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It is now at the Art Institute of Chicago.","A lavish bouquet of the flowers that bloom in May fills this hand-coloured engraving, each blossom numbered and keyed to a list of names. It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_294":441,"_296":442,"_298":443},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_290":291,"_292":293},{"_225":433,"_125":434,"_285":435},{"_276":430,"_278":431,"_280":432,"_281":415},55.79270227392914,64,31.792702273929137,{"_287":225,"_123":439,"_154":440,"_140":99},{"_287":125,"_123":436,"_154":437,"_140":438},{"_287":285,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg",{"_310":457,"_312":458},{"_310":455,"_312":456},{"_310":453,"_312":454},{"_310":451,"_312":452},{"_310":449,"_312":450},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":516,"_222":517,"_324":518,"_326":401,"_328":519,"_330":520,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1834",19,"Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",24,1.6425614803993183,[501,502,503,504,505],{"_221":300,"_222":301,"_42":302,"_303":304},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_294":498,"_296":499,"_298":500},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_290":371,"_292":372},{"_225":488,"_125":489,"_285":490},{"_276":485,"_278":486,"_280":246,"_281":487},53,38.1345982804625,23.134598280462495,{"_287":225,"_123":496,"_154":497,"_140":89},{"_287":125,"_123":493,"_154":494,"_140":495},{"_287":285,"_123":491,"_154":492,"_140":415},"era/19-britain","19th-century Britain","style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_310":514,"_312":515},{"_310":512,"_312":513},{"_310":510,"_312":511},{"_310":508,"_312":509},{"_310":506,"_312":507},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1792,1882,"mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":567,"_222":568,"_324":569,"_326":401,"_328":570,"_330":571,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1792","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",27,36,0.7591623036649214,[552,553,554,555,556],{"_221":300,"_222":301,"_42":302,"_303":304},"2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_294":549,"_296":550,"_298":551},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_290":371,"_292":372},{"_225":544,"_125":545,"_285":546},{"_276":541,"_278":542,"_280":543,"_281":527},42.32984293193717,51,27.329842931937172,{"_287":225,"_123":547,"_154":548,"_140":89},{"_287":125,"_123":366,"_154":367,"_140":368},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg",{"_310":565,"_312":566},{"_310":563,"_312":564},{"_310":561,"_312":562},{"_310":559,"_312":560},{"_310":557,"_312":558},"#89694e",0.141,"#26261b",0.1523,"#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,"death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":619,"_222":620,"_324":621,"_326":401,"_328":622,"_330":623,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1784, after the drawing of 1775","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",47,65,0.7011965811965812,[604,605,606,607,608],{"_221":300,"_222":301,"_42":302,"_303":304},"2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_294":601,"_296":602,"_298":603},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_290":291,"_292":293},{"_225":596,"_125":597,"_285":598},{"_276":593,"_278":594,"_280":595,"_281":579},69.57777777777778,89,45.57777777777778,{"_287":225,"_123":599,"_154":600,"_140":89},{"_287":125,"_123":436,"_154":437,"_140":438},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_310":617,"_312":618},{"_310":615,"_312":616},{"_310":613,"_312":614},{"_310":611,"_312":612},{"_310":609,"_312":610},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":398,"_222":399,"_324":400,"_326":401,"_328":402,"_330":403,"_332":404,"_333":404,"_334":405,"_140":99},"Paintings","40 x 50 in. (101.6 x 127 cm)",101.6,1.2404942965779469,[657,658,659,660,661],{"_221":653,"_222":654,"_42":655,"_303":656},"Courtesy of The Metropolitan Museum of Art","2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_294":650,"_296":651,"_298":652},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_290":371,"_292":372},{"_225":647,"_125":648,"_285":649},{"_276":361,"_278":645,"_280":344,"_281":646},117.37854406130268,102.37854406130268,{"_287":225,"_123":369,"_154":370,"_140":99},{"_287":125,"_123":366,"_154":367,"_140":368},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":670,"_312":671},{"_310":668,"_312":669},{"_310":666,"_312":667},{"_310":664,"_312":665},{"_310":662,"_312":663},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"turtur-risorius-nga-53854","Turtur Risorius",{"_42":724,"_222":725,"_324":726,"_326":727,"_328":728,"_330":729,"_332":-5,"_333":-5,"_334":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,17,0.655517578125,[709,710,711,712,713],{"_221":705,"_222":706,"_42":707,"_303":708},"Courtesy