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It is now at the Smithsonian American Art Museum in Washington, DC.","note","Small Landscape, ca. 1750-1800","images",{"_294":295,"_296":297,"_298":299},"download_url","https://img.ochreeditions.com/m/1910.jpg?dl=1","page_url","/art/small-landscape-si-saam-1956-11-20","walk_url","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20","frame",{"_290":291,"_292":293},{"_224":282,"_125":283,"_284":285},"size",{"_275":276,"_277":278,"_279":243,"_280":281},"w",70.2,"h",58.4424,"image_w","image_h",43.4424,{"_286":224,"_123":170,"_154":169,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},"era",{"_286":284,"_123":166,"_154":165,"_140":168},"facet","style/painting-18","More paintings of the 18th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1910/480.jpg","960","https://img.ochreeditions.com/a/1910/960.jpg","1920","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution","city","Washington, DC",{"_310":320,"_312":321},{"_310":318,"_312":319},{"_310":316,"_312":317},{"_310":314,"_312":315},{"_310":311,"_312":313},"hex","#b9b5a6","weight",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","Heroic Landscape with Fisherman, Cows, and Horsemen",{"_42":379,"_221":380,"_381":382,"_383":384,"_385":386,"_387":388,"_389":-5,"_390":-5,"_391":-5,"_140":101},"1744","print","Print","chiaroscuro woodcut printed in color on laid paper","sheet: 42 x 58.5 cm (16 9/16 x 23 1/16 in.)",58.5,1.3880040664181634,[364,365,366,367,368],{"_220":361,"_221":362,"_42":363,"_303":304},"Courtesy National Gallery of Art, Washington","2012.92.61","John Baptist Jackson made this in 1744, aged 43. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape scene from an elevated viewpoint. There are large columns of a classical ruin and a leafy tree on the left. On the right, there is a spreading tree with intricate leaves. In the background, there is a pastoral landscape with figures and animals. A shepherd and a cow are guiding a flock of sheep, and buildings can be seen in the distance. The horizon divides the image into sky and earth. The brushstrokes are detailed, capturing textures effectively. The color palette consists of earthy tones with touches of brighter colors on the figures' clothing.",{"_294":358,"_296":359,"_298":360},"https://img.ochreeditions.com/m/1656.jpg?dl=1","/art/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","/galleries/style/georgian-britain/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866",{"_290":356,"_292":357},{"_224":348,"_125":349,"_284":350},{"_275":345,"_277":346,"_279":330,"_280":347},82.5,66.1468505859375,42.1468505859375,{"_286":224,"_123":354,"_154":355,"_140":89},{"_286":125,"_123":351,"_154":352,"_140":353},{"_286":284,"_123":166,"_154":165,"_140":168},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","white","snow","https://img.ochreeditions.com/a/1656/480.jpg","https://img.ochreeditions.com/a/1656/960.jpg","https://img.ochreeditions.com/a/1656/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_310":377,"_312":378},{"_310":375,"_312":376},{"_310":373,"_312":374},{"_310":371,"_312":372},{"_310":369,"_312":370},"#878e7d",0.1386,"#4e4232",0.1457,"#b3a284",0.1756,"#8b7c60",0.2035,"#6a5f48",0.3366,"John Baptist Jackson","john-baptist-jackson","bio","British, 1701–1780","nationality","British","birth_year",1701,"death_year",1780,"birth_place","death_place","about_excerpt","portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":448,"_221":449,"_381":450,"_383":384,"_385":451,"_387":452,"_389":453,"_390":454,"_391":455,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[433,434,435,436,437],{"_220":429,"_221":430,"_42":431,"_303":432},"Courtesy of the Cleveland Museum of Art","1961.220","Thomas Lawrence painted this in 1794, aged 25. 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He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":509,"_221":510,"_381":511,"_383":384,"_385":512,"_387":513,"_389":-5,"_390":-5,"_391":-5,"_140":103},"c. 1830-1880",19,"overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,123.2,0.79638671875,[494,495,496,497,498],{"_220":361,"_221":362,"_42":363,"_303":304},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_294":491,"_296":492,"_298":493},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_290":291,"_292":293},{"_224":480,"_125":481,"_284":482},{"_275":477,"_277":478,"_279":479,"_280":463},113.11484375,138.2,98.11484375,{"_286":224,"_123":489,"_154":490,"_140":89},{"_286":125,"_123":486,"_154":487,"_140":488},{"_286":284,"_123":483,"_154":484,"_140":485},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_310":507,"_312":508},{"_310":505,"_312":506},{"_310":503,"_312":504},{"_310":501,"_312":502},{"_310":499,"_312":500},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"self-portrait-in-a-fur-cap-aic-76295","Self-Portrait