in 1790, aged 21. 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He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","william-pitt-nga-52264","William Pitt",{"_42":510,"_221":511,"_387":512,"_389":390,"_391":513,"_393":514,"_395":-5,"_397":-5,"_399":515,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[495,496,497,498,499],{"_220":367,"_221":368,"_42":369,"_303":304},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_294":492,"_296":493,"_298":494},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_290":291,"_292":293},{"_224":487,"_125":488,"_284":489},{"_275":484,"_277":356,"_279":485,"_280":486},34.62890625,19.62890625,25,{"_286":224,"_123":490,"_154":491,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_310":508,"_312":509},{"_310":506,"_312":507},{"_310":504,"_312":505},{"_310":502,"_312":503},{"_310":500,"_312":501},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":565,"_221":566,"_387":567,"_389":390,"_391":568,"_393":569,"_395":-5,"_397":-5,"_399":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,123.2,0.79638671875,[550,551,552,553,554],{"_220":367,"_221":368,"_42":369,"_303":304},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_294":547,"_296":548,"_298":549},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_290":291,"_292":293},{"_224":539,"_125":540,"_284":541},{"_275":536,"_277":537,"_279":538,"_280":522},113.11484375,138.2,98.11484375,{"_286":224,"_123":545,"_154":546,"_140":89},{"_286":125,"_123":542,"_154":543,"_140":544},{"_286":284,"_123":354,"_154":355,"_140":356},"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_310":563,"_312":564},{"_310":561,"_312":562},{"_310":559,"_312":560},{"_310":557,"_312":558},{"_310":555,"_312":556},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":620,"_221":621,"_387":622,"_389":390,"_391":623,"_393":624,"_395":-5,"_397":-5,"_399":-5,"_140":103},"1785","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[605,606,607,608,609],{"_220":367,"_221":368,"_42":369,"_303":304},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_294":602,"_296":603,"_298":604},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_290":362,"_292":363},{"_224":594,"_125":595,"_284":596},{"_275":591,"_277":592,"_279":576,"_280":593},60.9,49.927294921875,25.927294921875,{"_286":224,"_123":600,"_154":601,"_140":89},{"_286":125,"_123":597,"_154":598,"_140":599},{"_286":284,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_310":618,"_312":619},{"_310":616,"_312":617},{"_310":614,"_312":615},{"_310":612,"_312":613},{"_310":610,"_312":611},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,1827,"july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":677,"_221":678,"_387":679,"_389":680,"_391":681,"_393":682,"_395":-5,"_397":-5,"_399":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912998446400829,[662,663,664,665,666],{"_220":658,"_221":659,"_42":660,"_303":661},"Courtesy of the Art Institute of Chicago","1946.404","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_294":655,"_296":656,"_298":657},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_290":362,"_292":363},{"_224":650,"_125":651,"_284":652},{"_275":647,"_277":648,"_279":649,"_280":356},55.65199378560331,64,31.651993785603313,{"_286":224,"_123":653,"_154":654,"_140":99},{"_286":125,"_123":597,"_154":598,"_140":599},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":675,"_312":676},{"_310":673,"_312":674},{"_310":671,"_312":672},{"_310":669,"_312":670},{"_310":667,"_312":668},"#766942",0.061,"#684c41",0.0717,"#94856f",0.1271,"#bcb09d",0.3294,"#d2c8b7",0.4108,"Henry Fletcher","henry-fletcher","English, 1710–1750","English",1710,1750,"a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","A Hero Born on a Bier, from The Master of Giants Portfolio",{"_42":734,"_221":735,"_387":736,"_389":390,"_391":737,"_393":738,"_395":-5,"_397":-5,"_399":-5,"_140":103},"1779","watercolour","Drawing and Watercolor","Brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper","38 × 56.5 cm (15 × 22 1/4 in.)",56,38,1.4658835950904052,[719,720,721,722,723],{"_220":658,"_221":659,"_42":660,"_303":661},"2023.3179","Prince Hoare painted this in 1779, aged 24. It is now at the Art Institute of