National Gallery of Art, Washington","1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_294":702,"_296":703,"_298":704},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_290":291,"_292":293},{"_225":697,"_125":698,"_285":699},{"_276":693,"_278":694,"_280":695,"_281":696},40.387939453125,49,16.387939453125,25,{"_287":225,"_123":700,"_154":701,"_140":89},{"_287":125,"_123":436,"_154":437,"_140":438},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":722,"_312":723},{"_310":720,"_312":721},{"_310":718,"_312":719},{"_310":716,"_312":717},{"_310":714,"_312":715},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1788,1859,"noon-nga-119642","Noon",{"_42":781,"_222":782,"_324":783,"_326":327,"_328":784,"_330":785,"_332":786,"_333":787,"_334":788,"_140":97},"1830","mezzotint on laid paper","plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,18.5,1.3927235634138049,[766,767,768,769,770],{"_221":705,"_222":706,"_42":707,"_303":708},"2001.118.23","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_294":763,"_296":764,"_298":765},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_290":291,"_292":293},{"_225":755,"_125":756,"_285":757},{"_276":752,"_278":753,"_280":736,"_281":754},49.5,42.3094482421875,18.3094482421875,{"_287":225,"_123":761,"_154":762,"_140":97},{"_287":125,"_123":758,"_154":759,"_140":760},{"_287":285,"_123":491,"_154":492,"_140":415},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_310":779,"_312":780},{"_310":777,"_312":778},{"_310":775,"_312":776},{"_310":773,"_312":774},{"_310":771,"_312":772},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","London","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":836,"_222":837,"_324":838,"_326":327,"_328":839,"_330":840,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1785","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[821,822,823,824,825],{"_221":705,"_222":706,"_42":707,"_303":708},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_294":818,"_296":819,"_298":820},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_290":291,"_292":293},{"_225":813,"_125":814,"_285":815},{"_276":810,"_278":811,"_280":795,"_281":812},60.9,49.927294921875,25.927294921875,{"_287":225,"_123":816,"_154":817,"_140":89},{"_287":125,"_123":436,"_154":437,"_140":438},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_310":834,"_312":835},{"_310":832,"_312":833},{"_310":830,"_312":831},{"_310":828,"_312":829},{"_310":826,"_312":827},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,1827,"william-pitt-nga-52264","William Pitt",{"_42":888,"_222":889,"_324":890,"_326":327,"_328":891,"_330":403,"_332":-5,"_333":-5,"_334":892,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[873,874,875,876,877],{"_221":705,"_222":706,"_42":707,"_303":708},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_294":870,"_296":871,"_298":872},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_290":371,"_292":372},{"_225":865,"_125":866,"_285":867},{"_276":863,"_278":415,"_280":864,"_281":696},34.62890625,19.62890625,{"_287":225,"_123":868,"_154":869,"_140":99},{"_287":125,"_123":366,"_154":367,"_140":368},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_310":886,"_312":887},{"_310":884,"_312":885},{"_310":882,"_312":883},{"_310":880,"_312":881},{"_310":878,"_312":879},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":781,"_222":782,"_324":783,"_326":327,"_328":784,"_330":785,"_332":786,"_333":787,"_334":788,"_140":97},"mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,1.4041823791566679,[921,922,923,924,925],{"_221":705,"_222":706,"_42":707,"_303":708},"2001.118.27","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_294":918,"_296":919,"_298":920},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_290":291,"_292":293},{"_225":915,"_125":916,"_285":917},{"_276":912,"_278":913,"_280":898,"_281":914},49.2,41.94638671875,17.94638671875,{"_287":225,"_123":761,"_154":762,"_140":97},{"_287":125,"_123":758,"_154":759,"_140":760},{"_287":285,"_123":491,"_154":492,"_140":415},"https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_310":934,"_312":935},{"_310":932,"_312":933},{"_310":930,"_312":931},{"_310":928,"_312":929},{"_310":926,"_312":927},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"the-white-horse-nga-1146","The White Horse",{"_42":983,"_222":984,"_324":985,"_326":401,"_328":986,"_330":987,"_332":-5,"_333":-5,"_334":988,"_140":99},"1818-1819","oil on