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Across the water, other tree clusters and shrubs recede into the misty background towards the left.","images",{"_293":294,"_295":296,"_297":298},"download_url","https://img.ochreeditions.com/m/1666.jpg?dl=1","page_url","/art/peamore-devon-nga-137152","walk_url","/galleries/style/georgian-britain/peamore-devon-nga-137152","frame",{"_289":290,"_291":292},{"_223":281,"_125":282,"_283":284},"size",{"_274":275,"_276":277,"_278":242,"_279":280},"w",81.3,"h",70.4443359375,"image_w","image_h",46.44433593749999,{"_285":223,"_123":170,"_154":169,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},"era",{"_285":283,"_123":166,"_154":165,"_140":168},"facet","style/drawing-18","More drawings of the 18th century",31,"moulding","white","mount","snow","480","https://img.ochreeditions.com/a/1666/480.jpg","960","https://img.ochreeditions.com/a/1666/960.jpg","1920","https://img.ochreeditions.com/a/1666/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_309":319,"_311":320},{"_309":317,"_311":318},{"_309":315,"_311":316},{"_309":313,"_311":314},{"_309":310,"_311":312},"hex","#afad94","weight",0.085,"#ab9571",0.1157,"#6f624e",0.1563,"#8a7c62",0.2097,"#d9c9b1",0.4333,"John White Abbott","john-white-abbott","bio","British, 1763–1851","nationality","British","birth_year",1763,"death_year",1851,"birth_place","death_place","about_excerpt","the-white-horse-nga-1146","The White Horse",{"_42":393,"_220":394,"_323":395,"_325":396,"_327":397,"_329":398,"_331":-5,"_332":-5,"_333":399,"_140":99},"1818-1819",19,"painting","Painting","oil on canvas","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,127,1.4306671323786238,[378,379,380,381,382],{"_219":299,"_220":300,"_42":301,"_302":303},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_293":375,"_295":376,"_297":377},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_289":373,"_291":374},{"_223":362,"_125":363,"_283":364},{"_274":359,"_276":360,"_278":343,"_279":361},198,142.912353515625,127.912353515625,{"_285":223,"_123":371,"_154":372,"_140":99},{"_285":125,"_123":368,"_154":369,"_140":370},{"_285":283,"_123":365,"_154":366,"_140":367},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/john-constable","More by John Constable","natural","ivory","https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_309":391,"_311":392},{"_309":389,"_311":390},{"_309":387,"_311":388},{"_309":385,"_311":386},{"_309":383,"_311":384},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"John Constable","john-constable","English, 1776–1837","English",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby",{"_42":457,"_220":458,"_323":459,"_325":326,"_327":460,"_329":461,"_331":462,"_332":463,"_333":464,"_140":91},"1790","Paintings","Oil on canvas","94 in. × 57 1/2 in. (238.8 × 146.1 cm)",146.1,238.8,0.6134193548387097,[442,443,444,445,446],{"_219":438,"_220":439,"_42":440,"_302":441},"Courtesy of The Metropolitan Museum of Art","50.135.5","Thomas Lawrence painted this in 1790, aged 21. It is now at The Met in New York.","The celebrated comic actress Elizabeth Farren turns to look at us as she walks through a windswept landscape, wrapped in a white silk cloak lined with fur and carrying a muff.","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, by Thomas Lawrence, 1790",{"_293":435,"_295":436,"_297":437},"https://img.ochreeditions.com/m/1113.jpg?dl=1","/art/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","/galleries/style/georgian-britain/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851",{"_289":373,"_291":374},{"_223":427,"_125":428,"_283":429},{"_274":424,"_276":425,"_278":426,"_279":408},161.4845419354839,253.8,146.4845419354839,{"_285":223,"_123":433,"_154":434,"_140":91},{"_285":125,"_123":430,"_154":431,"_140":432},{"_285":283,"_123":166,"_154":165,"_140":168},"style/painting-18","More paintings of the 18th century",168,"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/1113/480.jpg","https://img.ochreeditions.com/a/1113/960.jpg","https://img.ochreeditions.com/a/1113/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_309":455,"_311":456},{"_309":453,"_311":454},{"_309":451,"_311":452},{"_309":449,"_311":450},{"_309":447,"_311":448},"#6e5e40",0.1382,"#afa284",0.1538,"#3c3422",0.2055,"#3b5150",0.2432,"#6f7361",0.2593,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","London","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":524,"_220":525,"_323":526,"_325":527,"_327":528,"_329":529,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1834","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[509,510,511,512,513],{"_219":505,"_220":506,"_42":507,"_302":508},"Courtesy of the Cleveland Museum of Art","1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":502,"_503":504},"Descent