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The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":463,"_311":464},{"_309":461,"_311":462},{"_309":459,"_311":460},{"_309":457,"_311":458},{"_309":455,"_311":456},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842","British",1778,1842,"cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":518,"_220":519,"_323":520,"_325":326,"_327":521,"_329":522,"_331":523,"_332":524,"_333":525,"_140":97},"1787","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[503,504,505,506,507],{"_219":375,"_220":376,"_42":377,"_302":378},"50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_293":500,"_295":501,"_297":502},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_289":370,"_291":371},{"_223":495,"_125":496,"_283":497},{"_274":492,"_276":493,"_278":494,"_280":477},135.62100077780656,162.6,120.62100077780657,{"_285":223,"_123":498,"_154":499,"_140":97},{"_285":125,"_123":365,"_154":366,"_140":367},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg",{"_309":516,"_311":517},{"_309":514,"_311":515},{"_309":512,"_311":513},{"_309":510,"_311":511},{"_309":508,"_311":509},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","London","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","lord-rothes-si-saam-1956-11-60","Lord Rothes","Unrecorded British maker","1768","Painting","oil on canvas","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[564,565,566,567,568],{"_219":560,"_220":561,"_42":562,"_302":563},"Courtesy of the Smithsonian American Art Museum","1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_293":557,"_295":558,"_297":559},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_289":370,"_291":371},{"_223":552,"_125":553,"_283":554},{"_274":549,"_276":550,"_278":551,"_280":534},117.51170000000002,143.3,102.51170000000002,{"_285":223,"_123":555,"_154":556,"_140":97},{"_285":125,"_123":365,"_154":366,"_140":367},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg","si","smithsonian","Smithsonian Institution","Washington, DC",{"_309":577,"_311":318},{"_309":575,"_311":576},{"_309":573,"_311":574},{"_309":571,"_311":572},{"_309":569,"_311":570},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015","francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":631,"_220":632,"_323":633,"_325":468,"_327":634,"_329":635,"_331":636,"_332":524,"_333":637,"_140":91},"c. 1822/1823","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[617,618,619,620,621],{"_219":614,"_220":615,"_42":616,"_302":563},"Courtesy National Gallery of Art, Washington","1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_293":611,"_295":612,"_297":613},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_289":370,"_291":371},{"_223":603,"_125":604,"_283":605},{"_274":600,"_276":601,"_278":602,"_280":584},116.6768798828125,143.5,101.6768798828125,{"_285":223,"_123":609,"_154":610,"_140":91},{"_285":125,"_123":606,"_154":607,"_140":608},{"_285":283,"_123":433,"_154":434,"_140":244},"style/painting-19","More paintings of the 19th century",432,"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_309":629,"_311":630},{"_309":627,"_311":628},{"_309":625,"_311":626},{"_309":624,"_311":623},{"_309":622,"_311":623},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","stoke-by-nayland-aic-4758","Stoke-by-Nayland",{"_42":687,"_220":688,"_323":689,"_325":326,"_327":690,"_329":691,"_331":-5,"_332":-5,"_333":692,"_140":99},"1836","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)",169,126,1.358449273096764,[672,673,674,675,676],{"_219":299,"_220":300,"_42":301,"_302":303},"1922.4453","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":670,"_444":671},"Large English country landscape painting, farmers with horses, green trees.",{"_293":667,"_295":668,"_297":669},"https://img.ochreeditions.com/m/7.jpg?dl=1","/art/stoke-by-nayland-aic-4758","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758",{"_289":370,"_291":371},{"_223":662,"_125":663,"_283":664},{"_274":659,"_276":660,"_278":643,"_280":661},184,139.40655926352127,124.40655926352129,{"_285":223,"_123":665,"_154":666,"_140":99},{"_285":125,"_123":606,"_154":607,"_140":608},{"_285":283,"_123":433,"_154":434,"_140":244},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/7/960.jpg","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.","Text