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It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_293":367,"_295":368,"_297":369},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_289":290,"_291":292},{"_222":362,"_125":363,"_283":364},{"_274":359,"_276":360,"_278":343,"_280":361},70.2,58.4424,43.4424,{"_285":222,"_123":365,"_154":366,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution","Washington, DC",{"_312":387,"_314":388},{"_312":385,"_314":386},{"_312":383,"_314":384},{"_312":381,"_314":382},{"_312":379,"_314":380},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","John Johnstone, Betty Johnstone, and Miss Wedderburn",{"_42":439,"_219":440,"_326":441,"_328":442,"_330":443,"_332":444,"_334":-5,"_335":-5,"_336":-5,"_140":103},"c. 1790/1795","overall: 101.5 x 120 cm (39 15/16 x 47 1/4 in.) framed: 119.4 x 138.4 x 6.4 cm (47 x 54 1/2 x 2 1/2 in.)",120,101.5,1.1770114942528735,[424,425,426,427,428],{"_218":421,"_219":422,"_42":423,"_305":373},"Courtesy National Gallery of Art, Washington","1945.10.3","Sir Henry Raeburn painted this in about 1790/1795, aged about 34. It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_293":418,"_295":419,"_297":420},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_289":290,"_291":292},{"_222":413,"_125":414,"_283":415},{"_274":410,"_276":411,"_278":394,"_280":412},135,116.953125,101.953125,{"_285":222,"_123":416,"_154":417,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_312":437,"_314":438},{"_312":435,"_314":436},{"_312":433,"_314":434},{"_312":431,"_314":432},{"_312":429,"_314":430},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823","Scottish",1756,1823,"the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":504,"_219":505,"_326":506,"_328":507,"_330":508,"_332":509,"_334":-5,"_335":-5,"_336":-5,"_140":101},"1834",19,"Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",38,24,1.6425614803993183,[489,490,491,492,493],{"_218":485,"_219":486,"_42":487,"_305":488},"Courtesy of the Art Institute of Chicago","2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_293":482,"_295":483,"_297":484},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_289":290,"_291":292},{"_222":471,"_125":472,"_283":473},{"_274":468,"_276":469,"_278":452,"_280":470},53,38.1345982804625,23.134598280462495,{"_285":222,"_123":480,"_154":481,"_140":89},{"_285":125,"_123":477,"_154":478,"_140":479},{"_285":283,"_123":474,"_154":475,"_140":476},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":502,"_314":503},{"_312":500,"_314":501},{"_312":498,"_314":499},{"_312":496,"_314":497},{"_312":494,"_314":495},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882","English",1792,1882,"two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":562,"_219":563,"_326":564,"_328":329,"_330":565,"_332":566,"_334":567,"_335":568,"_336":569,"_140":91},"July 26, 1800","watercolour","Drawing and Watercolor","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",35,0.6863089606703608,[547,548,549,550,551],{"_218":485,"_219":486,"_42":487,"_305":488},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_293":544,"_295":545,"_297":546},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_289":542,"_291":543},{"_222":535,"_125":536,"_283":537},{"_274":532,"_276":533,"_278":534,"_280":518},48.02081362346263,59,24.02081362346263,{"_285":222,"_123":540,"_154":541,"_140":91},{"_285":125,"_123":538,"_154":539,"_140":53},{"_285":283,"_123":167,"_154":166,"_140":169},"style/watercolour-18","More watercolours of the 18th century","artist/thomas-lawrence","More by Thomas Lawrence","white","snow","https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_312":560,"_314":561},{"_312":558,"_314":559},{"_312":556,"_314":557},{"_312":554,"_314":555},{"_312":552,"_314":553},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","London","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","sir-thomas-rumbold-bt-aic-84707","Sir Thomas Rumbold, Bt.",{"_42":617,"_219":618,"_326":619,"_328":329,"_330":620,"_332":508,"_334":621,"_335":568,"_336":622,"_140":95},"1788","Oil on canvas","126.7 × 101.3 cm (49 7/8 × 39 7/8 in.); Framed: 149 × 123.2 × 8.3 cm (58 5/8 × 48 1/2 × 3 1/4 in.)",101,126,0.7977275284058949,[602,603,604,605,606],{"_218":485,"_219":486,"_42":487,"_305":488},"1955.1202","Joshua Reynolds painted this in 1788, aged 65. