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Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","heaton-park-races-nga-52254","Heaton Park Races",{"_42":447,"_221":448,"_384":449,"_386":450,"_388":451,"_390":452,"_392":-5,"_394":-5,"_395":-5,"_140":103},"1829","overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,92,1.688375927452597,[432,433,434,435,436],{"_220":429,"_221":430,"_42":431,"_303":304},"Courtesy National Gallery of Art, Washington","1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. 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The sky above is blue and filled with white and gray clouds.",{"_294":426,"_296":427,"_298":428},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_290":291,"_292":293},{"_224":421,"_125":422,"_284":423},{"_275":418,"_277":419,"_279":402,"_281":420},167.6,105.38271484375,90.38271484375,{"_286":224,"_123":424,"_154":425,"_140":89},{"_286":125,"_123":355,"_154":356,"_140":357},{"_286":284,"_123":352,"_154":353,"_140":354},"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_310":445,"_312":446},{"_310":443,"_312":444},{"_310":441,"_312":442},{"_310":439,"_312":440},{"_310":437,"_312":438},"#9f8033",0.1271,"#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860","British",1782,1860,"the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":508,"_221":509,"_384":510,"_386":511,"_388":512,"_390":513,"_392":-5,"_394":-5,"_395":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",127,101.5,1.2560029553010712,[493,494,495,496,497],{"_220":489,"_221":490,"_42":491,"_303":492},"Courtesy of the Cleveland Museum of Art","2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":486,"_487":488},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_294":483,"_296":484,"_298":485},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_290":291,"_292":293},{"_224":478,"_125":479,"_284":480},{"_275":475,"_277":476,"_279":458,"_281":477},142,116.11441176470589,101.11441176470589,{"_286":224,"_123":481,"_154":482,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":506,"_312":507},{"_310":504,"_312":505},{"_310":502,"_312":503},{"_310":500,"_312":501},{"_310":498,"_312":499},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"turtur-risorius-nga-53854","Turtur Risorius",{"_42":568,"_221":569,"_384":570,"_386":571,"_388":572,"_390":573,"_392":-5,"_394":-5,"_395":-5,"_140":101},"print","Print","hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,17,0.655517578125,[553,554,555,556,557],{"_220":429,"_221":430,"_42":431,"_303":304},"1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_294":550,"_296":551,"_298":552},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_290":548,"_292":549},{"_224":540,"_125":541,"_284":542},{"_275":536,"_277":537,"_279":538,"_281":539},40.387939453125,49,16.387939453125,25,{"_286":224,"_123":546,"_154":547,"_140":89},{"_286":125,"_123":543,"_154":544,"_140":545},{"_286":284,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","white","snow","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_310":566,"_312":567},{"_310":564,"_312":565},{"_310":562,"_312":563},{"_310":560,"_312":561},{"_310":558,"_312":559},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1788,1859,"wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":626,"_221":627,"_384":628,"_386":387,"_388":629,"_390":572,"_392":630,"_394":393,"_395":631,"_140":97},"early 1770s (not later than 1772)","watercolour","Drawing and Watercolor","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[611,612,613,614,615],{"_220":363,"_221":364,"_42":365,"_303":366},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_294":608,"_296":609,"_298":610},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_290":548,"_292":549},{"_224":601,"_125":602,"_284":603},{"_275":598,"_277":599,"_279":582,"_281":600},79,66.1776611694153,42.177661169415295,{"_286":224,"_123":606,"_154":607,"_140":97},{"_286":125,"_123":604,"_154":605,"_140":53},{"_286":284,"_123":167,"_154":166,"_140":169},"style/watercolour-18","More watercolours of the 18th century","artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_310":624,"_312":625},{"_310":622,"_312":623},{"_310":620,"_312":621},{"_310":618,"_312":619},{"_310":616,"_312":617},"#75643b",0.1438,"#483b21",0.1553,"#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":679,"_221":680,"_384":681,"_386":387,"_388":682,"_390":683,"_392":-5,"_394":-5,"_395":-5,"_140":101},"1834","Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",38,24,1.6425614803993183,[664,665,666,667,668],{"_220":363,"_221":364,"_42":365,"_303":366},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_294":661,"_296":662,"_298":663},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_290":291,"_292":293},{"_224":656,"_125":657,"_284":658},{"_275":653,"_277":654,"_279":638,"_281":655},53,38.1345982804625,23.134598280462495,{"_286":224,"_123":659,"_154":660,"_140":89},{"_286":125,"_123":355,"_154":356,"_140":357},{"_286":284,"_123":352,"_154":353,"_140":354},"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_310":677,"_312":678},{"_310":675,"_312":676},{"_310":673,"_312":674},{"_310":671,"_312":672},{"_310":669,"_312":670},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1792,1882,"self-portrait-aic-11706","Self-Portrait",{"_42":731,"_221":732,"_384":733,"_386":387,"_388":734,"_390":735,"_392":-5,"_394":-5,"_395":736,"_140":99},"c. 