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(128.3 x 100.3 cm.)",100.3,128.3,0.799,[471,472,473,474,475],{"_219":424,"_220":425,"_42":426,"_302":427},"1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_293":468,"_295":469,"_297":470},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_289":419,"_291":420},{"_223":465,"_125":466,"_284":467},{"_275":462,"_277":463,"_279":464,"_281":448},117.51170000000002,143.3,102.51170000000002,{"_286":223,"_123":367,"_154":368,"_140":97},{"_286":125,"_123":416,"_154":417,"_140":418},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg",{"_309":484,"_311":485},{"_309":482,"_311":483},{"_309":480,"_311":481},{"_309":478,"_311":479},{"_309":476,"_311":477},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015",0.3131,"self-portrait-in-a-fur-cap-aic-76295","Self-Portrait in a Fur Cap",{"_42":533,"_220":534,"_323":535,"_325":326,"_327":536,"_329":537,"_331":538,"_332":538,"_333":539,"_140":99},"1765/68","Monochrome pastel (grisaille) on blue-gray laid paper","42.5 × 29.5 cm (16 3/4 × 11 5/8 in.)",29,0.6958228202971685,[518,519,520,521,522],{"_219":299,"_220":300,"_42":301,"_302":303},"1990.141","Joseph Wright of Derby painted this in 1765/68, aged about 31. It is now at the Art Institute of Chicago.","Joseph Wright of Derby portrays himself in a fur cap, drawn in monochrome pastel on blue-grey paper, with greys and blacks building the face and the soft texture of the fur.","Black, gray pastel portrait of man in a fur hat.",{"_293":515,"_295":516,"_297":517},"https://img.ochreeditions.com/m/193.jpg?dl=1","/art/self-portrait-in-a-fur-cap-aic-76295","/galleries/style/georgian-britain/self-portrait-in-a-fur-cap-aic-76295",{"_289":290,"_291":292},{"_223":510,"_125":511,"_284":512},{"_275":507,"_277":508,"_279":509,"_281":168},53.22455845248108,66,29.224558452481077,{"_286":223,"_123":513,"_154":514,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":53},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/193/480.jpg","https://img.ochreeditions.com/a/193/960.jpg","https://img.ochreeditions.com/a/193/1920.jpg",{"_309":531,"_311":532},{"_309":529,"_311":530},{"_309":527,"_311":528},{"_309":525,"_311":526},{"_309":523,"_311":524},"#85817a",0.0524,"#5b4224",0.0632,"#5e5a55",0.0962,"#403d37",0.2066,"#2f2d29",0.5816,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":585,"_220":586,"_323":587,"_325":326,"_327":588,"_329":589,"_331":-5,"_332":-5,"_333":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",40,0.7912519643792562,[571,572,573,574,575],{"_219":299,"_220":300,"_42":301,"_302":303},"1946.405","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_293":568,"_295":569,"_297":570},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_289":290,"_291":292},{"_223":563,"_125":564,"_284":565},{"_275":560,"_277":561,"_279":562,"_281":546},55.65007857517025,64,31.650078575170248,{"_286":223,"_123":566,"_154":567,"_140":99},{"_286":125,"_123":364,"_154":365,"_140":366},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg",{"_309":583,"_311":584},{"_309":582,"_311":485},{"_309":580,"_311":581},{"_309":578,"_311":579},{"_309":576,"_311":577},"#796237",0.064,"#5c493a",0.0907,"#8a7b65",0.1271,"#baae9b","#d1c7b6",0.4051,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","John Johnstone, Betty Johnstone, and Miss Wedderburn",{"_42":640,"_220":641,"_323":642,"_325":643,"_327":644,"_329":645,"_331":-5,"_332":-5,"_333":-5,"_140":103},"c. 1790/1795","overall: 101.5 x 120 cm (39 15/16 x 47 1/4 in.) framed: 119.4 x 138.4 x 6.4 cm (47 x 54 1/2 x 2 1/2 in.)",120,101.5,1.1770114942528735,[625,626,627,628,629],{"_219":622,"_220":623,"_42":624,"_302":427},"Courtesy National Gallery of Art, Washington","1945.10.3","Sir Henry Raeburn painted this in about 1790/1795, aged about 34. It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_293":619,"_295":620,"_297":621},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_289":419,"_291":420},{"_223":614,"_125":615,"_284":616},{"_275":611,"_277":612,"_279":595,"_281":613},135,116.953125,101.953125,{"_286":223,"_123":617,"_154":618,"_140":89},{"_286":125,"_123":416,"_154":417,"_140":418},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_309":638,"_311":639},{"_309":636,"_311":637},{"_309":634,"_311":635},{"_309":632,"_311":633},{"_309":630,"_311":631},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823","Scottish",1756,1823,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":710,"_220":711,"_323":712,"_325":713,"_327":714,"_329":715,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1807",19,"drawing","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[695,696,697,698,699],{"_219":691,"_220":692,"_42":693,"_302":694},"Courtesy of the Cleveland Museum of Art","1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":688,"_689":690},"Bray Church Yard, by John Varley, 1807",{"_293":685,"_295":686,"_297":687},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_289":290,"_291":292},{"_223":675,"_125":676,"_284":677},{"_275":672,"_277":673,"_279":655,"_281":674},60.9,48.95091176470588,24.950911764705882,{"_286":223,"_123":683,"_154":684,"_140":89},{"_286":125,"_123":680,"_154":681,"_140":682},{"_286":284,"_123":678,"_154":679,"_140":546},"era/19-britain","19th-century