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Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":452,"_311":453},{"_309":450,"_311":451},{"_309":448,"_311":449},{"_309":446,"_311":447},{"_309":444,"_311":445},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851","English",1775,1851,"London","Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","self-portrait-aic-11706","Self-Portrait",{"_42":518,"_220":519,"_381":520,"_383":457,"_385":521,"_387":522,"_389":-5,"_390":-5,"_391":523,"_140":99},"c. 1779","watercolour","Drawing and Watercolor","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",30,0.5697549441100602,[503,504,505,506,507],{"_219":499,"_220":500,"_42":501,"_302":502},"Courtesy of the Art Institute of Chicago","1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_293":496,"_295":497,"_297":498},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_289":356,"_291":357},{"_223":489,"_125":490,"_283":491},{"_274":486,"_276":487,"_278":488,"_280":470},41.0926483233018,54,17.092648323301805,{"_285":223,"_123":494,"_154":495,"_140":99},{"_285":125,"_123":492,"_154":493,"_140":53},{"_285":283,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_309":516,"_311":517},{"_309":514,"_311":515},{"_309":512,"_311":513},{"_309":510,"_311":511},{"_309":508,"_311":509},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":574,"_220":575,"_381":576,"_383":457,"_385":577,"_387":578,"_389":-5,"_390":-5,"_391":-5,"_140":103},"1827","Oil on canvas","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",101,127,0.7940150839347985,[559,560,561,562,563],{"_219":499,"_220":500,"_42":501,"_302":502},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":557,"_433":558},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_293":554,"_295":555,"_297":556},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_289":290,"_291":292},{"_223":549,"_125":550,"_283":551},{"_274":546,"_276":547,"_278":548,"_280":531},115.83991565971941,142,100.83991565971941,{"_285":223,"_123":552,"_154":553,"_140":89},{"_285":125,"_123":424,"_154":425,"_140":426},{"_285":283,"_123":421,"_154":422,"_140":423},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.","Text from the Art Institute of Chicago.",{"_309":572,"_311":573},{"_309":570,"_311":571},{"_309":568,"_311":569},{"_309":566,"_311":567},{"_309":564,"_311":565},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1782,1847,"the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":626,"_220":627,"_381":628,"_383":629,"_385":630,"_387":631,"_389":-5,"_390":-5,"_391":-5,"_140":101},"1739","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[611,612,613,614,615],{"_219":361,"_220":362,"_42":363,"_302":303},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_293":608,"_295":609,"_297":610},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_289":356,"_291":357},{"_223":603,"_125":604,"_283":605},{"_274":600,"_276":601,"_278":602,"_280":586},59.630419921874996,77.4,35.630419921874996,{"_285":223,"_123":606,"_154":607,"_140":89},{"_285":125,"_123":351,"_154":352,"_140":353},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_309":624,"_311":625},{"_309":622,"_311":623},{"_309":620,"_311":621},{"_309":618,"_311":619},{"_309":616,"_311":617},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780","British",1701,1780,"portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":680,"_220":681,"_381":682,"_383":629,"_385":683,"_387":684,"_389":-5,"_390":-5,"_391":685,"_140":99},"after 1788","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[665,666,667,668,669],{"_219":435,"_220":436,"_42":437,"_302":438},"1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":664,"_433":434},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_293":661,"_295":662,"_297":663},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_289":290,"_291":292},{"_223":656,"_125":657,"_283":658},{"_274":653,"_276":654,"_278":655,"_280":638},83.17205882352941,90.5,68.17205882352941,{"_285":223,"_123":659,"_154":660,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.",{"_309":678,"_311":679},{"_309":676,"_311":677},{"_309":674,"_311":675},{"_309":672,"_311":673},{"_309":670,"_311":671},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":733,"_220":734,"_381":735,"_383":629,"_385":736,"_387":737,"_389":-5,"_390":-5,"_391":-5,"_140":103},"1785","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[718,719,720,721,722],{"_219":361,"_220":362,"_42":363,"_302":303},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_293":715,"_295":716,"_297":717},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_289":356,"_291":357},{"_223":710,"_125":711,"_283":712},{"_274