1779","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",30,0.5697549441100602,[716,717,718,719,720],{"_220":363,"_221":364,"_42":365,"_303":366},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_294":713,"_296":714,"_298":715},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_290":548,"_292":549},{"_224":708,"_125":709,"_284":710},{"_275":705,"_277":706,"_279":707,"_281":690},41.0926483233018,54,17.092648323301805,{"_286":224,"_123":711,"_154":712,"_140":99},{"_286":125,"_123":604,"_154":605,"_140":53},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_310":729,"_312":730},{"_310":727,"_312":728},{"_310":725,"_312":726},{"_310":723,"_312":724},{"_310":721,"_312":722},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","A Hero Born on a Bier, from The Master of Giants Portfolio",{"_42":783,"_221":784,"_384":785,"_386":450,"_388":734,"_390":786,"_392":-5,"_394":-5,"_395":-5,"_140":103},"1779","Brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper","38 × 56.5 cm (15 × 22 1/4 in.)",56,1.4658835950904052,[768,769,770,771,772],{"_220":363,"_221":364,"_42":365,"_303":366},"2023.3179","Prince Hoare painted this in 1779, aged 24. It is now at the Art Institute of Chicago.","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.",{"_294":765,"_296":766,"_298":767},"https://img.ochreeditions.com/m/433.jpg?dl=1","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",{"_290":548,"_292":549},{"_224":760,"_125":761,"_284":762},{"_275":757,"_277":758,"_279":743,"_281":759},80,62.20221481948321,38.20221481948321,{"_286":224,"_123":763,"_154":764,"_140":89},{"_286":125,"_123":604,"_154":605,"_140":53},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-prince-hoare","Prince Hoare's contemporaries","https://img.ochreeditions.com/a/433/480.jpg","https://img.ochreeditions.com/a/433/960.jpg","https://img.ochreeditions.com/a/433/1920.jpg",{"_310":781,"_312":782},{"_310":779,"_312":780},{"_310":777,"_312":778},{"_310":775,"_312":776},{"_310":773,"_312":774},"#585149",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","British, 1755–1834",1834,"portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":836,"_221":837,"_384":838,"_386":450,"_388":839,"_390":840,"_392":841,"_394":393,"_395":842,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[821,822,823,824,825],{"_220":489,"_221":490,"_42":491,"_303":492},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":820,"_487":488},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_294":817,"_296":818,"_298":819},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_290":291,"_292":293},{"_224":812,"_125":813,"_284":814},{"_275":808,"_277":809,"_279":810,"_281":811},163.0235294117647,255,148.0235294117647,240,{"_286":224,"_123":815,"_154":816,"_140":91},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_310":834,"_312":835},{"_310":832,"_312":833},{"_310":830,"_312":831},{"_310":828,"_312":829},{"_310":826,"_312":827},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":888,"_221":889,"_384":890,"_386":387,"_388":891,"_390":892,"_392":-5,"_394":-5,"_395":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",0.7912998446400829,[874,875,876,877,878],{"_220":363,"_221":364,"_42":365,"_303":366},"1946.404","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_294":871,"_296":872,"_298":873},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_290":548,"_292":549},{"_224":866,"_125":867,"_284":868},{"_275":863,"_277":864,"_279":865,"_281":354},55.65199378560331,64,31.651993785603313,{"_286":224,"_123":869,"_154":870,"_140":99},{"_286":125,"_123":543,"_154":544,"_140":545},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg",{"_310":886,"_312":887},{"_310":884,"_312":885},{"_310":883,"_312":438},{"_310":881,"_312":882},{"_310":879,"_312":880},"#766942",0.061,"#684c41",0.0717,"#94856f","#bcb09d",0.3294,"#d2c8b7",0.4108,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","John Johnstone, Betty Johnstone, and Miss Wedderburn",{"_42":938,"_221":939,"_384":940,"_386":571,"_388":941,"_390":942,"_392":-5,"_394":-5,"_395":-5,"_140":103},"c. 1790/1795","overall: 101.5 x 120 cm (39 15/16 x 47 1/4 in.) framed: 119.4 x 138.4 x 6.4 cm (47 x 54 1/2 x 2 1/2 in.)",120,1.1770114942528735,[923,924,925,926,927],{"_220":429,"_221":430,"_42":431,"_303":304},"1945.10.3","Sir Henry Raeburn painted this in about 1790/1795, aged about 34. It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_294":920,"_296":921,"_298":922},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_290":291,"_292":293},{"_224":915,"_125":916,"_284":917},{"_275":912,"_277":913,"_279":898,"_281":914},135,116.953125,101.953125,{"_286":224,"_123":918,"_154":919,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg",{"_310":936,"_312":937},{"_310":934,"_312":935},{"_310":932,"_312":933},{"_310":930,"_312":931},{"_310":928,"_312":929},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823",1756,1823,"elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby",{"_42":836,"_221":837,"_384":838,"_386":450,"_388":839,"_390":840,"_392":841,"_394":393,"_395":842,"_140":91},"1790","Paintings","94 