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on laid paper","dimensions","plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)","width_cm",25.5,"height_cm",18.5,"aspect",1.3927235634138049,"palette",[305,306,307,308,309],"museum",{"_219":300,"_220":301,"_42":302,"_303":304},"credit","Courtesy National Gallery of Art, Washington","accession","2001.118.23","licence","CC0","story","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","note","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.","images",{"_294":295,"_296":297,"_298":299},"download_url","https://img.ochreeditions.com/m/1650.jpg?dl=1","page_url","/art/noon-nga-119642","walk_url","/galleries/style/georgian-britain/noon-nga-119642","frame",{"_290":291,"_292":293},{"_223":282,"_125":283,"_284":285},"size",{"_275":276,"_277":278,"_279":242,"_280":281},"w",49.5,"h",42.3094482421875,"image_w","image_h",18.3094482421875,{"_286":223,"_123":170,"_154":169,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},"era",{"_286":284,"_123":166,"_154":165,"_140":168},"facet","style/print-19","More prints of the 19th century",159,"moulding","white","mount","snow","480","https://img.ochreeditions.com/a/1650/480.jpg","960","https://img.ochreeditions.com/a/1650/960.jpg","1920","https://img.ochreeditions.com/a/1650/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_310":320,"_312":321},{"_310":318,"_312":319},{"_310":316,"_312":317},{"_310":314,"_312":315},{"_310":311,"_312":313},"hex","#6f685f","weight",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"David Lucas","david-lucas","bio","British, 1802–1881","nationality","British","birth_year",1802,"death_year",1881,"birth_place","Geddington Chase, Northamptonshire","death_place","London","about_excerpt","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":402,"_220":403,"_324":404,"_326":405,"_328":406,"_330":407,"_332":408,"_334":408,"_336":409,"_140":99},"1779",18,"painting","Paintings","Oil on canvas","40 x 50 in. (101.6 x 127 cm)",127,101.6,1.2404942965779469,[387,388,389,390,391],{"_219":383,"_220":384,"_42":385,"_303":386},"Courtesy of The Metropolitan Museum of Art","2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_294":380,"_296":381,"_298":382},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_290":378,"_292":379},{"_223":367,"_125":368,"_284":369},{"_275":364,"_277":365,"_279":347,"_280":366},142,117.37854406130268,102.37854406130268,{"_286":223,"_123":376,"_154":377,"_140":99},{"_286":125,"_123":373,"_154":374,"_140":375},{"_286":284,"_123":370,"_154":371,"_140":372},"era/18-britain","18th-century Britain",42,"style/painting-18","More paintings of the 18th century",168,"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","natural","ivory","https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":400,"_312":401},{"_310":398,"_312":399},{"_310":396,"_312":397},{"_310":394,"_312":395},{"_310":392,"_312":393},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797","English",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","the-white-horse-nga-1146","The White Horse",{"_42":461,"_220":462,"_324":463,"_326":405,"_328":464,"_330":465,"_332":-5,"_334":-5,"_336":466,"_140":99},"1818-1819","Painting","oil on canvas","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,1.4306671323786238,[446,447,448,449,450],{"_219":300,"_220":301,"_42":302,"_303":304},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_294":443,"_296":444,"_298":445},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_290":378,"_292":379},{"_223":435,"_125":436,"_284":437},{"_275":432,"_277":433,"_279":417,"_280":434},198,142.912353515625,127.912353515625,{"_286":223,"_123":441,"_154":442,"_140":99},{"_286":125,"_123":438,"_154":439,"_140":440},{"_286":284,"_123":166,"_154":165,"_140":168},"style/painting-19","More paintings of the 19th century",432,"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_310":459,"_312":460},{"_310":457,"_312":458},{"_310":455,"_312":456},{"_310":453,"_312":454},{"_310":451,"_312":452},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","stoke-by-nayland-aic-4758","Stoke-by-Nayland",{"_42":461,"_220":462,"_324":463,"_326":405,"_328":464,"_330":465,"_332":-5,"_334":-5,"_336":466,"_140":99},"1836","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)",169,126,1.358449273096764,[505,506,507,508,509],{"_219":501,"_220":502,"_42":503,"_303":504},"Courtesy