":707,"_276":708,"_278":692,"_280":709},60.9,49.927294921875,25.927294921875,{"_285":223,"_123":713,"_154":714,"_140":89},{"_285":125,"_123":351,"_154":352,"_140":353},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_309":731,"_311":732},{"_309":729,"_311":730},{"_309":727,"_311":728},{"_309":725,"_311":726},{"_309":723,"_311":724},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,1827,"cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":791,"_220":792,"_381":793,"_383":457,"_385":794,"_387":386,"_389":795,"_390":460,"_391":796,"_140":97},"1787","Paintings","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[776,777,778,779,780],{"_219":772,"_220":773,"_42":774,"_302":775},"Courtesy of The Metropolitan Museum of Art","50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_293":769,"_295":770,"_297":771},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_289":290,"_291":292},{"_223":764,"_125":765,"_283":766},{"_274":761,"_276":762,"_278":763,"_280":745},135.62100077780656,162.6,120.62100077780657,{"_285":223,"_123":767,"_154":768,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_309":789,"_311":790},{"_309":787,"_311":788},{"_309":785,"_311":786},{"_309":783,"_311":784},{"_309":781,"_311":782},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":844,"_220":845,"_381":846,"_383":457,"_385":847,"_387":848,"_389":-5,"_390":-5,"_391":-5,"_140":101},"1834","Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",38,24,1.6425614803993183,[829,830,831,832,833],{"_219":499,"_220":500,"_42":501,"_302":502},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_293":826,"_295":827,"_297":828},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_289":290,"_291":292},{"_223":821,"_125":822,"_283":823},{"_274":818,"_276":819,"_278":803,"_280":820},53,38.1345982804625,23.134598280462495,{"_285":223,"_123":824,"_154":825,"_140":89},{"_285":125,"_123":424,"_154":425,"_140":426},{"_285":283,"_123":421,"_154":422,"_140":423},"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_309":842,"_311":843},{"_309":840,"_311":841},{"_309":838,"_311":839},{"_309":836,"_311":837},{"_309":834,"_311":835},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1792,1882,"athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":518,"_220":519,"_381":520,"_383":457,"_385":521,"_387":522,"_389":-5,"_390":-5,"_391":523,"_140":99},"n.d.","Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[878,879,880,881,882],{"_219":499,"_220":500,"_42":501,"_302":502},"1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_293":875,"_295":876,"_297":877},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_289":356,"_291":357},{"_223":872,"_125":873,"_283":874},{"_274":818,"_276":870,"_278":855,"_280":871},44.521086780210865,20.52108678021087,{"_285":223,"_123":494,"_154":495,"_140":99},{"_285":125,"_123":492,"_154":493,"_140":53},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg",{"_309":891,"_311":892},{"_309":889,"_311":890},{"_309":887,"_311":888},{"_309":885,"_311":886},{"_309":883,"_311":884},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":945,"_220":946,"_381":947,"_383":384,"_385":948,"_387":949,"_389":-5,"_390":-5,"_391":-5,"_140":103},"drawing","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[930,931,932,933,934],{"_219":435,"_220":436,"_42":437,"_302":438},"1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":929,"_433":434},"Descent into the Plain of Granada, by David Roberts, 1834",{"_293":926,"_295":927,"_297":928},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_289":356,"_291":357},{"_223":919,"_125":920,"_283":921},{"_274":916,"_276":917,"_278":900,"_280":918},56.5,47.45735294117647,23.45735294117647,{"_285":223,"_123":924,"_154":925,"_140":89},{"_285":125,"_123":922,"_154":923,"_140":399},{"_285":283,"_123":421,"_154":422,"_140":423},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.",{"_309":943,"_311":944},{"_309":941,"_311":942},{"_309":939,"_311":940},{"_309":937,"_311":938},{"_309":935,"_311":936},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864",1796,1864,"fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":454,"_220":455,"_381":456,"_383":457,"_385":458,"_387":459,"_389":460,"_390":460,"_391":461,"_140":97},"1837–38","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[980,981,982,983,984],{"_219":499,"_220":500,"_42":501,"_302":502},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_293":977,"_295":978,"_297":979},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/georgian-britain/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_289":290,"_291":292},{"_223":974,"_125":975,"_283":976},{"_274":971,"_276":972,"_278":955,"_280