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Her head is propped in her hand.","images",{"_294":295,"_296":297,"_298":299},"download_url","https://img.ochreeditions.com/m/8.jpg?dl=1","page_url","/art/isabella-wolff-aic-4773","walk_url","/galleries/style/georgian-britain/isabella-wolff-aic-4773","frame",{"_290":291,"_292":293},{"_223":282,"_125":283,"_284":285},"size",{"_275":276,"_277":278,"_279":280,"_281":244},"w",116.09951287404314,"h",143,"image_w",101.09951287404314,"image_h",{"_286":223,"_123":171,"_154":170,"_140":91},{"_286":125,"_123":287,"_154":288,"_140":289},"era",{"_286":284,"_123":167,"_154":166,"_140":169},"facet","style/painting-19","More paintings of the 19th century",432,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/8/480.jpg","960","https://img.ochreeditions.com/a/8/960.jpg","1920","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","source","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_313":323,"_315":324},{"_313":321,"_315":322},{"_313":319,"_315":320},{"_313":317,"_315":318},{"_313":314,"_315":316},"hex","#d0b89c","weight",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"Thomas Lawrence","thomas-lawrence","bio","English, 1769–1830","nationality","British","birth_year",1769,"death_year",1830,"birth_place","Bristol","death_place","London","about_excerpt","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","saint-john-the-evangelist-nga-54043","Saint John the Evangelist",{"_42":405,"_220":406,"_327":407,"_329":330,"_331":408,"_333":409,"_335":-5,"_337":-5,"_339":-5,"_140":101},"1771",18,"print","Print","chiaroscuro woodcut in light and dark olive green","sheet: 19.7 × 15.3 cm (7 3/4 × 6 in.) other (text beneath image): 3.2 × 15.2 cm (1 1/4 × 6 in.) mount (irreg.): 43.7 × 31.9 cm (17 3/16 × 12 9/16 in.)",15.3,19.7,0.742431640625,[390,391,392,393,394],{"_219":386,"_220":387,"_42":388,"_306":389},"Courtesy National Gallery of Art, Washington","1973.58.2","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a seated figure on a large bird. The image depicts a classically draped figure seated on a stylized bird. The figure holds an open book and gazes into the distance. The bird has sharp features and spread wings. The background contains swirling clouds. The scene is framed with a border, and there is text at the bottom. 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It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_294":439,"_296":440,"_298":441},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_290":381,"_292":382},{"_223":434,"_125":435,"_284":436},{"_275":431,"_277":432,"_279":433,"_281":417},59.630419921874996,77.4,35.630419921874996,{"_286":223,"_123":437,"_154":438,"_140":89},{"_286":125,"_123":376,"_154":377,"_140":378},{"_286":284,"_123":373,"_154":374,"_140":375},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_313":455,"_315":456},{"_313":453,"_315":454},{"_313":451,"_315":452},{"_313":449,"_315":450},{"_313":447,"_315":448},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","Heroic Landscape with Fisherman, Cows, and Horsemen",{"_42":457,"_220":458,"_327":459,"_329":330,"_331":460,"_333":461,"_335":-5,"_337":-5,"_339":-5,"_140":101},"1744","chiaroscuro woodcut printed in color on laid paper","sheet: 42 x 58.5 cm (16 9/16 x 23 1/16 in.)",58.5,1.3880040664181634,[491,492,493,494,495],{"_219":386,"_220":387,"_42":388,"_306":389},"2012.92.61","John Baptist Jackson made this in 1744, aged 43. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape scene from an elevated viewpoint. There are large columns of a classical ruin and a leafy tree on the left. On the right, there is a spreading tree with intricate leaves. In the background, there is a pastoral landscape with figures and animals. A shepherd and a cow are guiding a flock of sheep, and buildings can be seen in the distance. The horizon divides the image into sky and earth. The brushstrokes are detailed, capturing textures effectively. The color palette consists of earthy tones with touches of brighter colors on the