of the Art Institute of Chicago","1922.4453","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":498,"_499":500},"Large English country landscape painting, farmers with horses, green trees.",{"_294":495,"_296":496,"_298":497},"https://img.ochreeditions.com/m/7.jpg?dl=1","/art/stoke-by-nayland-aic-4758","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758",{"_290":378,"_292":379},{"_223":492,"_125":493,"_284":494},{"_275":489,"_277":490,"_279":472,"_280":491},184,139.40655926352127,124.40655926352129,{"_286":223,"_123":441,"_154":442,"_140":99},{"_286":125,"_123":438,"_154":439,"_140":440},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/7/960.jpg","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.","source","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":518,"_312":519},{"_310":516,"_312":517},{"_310":514,"_312":515},{"_310":512,"_312":513},{"_310":510,"_312":511},"#a8b3b4",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":567,"_220":568,"_324":569,"_326":405,"_328":570,"_330":571,"_332":572,"_334":335,"_336":573,"_140":97},"c. 1781/1782","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[552,553,554,555,556],{"_219":300,"_220":301,"_42":302,"_303":304},"1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_294":549,"_296":550,"_298":551},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_290":378,"_292":379},{"_223":544,"_125":545,"_284":546},{"_275":541,"_277":542,"_279":525,"_280":543},142.6,116.65009765625,101.65009765625,{"_286":223,"_123":547,"_154":548,"_140":97},{"_286":125,"_123":373,"_154":374,"_140":375},{"_286":284,"_123":370,"_154":371,"_140":372},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg",{"_310":565,"_312":566},{"_310":563,"_312":564},{"_310":561,"_312":562},{"_310":559,"_312":560},{"_310":557,"_312":558},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":620,"_220":621,"_324":622,"_326":405,"_328":623,"_330":624,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1792","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",27,36,0.7591623036649214,[605,606,607,608,609],{"_219":501,"_220":502,"_42":503,"_303":504},"2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_294":602,"_296":603,"_298":604},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_290":378,"_292":379},{"_223":597,"_125":598,"_284":599},{"_275":594,"_277":595,"_279":596,"_280":580},42.32984293193717,51,27.329842931937172,{"_286":223,"_123":600,"_154":601,"_140":89},{"_286":125,"_123":373,"_154":374,"_140":375},{"_286":284,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg",{"_310":618,"_312":619},{"_310":616,"_312":617},{"_310":614,"_312":615},{"_310":612,"_312":613},{"_310":610,"_312":611},"#89694e",0.141,"#26261b",0.1523,"#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,"july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":675,"_220":676,"_324":677,"_326":405,"_328":678,"_330":679,"_332":-5,"_334":-5,"_336":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912998446400829,[660,661,662,663,664],{"_219":501,"_220":502,"_42":503,"_303":504},"1946.404","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_294":657,"_296":658,"_298":659},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_290":291,"_292":293},{"_223":649,"_125":650,"_284":651},{"_275":646,"_277":647,"_279":648,"_280":168},55.65199378560331,64,31.651993785603313,{"_286":223,"_123":655,"_154":656,"_140":99},{"_286":125,"_123":652,"_154":653,"_140":654},{"_286":284,"_123":370,"_154":371,"_140":372},"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg",{"_310":673,"_312":674},{"_310":671,"_312":672},{"_310":669,"_312":670},{"_310":667,"_312":668},{"_310":665,"_312":666},"#766942",0.061,"#684c41",0.0717,"#94856f",0.1271,"#bcb09d",0.3294,"#d2c8b7",0.4108,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":732,"_220":733,"_324":734,"_326":327,"_328":735,"_330":329,"_332":335,"_334":335,"_336":-5,"_140":103},"1796–97","drawing","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[717,718,719,720,721],{"_219":383,"_220":384,"_42":385,"_303":386},"06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_294":714,"_296":715,"_298":716},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_290":291,"_292":293},{"_223":706,"_125":707,"_284":708},{"_275":703,"_277":704,"_279":688,"_280":705},76,62.26731078904992,38.26731078904992,{"_286":223,"_123":712,"_154":713,"_140":89},{"_286":125,"_123":709,"_154":710,"_140":711},{"_286":284,"_123":370,"_154":371,"_140":372},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg",{"_310":730,"_312":731},{"_310":728,"_312":729},{"_310":726,"_312":727},{"_310":724,"_312":725},{"_310":722,"_312":723},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1775,"hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":786,"_220":787,"_324":788,"_326":405,"_328":789,"_330":790,"_332":-5,"_334":-5,"_336":791,"_140":99},"c. 