from the Art Institute of Chicago.",{"_309":685,"_311":686},{"_309":683,"_311":684},{"_309":681,"_311":682},{"_309":679,"_311":680},{"_309":677,"_311":678},"#a8b3b4",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","captain-george-k-h-coussmaker-1759-1801-met-437447","Captain George K. H. Coussmaker (1759–1801)",{"_42":740,"_220":741,"_323":742,"_325":468,"_327":743,"_329":744,"_331":745,"_332":524,"_333":746,"_140":95},"1782","93 3/4 x 57 1/4 in. (238.1 x 145.4 cm)",145.4,238.1,0.619244697361614,[725,726,727,728,729],{"_219":375,"_220":376,"_42":377,"_302":378},"20.155.3","Joshua Reynolds painted this in 1782, aged 59. It is now at The Met in New York.","Captain George Coussmaker leans against a tree with his legs casually crossed, his red coat glowing against the dark woodland, while his horse lowers its head behind him.","Captain George K. H. Coussmaker (1759–1801), by Joshua Reynolds, 1782",{"_293":722,"_295":723,"_297":724},"https://img.ochreeditions.com/m/1146.jpg?dl=1","/art/captain-george-k-h-coussmaker-1759-1801-met-437447","/galleries/style/georgian-britain/captain-george-k-h-coussmaker-1759-1801-met-437447",{"_289":370,"_291":371},{"_223":717,"_125":718,"_283":719},{"_274":714,"_276":715,"_278":716,"_280":699},162.4421624418003,253.1,147.4421624418003,{"_285":223,"_123":720,"_154":721,"_140":95},{"_285":125,"_123":365,"_154":366,"_140":367},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/1146/480.jpg","https://img.ochreeditions.com/a/1146/960.jpg","https://img.ochreeditions.com/a/1146/1920.jpg",{"_309":738,"_311":739},{"_309":736,"_311":737},{"_309":734,"_311":735},{"_309":732,"_311":733},{"_309":730,"_311":731},"#4f2114",0.0473,"#ab9f82",0.0813,"#756850",0.0978,"#463929",0.2103,"#221b14",0.5633,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","self-portrait-in-a-fur-cap-aic-76295","Self-Portrait in a Fur Cap",{"_42":394,"_220":395,"_323":396,"_325":326,"_327":397,"_329":398,"_331":399,"_332":399,"_333":400,"_140":99},"1765/68","watercolour","Drawing and Watercolor","Monochrome pastel (grisaille) on blue-gray laid paper","42.5 × 29.5 cm (16 3/4 × 11 5/8 in.)",29,0.6958228202971685,[781,782,783,784,785],{"_219":299,"_220":300,"_42":301,"_302":303},"1990.141","Joseph Wright of Derby painted this in 1765/68, aged about 31. It is now at the Art Institute of Chicago.","Joseph Wright of Derby portrays himself in a fur cap, drawn in monochrome pastel on blue-grey paper, with greys and blacks building the face and the soft texture of the fur.","Black, gray pastel portrait of man in a fur hat.",{"_293":778,"_295":779,"_297":780},"https://img.ochreeditions.com/m/193.jpg?dl=1","/art/self-portrait-in-a-fur-cap-aic-76295","/galleries/style/georgian-britain/self-portrait-in-a-fur-cap-aic-76295",{"_289":290,"_291":292},{"_223":773,"_125":774,"_283":775},{"_274":770,"_276":771,"_278":772,"_280":168},53.22455845248108,66,29.224558452481077,{"_285":223,"_123":368,"_154":369,"_140":99},{"_285":125,"_123":776,"_154":777,"_140":53},{"_285":283,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","https://img.ochreeditions.com/a/193/480.jpg","https://img.ochreeditions.com/a/193/960.jpg","https://img.ochreeditions.com/a/193/1920.jpg",{"_309":794,"_311":795},{"_309":792,"_311":793},{"_309":790,"_311":791},{"_309":788,"_311":789},{"_309":786,"_311":787},"#85817a",0.0524,"#5b4224",0.0632,"#5e5a55",0.0962,"#403d37",0.2066,"#2f2d29",0.5816,"the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":844,"_220":845,"_323":846,"_325":326,"_327":847,"_329":848,"_331":-5,"_332":-5,"_333":-5,"_140":101},"Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[829,830,831,832,833],{"_219":299,"_220":300,"_42":301,"_302":303},"1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_293":826,"_295":827,"_297":828},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_289":290,"_291":292},{"_223":819,"_125":820,"_283":821},{"_274":816,"_276":817,"_278":