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It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_295":434,"_297":435,"_299":436},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_291":292,"_293":294},{"_225":429,"_125":430,"_285":431},{"_276":426,"_278":427,"_280":428,"_281":411},69.57777777777778,89,45.57777777777778,{"_287":225,"_123":432,"_154":433,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":454,"_313":455},{"_311":452,"_313":453},{"_311":450,"_313":451},{"_311":448,"_313":449},{"_311":446,"_313":447},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829","English",1760,1829,"william-pitt-nga-52264","William Pitt",{"_42":512,"_222":513,"_325":514,"_327":328,"_329":515,"_331":516,"_333":-5,"_334":-5,"_335":517,"_140":99},"1787/1796","Painting","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[497,498,499,500,501],{"_221":301,"_222":302,"_42":303,"_304":305},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_295":494,"_297":495,"_299":496},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_291":372,"_293":373},{"_225":489,"_125":490,"_285":491},{"_276":485,"_278":486,"_280":487,"_281":488},34.62890625,40,19.62890625,25,{"_287":225,"_123":492,"_154":493,"_140":99},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_311":510,"_313":511},{"_311":508,"_313":509},{"_311":506,"_313":507},{"_311":504,"_313":505},{"_311":502,"_313":503},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","weymouth-bay-met-682931","Weymouth Bay",{"_42":573,"_222":574,"_325":575,"_327":328,"_329":576,"_331":577,"_333":578,"_334":402,"_335":579,"_140":97},"1830",19,"Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[558,559,560,561,562],{"_221":377,"_222":378,"_42":379,"_304":380},"39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_295":555,"_297":556,"_299":557},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_291":292,"_293":294},{"_225":545,"_125":546,"_285":547},{"_276":542,"_278":543,"_280":488,"_281":544},49,43.859539602028875,19.85953960202887,{"_287":225,"_123":553,"_154":554,"_140":97},{"_287":125,"_123":550,"_154":551,"_140":552},{"_287":285,"_123":548,"_154":549,"_140":486},"era/19-britain","19th-century Britain","style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg",{"_311":571,"_313":572},{"_311":569,"_313":570},{"_311":567,"_313":568},{"_311":565,"_313":566},{"_311":563,"_313":564},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","A Hero Born on a Bier, from The Master of Giants Portfolio",{"_42":631,"_222":632,"_325":633,"_327":328,"_329":634,"_331":635,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1779","watercolour","Drawing and Watercolor","Brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper","38 × 56.5 cm (15 × 22 1/4 in.)",56,38,1.4658835950904052,[616,617,618,619,620],{"_221":437,"_222":438,"_42":439,"_304":440},"2023.3179","Prince Hoare painted this in 1779, aged 24. It is now at the Art Institute of Chicago.","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.",{"_295":613,"_297":614,"_299":615},"https://img.ochreeditions.com/m/433.jpg?dl=1","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",{"_291":292,"_293":294},{"_225":606,"_125":607,"_285":608},{"_276":603,"_278":604,"_280":588,"_281":605},80,62.20221481948321,38.20221481948321,{"_287":225,"_123":611,"_154":612,"_140":89},{"_287":125,"_123":609,"_154":610,"_140":53},{"_287":285,"_123":167,"_154":166,"_140":169},"style/watercolour-18","More watercolours of the 18th century","artist/contemporaries-of-prince-hoare","Prince Hoare's contemporaries","https://img.ochreeditions.com/a/433/480.jpg","https://img.ochreeditions.com/a/433/960.jpg","https://img.ochreeditions.com/a/433/1920.jpg",{"_311":629,"_313":630},{"_311":627,"_313":628},{"_311":625,"_313":626},{"_311":623,"_313":624},{"_311":621,"_313":622},"#585149",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","British, 1755–1834",1755,1834,"the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":685,"_222":686,"_325":687,"_327":459,"_329":688,"_331":689,"_333":-5,"_334":-5,"_335":-5,"_140":101},"n.d.","Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[670,671,672,673,674],{"_221":437,"_222":438,"_42":439,"_304":440},"1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_295":667,"_297":668,"_299":669},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_291":292,"_293":294},{"_225":660,"_125":661,"_285":662},{"_276":657,"_278":658,"_280":642,"_281":659},70,56.1976386036961,32.1976386036961,{"_287":225,"_123":665,"_154":666,"_140":89},{"_287":125,"_123":663,"_154":664,"_140":486},{"_287":285,"_123":548,"_154":549,"_140":486},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg",{"_311":683,"_313":684},{"_311":681,"_313":682},{"_311":679,"_313":680},{"_311":677,"_313":678},{"_311":675,"_313":676},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":740,"_222":741,"_325":742,"_327":328,"_329":743,"_331":744,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1816","oil