in a Fur Cap",{"_42":570,"_221":571,"_381":572,"_383":573,"_385":574,"_387":575,"_389":576,"_390":576,"_391":577,"_140":99},"1765/68","watercolour","Drawing and Watercolor","Monochrome pastel (grisaille) on blue-gray laid paper","42.5 × 29.5 cm (16 3/4 × 11 5/8 in.)",29,0.6958228202971685,[555,556,557,558,559],{"_220":551,"_221":552,"_42":553,"_303":554},"Courtesy of the Art Institute of Chicago","1990.141","Joseph Wright of Derby painted this in 1765/68, aged about 31. It is now at the Art Institute of Chicago.","Joseph Wright of Derby portrays himself in a fur cap, drawn in monochrome pastel on blue-grey paper, with greys and blacks building the face and the soft texture of the fur.","Black, gray pastel portrait of man in a fur hat.",{"_294":548,"_296":549,"_298":550},"https://img.ochreeditions.com/m/193.jpg?dl=1","/art/self-portrait-in-a-fur-cap-aic-76295","/galleries/style/georgian-britain/self-portrait-in-a-fur-cap-aic-76295",{"_290":356,"_292":357},{"_224":541,"_125":542,"_284":543},{"_275":538,"_277":539,"_279":540,"_280":168},53.22455845248108,66,29.224558452481077,{"_286":224,"_123":546,"_154":547,"_140":99},{"_286":125,"_123":544,"_154":545,"_140":53},{"_286":284,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/193/480.jpg","https://img.ochreeditions.com/a/193/960.jpg","https://img.ochreeditions.com/a/193/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":568,"_312":569},{"_310":566,"_312":567},{"_310":564,"_312":565},{"_310":562,"_312":563},{"_310":560,"_312":561},"#85817a",0.0524,"#5b4224",0.0632,"#5e5a55",0.0962,"#403d37",0.2066,"#2f2d29",0.5816,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797","English",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","John Johnstone, Betty Johnstone, and Miss Wedderburn",{"_42":624,"_221":625,"_381":626,"_383":627,"_385":628,"_387":629,"_389":-5,"_390":-5,"_391":-5,"_140":103},"c. 1790/1795","overall: 101.5 x 120 cm (39 15/16 x 47 1/4 in.) framed: 119.4 x 138.4 x 6.4 cm (47 x 54 1/2 x 2 1/2 in.)",120,101.5,1.1770114942528735,[609,610,611,612,613],{"_220":361,"_221":362,"_42":363,"_303":304},"1945.10.3","Sir Henry Raeburn painted this in about 1790/1795, aged about 34. It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_294":606,"_296":607,"_298":608},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_290":291,"_292":293},{"_224":601,"_125":602,"_284":603},{"_275":598,"_277":599,"_279":583,"_280":600},135,116.953125,101.953125,{"_286":224,"_123":604,"_154":605,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg",{"_310":622,"_312":623},{"_310":620,"_312":621},{"_310":618,"_312":619},{"_310":616,"_312":617},{"_310":614,"_312":615},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823","Scottish",1756,1823,"georgiana-duchess-of-devonshire-nga-52263","Georgiana, Duchess of Devonshire",{"_42":677,"_221":678,"_381":679,"_383":384,"_385":680,"_387":575,"_389":-5,"_390":-5,"_391":681,"_140":99},"c. 1787/1796","overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.) framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in.)",39.9,59.1,0.666748046875,[662,663,664,665,666],{"_220":361,"_221":362,"_42":363,"_303":304},"1970.17.119","Gainsborough Dupont painted this in about 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","Georgiana, Duchess of Devonshire, political hostess and leader of fashion in Georgian society, stands at full length in a light silk dress and a large dark feathered hat, gathering her skirts in her arms beside tall trees.","This painting is a full-length portrait of a woman with her body facing the right and her head turned toward us. She has light skin, curly gray hair, arched eyebrows, and a small mouth in a neutral expression. She wears an elegant light-colored dress with a large bow on the back and a large, dark, feathered hat, and she has a flower tucked in her arms, which also gather up some of her skirts. The background shows tall trees, with the edge of a wall visible in the upper-right corner. The color scheme of the painting is mostly olive-green, and everything has a green