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_293":599,"_295":600,"_297":601},"https://img.ochreeditions.com/m/230.jpg?dl=1","/art/sir-thomas-rumbold-bt-aic-84707","/galleries/style/georgian-britain/sir-thomas-rumbold-bt-aic-84707",{"_289":290,"_291":292},{"_222":594,"_125":595,"_283":596},{"_274":591,"_276":592,"_278":593,"_280":577},115.51366857914276,141,100.51366857914276,{"_285":222,"_123":597,"_154":598,"_140":95},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/230/480.jpg","https://img.ochreeditions.com/a/230/960.jpg","https://img.ochreeditions.com/a/230/1920.jpg",{"_312":615,"_314":616},{"_312":613,"_314":614},{"_312":611,"_314":612},{"_312":609,"_314":610},{"_312":607,"_314":608},"#4e3c1b",0.0861,"#7b5f30",0.1161,"#652304",0.1777,"#301904",0.2331,"#201605",0.387,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","weymouth-bay-met-682931","Weymouth Bay",{"_42":682,"_219":683,"_326":684,"_328":329,"_330":685,"_332":686,"_334":687,"_335":568,"_336":688,"_140":97},"1830","print","Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[667,668,669,670,671],{"_218":663,"_219":664,"_42":665,"_305":666},"Courtesy of The Metropolitan Museum of Art","39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_293":660,"_295":661,"_297":662},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_289":542,"_291":543},{"_222":652,"_125":653,"_283":654},{"_274":648,"_276":649,"_278":650,"_280":651},49,43.859539602028875,25,19.85953960202887,{"_285":222,"_123":658,"_154":659,"_140":97},{"_285":125,"_123":655,"_154":656,"_140":657},{"_285":283,"_123":474,"_154":475,"_140":476},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_312":680,"_314":681},{"_312":678,"_314":679},{"_312":676,"_314":677},{"_312":674,"_314":675},{"_312":672,"_314":673},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":737,"_219":738,"_326":739,"_328":507,"_330":740,"_332":741,"_334":742,"_335":568,"_336":743,"_140":97},"1787","Paintings","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[722,723,724,725,726],{"_218":663,"_219":664,"_42":665,"_305":666},"50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_293":719,"_295":720,"_297":721},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_289":290,"_291":292},{"_222":714,"_125":715,"_283":716},{"_274":711,"_276":712,"_278":713,"_280":696},135.62100077780656,162.6,120.62100077780657,{"_285":222,"_123":717,"_154":718,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg",{"_312":735,"_314":736},{"_312":733,"_314":734},{"_312":731,"_314":732},{"_312":729,"_314":730},{"_312":727,"_314":728},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":617,"_219":618,"_326":619,"_328":329,"_330":620,"_332":508,"_334":621,"_335":568,"_336":622,"_140":95},"1776–81","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[772,773,774,775,776],{"_218":485,"_219":486,"_42":487,"_305":488},"2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.",{"_293":769,"_295":770,"_297":771},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_289":290,"_291":292},{"_222":766,"_125":767,"_283":768},{"_274":763,"_276":764,"_278":765,"_280":750},76.14076281287247,88,61.14076281287247,{"_285":222,"_123":597,"_154":598,"_140":95},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg",{"_312":785,"_314":786},{"_312":783,"_314":784},{"_312":781,"_314":782},{"_312":779,"_314":780},{"_312":777,"_314":778},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"stoke-by-nayland-aic-4758","Stoke-by-Nayland",{"_42":835,"_219":836,"_326":837,"_328":507,"_330":838,"_332":839,"_334":-5,"_335":-5,"_336":840,"_140":99},"1836","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)",169,1.358449273096764,[820,821,822,823,824],{"_218":485,"_219":486,"_42":487,"_305":488},"1922.4453","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":818,"_300":819},"Large