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It is now at the Cleveland Museum of Art.",{"_118":510,"_305":306},"Portrait of Mrs. George Collier, by Joshua Reynolds, 18th century",{"_298":507,"_300":508,"_302":509},"https://img.ochreeditions.com/m/498.jpg?dl=1","/art/portrait-of-mrs-george-collier-cma-101852","/galleries/style/georgian-britain/portrait-of-mrs-george-collier-cma-101852",{"_294":445,"_296":446},{"_227":497,"_125":498,"_288":499},{"_279":494,"_281":495,"_283":496,"_284":479},80.5529411764706,95,65.5529411764706,{"_290":227,"_123":505,"_154":506,"_140":95},{"_290":125,"_123":503,"_154":504,"_140":442},{"_290":288,"_123":500,"_154":501,"_140":502},"era/17","The 17th century",266,"style/painting-17","More paintings of the 17th century","artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/498/480.jpg","https://img.ochreeditions.com/a/498/960.jpg","https://img.ochreeditions.com/a/498/1920.jpg","Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds. However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time.",{"_317":524,"_319":525},{"_317":522,"_319":523},{"_317":520,"_319":521},{"_317":518,"_319":519},{"_317":516,"_319":517},"#dbae62",0.0772,"#543416",0.0793,"#a17433",0.0962,"#784818",0.1532,"#312311",0.5941,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":584,"_224":585,"_331":586,"_333":468,"_335":587,"_337":588,"_339":-5,"_340":-5,"_341":-5,"_140":99},"n.d.","print","Print","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912519643792562,[569,570,571,572,573],{"_223":383,"_224":384,"_42":385,"_310":386},"1946.405","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_298":566,"_300":567,"_302":568},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_294":295,"_296":297},{"_227":558,"_125":559,"_288":560},{"_279":555,"_281":556,"_283":557,"_284":169},55.65007857517025,64,31.650078575170248,{"_290":227,"_123":564,"_154":565,"_140":99},{"_290":125,"_123":561,"_154":562,"_140":563},{"_290":288,"_123":373,"_154":374,"_140":375},"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg",{"_317":582,"_319":583},{"_317":580,"_319":581},{"_317":578,"_319":579},{"_317":576,"_319":577},{"_317":574,"_319":575},"#796237",0.064,"#5c493a",0.0907,"#8a7b65",0.1271,"#baae9b",0.3131,"#d1c7b6",0.4051,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":638,"_224":639,"_331":640,"_333":405,"_335":641,"_337":642,"_339":-5,"_340":-5,"_341":-5,"_140":103},"1807","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[623,624,625,626,627],{"_223":307,"_224":308,"_42":309,"_310":311},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":622,"_305":306},"Bray Church Yard, by John Varley, 1807",{"_298":619,"_300":620,"_302":621},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_294":295,"_296":297},{"_227":614,"_125":615,"_288":616},{"_279":611,"_281":612,"_283":595,"_284":613},60.9,48.95091176470588,24.950911764705882,{"_290":227,"_123":617,"_154":618,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_317":636,"_319":637},{"_317":634,"_319":635},{"_317":632,"_319":633},{"_317":630,"_319":631},{"_317":628,"_319":629},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":696,"_224":697,"_331":698,"_333":468,"_335":699,"_337":700,"_339":701,"_340":701,"_341":702,"_140":99},"1779","Paintings","40 x 50 in. (101.6 x 127 cm)",127,101.6,1.2404942965779469,[681,682,683,684,685],{"_223":677,"_224":678,"_42":679,"_310":680},"Courtesy of The Metropolitan Museum of Art","2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_298":674,"_300":675,"_302":676},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_294":445,"_296":446},{"_227":669,"_125":670,"_288":671},{"_279":666,"_281":667,"_283":649,"_284":668},142,117.37854406130268,102.37854406130268,{"_290":227,"_123":672,"_154":673,"_140":99},{"_290":125,"_123":440,"_154":441,"_140":442},{"_290":288,"_123":373,"_154":374,"_140":375},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_317":694,"_319":695},{"_317":692,"_319":693},{"_317":690,"_319":691},{"_317":688,"_319":689},{"_317":686,"_319":687},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":402,"_224":403,"_331":404,"_333":405,"_335":406,"_337":407,"_339":408,"_340":409,"_341":410,"_140":91},"c. 1822/1823","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[741,742,743,744,745],{"_223":737,"_224":738,"_42":739,"_310":740},"Courtesy National Gallery of