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It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. 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It is now at the Cleveland Museum of Art.",{"_118":435,"_436":437},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_293":432,"_295":433,"_297":434},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_289":370,"_291":371},{"_224":427,"_125":428,"_284":429},{"_275":424,"_277":425,"_279":407,"_280":426},142,116.11441176470589,101.11441176470589,{"_286":224,"_123":430,"_154":431,"_140":89},{"_286":125,"_123":365,"_154":366,"_140":367},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":454,"_311":455},{"_309":452,"_311":453},{"_309":450,"_311":451},{"_309":448,"_311":449},{"_309":447,"_311":316},"#3a352c","#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"portrait-of-mrs-george-collier-cma-101852","Portrait of Mrs. George Collier",{"_42":516,"_221":517,"_323":518,"_325":519,"_327":520,"_329":521,"_331":522,"_332":400,"_333":523,"_140":95},"18th century",17,"Framed: 112 x 101 x 12 cm (44 1/8 x 39 3/4 x 4 3/4 in.); Unframed: 80 x 67.3 cm (31 1/2 x 26 1/2 in.)",67.3,80,0.8194117647058824,[501,502,503,504,505],{"_220":438,"_221":439,"_42":440,"_302":441},"1920.514","Joshua Reynolds painted this in 18th century. It is now at the Cleveland Museum of Art.",{"_118":500,"_436":437},"Portrait of Mrs. George Collier, by Joshua Reynolds, 18th century",{"_293":497,"_295":498,"_297":499},"https://img.ochreeditions.com/m/498.jpg?dl=1","/art/portrait-of-mrs-george-collier-cma-101852","/galleries/style/georgian-britain/portrait-of-mrs-george-collier-cma-101852",{"_289":370,"_291":371},{"_224":487,"_125":488,"_284":489},{"_275":484,"_277":485,"_279":486,"_280":469},80.5529411764706,95,65.5529411764706,{"_286":224,"_123":495,"_154":496,"_140":95},{"_286":125,"_123":493,"_154":494,"_140":367},{"_286":284,"_123":490,"_154":491,"_140":492},"era/17","The 17th century",266,"style/painting-17","More paintings of the 17th century","artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/498/480.jpg","https://img.ochreeditions.com/a/498/960.jpg","https://img.ochreeditions.com/a/498/1920.jpg","Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds. However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time.",{"_309":514,"_311":515},{"_309":512,"_311":513},{"_309":510,"_311":511},{"_309":508,"_311":509},{"_309":506,"_311":507},"#dbae62",0.0772,"#543416",0.0793,"#a17433",0.0962,"#784818",0.1532,"#312311",0.5941,"Joshua Reynolds","joshua-reynolds","English, 1723–1792","British",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":572,"_221":573,"_323":574,"_325":519,"_327":575,"_329":576,"_331":-5,"_332":-5,"_333":577,"_140":99},"after 1788","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[557,558,559,560,561],{"_220":438,"_221":439,"_42":440,"_302":441},"1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":556,"_436":437},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_293":553,"_295":554,"_297":555},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_289":370,"_291":371},{"_224":548,"_125":549,"_284":550},{"_275":545,"_277":546,"_279":547,"_280":530},83.17205882352941,90.5,68.17205882352941,{"_286":224,"_123":551,"_154":552,"_140":99},{"_286":125,"_123":365,"_154":366,"_140":367},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.",{"_309":570,"_311":571},{"_309":568,"_311":569},{"_309":566,"_311":567},{"_309":564,"_311":565},{"_309":562,"_311":563},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","turtur-risorius-nga-53854","Turtur Risorius",{"_42":629,"_221":630,"_323":631,"_325":632,"_327":398,"_329":633,"_331":-5,"_332":-5,"_333":-5,"_140":101},"print","Print","hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,0.655517578125,[614,615,616,617,618],{"_220":375,"_221":376,"_42":377,"_302":378},"1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_293":611,"_295":612,"_297":613},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_289":290,"_291":292},{"_224":603,"_125":604,"_284":605},{"_275":599,"_277":600,"_279":601,"_280":602},40.387939453125,49,16.387939453125,25,{"_286":224,"_123":609,"_154":610,"_140":89},{"_286":125,"_123":606,"_154":607,"_140":608},{"_286":284,"_123":166,"_154":165,"_140":168},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_309":627,"_311":628},{"_309":625,"_311":626},{"_309":623,"_311":624},{"_309":621,"_311":622},{"_309":619,"_311":620},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1859,"stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":689,"_221":690,"_323":691,"_325":519,"_327":692,"_329":693,"_331":694,"_332":400,"_333":695,"_140":97},"1830",19,"mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[674,675,676,677,678],{"_220":375,"_221":376,"_42":377,"_302":378},"2001.118.27","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_293":671,"_295":672,"_297":673},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_289":290,"_291":292},{"_224":660,"_125":661,"_284":662},{"_275":657,"_277":658,"_279":641,"_280":659},49.2,41.94638671875,17.94638671875,{"_286":224,"_123":669,"_154":670,"_140":97},{"_286":125,"_123":666,"_154":667,"_140":668},{"_286":284,"_123":663,"_154":664,"_140":665},"era/19-britain","19th-century