801,"_280":818},70,56.1976386036961,32.1976386036961,{"_285":223,"_123":824,"_154":825,"_140":89},{"_285":125,"_123":822,"_154":823,"_140":244},{"_285":283,"_123":433,"_154":434,"_140":244},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg",{"_309":842,"_311":843},{"_309":840,"_311":841},{"_309":838,"_311":839},{"_309":836,"_311":837},{"_309":834,"_311":835},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":896,"_220":897,"_323":898,"_325":326,"_327":899,"_329":900,"_331":524,"_332":524,"_333":901,"_140":97},"1835","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,1.3465346534653466,[881,882,883,884,885],{"_219":446,"_220":447,"_42":448,"_302":449},"1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":880,"_444":445},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_293":877,"_295":878,"_297":879},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_289":370,"_291":371},{"_223":872,"_125":873,"_283":874},{"_274":869,"_276":870,"_278":854,"_280":871},138.2,106.49411764705881,91.49411764705881,{"_285":223,"_123":875,"_154":876,"_140":97},{"_285":125,"_123":606,"_154":607,"_140":608},{"_285":283,"_123":433,"_154":434,"_140":244},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.",{"_309":894,"_311":895},{"_309":892,"_311":893},{"_309":890,"_311":891},{"_309":888,"_311":889},{"_309":886,"_311":887},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby",{"_42":631,"_220":632,"_323":633,"_325":468,"_327":634,"_329":635,"_331":636,"_332":524,"_333":637,"_140":91},"1790","94 in. × 57 1/2 in. (238.8 × 146.1 cm)",146.1,238.8,0.6134193548387097,[932,933,934,935,936],{"_219":375,"_220":376,"_42":377,"_302":378},"50.135.5","Thomas Lawrence painted this in 1790, aged 21. It is now at The Met in New York.","The celebrated comic actress Elizabeth Farren turns to look at us as she walks through a windswept landscape, wrapped in a white silk cloak lined with fur and carrying a muff.","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, by Thomas Lawrence, 1790",{"_293":929,"_295":930,"_297":931},"https://img.ochreeditions.com/m/1113.jpg?dl=1","/art/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","/galleries/style/georgian-britain/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851",{"_289":370,"_291":371},{"_223":926,"_125":927,"_283":928},{"_274":923,"_276":924,"_278":925,"_280":908},161.4845419354839,253.8,146.4845419354839,{"_285":223,"_123":609,"_154":610,"_140":91},{"_285":125,"_123":365,"_154":366,"_140":367},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1113/480.jpg","https://img.ochreeditions.com/a/1113/960.jpg","https://img.ochreeditions.com/a/1113/1920.jpg",{"_309":945,"_311":946},{"_309":943,"_311":944},{"_309":941,"_311":942},{"_309":939,"_311":940},{"_309":937,"_311":938},"#6e5e40",0.1382,"#afa284",0.1538,"#3c3422",0.2055,"#3b5150",0.2432,"#6f7361",0.2593,"portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":631,"_220":632,"_323":633,"_325":468,"_327":634,"_329":635,"_331":636,"_332":524,"_333":637,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[979,980,981,982,983],{"_219":446,"_220":447,"_42":448,"_302":449},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":978,"_444":445},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_293":975,"_295":976,"_297":977},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_289":370,"_291":371},{"_223":972,"_125":973,"_283":974},{"_274":968,"_276":969,"_278":970,"_280":971},163.0235294117647,255,148.0235294117647,240,{"_285":223,"_123":609,"_154":610,"_140":91},{"_285":125,"_123":365,"_154":366,"_140":367},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_309":992,"_311":993},{"_309":990,"_311":991},{"_309":988,"_311":989},{"_309":986,"_311":987},{"_309":984,"_311":985},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"peamore-devon-nga-137152","Peamore, Devon",{"_42":1044,"_220":1045,"_323":1046,"_325":468,"_327":1047,"_329":900,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1799","wash and watercolor with pen and black ink over graphite on eight joined sheets of laid paper, on the artist's original mount","image: 45.2 x 57.3 cm (17 