Britain","style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":708,"_311":709},{"_309":706,"_311":707},{"_309":704,"_311":705},{"_309":702,"_311":703},{"_309":700,"_311":701},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842","British",1778,1842,"fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":767,"_220":768,"_323":769,"_325":326,"_327":770,"_329":771,"_331":772,"_332":772,"_333":773,"_140":97},"1837–38","Oil on canvas","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[752,753,754,755,756],{"_219":299,"_220":300,"_42":301,"_302":303},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_293":749,"_295":750,"_297":751},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/georgian-britain/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_289":419,"_291":420},{"_223":741,"_125":742,"_284":743},{"_275":738,"_277":739,"_279":722,"_281":740},239,188.10233393177737,173.10233393177737,{"_286":223,"_123":747,"_154":748,"_140":97},{"_286":125,"_123":744,"_154":745,"_140":746},{"_286":284,"_123":678,"_154":679,"_140":546},"style/painting-19","More paintings of the 19th century",432,"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_309":765,"_311":766},{"_309":763,"_311":764},{"_309":761,"_311":762},{"_309":759,"_311":760},{"_309":757,"_311":758},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438",0.2133,"#736551",0.2481,"#9e886b",0.2634,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"London","Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","phasianus-versicolor-nga-53855","Phasianus Versicolor",{"_42":818,"_220":819,"_323":820,"_325":643,"_327":821,"_329":822,"_331":-5,"_332":-5,"_333":-5,"_140":101},"hand-colored etching","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)",10.8,1.593774319066148,[803,804,805,806,807],{"_219":622,"_220":623,"_42":624,"_302":427},"1973.26.28","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.",{"_293":800,"_295":801,"_297":802},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_289":290,"_291":292},{"_223":795,"_125":796,"_284":797},{"_275":357,"_277":793,"_279":359,"_281":794},39.68603515625,15.686035156249998,{"_286":223,"_123":798,"_154":799,"_140":89},{"_286":125,"_123":364,"_154":365,"_140":366},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg",{"_309":816,"_311":817},{"_309":814,"_311":815},{"_309":812,"_311":813},{"_309":810,"_311":811},{"_309":808,"_311":809},"#294d6a",0.0227,"#666947",0.0414,"#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"William Home Lizars","william-home-lizars","Scottish, 1788–1859",1788,1859,"georgiana-duchess-of-devonshire-nga-52263","Georgiana, Duchess of Devonshire",{"_42":870,"_220":871,"_323":872,"_325":713,"_327":873,"_329":537,"_331":-5,"_332":-5,"_333":874,"_140":99},"c. 1787/1796","overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.) framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in.)",39.9,59.1,0.666748046875,[855,856,857,858,859],{"_219":622,"_220":623,"_42":624,"_302":427},"1970.17.119","Gainsborough Dupont painted this in about 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","Georgiana, Duchess of Devonshire, political hostess and leader of fashion in Georgian society, stands at full length in a light silk dress and a large dark feathered hat, gathering her skirts in her arms beside tall trees.","This painting is a full-length portrait of a woman with her body facing the right and her head turned toward us. She has light skin, curly gray hair, arched eyebrows, and a small mouth in a neutral expression. She wears an elegant light-colored dress with a large bow on the back and a large, dark, feathered hat, and she has a flower tucked in her arms, which also gather up some of her skirts. The background shows tall trees, with the edge of a wall visible in the upper-right corner. The color scheme of the painting is mostly olive-green, and everything has a green tint.",{"_293":852,"_295":853,"_297":854},"https://img.ochreeditions.com/m/1550.jpg?dl=1","/art/georgiana-duchess-of-devonshire-nga-52263","/galleries/style/georgian-britain/georgiana-duchess-of-devonshire-nga-52263",{"_289":419,"_291":420},{"_223":847,"_125":848,"_284":849},{"_275":844,"_277":845,"_279":846,"_281":829},54.4048095703125,74.1,39.4048095703125,{"_286":223,"_123":850,"_154":851,"_140":99},{"_286":125,"_123":416,"_154":417,"_140":418},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1550/480.jpg","https://img.ochreeditions.com/a/1550/960.jpg","https://img.ochreeditions.com/a/1550/1920.jpg",{"_309":868,"_311":869},{"_309":866,"_311":867},{"_309":864,"_311":865},{"_309":862,"_311":863},{"_309":860,"_311":861},"#bba987",0.0696,"#3b2e29",0.1916,"#917f5d",0.2158,"#7a6236",0.2411,"#5b462d",0.2819,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":922,"_220":923,"_323":924,"_325":713,"_327":925,"_329":926,"_331":927,"_332":772,"_333":928,"_140":91},"July 26, 