canvas","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,1.4306671323786238,[968,969,970,971,972],{"_221":705,"_222":706,"_42":707,"_303":708},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_294":965,"_296":966,"_298":967},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_290":371,"_292":372},{"_225":960,"_125":961,"_285":962},{"_276":957,"_278":958,"_280":942,"_281":959},198,142.912353515625,127.912353515625,{"_287":225,"_123":963,"_154":964,"_140":99},{"_287":125,"_123":493,"_154":494,"_140":495},{"_287":285,"_123":491,"_154":492,"_140":415},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_310":981,"_312":982},{"_310":979,"_312":980},{"_310":977,"_312":978},{"_310":975,"_312":976},{"_310":973,"_312":974},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","saint-john-the-evangelist-nga-54043","Saint John the Evangelist",{"_42":1034,"_222":1035,"_324":1036,"_326":327,"_328":1037,"_330":1038,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1771","chiaroscuro woodcut in light and dark olive green","sheet: 19.7 × 15.3 cm (7 3/4 × 6 in.) other (text beneath image): 3.2 × 15.2 cm (1 1/4 × 6 in.) mount (irreg.): 43.7 × 31.9 cm (17 3/16 × 12 9/16 in.)",15.3,19.7,0.742431640625,[1020,1021,1022,1023,1024],{"_221":705,"_222":706,"_42":707,"_303":708},"1973.58.2","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a seated figure on a large bird. The image depicts a classically draped figure seated on a stylized bird. The figure holds an open book and gazes into the distance. The bird has sharp features and spread wings. The background contains swirling clouds. The scene is framed with a border, and there is text at the bottom. The lines are bold and the shades are muted.",{"_294":1017,"_296":1018,"_298":1019},"https://img.ochreeditions.com/m/1571.jpg?dl=1","/art/saint-john-the-evangelist-nga-54043","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54043",{"_290":291,"_292":293},{"_225":1012,"_125":1013,"_285":1014},{"_276":1010,"_278":694,"_280":1011,"_281":696},42.560791015625,18.560791015625,{"_287":225,"_123":1015,"_154":1016,"_140":89},{"_287":125,"_123":436,"_154":437,"_140":438},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1571/480.jpg","https://img.ochreeditions.com/a/1571/960.jpg","https://img.ochreeditions.com/a/1571/1920.jpg",{"_310":1032,"_312":1033},{"_310":1030,"_312":1031},{"_310":1029,"_312":562},{"_310":1027,"_312":1028},{"_310":1025,"_312":1026},"#b69e75",0.1243,"#877257",0.1513,"#9a8362","#cab68c",0.2161,"#d5c39a",0.3338,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":1087,"_222":1088,"_324":1089,"_326":401,"_328":1090,"_330":1091,"_332":787,"_333":787,"_334":1092,"_140":97},"1835","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,92,1.3465346534653466,[1072,1073,1074,1075,1076],{"_221":379,"_222":380,"_42":381,"_303":382},"1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":1071,"_377":378},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_294":1068,"_296":1069,"_298":1070},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_290":371,"_292":372},{"_225":1063,"_125":1064,"_285":1065},{"_276":1060,"_278":1061,"_280":1044,"_281":1062},138.2,106.49411764705881,91.49411764705881,{"_287":225,"_123":1066,"_154":1067,"_140":97},{"_287":125,"_123":493,"_154":494,"_140":495},{"_287":285,"_123":491,"_154":492,"_140":415},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.",{"_310":1085,"_312":1086},{"_310":1083,"_312":1084},{"_310":1081,"_312":1082},{"_310":1079,"_312":1080},{"_310":1077,"_312":1078},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":1140,"_222":1141,"_324":1142,"_326":327,"_328":1143,"_330":1144,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1739","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[1125,1126,1127,1128,1129],{"_221":705,"_222":706,"_42":707,"_303":708},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_294":1122,"_296":1123,"_298":1124},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_290":291,"_292":293},{"_225":1117,"_125":1118,"_285":1119},{"_276":1114,"_278":1115,"_280":1116,"_281":1100},59.630419921874996,77.4,35.630419921874996,{"_287":225,"_123":1120,"_154":1121,"_140":89},{"_287":125,"_123":436,"_154":437,"_140":438},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_310":1138,"_312":1139},{"_310":1136,"_312":1137},{"_310":1134,"_312":1135},{"_310":1132,"_312":1133},{"_310":1130,"_312":1131},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,{"_1146":-5,"_1147":1148,"_1149":1150,"_1151":8,"_1152":1153,"_1154":8},"user","csrf","9706af983ca68a2626e3bdf1a6559fa2b2ea741d","cartCount",0,"dropLive","legal",[1155,1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166],"uploadsEnabled",{"_222":1189,"_20":1190},{"_222":1187,"_20":1188},{"_222":1185,"_20":1186},{"_222":1183,"_20":1184},{"_222":1181,"_20":1182},{"_222":1179,"_20":1180},{"_222":1177,"_20":1178},{"_222":1175,"_20":1176},{"_222":1173,"_20":1174},{"_222":1171,"_20":1172},{"_222":1169,"_20":1170},{"_222":1167,"_20":1168},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]