Art, Washington","1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_298":734,"_300":735,"_302":736},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_294":445,"_296":446},{"_227":728,"_125":729,"_288":730},{"_279":725,"_281":726,"_283":727,"_284":709},116.6768798828125,143.5,101.6768798828125,{"_290":227,"_123":378,"_154":379,"_140":91},{"_290":125,"_123":731,"_154":732,"_140":733},{"_290":288,"_123":167,"_154":166,"_140":169},"style/painting-19","More paintings of the 19th century",432,"https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_317":753,"_319":754},{"_317":751,"_319":752},{"_317":749,"_319":750},{"_317":748,"_319":747},{"_317":746,"_319":747},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"lord-rothes-si-saam-1956-11-60","Lord Rothes","Unrecorded British maker","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[790,791,792,793,794],{"_223":787,"_224":788,"_42":789,"_310":740},"Courtesy of the Smithsonian American Art Museum","1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_298":784,"_300":785,"_302":786},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_294":445,"_296":446},{"_227":779,"_125":780,"_288":781},{"_279":776,"_281":777,"_283":778,"_284":761},117.51170000000002,143.3,102.51170000000002,{"_290":227,"_123":782,"_154":783,"_140":97},{"_290":125,"_123":440,"_154":441,"_140":442},{"_290":288,"_123":373,"_154":374,"_140":375},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg","si","smithsonian","Smithsonian Institution",{"_317":803,"_319":581},{"_317":801,"_319":802},{"_317":799,"_319":800},{"_317":797,"_319":798},{"_317":795,"_319":796},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015","the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":851,"_224":852,"_331":853,"_333":468,"_335":854,"_337":855,"_339":-5,"_340":-5,"_341":-5,"_140":103},"1827","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",101,0.7940150839347985,[836,837,838,839,840],{"_223":383,"_224":384,"_42":385,"_310":386},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":834,"_305":835},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_298":831,"_300":832,"_302":833},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_294":445,"_296":446},{"_227":826,"_125":827,"_288":828},{"_279":824,"_281":666,"_283":825,"_284":649},115.83991565971941,100.83991565971941,{"_290":227,"_123":829,"_154":830,"_140":89},{"_290":125,"_123":731,"_154":732,"_140":733},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.","Text from the Art Institute of Chicago.",{"_317":849,"_319":850},{"_317":847,"_319":848},{"_317":845,"_319":846},{"_317":843,"_319":844},{"_317":841,"_319":842},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1782,1847,"fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":902,"_224":903,"_331":904,"_333":468,"_335":905,"_337":906,"_339":409,"_340":409,"_341":907,"_140":97},"1837–38","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[888,889,890,891,892],{"_223":383,"_224":384,"_42":385,"_310":386},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_298":885,"_300":886,"_302":887},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/georgian-britain/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_294":445,"_296":446},{"_227":880,"_125":881,"_288":882},{"_279":877,"_281":878,"_283":861,"_284":879},239,188.10233393177737,173.10233393177737,{"_290":227,"_123":883,"_154":884,"_140":97},{"_290":125,"_123":731,"_154":732,"_140":733},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_317":900,"_319":901},{"_317":898,"_319":899},{"_317":897,"_319":326},{"_317":895,"_319":896},{"_317":893,"_319":894},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438","#736551",0.2481,"#9e886b",0.2634,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":955,"_224":956,"_331":957,"_333":468,"_335":958,"_337":959,"_339":960,"_340":409,"_341":961,"_140":97},"c. 1781/1782","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[940,941,942,943,944],{"_223":737,"_224":738,"_42":739,"_310":740},"1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_298":937,"_300":938,"_302":939},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_294":445,"_296":446},{"_227":932,"_125":933,"_288":934},{"_279":929,"_281":930,"_283":913,"_284":931},142.6,116.65009765625,101.65009765625,{"_290":227,"_123":935,"_154":936,"_140":97},{"_290":125,"_123":440,"_154":441,"_140":442},{"_290":288,"_123":373,"_154":374,"_140":375},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg",{"_317":953,"_319":954},{"_317":951,"_319":952},{"_317":949,"_319":950},{"_317":947,"_319":948},{"_317":945,"_319":946},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":1008,"_224":1009,"_331":1010,"_333":1011,"_335":1012,"_337":1013,"_339":-5,"_340":-5,"_341":