Chicago.","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.",{"_294":716,"_296":717,"_298":718},"https://img.ochreeditions.com/m/433.jpg?dl=1","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",{"_290":362,"_292":363},{"_224":709,"_125":710,"_284":711},{"_275":706,"_277":707,"_279":691,"_280":708},80,62.20221481948321,38.20221481948321,{"_286":224,"_123":714,"_154":715,"_140":89},{"_286":125,"_123":712,"_154":713,"_140":53},{"_286":284,"_123":167,"_154":166,"_140":169},"style/watercolour-18","More watercolours of the 18th century","artist/contemporaries-of-prince-hoare","Prince Hoare's contemporaries","https://img.ochreeditions.com/a/433/480.jpg","https://img.ochreeditions.com/a/433/960.jpg","https://img.ochreeditions.com/a/433/1920.jpg",{"_310":732,"_312":733},{"_310":730,"_312":731},{"_310":728,"_312":729},{"_310":726,"_312":727},{"_310":724,"_312":725},"#585149",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","British, 1755–1834",1755,1834,"stoke-by-nayland-aic-4758","Stoke-by-Nayland",{"_42":789,"_221":790,"_387":791,"_389":680,"_391":792,"_393":793,"_395":-5,"_397":-5,"_399":794,"_140":99},"1836","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)",169,126,1.358449273096764,[774,775,776,777,778],{"_220":658,"_221":659,"_42":660,"_303":661},"1922.4453","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":771,"_772":773},"Large English country landscape painting, farmers with horses, green trees.",{"_294":768,"_296":769,"_298":770},"https://img.ochreeditions.com/m/7.jpg?dl=1","/art/stoke-by-nayland-aic-4758","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758",{"_290":291,"_292":293},{"_224":763,"_125":764,"_284":765},{"_275":760,"_277":761,"_279":744,"_280":762},184,139.40655926352127,124.40655926352129,{"_286":224,"_123":766,"_154":767,"_140":99},{"_286":125,"_123":542,"_154":543,"_140":544},{"_286":284,"_123":354,"_154":355,"_140":356},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/7/960.jpg","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.","source","Text from the Art Institute of Chicago.",{"_310":787,"_312":788},{"_310":785,"_312":786},{"_310":783,"_312":784},{"_310":781,"_312":782},{"_310":779,"_312":780},"#a8b3b4",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":842,"_221":843,"_387":844,"_389":390,"_391":845,"_393":846,"_395":-5,"_397":-5,"_399":-5,"_140":101},"1739","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[827,828,829,830,831],{"_220":367,"_221":368,"_42":369,"_303":304},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_294":824,"_296":825,"_298":826},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_290":362,"_292":363},{"_224":819,"_125":820,"_284":821},{"_275":816,"_277":817,"_279":818,"_280":802},59.630419921874996,77.4,35.630419921874996,{"_286":224,"_123":822,"_154":823,"_140":89},{"_286":125,"_123":597,"_154":598,"_140":599},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_310":840,"_312":841},{"_310":838,"_312":839},{"_310":836,"_312":837},{"_310":834,"_312":835},{"_310":832,"_312":833},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":894,"_221":895,"_387":896,"_389":680,"_391":897,"_393":898,"_395":899,"_397":398,"_399":900,"_140":97},"c. 1781/1782","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[879,880,881,882,883],{"_220":367,"_221":368,"_42":369,"_303":304},"1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_294":876,"_296":877,"_298":878},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_290":291,"_292":293},{"_224":871,"_125":872,"_284":873},{"_275":868,"_277":869,"_279":852,"_280":870},142.6,116.65009765625,101.65009765625,{"_286":224,"_123":874,"_154":875,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg",{"_310":892,"_312":893},{"_310":890,"_312":891},{"_310":888,"_312":889},{"_310":886,"_312":887},{"_310":884,"_312":885},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":953,"_221":954,"_387":955,"_389":390,"_391":956,"_393":392,"_395":398,"_397":398,"_399":-5,"_140":103},"1796–97","drawing","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[938,939,940,941,942],{"_220":436,"_221":437,"_42":438,"_303":439},"06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_294":935,"_296":936,"_298":937},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_290":362,"_292":363},{"_224":927,"_125":928,"_284":929},{"_275":924,"_277":925,"_279":909,"_280":926},76,62.26731078904992,38.26731078904992,{"_286":224,"_123":933,"_154":934,"_140":89},{"_286":125,"_123":930,"_154":931,"_140":932},{"_286":284,"_123":167,"_154":166,"_140":169},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg",{"_310":951,"_312":952},{"_310":949,"_312":950},{"_310":947,"_312":948},{"_310":945,"_312":946},{"_310":943,"_312":944},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1775,"hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":1004,"_221":1005,"_387":1006,"_389":680,"_391":737,"_393":1007,"_395":-5,"_397":-5,"_399":1008,"_140":99},"c. 