Britain",40,"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_309":687,"_311":688},{"_309":685,"_311":686},{"_309":683,"_311":684},{"_309":681,"_311":682},{"_309":679,"_311":680},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":516,"_221":517,"_323":518,"_325":519,"_327":520,"_329":521,"_331":522,"_332":400,"_333":523,"_140":95},"1776–81","Oil on canvas","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[726,727,728,729,730],{"_220":299,"_221":300,"_42":301,"_302":303},"2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_293":723,"_295":724,"_297":725},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_289":370,"_291":371},{"_224":720,"_125":721,"_284":722},{"_275":717,"_277":718,"_279":719,"_280":703},76.14076281287247,88,61.14076281287247,{"_286":224,"_123":495,"_154":496,"_140":95},{"_286":125,"_123":365,"_154":366,"_140":367},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg",{"_309":739,"_311":740},{"_309":737,"_311":738},{"_309":735,"_311":736},{"_309":733,"_311":734},{"_309":731,"_311":732},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":394,"_221":395,"_323":396,"_325":326,"_327":397,"_329":398,"_331":399,"_332":400,"_333":401,"_140":97},"early 1770s (not later than 1772)","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[772,773,774,775,776],{"_220":299,"_221":300,"_42":301,"_302":303},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_293":769,"_295":770,"_297":771},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_289":290,"_291":292},{"_224":766,"_125":767,"_284":768},{"_275":763,"_277":764,"_279":747,"_280":765},79,66.1776611694153,42.177661169415295,{"_286":224,"_123":368,"_154":369,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":53},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_309":785,"_311":786},{"_309":783,"_311":784},{"_309":781,"_311":782},{"_309":779,"_311":780},{"_309":777,"_311":778},"#75643b",0.1438,"#483b21",0.1553,"#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby",{"_42":840,"_221":841,"_323":842,"_325":519,"_327":843,"_329":844,"_331":845,"_332":400,"_333":846,"_140":91},"1790","Paintings","94 in. × 57 1/2 in. (238.8 × 146.1 cm)",146.1,238.8,0.6134193548387097,[825,826,827,828,829],{"_220":821,"_221":822,"_42":823,"_302":824},"Courtesy of The Metropolitan Museum of Art","50.135.5","Thomas Lawrence painted this in 1790, aged 21. It is now at The Met in New York.","The celebrated comic actress Elizabeth Farren turns to look at us as she walks through a windswept landscape, wrapped in a white silk cloak lined with fur and carrying a muff.","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, by Thomas Lawrence, 1790",{"_293":818,"_295":819,"_297":820},"https://img.ochreeditions.com/m/1113.jpg?dl=1","/art/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","/galleries/style/georgian-britain/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851",{"_289":370,"_291":371},{"_224":813,"_125":814,"_284":815},{"_275":810,"_277":811,"_279":812,"_280":794},161.4845419354839,253.8,146.4845419354839,{"_286":224,"_123":816,"_154":817,"_140":91},{"_286":125,"_123":365,"_154":366,"_140":367},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/1113/480.jpg","https://img.ochreeditions.com/a/1113/960.jpg","https://img.ochreeditions.com/a/1113/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_309":838,"_311":839},{"_309":836,"_311":837},{"_309":834,"_311":835},{"_309":832,"_311":833},{"_309":830,"_311":831},"#6e5e40",0.1382,"#afa284",0.1538,"#3c3422",0.2055,"#3b5150",0.2432,"#6f7361",0.2593,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","lord-rothes-si-saam-1956-11-60","Lord Rothes","Unrecorded British maker","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[882,883,884,885,886],{"_220":879,"_221":880,"_42":881,"_302":378},"Courtesy of the Smithsonian American Art Museum","1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_293":876,"_295":877,"_297":878},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_289":370,"_291":371},{"_224":871,"_125":872,"_284":873},{"_275":868,"_277":869,"_279":870,"_280":853},117.51170000000002,143.3,102.51170000000002,{"_286":224,"_123":874,"_154":875,"_140":97},{"_286":125,"_123":365,"_154":366,"_140":367},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg","si","smithsonian","Smithsonian Institution",{"_309":895,"_311":896},{"_309":893,"_311":894},{"_309":891,"_311":892},{"_309":889,"_311":890},{"_309":887,"_311":888},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015",0.3131,"angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":949,"_221":950,"_323":951,"_325":519,"_327":952,"_329":953,"_331":400,"_332":400,"_333":-5,"_140":103},"ca. 