tint.",{"_294":659,"_296":660,"_298":661},"https://img.ochreeditions.com/m/1550.jpg?dl=1","/art/georgiana-duchess-of-devonshire-nga-52263","/galleries/style/georgian-britain/georgiana-duchess-of-devonshire-nga-52263",{"_290":291,"_292":293},{"_224":654,"_125":655,"_284":656},{"_275":651,"_277":652,"_279":653,"_280":636},54.4048095703125,74.1,39.4048095703125,{"_286":224,"_123":657,"_154":658,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1550/480.jpg","https://img.ochreeditions.com/a/1550/960.jpg","https://img.ochreeditions.com/a/1550/1920.jpg",{"_310":675,"_312":676},{"_310":673,"_312":674},{"_310":671,"_312":672},{"_310":669,"_312":670},{"_310":667,"_312":668},"#bba987",0.0696,"#3b2e29",0.1916,"#917f5d",0.2158,"#7a6236",0.2411,"#5b462d",0.2819,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":448,"_221":449,"_381":450,"_383":384,"_385":451,"_387":452,"_389":453,"_390":454,"_391":455,"_140":91},"1801","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,0.7955882352941176,[712,713,714,715,716],{"_220":429,"_221":430,"_42":431,"_303":432},"1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":711,"_427":428},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_294":708,"_296":709,"_298":710},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_290":291,"_292":293},{"_224":705,"_125":706,"_284":707},{"_275":702,"_277":703,"_279":704,"_280":353},117.63088235294117,144,102.63088235294117,{"_286":224,"_123":421,"_154":422,"_140":91},{"_286":125,"_123":486,"_154":487,"_140":488},{"_286":284,"_123":483,"_154":484,"_140":485},"https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.",{"_310":725,"_312":726},{"_310":723,"_312":724},{"_310":721,"_312":722},{"_310":719,"_312":720},{"_310":717,"_312":718},"#bc9f72",0.1057,"#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":773,"_221":774,"_381":775,"_383":573,"_385":776,"_387":777,"_389":454,"_390":454,"_391":778,"_140":97},"1835","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",92,1.3465346534653466,[758,759,760,761,762],{"_220":429,"_221":430,"_42":431,"_303":432},"1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":757,"_427":428},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_294":754,"_296":755,"_298":756},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_290":291,"_292":293},{"_224":749,"_125":750,"_284":751},{"_275":478,"_277":747,"_279":463,"_280":748},106.49411764705881,91.49411764705881,{"_286":224,"_123":752,"_154":753,"_140":97},{"_286":125,"_123":486,"_154":487,"_140":488},{"_286":284,"_123":483,"_154":484,"_140":485},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.",{"_310":771,"_312":772},{"_310":769,"_312":770},{"_310":767,"_312":768},{"_310":765,"_312":766},{"_310":763,"_312":764},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":836,"_221":837,"_381":838,"_383":384,"_385":839,"_387":840,"_389":454,"_390":454,"_391":-5,"_140":103},"ca. 1803–5","drawing","Drawings","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[821,822,823,824,825],{"_220":817,"_221":818,"_42":819,"_303":820},"Courtesy of The Metropolitan Museum of Art","14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_294":814,"_296":815,"_298":816},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_290":356,"_292":357},{"_224":806,"_125":807,"_284":808},{"_275":803,"_277":804,"_279":805,"_280":788},50.26670344827586,63.2,26.266703448275862,{"_286":224,"_123":812,"_154":813,"_140":89},{"_286":125,"_123":809,"_154":810,"_140":811},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":834,"_312":835},{"_310":832,"_312":833},{"_310":830,"_312":831},{"_310":828,"_312":829},{"_310":826,"_312":827},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,1827,"heaton-park-races-nga-52254","Heaton Park Races",{"_42":886,"_221":887,"_381":888,"_383":384,"_385":889,"_387":890,"_389":-5,"_390":-5,"_391":-5,"_140":103},"1829","overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,1.688375927452597,[871,872,873,874,875],{"_220":361,"_221":362,"_42":363,"_303":304},"1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_294":868,"_296":869,"_298":870},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_290":291,"_292":293},{"_224":863,"_125":864,"_284":865},{"_275":860,"_277":861,"_279":846,"_280":862},167.6,105.38271484375,90.38271484375,{"_286":224,"_123":866,"_154":867,"_140":89},{"_286":125,"_123":486,"_154":487,"_140":488},{"_286":284,"_123":483,"_154":484,"_140":485},"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_310":884,"_312":885},{"_310":882,"_312":883},{"_310":880,"_312":881},{"_310":878,"_312":879},{"_310":876,"_312":877},"#9f8033",0.1271,"#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,"july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":937,"_221":938,"_381":939,"_383":573,"_385":940,"_387":941,"_389":-5,"_390":-5,"_391":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912998446400829,[923,924,925,926,927],{"_220":551,"_221":552,"_42":553,"_303":554},"1946.404","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_294":920,"_296":921,"_298":922},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_290":356,"_292":357},{"_224":915,"_125":916,"_284":917},{"_275":912,"_277":913,"_279":914,"_280":485},55.65199378560331,64,31.651993785603313,{"_286":224,"_123":918,"_154":919,"_140":99},{"_286":125,"_123":351,"_154":352,"_140":353},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg",{"_310":935,"_312":936},{"_310":933,"_312":934},{"_310":932,"_312":877},{"_310":930,"_312":931},{"_310":928,"_312":929},"#766942",0.061,"#684c41",0.0717,"#94856f","#bcb09d",0.3294,"#d2c8b7",0.4108,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":992,"_221":993,"_381":994,"_383":573,"_385":889,"_387":995,"_389":-5,"_390":-5,"_391":-5,"_140":103},"1827","Oil