on canvas","overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",231,150,1.522110739502044,[725,726,727,728,729],{"_221":301,"_222":302,"_42":303,"_304":305},"2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_295":722,"_297":723,"_299":724},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_291":372,"_293":373},{"_225":714,"_125":715,"_285":716},{"_276":711,"_278":712,"_280":696,"_281":713},246,166.762939453125,151.762939453125,{"_287":225,"_123":720,"_154":721,"_140":89},{"_287":125,"_123":717,"_154":718,"_140":719},{"_287":285,"_123":548,"_154":549,"_140":486},"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_311":738,"_313":739},{"_311":736,"_313":737},{"_311":734,"_313":735},{"_311":732,"_313":733},{"_311":730,"_313":731},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,"saint-john-the-evangelist-nga-54044","Saint John the Evangelist",{"_42":791,"_222":792,"_325":793,"_327":328,"_329":794,"_331":795,"_333":-5,"_334":-5,"_335":-5,"_140":101},"1771","chiaroscuro woodcut in tan and brown","sheet: 19.7 × 15.4 cm (7 3/4 × 6 1/16 in.) other (text beneath image): 3.2 × 15.7 cm (1 1/4 × 6 3/16 in.) mount: 38.2 × 27.1 cm (15 1/16 × 10 11/16 in.)",15.4,19.7,0.702880859375,[776,777,778,779,780],{"_221":301,"_222":302,"_42":303,"_304":305},"1973.58.3","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a winged figure seated on a bird. The image depicts a figure with flowing robes, wings outstretched, holding an open book in one hand. The figure appears to be looking off to the side, with a serene expression. The lower part of the image includes a bird upon which the figure is seated. The bird's head is turned slightly upwards, following the direction in which the figure is gazing. The image is rendered in a warm, monochromatic palette. In the lower section of the image, there is some text, likely Latin.",{"_295":773,"_297":774,"_299":775},"https://img.ochreeditions.com/m/1572.jpg?dl=1","/art/saint-john-the-evangelist-nga-54044","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54044",{"_291":292,"_293":294},{"_225":768,"_125":769,"_285":770},{"_276":766,"_278":542,"_280":767,"_281":488},41.572021484375,17.572021484375,{"_287":225,"_123":771,"_154":772,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1572/480.jpg","https://img.ochreeditions.com/a/1572/960.jpg","https://img.ochreeditions.com/a/1572/1920.jpg",{"_311":789,"_313":790},{"_311":787,"_313":788},{"_311":785,"_313":786},{"_311":783,"_313":784},{"_311":781,"_313":782},"#a28a5c",0.1319,"#d5b378",0.1774,"#b29562",0.1816,"#c1a26a",0.2372,"#d5c19a",0.2719,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","John Johnstone, Betty Johnstone, and Miss Wedderburn",{"_42":842,"_222":843,"_325":844,"_327":845,"_329":330,"_331":846,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1790/1795","overall: 101.5 x 120 cm (39 15/16 x 47 1/4 in.) framed: 119.4 x 138.4 x 6.4 cm (47 x 54 1/2 x 2 1/2 in.)",120,101.5,1.1770114942528735,[827,828,829,830,831],{"_221":301,"_222":302,"_42":303,"_304":305},"1945.10.3","Sir Henry Raeburn painted this in about 1790/1795, aged about 34. It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_295":824,"_297":825,"_299":826},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_291":372,"_293":373},{"_225":819,"_125":820,"_285":821},{"_276":816,"_278":817,"_280":801,"_281":818},135,116.953125,101.953125,{"_287":225,"_123":822,"_154":823,"_140":89},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg",{"_311":840,"_313":841},{"_311":838,"_313":839},{"_311":836,"_313":837},{"_311":834,"_313":835},{"_311":832,"_313":833},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823","Scottish",1823,"anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":892,"_222":893,"_325":894,"_327":328,"_329":895,"_331":896,"_333":897,"_334":402,"_335":898,"_140":91},"c. 1805","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",78,0.8287557603686636,[877,878,879,880,881],{"_221":437,"_222":438,"_42":439,"_304":440},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_295":874,"_297":875,"_299":876},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_291":372,"_293":373},{"_225":869,"_125":870,"_285":871},{"_276":866,"_278":867,"_280":868,"_281":852},79.64294930875576,93,64.64294930875576,{"_287":225,"_123":872,"_154":873,"_140":91},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_311":890,"_313":891},{"_311":888,"_313":889},{"_311":886,"_313":887},{"_311":884,"_313":885},{"_311":882,"_313":883},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":947,"_222":948,"_325":949,"_327":459,"_329":950,"_331":951,"_333":952,"_334":402,"_335":953,"_140":97},"early 