figures' clothing.",{"_294":488,"_296":489,"_298":490},"https://img.ochreeditions.com/m/1656.jpg?dl=1","/art/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","/galleries/style/georgian-britain/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866",{"_290":381,"_292":382},{"_223":485,"_125":486,"_284":487},{"_275":482,"_277":483,"_279":468,"_281":484},82.5,66.1468505859375,42.1468505859375,{"_286":223,"_123":437,"_154":438,"_140":89},{"_286":125,"_123":376,"_154":377,"_140":378},{"_286":284,"_123":373,"_154":374,"_140":375},"https://img.ochreeditions.com/a/1656/480.jpg","https://img.ochreeditions.com/a/1656/960.jpg","https://img.ochreeditions.com/a/1656/1920.jpg",{"_313":504,"_315":505},{"_313":502,"_315":503},{"_313":500,"_315":501},{"_313":498,"_315":499},{"_313":496,"_315":497},"#878e7d",0.1386,"#4e4232",0.1457,"#b3a284",0.1756,"#8b7c60",0.2035,"#6a5f48",0.3366,"portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":325,"_220":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_140":91},"1801","oil on canvas","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,0.7955882352941176,[543,544,545,546,547],{"_219":539,"_220":540,"_42":541,"_306":542},"Courtesy of the Cleveland Museum of Art","1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":537,"_301":538},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_294":534,"_296":535,"_298":536},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_290":291,"_292":293},{"_223":531,"_125":532,"_284":533},{"_275":528,"_277":529,"_279":530,"_281":378},117.63088235294117,144,102.63088235294117,{"_286":223,"_123":171,"_154":170,"_140":91},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_313":556,"_315":557},{"_313":554,"_315":555},{"_313":552,"_315":553},{"_313":550,"_315":551},{"_313":548,"_315":549},"#bc9f72",0.1057,"#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":605,"_220":606,"_327":607,"_329":608,"_331":609,"_333":610,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1784, after the drawing of 1775","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",47,65,0.7011965811965812,[590,591,592,593,594],{"_219":303,"_220":304,"_42":305,"_306":307},"2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_294":587,"_296":588,"_298":589},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_290":381,"_292":382},{"_223":582,"_125":583,"_284":584},{"_275":579,"_277":580,"_279":581,"_281":565},69.57777777777778,89,45.57777777777778,{"_286":223,"_123":585,"_154":586,"_140":89},{"_286":125,"_123":376,"_154":377,"_140":378},{"_286":284,"_123":373,"_154":374,"_140":375},"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_313":603,"_315":604},{"_313":601,"_315":602},{"_313":599,"_315":600},{"_313":597,"_315":598},{"_313":595,"_315":596},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829","English",1760,1829,"athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":662,"_220":663,"_327":664,"_329":608,"_331":665,"_333":666,"_335":-5,"_337":-5,"_339":667,"_140":99},"n.d.","watercolour","Drawing and Watercolor","Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[647,648,649,650,651],{"_219":303,"_220":304,"_42":305,"_306":307},"1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_294":644,"_296":645,"_298":646},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_290":381,"_292":382},{"_223":637,"_125":638,"_284":639},{"_275":634,"_277":635,"_279":619,"_281":636},53,44.521086780210865,20.52108678021087,{"_286":223,"_123":642,"_154":643,"_140":99},{"_286":125,"_123":640,"_154":641,"_140":53},{"_286":284,"_123":373,"_154":374,"_140":375},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg",{"_313":660,"_315":661},{"_313":658,"_315":659},{"_313":656,"_315":657},{"_313":654,"_315":655},{"_313":652,"_315":653},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","the-white-horse-nga-1146","The White Horse",{"_42":715,"_220":716,"_327":717,"_329":608,"_331":718,"_333":719,"_335":-5,"_337":-5,"_339":720,"_140":99},"1818-1819","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,127,1.4306671323786238,[700,701,702,703,704],{"_219":386,"_220":387,"_42":388,"_306":389},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_294":697,"_296":698,"_298":699},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_290":291,"_292":293},{"_223":692,"_125":693,"_284":694},{"_275":689,"_277":690,"_279":673,"_281":691},198,142.912353515625,127.912353515625,{"_286":223,"_123":695,"_154":696,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_313":713,"_315":714},{"_313":711,"_315":712},{"_313":709,"_315":710},{"_313":707,"_315":708},{"_313":705,"_315":706},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":778,"_220":779,"_327":780,"_329":330,"_331":781,"_333":782,"_335":338,"_337":338,"_339":-5,"_140":103},"ca. 1803–5","drawing","Drawings","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[763,764,765,766,767],{"_219":759,"_220":760,"_42":761,"_306":762},"Courtesy of The Metropolitan Museum of