English country landscape painting, farmers with horses, green trees.",{"_293":815,"_295":816,"_297":817},"https://img.ochreeditions.com/m/7.jpg?dl=1","/art/stoke-by-nayland-aic-4758","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758",{"_289":290,"_291":292},{"_222":810,"_125":811,"_283":812},{"_274":807,"_276":808,"_278":792,"_280":809},184,139.40655926352127,124.40655926352129,{"_285":222,"_123":813,"_154":814,"_140":99},{"_285":125,"_123":477,"_154":478,"_140":479},{"_285":283,"_123":474,"_154":475,"_140":476},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/7/960.jpg","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.","Text from the Art Institute of Chicago.",{"_312":833,"_314":834},{"_312":831,"_314":832},{"_312":829,"_314":830},{"_312":827,"_314":828},{"_312":825,"_314":826},"#a8b3b4",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":887,"_219":888,"_326":889,"_328":329,"_330":890,"_332":891,"_334":-5,"_335":-5,"_336":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,123.2,0.79638671875,[872,873,874,875,876],{"_218":421,"_219":422,"_42":423,"_305":373},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_293":869,"_295":870,"_297":871},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_289":290,"_291":292},{"_222":864,"_125":865,"_283":866},{"_274":861,"_276":862,"_278":863,"_280":847},113.11484375,138.2,98.11484375,{"_285":222,"_123":867,"_154":868,"_140":89},{"_285":125,"_123":477,"_154":478,"_140":479},{"_285":283,"_123":474,"_154":475,"_140":476},"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_312":885,"_314":886},{"_312":883,"_314":884},{"_312":881,"_314":882},{"_312":879,"_314":880},{"_312":877,"_314":878},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":939,"_219":940,"_326":941,"_328":507,"_330":942,"_332":943,"_334":568,"_335":568,"_336":944,"_140":97},"1837–38","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[924,925,926,927,928],{"_218":485,"_219":486,"_42":487,"_305":488},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_293":921,"_295":922,"_297":923},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/georgian-britain/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_289":290,"_291":292},{"_222":916,"_125":917,"_283":918},{"_274":913,"_276":914,"_278":897,"_280":915},239,188.10233393177737,173.10233393177737,{"_285":222,"_123":919,"_154":920,"_140":97},{"_285":125,"_123":477,"_154":478,"_140":479},{"_285":283,"_123":474,"_154":475,"_140":476},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_312":937,"_314":938},{"_312":935,"_314":936},{"_312":933,"_314":934},{"_312":931,"_314":932},{"_312":929,"_314":930},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438",0.2133,"#736551",0.2481,"#9e886b",0.2634,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":562,"_219":563,"_326":564,"_328":329,"_330":565,"_332":566,"_334":567,"_335":568,"_336":569,"_140":91},"c. 1822/1823","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[975,976,977,978,979],{"_218":421,"_219":422,"_42":423,"_305":373},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_293":972,"_295":973,"_297":974},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_289":290,"_291":292},{"_222":969,"_125":970,"_283":971},{"_274":966,"_276":967,"_278":968,"_280":951},116.6768798828125,143.5,101.6768798828125,{"_285":222,"_123":540,"_154":541,"_140":91},{"_285":125,"_123":477,"_154":478,"_140":479},{"_285":283,"_123":474,"_154":475,"_140":476},"https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_312":987,"_314":988},{"_312":985,"_314":986},{"_312":983,"_314":984},{"_312":982,"_314":981},{"_312":980,"_314":981},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"portrait-of-colonel-charles-heathcote-cma-302209","Portrait