into the Plain of Granada, by David Roberts, 1834",{"_293":499,"_295":500,"_297":501},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_289":290,"_291":292},{"_223":491,"_125":492,"_283":493},{"_274":488,"_276":489,"_278":471,"_279":490},56.5,47.45735294117647,23.45735294117647,{"_285":223,"_123":497,"_154":498,"_140":89},{"_285":125,"_123":494,"_154":495,"_140":496},{"_285":283,"_123":365,"_154":366,"_140":367},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":522,"_311":523},{"_309":520,"_311":521},{"_309":518,"_311":519},{"_309":516,"_311":517},{"_309":514,"_311":515},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864","Scottish",1796,1864,"the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":586,"_220":587,"_323":588,"_325":396,"_327":589,"_329":590,"_331":-5,"_332":-5,"_333":-5,"_140":101},"n.d.","watercolour","Drawing and Watercolor","Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[571,572,573,574,575],{"_219":567,"_220":568,"_42":569,"_302":570},"Courtesy of the Art Institute of Chicago","1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_293":564,"_295":565,"_297":566},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_289":290,"_291":292},{"_223":557,"_125":558,"_283":559},{"_274":554,"_276":555,"_278":538,"_279":556},70,56.1976386036961,32.1976386036961,{"_285":223,"_123":562,"_154":563,"_140":89},{"_285":125,"_123":560,"_154":561,"_140":367},{"_285":283,"_123":365,"_154":366,"_140":367},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_309":584,"_311":585},{"_309":582,"_311":583},{"_309":580,"_311":581},{"_309":578,"_311":579},{"_309":576,"_311":577},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":639,"_220":640,"_323":641,"_325":326,"_327":642,"_329":643,"_331":644,"_332":463,"_333":645,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[624,625,626,627,628],{"_219":505,"_220":506,"_42":507,"_302":508},"1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":623,"_503":504},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_293":620,"_295":621,"_297":622},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_289":373,"_291":374},{"_223":615,"_125":616,"_283":617},{"_274":612,"_276":613,"_278":614,"_279":597},185.63529411764705,211,170.63529411764705,{"_285":223,"_123":618,"_154":619,"_140":95},{"_285":125,"_123":430,"_154":431,"_140":432},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.",{"_309":637,"_311":638},{"_309":635,"_311":636},{"_309":633,"_311":634},{"_309":631,"_311":632},{"_309":629,"_311":630},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","a-dell-at-helmingham-park-suffolk-nga-119643","A Dell at Helmingham Park, Suffolk",{"_42":700,"_220":701,"_323":702,"_325":326,"_327":703,"_329":704,"_331":705,"_332":463,"_333":706,"_140":97},"1830","print","Print","mezzotint on laid paper","plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.)",22.2,17.8,1.2397094430992737,[685,686,687,688,689],{"_219":299,"_220":300,"_42":301,"_302":303},"2001.118.21","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","A rough wooden footbridge crosses a shadowy ravine in the old woodland of Helmingham Park in Suffolk, with light filtering through the canopy and a path leading on into the trees.","The image shows a landscape scene with a frontal view of a dense forest. A wooden bridge spans across a narrow ravine or creek. The painting features vigorous and textural brushstrokes with dark tones creating a shadowy effect. The color palette includes deep blacks, dark browns, and occasional highlights of light filtering through the canopy. In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.",{"_293":682,"_295":683,"_297":684},"https://img.ochreeditions.com/m/1651.jpg?dl=1","/art/a-dell-at-helmingham-park-suffolk-nga-119643","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643",{"_289":290,"_291":292},{"_223":674,"_125":675,"_283":676},{"_274":670,"_276":671,"_278":672,"_279":673},49,44.166015625,25,20.166015625,{"_285":223,"_123":680,"_154":681,"_140":97},{"_285":125,"_123":677,"_154":678,"_140":679},{"_285":283,"_123":365,"_154":366,"_140":367},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/1651/960.jpg","https://img.ochreeditions.com/a/1651/1920.jpg",{"_309":698,"_311":699},{"_309":696,"_311":697},{"_309":694,"_311":695},{"_309":692,"_311":693},{"_309":690,"_311":691},"#cbb99e",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","bray-church-yard-cma-119729","Bray Church Yard",{"_42":756,"_220":757,"_323":758,"_325":326,"_327":759,"_329":760,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1807","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[741,742,743,744,745],{"_219":505,"_220":506,"_42":507,"_302":508},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":740,"_503":504},"Bray