1803–5","drawing","Drawings","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[934,935,936,937,938],{"_220":821,"_221":822,"_42":823,"_302":824},"14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_293":931,"_295":932,"_297":933},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_289":290,"_291":292},{"_224":923,"_125":924,"_284":925},{"_275":920,"_277":921,"_279":922,"_280":906},50.26670344827586,63.2,26.266703448275862,{"_286":224,"_123":929,"_154":930,"_140":89},{"_286":125,"_123":926,"_154":927,"_140":928},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg",{"_309":947,"_311":948},{"_309":945,"_311":946},{"_309":943,"_311":944},{"_309":941,"_311":942},{"_309":939,"_311":940},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,1827,"small-landscape-si-saam-1956-11-20","Small Landscape","ca. 1750-1800","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[982,983,984,985,986],{"_220":879,"_221":880,"_42":881,"_302":378},"1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_293":979,"_295":980,"_297":981},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_289":370,"_291":371},{"_224":976,"_125":977,"_284":978},{"_275":973,"_277":974,"_279":958,"_280":975},70.2,58.4424,43.4424,{"_286":224,"_123":874,"_154":875,"_140":97},{"_286":125,"_123":365,"_154":366,"_140":367},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg",{"_309":995,"_311":996},{"_309":993,"_311":994},{"_309":991,"_311":992},{"_309":989,"_311":990},{"_309":987,"_311":988},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[1024,1025,1026,1027,1028],{"_220":299,"_221":300,"_42":301,"_302":303},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_293":1021,"_295":1022,"_297":1023},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_289":290,"_291":292},{"_224":1018,"_125":1019,"_284":1020},{"_275":600,"_277":1016,"_279":602,"_280":1017},48.48828746872867,24.488287468728675,{"_286":224,"_123":874,"_154":875,"_140":97},{"_286":125,"_123":606,"_154":607,"_140":608},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_309":1037,"_311":1038},{"_309":1035,"_311":1036},{"_309":1033,"_311":1034},{"_309":1031,"_311":1032},{"_309":1029,"_311":1030},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":1086,"_221":1087,"_323":1088,"_325":519,"_327":1089,"_329":953,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1785","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[1071,1072,1073,1074,1075],{"_220":375,"_221":376,"_42":377,"_302":378},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_293":1068,"_295":1069,"_297":1070},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_289":290,"_291":292},{"_224":1063,"_125":1064,"_284":1065},{"_275":1060,"_277":1061,"_279":1045,"_280":1062},60.9,49.927294921875,25.927294921875,{"_286":224,"_123":1066,"_154":1067,"_140":89},{"_286":125,"_123":606,"_154":607,"_140":608},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_309":1084,"_311":1085},{"_309":1082,"_311":1083},{"_309":1080,"_311":1081},{"_309":1078,"_311":1079},{"_309":1076,"_311":1077},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,"saint-john-the-evangelist-nga-54044","Saint John the Evangelist",{"_42":1136,"_221":1137,"_323":1138,"_325":519,"_327":1139,"_329":1140,"_331":-5,"_332":-5,"_333":-5,"_140":101},"1771","chiaroscuro woodcut in tan and brown","sheet: 19.7 × 15.4 cm (7 3/4 × 6 1/16 in.) other (text beneath image): 3.2 × 15.7 cm (1 1/4 × 6 3/16 in.) mount: 38.2 × 27.1 cm (15 1/16 × 10 11/16 in.)",15.4,19.7,0.702880859375,[1121,1122,1123,1124,1125],{"_220":375,"_221":376,"_42":377,"_302":378},"1973.58.3","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a winged figure seated on a bird. The image depicts a figure with flowing robes, wings outstretched, holding an open book in one hand. The figure appears to be looking off to the side, with a serene expression. The lower part of the image includes a bird upon which the figure is seated. The bird's head is turned slightly upwards, following the direction in which the figure is gazing. The image is rendered in a warm, monochromatic palette. In the lower section of the image, there is some text, likely Latin.",{"_293":1118,"_295":1119,"_297":1120},"https://img.ochreeditions.com/m/1572.jpg?dl=1","/art/saint-john-the-evangelist-nga-54044","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54044",{"_289":290,"_291":292},{"_224":1113,"_125":1114,"_284":1115},{"_275":1111,"_277":600,"_279":1112,"_280":602},41.572021484375,17.572021484375,{"_286":224,"_123":1116,"_154":1117,"_140":89},{"_286":125,"_123":606,"_154":607,"_140":608},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1572/480.jpg","https://img.ochreeditions.com/a/1572/960.jpg","https://img.ochreeditions.com/a/1572/1920.jpg",{"_309":1134,"_311":1135},{"_309":1132,"_311":1133},{"_309":1130,"_311":1131},{"_309":1128,"_311":1129},{"_309":1126,"_311":1127},"#a28a5c",0.1319,"#d5b378",0.1774,"#b29562",0.1816,"#c1a26a",0.2372,"#d5c19a",0.2719,"John Skippe","john-skippe","British, 1742–1812",1742,1811,{"_1142":-5,"_1143":1144,"_1145":1146,"_1147":8,"_1148":1149,"_1150":8},"user","csrf","2f762e50c918642d4b1ab8137b085ad99d1d8a70","cartCount",0,"dropLive","legal",[1151,1152,1153,1154,1155,1156,1157,1158,1159,1160,1161,1162],"uploadsEnabled",{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},{"_221":1169,"_20":1170},{"_221":1167,"_20":1168},{"_221":1165,"_20":1166},{"_221":1163,"_20":1164},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]