1783","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",47,34,1.2970566411080882,[989,990,991,992,993],{"_220":658,"_221":659,"_42":660,"_303":661},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_294":986,"_296":987,"_298":988},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_290":362,"_292":363},{"_224":981,"_125":982,"_284":983},{"_275":978,"_277":979,"_279":963,"_280":980},71,60.23588863463005,36.23588863463005,{"_286":224,"_123":984,"_154":985,"_140":99},{"_286":125,"_123":712,"_154":713,"_140":53},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_310":1002,"_312":1003},{"_310":1000,"_312":1001},{"_310":998,"_312":999},{"_310":996,"_312":997},{"_310":994,"_312":995},"#a49483",0.0883,"#c2b09c",0.1626,"#8d7e6f",0.1783,"#ddc8b1",0.2793,"#d1b79b",0.2915,"John Flaxman","john-flaxman","English, 1755–1826",1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[1037,1038,1039,1040,1041],{"_220":658,"_221":659,"_42":660,"_303":661},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_294":1034,"_296":1035,"_298":1036},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_290":362,"_292":363},{"_224":1031,"_125":1032,"_284":1033},{"_275":1028,"_277":1029,"_279":486,"_280":1030},49,48.48828746872867,24.488287468728675,{"_286":224,"_123":171,"_154":170,"_140":97},{"_286":125,"_123":597,"_154":598,"_140":599},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_310":1050,"_312":1051},{"_310":1048,"_312":1049},{"_310":1046,"_312":1047},{"_310":1044,"_312":1045},{"_310":1042,"_312":1043},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":1098,"_221":1099,"_387":1100,"_389":390,"_391":1101,"_393":1102,"_395":-5,"_397":-5,"_399":-5,"_140":103},"1816","overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",231,150,1.522110739502044,[1083,1084,1085,1086,1087],{"_220":367,"_221":368,"_42":369,"_303":304},"2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_294":1080,"_296":1081,"_298":1082},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_290":291,"_292":293},{"_224":1075,"_125":1076,"_284":1077},{"_275":1072,"_277":1073,"_279":1057,"_280":1074},246,166.762939453125,151.762939453125,{"_286":224,"_123":1078,"_154":1079,"_140":89},{"_286":125,"_123":542,"_154":543,"_140":544},{"_286":284,"_123":354,"_154":355,"_140":356},"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_310":1096,"_312":1097},{"_310":1094,"_312":1095},{"_310":1092,"_312":1093},{"_310":1090,"_312":1091},{"_310":1088,"_312":1089},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,"turtur-risorius-nga-53854","Turtur Risorius",{"_42":1148,"_221":1149,"_387":1150,"_389":1151,"_391":898,"_393":1152,"_395":-5,"_397":-5,"_399":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,17,0.655517578125,[1133,1134,1135,1136,1137],{"_220":367,"_221":368,"_42":369,"_303":304},"1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_294":1130,"_296":1131,"_298":1132},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_290":362,"_292":363},{"_224":1125,"_125":1126,"_284":1127},{"_275":1123,"_277":1028,"_279":1124,"_280":486},40.387939453125,16.387939453125,{"_286":224,"_123":1128,"_154":1129,"_140":89},{"_286":125,"_123":597,"_154":598,"_140":599},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_310":1146,"_312":1147},{"_310":1144,"_312":1145},{"_310":1142,"_312":1143},{"_310":1140,"_312":1141},{"_310":1138,"_312":1139},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1859,{"_1154":-5,"_1155":1156,"_1157":1158,"_1159":8,"_1160":1161,"_1162":8},"user","csrf","24e6cb07463fc8e22ec0d2fc56e433d6bd47a5d0","cartCount",0,"dropLive","legal",[1163,1164,1165,1166,1167,1168,1169,1170,1171,1172,1173,1174],"uploadsEnabled",{"_221":1197,"_20":1198},{"_221":1195,"_20":1196},{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]