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",101.5,1.2560029553010712,[993,994,995,996,997],{"_223":307,"_224":308,"_42":309,"_310":311},"2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":992,"_305":306},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_298":989,"_300":990,"_302":991},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_294":445,"_296":446},{"_227":984,"_125":985,"_288":986},{"_279":666,"_281":982,"_283":649,"_284":983},116.11441176470589,101.11441176470589,{"_290":227,"_123":987,"_154":988,"_140":89},{"_290":125,"_123":440,"_154":441,"_140":442},{"_290":288,"_123":373,"_154":374,"_140":375},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.",{"_317":1006,"_319":1007},{"_317":1004,"_319":1005},{"_317":1002,"_319":1003},{"_317":1000,"_319":1001},{"_317":998,"_319":999},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":902,"_224":903,"_331":904,"_333":468,"_335":905,"_337":906,"_339":409,"_340":409,"_341":907,"_140":97},"1835","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,1.3465346534653466,[1044,1045,1046,1047,1048],{"_223":307,"_224":308,"_42":309,"_310":311},"1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":1043,"_305":306},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_298":1040,"_300":1041,"_302":1042},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_294":445,"_296":446},{"_227":1037,"_125":1038,"_288":1039},{"_279":1034,"_281":1035,"_283":1019,"_284":1036},138.2,106.49411764705881,91.49411764705881,{"_290":227,"_123":883,"_154":884,"_140":97},{"_290":125,"_123":731,"_154":732,"_140":733},{"_290":288,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.",{"_317":1057,"_319":1058},{"_317":1055,"_319":1056},{"_317":1053,"_319":1054},{"_317":1051,"_319":1052},{"_317":1049,"_319":1050},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"phasianus-versicolor-nga-53855","Phasianus Versicolor",{"_42":1105,"_224":1106,"_331":1107,"_333":334,"_335":959,"_337":1108,"_339":-5,"_340":-5,"_341":-5,"_140":101},"hand-colored etching","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)",10.8,1.593774319066148,[1090,1091,1092,1093,1094],{"_223":737,"_224":738,"_42":739,"_310":740},"1973.26.28","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.",{"_298":1087,"_300":1088,"_302":1089},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_294":295,"_296":297},{"_227":1082,"_125":1083,"_288":1084},{"_279":1078,"_281":1079,"_283":1080,"_284":1081},49,39.68603515625,25,15.686035156249998,{"_290":227,"_123":1085,"_154":1086,"_140":89},{"_290":125,"_123":561,"_154":562,"_140":563},{"_290":288,"_123":373,"_154":374,"_140":375},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg",{"_317":1103,"_319":1104},{"_317":1101,"_319":1102},{"_317":1099,"_319":1100},{"_317":1097,"_319":1098},{"_317":1095,"_319":1096},"#294d6a",0.0227,"#666947",0.0414,"#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"William Home Lizars","william-home-lizars","Scottish, 1788–1859",1859,"stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":1160,"_224":1161,"_331":1162,"_333":405,"_335":1163,"_337":1164,"_339":1165,"_340":409,"_341":1166,"_140":97},"1830","mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[1145,1146,1147,1148,1149],{"_223":737,"_224":738,"_42":739,"_310":740},"2001.118.27","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_298":1142,"_300":1143,"_302":1144},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_294":295,"_296":297},{"_227":1134,"_125":1135,"_288":1136},{"_279":1131,"_281":1132,"_283":1115,"_284":1133},49.2,41.94638671875,17.94638671875,{"_290":227,"_123":1140,"_154":1141,"_140":97},{"_290":125,"_123":1137,"_154":1138,"_140":1139},{"_290":288,"_123":167,"_154":166,"_140":169},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_317":1158,"_319":1159},{"_317":1156,"_319":1157},{"_317":1154,"_319":1155},{"_317":1152,"_319":1153},{"_317":1150,"_319":1151},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.",{"_1168":-5,"_1169":1170,"_1171":1172,"_1173":8,"_1174":1175,"_1176":8},"user","csrf","49318a7c4cf640e93314e9285344fc4f258a19d8","cartCount",0,"dropLive","legal",[1177,1178,1179,1180,1181,1182,1183,1184,1185,1186,1187,1188],"uploadsEnabled",{"_224":1211,"_20":1212},{"_224":1209,"_20":1210},{"_224":1207,"_20":1208},{"_224":1205,"_20":1206},{"_224":1203,"_20":1204},{"_224":1201,"_20":1202},{"_224":1199,"_20":1200},{"_224":1197,"_20":1198},{"_224":1195,"_20":1196},{"_224":1193,"_20":1194},{"_224":1191,"_20":1192},{"_224":1189,"_20":1190},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]