Church Yard, by John Varley, 1807",{"_293":737,"_295":738,"_297":739},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_289":290,"_291":292},{"_223":732,"_125":733,"_283":734},{"_274":729,"_276":730,"_278":713,"_279":731},60.9,48.95091176470588,24.950911764705882,{"_285":223,"_123":735,"_154":736,"_140":89},{"_285":125,"_123":494,"_154":495,"_140":496},{"_285":283,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_309":754,"_311":755},{"_309":752,"_311":753},{"_309":750,"_311":751},{"_309":748,"_311":749},{"_309":746,"_311":747},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":808,"_220":809,"_323":810,"_325":396,"_327":811,"_329":330,"_331":463,"_332":463,"_333":812,"_140":97},"1835","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,1.3465346534653466,[793,794,795,796,797],{"_219":505,"_220":506,"_42":507,"_302":508},"1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":792,"_503":504},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_293":789,"_295":790,"_297":791},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_289":373,"_291":374},{"_223":784,"_125":785,"_283":786},{"_274":781,"_276":782,"_278":766,"_279":783},138.2,106.49411764705881,91.49411764705881,{"_285":223,"_123":787,"_154":788,"_140":97},{"_285":125,"_123":368,"_154":369,"_140":370},{"_285":283,"_123":365,"_154":366,"_140":367},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.",{"_309":806,"_311":807},{"_309":804,"_311":805},{"_309":802,"_311":803},{"_309":800,"_311":801},{"_309":798,"_311":799},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","turtur-risorius-nga-53854","Turtur Risorius",{"_42":861,"_220":862,"_323":863,"_325":527,"_327":864,"_329":865,"_331":-5,"_332":-5,"_333":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,17,0.655517578125,[846,847,848,849,850],{"_219":299,"_220":300,"_42":301,"_302":303},"1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_293":843,"_295":844,"_297":845},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_289":290,"_291":292},{"_223":835,"_125":836,"_283":837},{"_274":833,"_276":670,"_278":834,"_279":672},40.387939453125,16.387939453125,{"_285":223,"_123":841,"_154":842,"_140":89},{"_285":125,"_123":838,"_154":839,"_140":840},{"_285":283,"_123":166,"_154":165,"_140":168},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_309":859,"_311":860},{"_309":857,"_311":858},{"_309":855,"_311":856},{"_309":853,"_311":854},{"_309":851,"_311":852},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859",1788,1859,"isabella-wolff-aic-4773","Isabella Wolff",{"_42":457,"_220":458,"_323":459,"_325":326,"_327":460,"_329":461,"_331":462,"_332":463,"_333":464,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[898,899,900,901,902],{"_219":567,"_220":568,"_42":569,"_302":570},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":896,"_503":897},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_293":893,"_295":894,"_297":895},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_289":373,"_291":374},{"_223":890,"_125":891,"_283":892},{"_274":887,"_276":888,"_278":889,"_279":872},116.09951287404314,143,101.09951287404314,{"_285":223,"_123":433,"_154":434,"_140":91},{"_285":125,"_123":368,"_154":369,"_140":370},{"_285":283,"_123":365,"_154":366,"_140":367},"https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","Text from the Art Institute of Chicago.",{"_309":911,"_311":912},{"_309":909,"_311":910},{"_309":907,"_311":908},{"_309":905,"_311":906},{"_309":903,"_311":904},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"portrait-of-colonel-charles-heathcote-cma-302209","Portrait of Colonel Charles Heathcote",{"_42":960,"_220":961,"_323":962,"_325":396,"_327":963,"_329":964,"_331":965,"_332":965,"_333":966,"_140":99},"c. 1771–72","127 x 100 cm (50 x 39 3/8 in.)",100,0.7991176470588235,[945,946,947,948,949],{"_219":505,"_220":506,"_42":507,"_302":508},"2017.100","Joseph Wright of Derby painted this in about 1771–72, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":944,"_503":504},"Portrait of Colonel Charles Heathcote, by Joseph Wright of Derby, c. 1771–72",{"_293":941,"_295":942,"_297":943},"https://img.ochreeditions.com/m/784.jpg?dl=1","/art/portrait-of-colonel-charles-heathcote-cma-302209","/galleries/style/georgian-britain/portrait-of-colonel-charles-heathcote-cma-302209",{"_289":373,"_291":374},{"_223":936,"_125":937,"_283":938},{"_274":933,"_276":934,"_278":935,"_279":344},116.48794117647058,142,101.48794117647058,{"_285":223,"_123":939,"_154":940,"_140":99},{"_285":125,"_123":430,"_154":431,"_140":432},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/784/480.jpg","https://img.ochreeditions.com/a/784/960.jpg","https://img.ochreeditions.com/a/784/1920.jpg","Assuming