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He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","phasianus-versicolor-nga-53855","Phasianus Versicolor",{"_42":463,"_222":464,"_329":465,"_331":466,"_333":467,"_335":468,"_337":-5,"_339":-5,"_341":-5,"_140":101},"print","Print","hand-colored etching","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)",10.8,1.593774319066148,[448,449,450,451,452],{"_221":444,"_222":445,"_42":446,"_308":447},"Courtesy National Gallery of Art, Washington","1973.26.28","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.",{"_296":441,"_298":442,"_300":443},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_292":439,"_294":440},{"_225":431,"_125":432,"_286":433},{"_277":427,"_279":428,"_281":429,"_283":430},49,39.68603515625,25,15.686035156249998,{"_288":225,"_123":437,"_154":438,"_140":89},{"_288":125,"_123":434,"_154":435,"_140":436},{"_288":286,"_123":372,"_154":373,"_140":374},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","white","snow","https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_315":461,"_317":462},{"_315":459,"_317":460},{"_315":457,"_317":458},{"_315":455,"_317":456},{"_315":453,"_317":454},"#294d6a",0.0227,"#666947",0.0414,"#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1788,1859,"recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[504,505,506,507,508],{"_221":500,"_222":501,"_42":502,"_308":503},"Courtesy of the Art Institute of Chicago","1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_296":497,"_298":498,"_300":499},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_292":439,"_294":440},{"_225":492,"_125":493,"_286":494},{"_277":427,"_279":490,"_281":429,"_283":491},48.48828746872867,24.488287468728675,{"_288":225,"_123":495,"_154":496,"_140":97},{"_288":125,"_123":434,"_154":435,"_140":436},{"_288":286,"_123":372,"_154":373,"_140":374},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_315":517,"_317":518},{"_315":515,"_317":516},{"_315":513,"_317":514},{"_315":511,"_317":512},{"_315":509,"_317":510},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":570,"_222":571,"_329":572,"_331":573,"_333":574,"_335":575,"_337":-5,"_339":-5,"_341":576,"_140":99},"c. 1783","watercolour","Drawing and Watercolor","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",47,34,1.2970566411080882,[555,556,557,558,559],{"_221":500,"_222":501,"_42":502,"_308":503},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_296":552,"_298":553,"_300":554},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_292":439,"_294":440},{"_225":545,"_125":546,"_286":547},{"_277":542,"_279":543,"_281":527,"_283":544},71,60.23588863463005,36.23588863463005,{"_288":225,"_123":550,"_154":551,"_140":99},{"_288":125,"_123":548,"_154":549,"_140":53},{"_288":286,"_123":372,"_154":373,"_140":374},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_315":568,"_317":569},{"_315":566,"_317":567},{"_315":564,"_317":565},{"_315":562,"_317":563},{"_315":560,"_317":561},"#a49483",0.0883,"#c2b09c",0.1626,"#8d7e6f",0.1783,"#ddc8b1",0.2793,"#d1b79b",0.2915,"John Flaxman","john-flaxman","English, 1755–1826","English",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":570,"_222":571,"_329":572,"_331":573,"_333":574,"_335":575,"_337":-5,"_339":-5,"_341":576,"_140":99},"n.d.","Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[607,608,609,610,611],{"_221":500,"_222":501,"_42":502,"_308":503},"1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_296":604,"_298":605,"_300":606},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_292":439,"_294":440},{"_225":601,"_125":602,"_286":603},{"_277":598,"_279":599,"_281":583,"_283":600},53,44.521086780210865,20.52108678021087,{"_288":225,"_123":550,"_154":551,"_140":99},{"_288":125,"_123":548,"_154":549,"_140":53},{"_288":286,"_123":372,"_154":373,"_140":374},"https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg",{"_315":620,"_317":621},{"_315":618,"_317":619},{"_315":616,"_317":617},{"_315":614,"_317":615},{"_315":612,"_317":613},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"self-portrait-aic-11706","Self-Portrait",{"_42":570,"_222":571,"_329":572,"_331":573,"_333":574,"_335":575,"_337":-5,"_339":-5,"_341":576,"_140":99},"c. 