on canvas","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",101,127,0.7940150839347985,[977,978,979,980,981],{"_220":551,"_221":552,"_42":553,"_303":554},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":975,"_427":976},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_294":972,"_296":973,"_298":974},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_290":291,"_292":293},{"_224":967,"_125":968,"_284":969},{"_275":964,"_277":965,"_279":966,"_280":949},115.83991565971941,142,100.83991565971941,{"_286":224,"_123":970,"_154":971,"_140":89},{"_286":125,"_123":486,"_154":487,"_140":488},{"_286":284,"_123":483,"_154":484,"_140":485},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.","Text from the Art Institute of Chicago.",{"_310":990,"_312":991},{"_310":988,"_312":989},{"_310":986,"_312":987},{"_310":984,"_312":985},{"_310":982,"_312":983},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1847,"two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":448,"_221":449,"_381":450,"_383":384,"_385":451,"_387":452,"_389":453,"_390":454,"_391":455,"_140":91},"July 26, 1800","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",24,35,0.6863089606703608,[1026,1027,1028,1029,1030],{"_220":551,"_221":552,"_42":553,"_303":554},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_294":1023,"_296":1024,"_298":1025},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_290":356,"_292":357},{"_224":1020,"_125":1021,"_284":1022},{"_275":1017,"_277":1018,"_279":1019,"_280":1003},48.02081362346263,59,24.02081362346263,{"_286":224,"_123":421,"_154":422,"_140":91},{"_286":125,"_123":544,"_154":545,"_140":53},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_310":1039,"_312":1040},{"_310":1037,"_312":1038},{"_310":1035,"_312":1036},{"_310":1033,"_312":1034},{"_310":1031,"_312":1032},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"weymouth-bay-met-682931","Weymouth Bay",{"_42":1094,"_221":1095,"_381":1096,"_383":384,"_385":1097,"_387":1098,"_389":1099,"_390":454,"_391":1100,"_140":97},"1830","Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[1079,1080,1081,1082,1083],{"_220":817,"_221":818,"_42":819,"_303":820},"39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_294":1076,"_296":1077,"_298":1078},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_290":356,"_292":357},{"_224":1068,"_125":1069,"_284":1070},{"_275":1064,"_277":1065,"_279":1066,"_280":1067},49,43.859539602028875,25,19.85953960202887,{"_286":224,"_123":1074,"_154":1075,"_140":97},{"_286":125,"_123":1071,"_154":1072,"_140":1073},{"_286":284,"_123":483,"_154":484,"_140":485},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg",{"_310":1092,"_312":1093},{"_310":1090,"_312":1091},{"_310":1088,"_312":1089},{"_310":1086,"_312":1087},{"_310":1084,"_312":1085},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":448,"_221":449,"_381":450,"_383":384,"_385":451,"_387":452,"_389":453,"_390":454,"_391":455,"_140":91},"c. 1822/1823","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[1131,1132,1133,1134,1135],{"_220":361,"_221":362,"_42":363,"_303":304},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_294":1128,"_296":1129,"_298":1130},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_290":291,"_292":293},{"_224":1125,"_125":1126,"_284":1127},{"_275":1122,"_277":1123,"_279":1124,"_280":1107},116.6768798828125,143.5,101.6768798828125,{"_286":224,"_123":421,"_154":422,"_140":91},{"_286":125,"_123":486,"_154":487,"_140":488},{"_286":284,"_123":483,"_154":484,"_140":485},"https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_310":1143,"_312":1144},{"_310":1141,"_312":1142},{"_310":1139,"_312":1140},{"_310":1138,"_312":1137},{"_310":1136,"_312":1137},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,{"_1146":-5,"_1147":1148,"_1149":1150,"_1151":8,"_1152":1153,"_1154":8},"user","csrf","534942339b6a0b7357be564d824d97803e858fd7","cartCount",0,"dropLive","legal",[1155,1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166],"uploadsEnabled",{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},{"_221":1169,"_20":1170},{"_221":1167,"_20":1168},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]