13/16 x 22 9/16 in.)",57.3,45.2,1.2337349397590363,[1029,1030,1031,1032,1033],{"_219":614,"_220":615,"_42":616,"_302":563},"2007.16.1","John White Abbott painted this in 1799, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image shows a forest by a serene, tree-lined body of water. The horizon is high with tall trees extending close to it, creating a sense of depth. The brushstrokes and watercolor application are delicate, capturing textures of leaves and water gently. The color palette includes muted greens, soft browns, and hints of blue and cream. Closest to us is a dense cluster of trees on the right, curving over the water. Across the water, other tree clusters and shrubs recede into the misty background towards the left.",{"_293":1026,"_295":1027,"_297":1028},"https://img.ochreeditions.com/m/1666.jpg?dl=1","/art/peamore-devon-nga-137152","/galleries/style/georgian-britain/peamore-devon-nga-137152",{"_289":290,"_291":292},{"_223":1018,"_125":1019,"_283":1020},{"_274":1015,"_276":1016,"_278":1000,"_280":1017},81.3,70.4443359375,46.44433593749999,{"_285":223,"_123":1024,"_154":1025,"_140":89},{"_285":125,"_123":1021,"_154":1022,"_140":1023},{"_285":283,"_123":166,"_154":165,"_140":168},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-john-white-abbott","John White Abbott's contemporaries","https://img.ochreeditions.com/a/1666/480.jpg","https://img.ochreeditions.com/a/1666/960.jpg","https://img.ochreeditions.com/a/1666/1920.jpg",{"_309":1042,"_311":1043},{"_309":1040,"_311":1041},{"_309":1038,"_311":1039},{"_309":1036,"_311":1037},{"_309":1034,"_311":1035},"#afad94",0.085,"#ab9571",0.1157,"#6f624e",0.1563,"#8a7c62",0.2097,"#d9c9b1",0.4333,"John White Abbott","john-white-abbott","British, 1763–1851",1763,"death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":1095,"_220":1096,"_323":1097,"_325":326,"_327":1098,"_329":1099,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1784, after the drawing of 1775","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",47,65,0.7011965811965812,[1080,1081,1082,1083,1084],{"_219":299,"_220":300,"_42":301,"_302":303},"2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_293":1077,"_295":1078,"_297":1079},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_289":290,"_291":292},{"_223":1072,"_125":1073,"_283":1074},{"_274":1069,"_276":1070,"_278":1071,"_280":1055},69.57777777777778,89,45.57777777777778,{"_285":223,"_123":1075,"_154":1076,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_309":1093,"_311":1094},{"_309":1091,"_311":1092},{"_309":1089,"_311":1090},{"_309":1087,"_311":1088},{"_309":1085,"_311":1086},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"turtur-risorius-nga-53854","Turtur Risorius",{"_42":1147,"_220":1148,"_323":1149,"_325":1150,"_327":522,"_329":1151,"_331":-5,"_332":-5,"_333":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,17,0.655517578125,[1132,1133,1134,1135,1136],{"_219":614,"_220":615,"_42":616,"_302":563},"1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_293":1129,"_295":1130,"_297":1131},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_289":290,"_291":292},{"_223":1124,"_125":1125,"_283":1126},{"_274":1120,"_276":1121,"_278":1122,"_280":1123},40.387939453125,49,16.387939453125,25,{"_285":223,"_123":1127,"_154":1128,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_309":1145,"_311":1146},{"_309":1143,"_311":1144},{"_309":1141,"_311":1142},{"_309":1139,"_311":1140},{"_309":1137,"_311":1138},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1859,{"_1153":-5,"_1154":1155,"_1156":1157,"_1158":8,"_1159":1160,"_1161":8},"user","csrf","dd0a88b22bf79b0a4b235e19f66195b8a414c5ae","cartCount",0,"dropLive","legal",[1162,1163,1164,1165,1166,1167,1168,1169,1170,1171,1172,1173],"uploadsEnabled",{"_220":1196,"_20":1197},{"_220":1194,"_20":1195},{"_220":1192,"_20":1193},{"_220":1190,"_20":1191},{"_220":1188,"_20":1189},{"_220":1186,"_20":1187},{"_220":1184,"_20":1185},{"_220":1182,"_20":1183},{"_220":1180,"_20":1181},{"_220":1178,"_20":1179},{"_220":1176,"_20":1177},{"_220":1174,"_20":1175},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]