1779","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",30,0.5697549441100602,[652,653,654,655,656],{"_221":500,"_222":501,"_42":502,"_308":503},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_296":649,"_298":650,"_300":651},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_292":439,"_294":440},{"_225":646,"_125":647,"_286":648},{"_277":643,"_279":644,"_281":645,"_283":628},41.0926483233018,54,17.092648323301805,{"_288":225,"_123":550,"_154":551,"_140":99},{"_288":125,"_123":548,"_154":549,"_140":53},{"_288":286,"_123":372,"_154":373,"_140":374},"https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_315":665,"_317":666},{"_315":663,"_317":664},{"_315":661,"_317":662},{"_315":659,"_317":660},{"_315":657,"_317":658},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"turtur-risorius-nga-53854","Turtur Risorius",{"_42":463,"_222":464,"_329":465,"_331":466,"_333":467,"_335":468,"_337":-5,"_339":-5,"_341":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,0.655517578125,[693,694,695,696,697],{"_221":444,"_222":445,"_42":446,"_308":447},"1973.26.27","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_296":690,"_298":691,"_300":692},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_292":439,"_294":440},{"_225":687,"_125":688,"_286":689},{"_277":685,"_279":427,"_281":686,"_283":429},40.387939453125,16.387939453125,{"_288":225,"_123":437,"_154":438,"_140":89},{"_288":125,"_123":434,"_154":435,"_140":436},{"_288":286,"_123":372,"_154":373,"_140":374},"https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_315":706,"_317":707},{"_315":704,"_317":705},{"_315":702,"_317":703},{"_315":700,"_317":701},{"_315":698,"_317":699},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"portrait-of-colonel-charles-heathcote-cma-302209","Portrait of Colonel Charles Heathcote",{"_42":756,"_222":757,"_329":758,"_331":573,"_333":759,"_335":760,"_337":761,"_339":761,"_341":762,"_140":99},"c. 1771–72","Oil on canvas","127 x 100 cm (50 x 39 3/8 in.)",100,127,0.7991176470588235,[742,743,744,745,746],{"_221":305,"_222":306,"_42":307,"_308":309},"2017.100","Joseph Wright of Derby painted this in about 1771–72, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":741,"_303":304},"Portrait of Colonel Charles Heathcote, by Joseph Wright of Derby, c. 1771–72",{"_296":738,"_298":739,"_300":740},"https://img.ochreeditions.com/m/784.jpg?dl=1","/art/portrait-of-colonel-charles-heathcote-cma-302209","/galleries/style/georgian-britain/portrait-of-colonel-charles-heathcote-cma-302209",{"_292":293,"_294":295},{"_225":733,"_125":734,"_286":735},{"_277":730,"_279":731,"_281":732,"_283":715},116.48794117647058,142,101.48794117647058,{"_288":225,"_123":736,"_154":737,"_140":99},{"_288":125,"_123":375,"_154":376,"_140":291},{"_288":286,"_123":372,"_154":373,"_140":374},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/784/480.jpg","https://img.ochreeditions.com/a/784/960.jpg","https://img.ochreeditions.com/a/784/1920.jpg","Assuming a relaxed but commanding pose, Colonel Charles Heathcote (1734–1797) stands beside a large oak tree in the foreground of an expansive landscape. He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.",{"_315":754,"_317":755},{"_315":752,"_317":753},{"_315":750,"_317":751},{"_315":749,"_317":456},{"_315":747,"_317":748},"#762820",0.0221,"#977d5d","#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":398,"_222":399,"_329":400,"_331":332,"_333":401,"_335":402,"_337":403,"_339":340,"_341":404,"_140":91},"c. 