Art","14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_294":756,"_296":757,"_298":758},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_290":381,"_292":382},{"_223":748,"_125":749,"_284":750},{"_275":745,"_277":746,"_279":747,"_281":730},50.26670344827586,63.2,26.266703448275862,{"_286":223,"_123":754,"_154":755,"_140":89},{"_286":125,"_123":751,"_154":752,"_140":753},{"_286":284,"_123":373,"_154":374,"_140":375},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_313":776,"_315":777},{"_313":774,"_315":775},{"_313":772,"_315":773},{"_313":770,"_315":771},{"_313":768,"_315":769},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,1827,"mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":833,"_220":834,"_327":835,"_329":608,"_331":836,"_333":837,"_335":838,"_337":338,"_339":839,"_140":97},"c. 1776/1777","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",71,84,0.837890625,[818,819,820,821,822],{"_219":386,"_220":387,"_42":388,"_306":389},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_294":815,"_296":816,"_298":817},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_290":291,"_292":293},{"_223":807,"_125":808,"_284":809},{"_275":804,"_277":805,"_279":806,"_281":789},85.3828125,99,70.3828125,{"_286":223,"_123":813,"_154":814,"_140":97},{"_286":125,"_123":810,"_154":811,"_140":812},{"_286":284,"_123":373,"_154":374,"_140":375},"style/painting-18","More paintings of the 18th century",168,"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_313":831,"_315":832},{"_313":829,"_315":830},{"_313":827,"_315":828},{"_313":825,"_315":826},{"_313":823,"_315":824},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","phasianus-versicolor-nga-53855","Phasianus Versicolor",{"_42":885,"_220":886,"_327":887,"_329":888,"_331":837,"_333":889,"_335":-5,"_337":-5,"_339":-5,"_140":101},"hand-colored etching","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)",17,10.8,1.593774319066148,[870,871,872,873,874],{"_219":386,"_220":387,"_42":388,"_306":389},"1973.26.28","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.",{"_294":867,"_296":868,"_298":869},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_290":381,"_292":382},{"_223":862,"_125":863,"_284":864},{"_275":367,"_277":860,"_279":369,"_281":861},39.68603515625,15.686035156249998,{"_286":223,"_123":865,"_154":866,"_140":89},{"_286":125,"_123":376,"_154":377,"_140":378},{"_286":284,"_123":373,"_154":374,"_140":375},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg",{"_313":883,"_315":884},{"_313":881,"_315":882},{"_313":879,"_315":880},{"_313":877,"_315":878},{"_313":875,"_315":876},"#294d6a",0.0227,"#666947",0.0414,"#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1859,"john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","John Johnstone, Betty Johnstone, and Miss Wedderburn",{"_42":936,"_220":937,"_327":938,"_329":888,"_331":939,"_333":940,"_335":-5,"_337":-5,"_339":-5,"_140":103},"c. 1790/1795","overall: 101.5 x 120 cm (39 15/16 x 47 1/4 in.) framed: 119.4 x 138.4 x 6.4 cm (47 x 54 1/2 x 2 1/2 in.)",120,101.5,1.1770114942528735,[921,922,923,924,925],{"_219":386,"_220":387,"_42":388,"_306":389},"1945.10.3","Sir Henry Raeburn painted this in about 1790/1795, aged about 34. It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_294":918,"_296":919,"_298":920},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_290":291,"_292":293},{"_223":913,"_125":914,"_284":915},{"_275":910,"_277":911,"_279":895,"_281":912},135,116.953125,101.953125,{"_286":223,"_123":916,"_154":917,"_140":89},{"_286":125,"_123":810,"_154":811,"_140":812},{"_286":284,"_123":373,"_154":374,"_140":375},"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg",{"_313":934,"_315":935},{"_313":932,"_315":933},{"_313":930,"_315":931},{"_313":928,"_315":929},{"_313":926,"_315":927},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823",1756,1823,"lord-rothes-si-saam-1956-11-60","Lord Rothes","Unrecorded British maker","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[976,977,978,979,980],{"_219":973,"_220":974,"_42":975,"_306":389},"Courtesy of the Smithsonian American Art Museum","1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_294":970,"_296":971,"_298":972},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_290":291,"_292":293},{"_223":965,"_125":966,"_284":967},{"_275":962,"_277":963,"_279":964,"_281":947},117.51170000000002,143.3,102.51170000000002,{"_286":223,"_123":968,"_154":969,"_140":97},{"_286":125,"_123":810,"_154":811,"_140":812},{"_286":284,"_123":373,"_154":374,"_140":375},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg","si","smithsonian","Smithsonian