":973},239,188.10233393177737,173.10233393177737,{"_285":223,"_123":427,"_154":428,"_140":97},{"_285":125,"_123":424,"_154":425,"_140":426},{"_285":283,"_123":421,"_154":422,"_140":423},"https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_309":992,"_311":993},{"_309":990,"_311":991},{"_309":989,"_311":942},{"_309":987,"_311":988},{"_309":985,"_311":986},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438","#736551",0.2481,"#9e886b",0.2634,"portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":1042,"_220":1043,"_381":1044,"_383":629,"_385":1045,"_387":847,"_389":1046,"_390":460,"_391":1047,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[1027,1028,1029,1030,1031],{"_219":435,"_220":436,"_42":437,"_302":438},"1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":1026,"_433":434},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_293":1023,"_295":1024,"_297":1025},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_289":290,"_291":292},{"_223":1018,"_125":1019,"_283":1020},{"_274":1015,"_276":1016,"_278":1017,"_280":1000},185.63529411764705,211,170.63529411764705,{"_285":223,"_123":1021,"_154":1022,"_140":95},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.",{"_309":1040,"_311":1041},{"_309":1038,"_311":1039},{"_309":1036,"_311":1037},{"_309":1034,"_311":1035},{"_309":1032,"_311":1033},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":1094,"_220":1095,"_381":1096,"_383":629,"_385":1097,"_387":1098,"_389":1099,"_390":460,"_391":1100,"_140":91},"July 26, 1800","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",35,0.6863089606703608,[1079,1080,1081,1082,1083],{"_219":499,"_220":500,"_42":501,"_302":502},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_293":1076,"_295":1077,"_297":1078},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_289":356,"_291":357},{"_223":1071,"_125":1072,"_283":1073},{"_274":1068,"_276":1069,"_278":1070,"_280":1054},48.02081362346263,59,24.02081362346263,{"_285":223,"_123":1074,"_154":1075,"_140":91},{"_285":125,"_123":492,"_154":493,"_140":53},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_309":1092,"_311":1093},{"_309":1090,"_311":1091},{"_309":1088,"_311":1089},{"_309":1086,"_311":1087},{"_309":1084,"_311":1085},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","saint-john-the-evangelist-nga-54043","Saint John the Evangelist",{"_42":1147,"_220":1148,"_381":1149,"_383":629,"_385":1150,"_387":1151,"_389":-5,"_390":-5,"_391":-5,"_140":101},"1771","chiaroscuro woodcut in light and dark olive green","sheet: 19.7 × 15.3 cm (7 3/4 × 6 in.) other (text beneath image): 3.2 × 15.2 cm (1 1/4 × 6 in.) mount (irreg.): 43.7 × 31.9 cm (17 3/16 × 12 9/16 in.)",15.3,19.7,0.742431640625,[1132,1133,1134,1135,1136],{"_219":361,"_220":362,"_42":363,"_302":303},"1973.58.2","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a seated figure on a large bird. The image depicts a classically draped figure seated on a stylized bird. The figure holds an open book and gazes into the distance. The bird has sharp features and spread wings. The background contains swirling clouds. The scene is framed with a border, and there is text at the bottom. The lines are bold and the shades are muted.",{"_293":1129,"_295":1130,"_297":1131},"https://img.ochreeditions.com/m/1571.jpg?dl=1","/art/saint-john-the-evangelist-nga-54043","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54043",{"_289":356,"_291":357},{"_223":1124,"_125":1125,"_283":1126},{"_274":1122,"_276":345,"_278":1123,"_280":347},42.560791015625,18.560791015625,{"_285":223,"_123":1127,"_154":1128,"_140":89},{"_285":125,"_123":351,"_154":352,"_140":353},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1571/480.jpg","https://img.ochreeditions.com/a/1571/960.jpg","https://img.ochreeditions.com/a/1571/1920.jpg",{"_309":1145,"_311":1146},{"_309":1143,"_311":1144},{"_309":1141,"_311":1142},{"_309":1139,"_311":1140},{"_309":1137,"_311":1138},"#b69e75",0.1243,"#877257",0.1513,"#9a8362",0.1745,"#cab68c",0.2161,"#d5c39a",0.3338,"John Skippe","john-skippe","British, 1742–1812",1742,1811,{"_1153":-5,"_1154":1155,"_1156":1157,"_1158":8,"_1159":1160,"_1161":8},"user","csrf","b74c0985c0a29904504282846c99a180d720162a","cartCount",0,"dropLive","legal",[1162,1163,1164,1165,1166,1167,1168,1169,1170,1171,1172,1173],"uploadsEnabled",{"_220":1196,"_20":1197},{"_220":1194,"_20":1195},{"_220":1192,"_20":1193},{"_220":1190,"_20":1191},{"_220":1188,"_20":1189},{"_220":1186,"_20":1187},{"_220":1184,"_20":1185},{"_220":1182,"_20":1183},{"_220":1180,"_20":1181},{"_220":1178,"_20":1179},{"_220":1176,"_20":1177},{"_220":1174,"_20":1175},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]