a relaxed but commanding pose, Colonel Charles Heathcote (1734–1797) stands beside a large oak tree in the foreground of an expansive landscape. He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.",{"_309":958,"_311":959},{"_309":956,"_311":957},{"_309":954,"_311":955},{"_309":952,"_311":953},{"_309":950,"_311":951},"#762820",0.0221,"#977d5d",0.0414,"#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":639,"_220":640,"_323":641,"_325":326,"_327":642,"_329":643,"_331":644,"_332":463,"_333":645,"_140":95},"1776–81","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[996,997,998,999,1000],{"_219":567,"_220":568,"_42":569,"_302":570},"2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_293":993,"_295":994,"_297":995},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_289":373,"_291":374},{"_223":990,"_125":991,"_283":992},{"_274":987,"_276":988,"_278":989,"_279":973},76.14076281287247,88,61.14076281287247,{"_285":223,"_123":618,"_154":619,"_140":95},{"_285":125,"_123":430,"_154":431,"_140":432},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg",{"_309":1009,"_311":1010},{"_309":1007,"_311":1008},{"_309":1005,"_311":1006},{"_309":1003,"_311":1004},{"_309":1001,"_311":1002},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":457,"_220":458,"_323":459,"_325":326,"_327":460,"_329":461,"_331":462,"_332":463,"_333":464,"_140":91},"1801","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,0.7955882352941176,[1041,1042,1043,1044,1045],{"_219":505,"_220":506,"_42":507,"_302":508},"1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":1040,"_503":504},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_293":1037,"_295":1038,"_297":1039},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_289":373,"_291":374},{"_223":1034,"_125":1035,"_283":1036},{"_274":1031,"_276":1032,"_278":1033,"_279":840},117.63088235294117,144,102.63088235294117,{"_285":223,"_123":433,"_154":434,"_140":91},{"_285":125,"_123":368,"_154":369,"_140":370},{"_285":283,"_123":365,"_154":366,"_140":367},"https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.",{"_309":1053,"_311":1054},{"_309":1051,"_311":1052},{"_309":1049,"_311":1050},{"_309":1047,"_311":1048},{"_309":1046,"_311":632},"#bc9f72","#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":960,"_220":961,"_323":962,"_325":396,"_327":963,"_329":964,"_331":965,"_332":965,"_333":966,"_140":99},"1779","40 x 50 in. (101.6 x 127 cm)",101.6,1.2404942965779469,[1083,1084,1085,1086,1087],{"_219":438,"_220":439,"_42":440,"_302":441},"2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_293":1080,"_295":1081,"_297":1082},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_289":373,"_291":374},{"_223":1077,"_125":1078,"_283":1079},{"_274":934,"_276":1075,"_278":344,"_279":1076},117.37854406130268,102.37854406130268,{"_285":223,"_123":939,"_154":940,"_140":99},{"_285":125,"_123":430,"_154":431,"_140":432},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg",{"_309":1096,"_311":1097},{"_309":1094,"_311":1095},{"_309":1092,"_311":1093},{"_309":1090,"_311":1091},{"_309":1088,"_311":1089},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"phasianus-versicolor-nga-53855","Phasianus Versicolor",{"_42":861,"_220":862,"_323":863,"_325":527,"_327":864,"_329":865,"_331":-5,"_332":-5,"_333":-5,"_140":101},"hand-colored etching","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)",10.8,1.593774319066148,[1124,1125,1126,1127,1128],{"_219":299,"_220":300,"_42":301,"_302":303},"1973.26.28","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.",{"_293":1121,"_295":1122,"_297":1123},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_289":290,"_291":292},{"_223":1118,"_125":1119,"_283":1120},{"_274":670,"_276":1116,"_278":672,"_279":1117},39.68603515625,15.686035156249998,{"_285":223,"_123":841,"_154":842,"_140":89},{"_285":125,"_123":838,"_154":839,"_140":840},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg",{"_309":1136,"_311":1137},{"_309":1134,"_311":1135},{"_309":1132,"_311":1133},{"_309":1131,"_311":953},{"_309":1129,"_311":1130},"#294d6a",0.0227,"#666947","#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,{"_1139":-5,"_1140":1141,"_1142":1143,"_1144":8,"_1145":1146,"_1147":8},"user","csrf","16c5cef15a25b36bcd581bfac5608706b59695ab","cartCount",0,"dropLive","legal",[1148,1149,1150,1151,1152,1153,1154,1155,1156,1157,1158,1159],"uploadsEnabled",{"_220":1182,"_20":1183},{"_220":1180,"_20":1181},{"_220":1178,"_20":1179},{"_220":1176,"_20":1177},{"_220":1174,"_20":1175},{"_220":1172,"_20":1173},{"_220":1170,"_20":1171},{"_220":1168,"_20":1169},{"_220":1166,"_20":1167},{"_220":1164,"_20":1165},{"_220":1162,"_20":1163},{"_220":1160,"_20":1161},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]