Institution",{"_313":989,"_315":990},{"_313":987,"_315":988},{"_313":985,"_315":986},{"_313":983,"_315":984},{"_313":981,"_315":982},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015",0.3131,"stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":1042,"_220":1043,"_327":1044,"_329":330,"_331":1045,"_333":1046,"_335":1047,"_337":338,"_339":1048,"_140":97},"1830","mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[1027,1028,1029,1030,1031],{"_219":386,"_220":387,"_42":388,"_306":389},"2001.118.27","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_294":1024,"_296":1025,"_298":1026},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_290":381,"_292":382},{"_223":1016,"_125":1017,"_284":1018},{"_275":1013,"_277":1014,"_279":997,"_281":1015},49.2,41.94638671875,17.94638671875,{"_286":223,"_123":1022,"_154":1023,"_140":97},{"_286":125,"_123":1019,"_154":1020,"_140":1021},{"_286":284,"_123":167,"_154":166,"_140":169},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_313":1040,"_315":1041},{"_313":1038,"_315":1039},{"_313":1036,"_315":1037},{"_313":1034,"_315":1035},{"_313":1032,"_315":1033},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","portrait-of-colonel-charles-heathcote-cma-302209","Portrait of Colonel Charles Heathcote",{"_42":1095,"_220":1096,"_327":1097,"_329":608,"_331":1098,"_333":1099,"_335":1100,"_337":1100,"_339":1101,"_140":99},"c. 1771–72","127 x 100 cm (50 x 39 3/8 in.)",100,0.7991176470588235,[1081,1082,1083,1084,1085],{"_219":539,"_220":540,"_42":541,"_306":542},"2017.100","Joseph Wright of Derby painted this in about 1771–72, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":1080,"_301":538},"Portrait of Colonel Charles Heathcote, by Joseph Wright of Derby, c. 1771–72",{"_294":1077,"_296":1078,"_298":1079},"https://img.ochreeditions.com/m/784.jpg?dl=1","/art/portrait-of-colonel-charles-heathcote-cma-302209","/galleries/style/georgian-britain/portrait-of-colonel-charles-heathcote-cma-302209",{"_290":291,"_292":293},{"_223":1072,"_125":1073,"_284":1074},{"_275":1069,"_277":1070,"_279":1071,"_281":674},116.48794117647058,142,101.48794117647058,{"_286":223,"_123":1075,"_154":1076,"_140":99},{"_286":125,"_123":810,"_154":811,"_140":812},{"_286":284,"_123":373,"_154":374,"_140":375},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/784/480.jpg","https://img.ochreeditions.com/a/784/960.jpg","https://img.ochreeditions.com/a/784/1920.jpg","Assuming a relaxed but commanding pose, Colonel Charles Heathcote (1734–1797) stands beside a large oak tree in the foreground of an expansive landscape. He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.",{"_313":1093,"_315":1094},{"_313":1091,"_315":1092},{"_313":1089,"_315":1090},{"_313":1088,"_315":878},{"_313":1086,"_315":1087},"#762820",0.0221,"#977d5d","#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":1149,"_220":1150,"_327":1151,"_329":608,"_331":1152,"_333":1153,"_335":338,"_337":338,"_339":1154,"_140":97},"1837–38","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[1134,1135,1136,1137,1138],{"_219":303,"_220":304,"_42":305,"_306":307},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_294":1131,"_296":1132,"_298":1133},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/georgian-britain/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_290":291,"_292":293},{"_223":1126,"_125":1127,"_284":1128},{"_275":1123,"_277":1124,"_279":1107,"_281":1125},239,188.10233393177737,173.10233393177737,{"_286":223,"_123":1129,"_154":1130,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_313":1147,"_315":1148},{"_313":1145,"_315":1146},{"_313":1143,"_315":1144},{"_313":1141,"_315":1142},{"_313":1139,"_315":1140},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438",0.2133,"#736551",0.2481,"#9e886b",0.2634,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.",{"_1156":-5,"_1157":1158,"_1159":1160,"_1161":8,"_1162":1163,"_1164":8},"user","csrf","cb53260bf242f8f1578e33bf16a42361d160ff79","cartCount",0,"dropLive","legal",[1165,1166,1167,1168,1169,1170,1171,1172,1173,1174,1175,1176],"uploadsEnabled",{"_220":1199,"_20":1200},{"_220":1197,"_20":1198},{"_220":1195,"_20":1196},{"_220":1193,"_20":1194},{"_220":1191,"_20":1192},{"_220":1189,"_20":1190},{"_220":1187,"_20":1188},{"_220":1185,"_20":1186},{"_220":1183,"_20":1184},{"_220":1181,"_20":1182},{"_220":1179,"_20":1180},{"_220":1177,"_20":1178},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]