1822/1823",19,"overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[800,801,802,803,804],{"_221":444,"_222":445,"_42":446,"_308":447},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_296":797,"_298":798,"_300":799},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_292":293,"_294":295},{"_225":788,"_125":789,"_286":790},{"_277":785,"_279":786,"_281":787,"_283":770},116.6768798828125,143.5,101.6768798828125,{"_288":225,"_123":377,"_154":378,"_140":91},{"_288":125,"_123":794,"_154":795,"_140":796},{"_288":286,"_123":791,"_154":792,"_140":793},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_315":812,"_317":813},{"_315":810,"_317":811},{"_315":808,"_317":809},{"_315":807,"_317":806},{"_315":805,"_317":806},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":861,"_222":862,"_329":863,"_331":332,"_333":864,"_335":865,"_337":-5,"_339":-5,"_341":-5,"_140":103},"1785","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[846,847,848,849,850],{"_221":444,"_222":445,"_42":446,"_308":447},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_296":843,"_298":844,"_300":845},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_292":439,"_294":440},{"_225":838,"_125":839,"_286":840},{"_277":835,"_279":836,"_281":820,"_283":837},60.9,49.927294921875,25.927294921875,{"_288":225,"_123":841,"_154":842,"_140":89},{"_288":125,"_123":434,"_154":435,"_140":436},{"_288":286,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_315":859,"_317":860},{"_315":857,"_317":858},{"_315":855,"_317":856},{"_315":853,"_317":854},{"_315":851,"_317":852},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,1827,"a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","A Hero Born on a Bier, from The Master of Giants Portfolio",{"_42":912,"_222":913,"_329":914,"_331":332,"_333":574,"_335":915,"_337":-5,"_339":-5,"_341":-5,"_140":103},"1779","Brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper","38 × 56.5 cm (15 × 22 1/4 in.)",56,38,1.4658835950904052,[897,898,899,900,901],{"_221":500,"_222":501,"_42":502,"_308":503},"2023.3179","Prince Hoare painted this in 1779, aged 24. It is now at the Art Institute of Chicago.","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.",{"_296":894,"_298":895,"_300":896},"https://img.ochreeditions.com/m/433.jpg?dl=1","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",{"_292":439,"_294":440},{"_225":889,"_125":890,"_286":891},{"_277":246,"_279":887,"_281":872,"_283":888},62.20221481948321,38.20221481948321,{"_288":225,"_123":892,"_154":893,"_140":89},{"_288":125,"_123":548,"_154":549,"_140":53},{"_288":286,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-prince-hoare","Prince Hoare's contemporaries","https://img.ochreeditions.com/a/433/480.jpg","https://img.ochreeditions.com/a/433/960.jpg","https://img.ochreeditions.com/a/433/1920.jpg",{"_315":910,"_317":911},{"_315":908,"_317":909},{"_315":906,"_317":907},{"_315":904,"_317":905},{"_315":902,"_317":903},"#585149",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","British, 1755–1834",1834,"heaton-park-races-nga-52254","Heaton Park Races",{"_42":962,"_222":963,"_329":964,"_331":332,"_333":965,"_335":966,"_337":-5,"_339":-5,"_341":-5,"_140":103},"1829","overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,92,1.688375927452597,[947,948,949,950,951],{"_221":444,"_222":445,"_42":446,"_308":447},"1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_296":944,"_298":945,"_300":946},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_292":293,"_294":295},{"_225":939,"_125":940,"_286":941},{"_277":936,"_279":937,"_281":921,"_283":938},167.6,105.38271484375,90.38271484375,{"_288":225,"_123":942,"_154":943,"_140":89},{"_288":125,"_123":794,"_154":795,"_140":796},{"_288":286,"_123":791,"_154":792,"_140":793},"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_315":960,"_317":961},{"_315":958,"_317":959},{"_315":956,"_317":957},{"_315":954,"_317":955},{"_315":952,"_317":953},"#9f8033",0.1271,"#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,"wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":1015,"_222":1016,"_329":1017,"_331":573,"_333":1018,"_335":467,"_337":1019,"_339":340,"_341":1020,"_140":97},"early 