of Colonel Charles Heathcote",{"_42":1037,"_219":1038,"_326":1039,"_328":507,"_330":1040,"_332":333,"_334":1041,"_335":1041,"_336":1042,"_140":99},"c. 1771–72","127 x 100 cm (50 x 39 3/8 in.)",100,127,0.7991176470588235,[1022,1023,1024,1025,1026],{"_218":302,"_219":303,"_42":304,"_305":306},"2017.100","Joseph Wright of Derby painted this in about 1771–72, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":1021,"_300":301},"Portrait of Colonel Charles Heathcote, by Joseph Wright of Derby, c. 1771–72",{"_293":1018,"_295":1019,"_297":1020},"https://img.ochreeditions.com/m/784.jpg?dl=1","/art/portrait-of-colonel-charles-heathcote-cma-302209","/galleries/style/georgian-britain/portrait-of-colonel-charles-heathcote-cma-302209",{"_289":290,"_291":292},{"_222":1013,"_125":1014,"_283":1015},{"_274":1010,"_276":1011,"_278":1012,"_280":995},116.48794117647058,142,101.48794117647058,{"_285":222,"_123":1016,"_154":1017,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/784/480.jpg","https://img.ochreeditions.com/a/784/960.jpg","https://img.ochreeditions.com/a/784/1920.jpg","Assuming a relaxed but commanding pose, Colonel Charles Heathcote (1734–1797) stands beside a large oak tree in the foreground of an expansive landscape. He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.",{"_312":1035,"_314":1036},{"_312":1033,"_314":1034},{"_312":1031,"_314":1032},{"_312":1029,"_314":1030},{"_312":1027,"_314":1028},"#762820",0.0221,"#977d5d",0.0414,"#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","1702/14 (Queen Anne period)","Print","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[1074,1075,1076,1077,1078],{"_218":485,"_219":486,"_42":487,"_305":488},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_293":1071,"_295":1072,"_297":1073},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_289":542,"_291":543},{"_222":1065,"_125":1066,"_283":1067},{"_274":648,"_276":1063,"_278":650,"_280":1064},48.48828746872867,24.488287468728675,{"_285":222,"_123":365,"_154":366,"_140":97},{"_285":125,"_123":1068,"_154":1069,"_140":1070},{"_285":283,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_312":1087,"_314":1088},{"_312":1085,"_314":1086},{"_312":1083,"_314":1084},{"_312":1081,"_314":1082},{"_312":1079,"_314":1080},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"isabella-wolff-aic-4773","Isabella Wolff",{"_42":562,"_219":563,"_326":564,"_328":329,"_330":565,"_332":566,"_334":567,"_335":568,"_336":569,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[1120,1121,1122,1123,1124],{"_218":485,"_219":486,"_42":487,"_305":488},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":1119,"_300":819},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_293":1116,"_295":1117,"_297":1118},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_289":290,"_291":292},{"_222":1113,"_125":1114,"_283":1115},{"_274":1110,"_276":1111,"_278":1112,"_280":1095},116.09951287404314,143,101.09951287404314,{"_285":222,"_123":540,"_154":541,"_140":91},{"_285":125,"_123":477,"_154":478,"_140":479},{"_285":283,"_123":474,"_154":475,"_140":476},"https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.",{"_312":1133,"_314":1134},{"_312":1131,"_314":1132},{"_312":1129,"_314":1130},{"_312":1127,"_314":1128},{"_312":1125,"_314":1126},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,{"_1136":-5,"_1137":1138,"_1139":1140,"_1141":8,"_1142":1143,"_1144":8},"user","csrf","0aebea82461960abddf61cff7585bcf1305eb940","cartCount",0,"dropLive","legal",[1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156],"uploadsEnabled",{"_219":1179,"_20":1180},{"_219":1177,"_20":1178},{"_219":1175,"_20":1176},{"_219":1173,"_20":1174},{"_219":1171,"_20":1172},{"_219":1169,"_20":1170},{"_219":1167,"_20":1168},{"_219":1165,"_20":1166},{"_219":1163,"_20":1164},{"_219":1161,"_20":1162},{"_219":1159,"_20":1160},{"_219":1157,"_20":1158},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]