in. × 57 1/2 in. (238.8 × 146.1 cm)",146.1,238.8,0.6134193548387097,[979,980,981,982,983],{"_220":975,"_221":976,"_42":977,"_303":978},"Courtesy of The Metropolitan Museum of Art","50.135.5","Thomas Lawrence painted this in 1790, aged 21. It is now at The Met in New York.","The celebrated comic actress Elizabeth Farren turns to look at us as she walks through a windswept landscape, wrapped in a white silk cloak lined with fur and carrying a muff.","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, by Thomas Lawrence, 1790",{"_294":972,"_296":973,"_298":974},"https://img.ochreeditions.com/m/1113.jpg?dl=1","/art/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","/galleries/style/georgian-britain/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851",{"_290":291,"_292":293},{"_224":969,"_125":970,"_284":971},{"_275":966,"_277":967,"_279":968,"_281":950},161.4845419354839,253.8,146.4845419354839,{"_286":224,"_123":815,"_154":816,"_140":91},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1113/480.jpg","https://img.ochreeditions.com/a/1113/960.jpg","https://img.ochreeditions.com/a/1113/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":992,"_312":993},{"_310":990,"_312":991},{"_310":988,"_312":989},{"_310":986,"_312":987},{"_310":984,"_312":985},"#6e5e40",0.1382,"#afa284",0.1538,"#3c3422",0.2055,"#3b5150",0.2432,"#6f7361",0.2593,"the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":1041,"_221":1042,"_384":1043,"_386":387,"_388":451,"_390":1044,"_392":-5,"_394":-5,"_395":-5,"_140":103},"1827","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",101,0.7940150839347985,[1026,1027,1028,1029,1030],{"_220":363,"_221":364,"_42":365,"_303":366},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":1024,"_487":1025},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_294":1021,"_296":1022,"_298":1023},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_290":291,"_292":293},{"_224":1016,"_125":1017,"_284":1018},{"_275":1014,"_277":475,"_279":1015,"_281":458},115.83991565971941,100.83991565971941,{"_286":224,"_123":1019,"_154":1020,"_140":89},{"_286":125,"_123":355,"_154":356,"_140":357},{"_286":284,"_123":352,"_154":353,"_140":354},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.","Text from the Art Institute of Chicago.",{"_310":1039,"_312":1040},{"_310":1037,"_312":1038},{"_310":1035,"_312":1036},{"_310":1033,"_312":1034},{"_310":1031,"_312":1032},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1847,"portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":836,"_221":837,"_384":838,"_386":450,"_388":839,"_390":840,"_392":841,"_394":393,"_395":842,"_140":91},"1801","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,0.7955882352941176,[1075,1076,1077,1078,1079],{"_220":489,"_221":490,"_42":491,"_303":492},"1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":1074,"_487":488},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_294":1071,"_296":1072,"_298":1073},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_290":291,"_292":293},{"_224":1068,"_125":1069,"_284":1070},{"_275":1065,"_277":1066,"_279":1067,"_281":545},117.63088235294117,144,102.63088235294117,{"_286":224,"_123":815,"_154":816,"_140":91},{"_286":125,"_123":355,"_154":356,"_140":357},{"_286":284,"_123":352,"_154":353,"_140":354},"https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.",{"_310":1088,"_312":1089},{"_310":1086,"_312":1087},{"_310":1084,"_312":1085},{"_310":1082,"_312":1083},{"_310":1080,"_312":1081},"#bc9f72",0.1057,"#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":1141,"_221":1142,"_384":1143,"_386":571,"_388":1144,"_390":1145,"_392":-5,"_394":-5,"_395":-5,"_140":103},"drawing","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[1127,1128,1129,1130,1131],{"_220":489,"_221":490,"_42":491,"_303":492},"1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":1126,"_487":488},"Descent into the Plain of Granada, by David Roberts, 1834",{"_294":1123,"_296":1124,"_298":1125},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_290":548,"_292":549},{"_224":1116,"_125":1117,"_284":1118},{"_275":1113,"_277":1114,"_279":1097,"_281":1115},56.5,47.45735294117647,23.45735294117647,{"_286":224,"_123":1121,"_154":1122,"_140":89},{"_286":125,"_123":1119,"_154":1120,"_140":403},{"_286":284,"_123":352,"_154":353,"_140":354},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.",{"_310":1139,"_312":1140},{"_310":1138,"_312":377},{"_310":1136,"_312":1137},{"_310":1134,"_312":1135},{"_310":1132,"_312":1133},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b","#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864",1796,1864,{"_1147":-5,"_1148":1149,"_1150":1151,"_1152":8,"_1153":1154,"_1155":8},"user","csrf","d2c0ee69184d4c03f9f8a2dc3961c6f26fa3cf7a","cartCount",0,"dropLive","legal",[1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166,1167],"uploadsEnabled",{"_221":1190,"_20":1191},{"_221":1188,"_20":1189},{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]