1800","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",24,35,0.6863089606703608,[907,908,909,910,911],{"_219":299,"_220":300,"_42":301,"_302":303},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_293":904,"_295":905,"_297":906},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_289":290,"_291":292},{"_223":899,"_125":900,"_284":901},{"_275":896,"_277":897,"_279":898,"_281":882},48.02081362346263,59,24.02081362346263,{"_286":223,"_123":902,"_154":903,"_140":91},{"_286":125,"_123":287,"_154":288,"_140":53},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_309":920,"_311":921},{"_309":918,"_311":919},{"_309":916,"_311":917},{"_309":914,"_311":915},{"_309":912,"_311":913},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","heaton-park-races-nga-52254","Heaton Park Races",{"_42":973,"_220":974,"_323":975,"_325":713,"_327":976,"_329":977,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1829","overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,1.688375927452597,[959,960,961,962,963],{"_219":622,"_220":623,"_42":624,"_302":427},"1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_293":956,"_295":957,"_297":958},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_289":419,"_291":420},{"_223":951,"_125":952,"_284":953},{"_275":948,"_277":949,"_279":934,"_281":950},167.6,105.38271484375,90.38271484375,{"_286":223,"_123":954,"_154":955,"_140":89},{"_286":125,"_123":744,"_154":745,"_140":746},{"_286":284,"_123":678,"_154":679,"_140":546},"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_309":971,"_311":972},{"_309":969,"_311":970},{"_309":967,"_311":968},{"_309":965,"_311":966},{"_309":964,"_311":581},"#9f8033","#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,"the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":1026,"_220":1027,"_323":1028,"_325":326,"_327":1029,"_329":1030,"_331":-5,"_332":-5,"_333":-5,"_140":101},"Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[1011,1012,1013,1014,1015],{"_219":299,"_220":300,"_42":301,"_302":303},"1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_293":1008,"_295":1009,"_297":1010},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_289":290,"_291":292},{"_223":1001,"_125":1002,"_284":1003},{"_275":998,"_277":999,"_279":983,"_281":1000},70,56.1976386036961,32.1976386036961,{"_286":223,"_123":1006,"_154":1007,"_140":89},{"_286":125,"_123":1004,"_154":1005,"_140":546},{"_286":284,"_123":678,"_154":679,"_140":546},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg",{"_309":1024,"_311":1025},{"_309":1022,"_311":1023},{"_309":1020,"_311":1021},{"_309":1018,"_311":1019},{"_309":1016,"_311":1017},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":1087,"_220":1088,"_323":1089,"_325":713,"_327":770,"_329":1090,"_331":772,"_332":772,"_333":-5,"_140":103},"1796–97","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[1072,1073,1074,1075,1076],{"_219":1068,"_220":1069,"_42":1070,"_302":1071},"Courtesy of The Metropolitan Museum of Art","06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_293":1065,"_295":1066,"_297":1067},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_289":290,"_291":292},{"_223":1057,"_125":1058,"_284":1059},{"_275":1054,"_277":1055,"_279":1038,"_281":1056},76,62.26731078904992,38.26731078904992,{"_286":223,"_123":1063,"_154":1064,"_140":89},{"_286":125,"_123":1060,"_154":1061,"_140":1062},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_309":1085,"_311":1086},{"_309":1083,"_311":1084},{"_309":1081,"_311":1082},{"_309":1079,"_311":1080},{"_309":1077,"_311":1078},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1802,"joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":1137,"_220":1138,"_323":1139,"_325":713,"_327":1140,"_329":1141,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1816","overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",231,150,1.522110739502044,[1122,1123,1124,1125,1126],{"_219":622,"_220":623,"_42":624,"_302":427},"2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_293":1119,"_295":1120,"_297":1121},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_289":419,"_291":420},{"_223":1114,"_125":1115,"_284":1116},{"_275":1111,"_277":1112,"_279":1096,"_281":1113},246,166.762939453125,151.762939453125,{"_286":223,"_123":1117,"_154":1118,"_140":89},{"_286":125,"_123":744,"_154":745,"_140":746},{"_286":284,"_123":678,"_154":679,"_140":546},"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_309":1135,"_311":1136},{"_309":1133,"_311":1134},{"_309":1131,"_311":1132},{"_309":1129,"_311":1130},{"_309":1127,"_311":1128},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,{"_1143":-5,"_1144":1145,"_1146":1147,"_1148":8,"_1149":1150,"_1151":8},"user","csrf","f681169631ba52037b86e800ae28fa1ae2663995","cartCount",0,"dropLive","legal",[1152,1153,1154,1155,1156,1157,1158,1159,1160,1161,1162,1163],"uploadsEnabled",{"_220":1186,"_20":1187},{"_220":1184,"_20":1185},{"_220":1182,"_20":1183},{"_220":1180,"_20":1181},{"_220":1178,"_20":1179},{"_220":1176,"_20":1177},{"_220":1174,"_20":1175},{"_220":1172,"_20":1173},{"_220":1170,"_20":1171},{"_220":1168,"_20":1169},{"_220":1166,"_20":1167},{"_220":1164,"_20":1165},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]