1770s (not later than 1772)","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[1000,1001,1002,1003,1004],{"_221":500,"_222":501,"_42":502,"_308":503},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_296":997,"_298":998,"_300":999},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_292":439,"_294":440},{"_225":992,"_125":993,"_286":994},{"_277":989,"_279":990,"_281":973,"_283":991},79,66.1776611694153,42.177661169415295,{"_288":225,"_123":995,"_154":996,"_140":97},{"_288":125,"_123":548,"_154":549,"_140":53},{"_288":286,"_123":372,"_154":373,"_140":374},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_315":1013,"_317":1014},{"_315":1011,"_317":1012},{"_315":1009,"_317":1010},{"_315":1007,"_317":1008},{"_315":1005,"_317":1006},"#75643b",0.1438,"#483b21",0.1553,"#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":1069,"_222":1070,"_329":1071,"_331":573,"_333":1072,"_335":1073,"_337":-5,"_339":-5,"_341":-5,"_140":101},"Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[1054,1055,1056,1057,1058],{"_221":500,"_222":501,"_42":502,"_308":503},"1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_296":1051,"_298":1052,"_300":1053},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_292":439,"_294":440},{"_225":1044,"_125":1045,"_286":1046},{"_277":1041,"_279":1042,"_281":1026,"_283":1043},70,56.1976386036961,32.1976386036961,{"_288":225,"_123":1049,"_154":1050,"_140":89},{"_288":125,"_123":1047,"_154":1048,"_140":793},{"_288":286,"_123":791,"_154":792,"_140":793},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg",{"_315":1067,"_317":1068},{"_315":1065,"_317":1066},{"_315":1063,"_317":1064},{"_315":1061,"_317":1062},{"_315":1059,"_317":1060},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":1127,"_222":1128,"_329":1129,"_331":466,"_333":1130,"_335":1131,"_337":-5,"_339":-5,"_341":-5,"_140":103},"1834","drawing","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[1112,1113,1114,1115,1116],{"_221":305,"_222":306,"_42":307,"_308":309},"1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":1111,"_303":304},"Descent into the Plain of Granada, by David Roberts, 1834",{"_296":1108,"_298":1109,"_300":1110},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_292":439,"_294":440},{"_225":1101,"_125":1102,"_286":1103},{"_277":1098,"_279":1099,"_281":1082,"_283":1100},56.5,47.45735294117647,23.45735294117647,{"_288":225,"_123":1106,"_154":1107,"_140":89},{"_288":125,"_123":1104,"_154":1105,"_140":922},{"_288":286,"_123":791,"_154":792,"_140":793},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.",{"_315":1125,"_317":1126},{"_315":1123,"_317":1124},{"_315":1121,"_317":1122},{"_315":1119,"_317":1120},{"_315":1117,"_317":1118},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864",1796,1864,{"_1133":-5,"_1134":1135,"_1136":1137,"_1138":8,"_1139":1140,"_1141":8},"user","csrf","d2c0ee69184d4c03f9f8a2dc3961c6f26fa3cf7a","cartCount",0,"dropLive","legal",[1142,1143,1144,1145,1146,1147,1148,1149,1150,1151,1152,1153],"uploadsEnabled",{"_222":1176,"_20":1177},{"_222":1174,"_20":1175},{"_222":1172,"_20":1173},{"_222":1170,"_20":1171},{"_222":1168,"_20":1169},{"_222":1166,"_20":1167},{"_222":1164,"_20":1165},{"_222":1162,"_20":1163},{"_222":1160,"_20":1161},{"_222":1158,"_20":1159},{"_222":1156,"_20":1157},{"_222":1154,"_20":1155},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]