1770s (not later than 1772)","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[932,933,934,935,936],{"_221":437,"_222":438,"_42":439,"_304":440},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_295":929,"_297":930,"_299":931},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_291":292,"_293":294},{"_225":924,"_125":925,"_285":926},{"_276":921,"_278":922,"_280":905,"_281":923},79,66.1776611694153,42.177661169415295,{"_287":225,"_123":927,"_154":928,"_140":97},{"_287":125,"_123":609,"_154":610,"_140":53},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_311":945,"_313":946},{"_311":943,"_313":944},{"_311":941,"_313":942},{"_311":939,"_313":940},{"_311":937,"_313":938},"#75643b",0.1438,"#483b21",0.1553,"#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":1000,"_222":1001,"_325":1002,"_327":328,"_329":1003,"_331":1004,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,123.2,0.79638671875,[985,986,987,988,989],{"_221":301,"_222":302,"_42":303,"_304":305},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_295":982,"_297":983,"_299":984},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_291":372,"_293":373},{"_225":977,"_125":978,"_285":979},{"_276":974,"_278":975,"_280":976,"_281":960},113.11484375,138.2,98.11484375,{"_287":225,"_123":980,"_154":981,"_140":89},{"_287":125,"_123":717,"_154":718,"_140":719},{"_287":285,"_123":548,"_154":549,"_140":486},"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_311":998,"_313":999},{"_311":996,"_313":997},{"_311":994,"_313":995},{"_311":992,"_313":993},{"_311":990,"_313":991},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":1051,"_222":1052,"_325":1053,"_327":459,"_329":1054,"_331":516,"_333":1055,"_334":1055,"_335":1056,"_140":99},"40 x 50 in. (101.6 x 127 cm)",127,101.6,1.2404942965779469,[1036,1037,1038,1039,1040],{"_221":377,"_222":378,"_42":379,"_304":380},"2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_295":1033,"_297":1034,"_299":1035},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_291":372,"_293":373},{"_225":1028,"_125":1029,"_285":1030},{"_276":1025,"_278":1026,"_280":1009,"_281":1027},142,117.37854406130268,102.37854406130268,{"_287":225,"_123":1031,"_154":1032,"_140":99},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg",{"_311":1049,"_313":1050},{"_311":1047,"_313":1048},{"_311":1045,"_313":1046},{"_311":1043,"_313":1044},{"_311":1041,"_313":1042},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","small-landscape-si-saam-1956-11-20","Small Landscape","Unrecorded British maker","ca. 1750-1800","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[1092,1093,1094,1095,1096],{"_221":1089,"_222":1090,"_42":1091,"_304":305},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_295":1086,"_297":1087,"_299":1088},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_291":372,"_293":373},{"_225":1081,"_125":1082,"_285":1083},{"_276":1078,"_278":1079,"_280":1062,"_281":1080},70.2,58.4424,43.4424,{"_287":225,"_123":1084,"_154":1085,"_140":97},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_311":1105,"_313":1106},{"_311":1103,"_313":1104},{"_311":1101,"_313":1102},{"_311":1099,"_313":1100},{"_311":1097,"_313":1098},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":396,"_222":397,"_325":398,"_327":328,"_329":399,"_331":400,"_333":401,"_334":402,"_335":403,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[1145,1146,1147,1148,1149],{"_221":1141,"_222":1142,"_42":1143,"_304":1144},"Courtesy of the Cleveland Museum of Art","1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":1138,"_1139":1140},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_295":1135,"_297":1136,"_299":1137},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_291":372,"_293":373},{"_225":1132,"_125":1133,"_285":1134},{"_276":1129,"_278":1130,"_280":1131,"_281":1113},185.63529411764705,211,170.63529411764705,{"_287":225,"_123":370,"_154":371,"_140":95},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":1158,"_313":1159},{"_311":1156,"_313":1157},{"_311":1154,"_313":1155},{"_311":1152,"_313":1153},{"_311":1150,"_313":1151},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,{"_1161":-5,"_1162":1163,"_1164":1165,"_1166":8,"_1167":1168,"_1169":8},"user","csrf","f0c62a3e2a625f6d87e8bcfdc95ddb5344fbbd49","cartCount",0,"dropLive","legal",[1170,1171,1172,1173,1174,1175,1176,1177,1178,1179,1180,1181],"uploadsEnabled",{"_222":1204,"_20":1205},{"_222":1202,"_20":1203},{"_222":1200,"_20":1201},{"_222":1198,"_20":1199},{"_222":1196,"_20":1197},{"_222":1194,"_20":1195},{"_222":1192,"_20":1193},{"_222":1190,"_20":1191},{"_222":1188,"_20":1189},{"_222":1186,"_20":1187},{"_222":1184,"_20":1185},{"_222":1182,"_20":1183},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]