1783","watercolour","Drawing and Watercolor","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",47,34,1.2970566411080882,[772,773,774,775,776],{"_219":501,"_220":502,"_42":503,"_303":504},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_294":769,"_296":770,"_298":771},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_290":291,"_292":293},{"_223":762,"_125":763,"_284":764},{"_275":759,"_277":760,"_279":744,"_280":761},71,60.23588863463005,36.23588863463005,{"_286":223,"_123":767,"_154":768,"_140":99},{"_286":125,"_123":765,"_154":766,"_140":53},{"_286":284,"_123":370,"_154":371,"_140":372},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_310":784,"_312":785},{"_310":782,"_312":783},{"_310":780,"_312":781},{"_310":778,"_312":779},{"_310":777,"_312":393},"#a49483","#c2b09c",0.1626,"#8d7e6f",0.1783,"#ddc8b1",0.2793,"#d1b79b",0.2915,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","saint-john-the-evangelist-nga-54044","Saint John the Evangelist",{"_42":840,"_220":841,"_324":842,"_326":327,"_328":843,"_330":844,"_332":-5,"_334":-5,"_336":-5,"_140":101},"1771","chiaroscuro woodcut in tan and brown","sheet: 19.7 × 15.4 cm (7 3/4 × 6 1/16 in.) other (text beneath image): 3.2 × 15.7 cm (1 1/4 × 6 3/16 in.) mount: 38.2 × 27.1 cm (15 1/16 × 10 11/16 in.)",15.4,19.7,0.702880859375,[825,826,827,828,829],{"_219":300,"_220":301,"_42":302,"_303":304},"1973.58.3","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a winged figure seated on a bird. The image depicts a figure with flowing robes, wings outstretched, holding an open book in one hand. The figure appears to be looking off to the side, with a serene expression. The lower part of the image includes a bird upon which the figure is seated. The bird's head is turned slightly upwards, following the direction in which the figure is gazing. The image is rendered in a warm, monochromatic palette. In the lower section of the image, there is some text, likely Latin.",{"_294":822,"_296":823,"_298":824},"https://img.ochreeditions.com/m/1572.jpg?dl=1","/art/saint-john-the-evangelist-nga-54044","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54044",{"_290":291,"_292":293},{"_223":817,"_125":818,"_284":819},{"_275":813,"_277":814,"_279":815,"_280":816},41.572021484375,49,17.572021484375,25,{"_286":223,"_123":820,"_154":821,"_140":89},{"_286":125,"_123":652,"_154":653,"_140":654},{"_286":284,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1572/480.jpg","https://img.ochreeditions.com/a/1572/960.jpg","https://img.ochreeditions.com/a/1572/1920.jpg",{"_310":838,"_312":839},{"_310":836,"_312":837},{"_310":834,"_312":835},{"_310":832,"_312":833},{"_310":830,"_312":831},"#a28a5c",0.1319,"#d5b378",0.1774,"#b29562",0.1816,"#c1a26a",0.2372,"#d5c19a",0.2719,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",1.0208962154631995,[874,875,876,877,878],{"_219":501,"_220":502,"_42":503,"_303":504},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_294":871,"_296":872,"_298":873},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_290":291,"_292":293},{"_223":866,"_125":867,"_284":868},{"_275":814,"_277":864,"_279":816,"_280":865},48.48828746872867,24.488287468728675,{"_286":223,"_123":869,"_154":870,"_140":97},{"_286":125,"_123":652,"_154":653,"_140":654},{"_286":284,"_123":370,"_154":371,"_140":372},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_310":887,"_312":888},{"_310":885,"_312":886},{"_310":883,"_312":884},{"_310":881,"_312":882},{"_310":879,"_312":880},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"may-from-twelve-months-of-flowers-aic-127984","May, from Twelve Months of Flowers",{"_42":675,"_220":676,"_324":677,"_326":405,"_328":678,"_330":679,"_332":-5,"_334":-5,"_336":-5,"_140":99},0.7948175568482284,[912,913,914,915,916],{"_219":501,"_220":502,"_42":503,"_303":504},"1946.402","A lavish bouquet of the flowers that bloom in May fills this hand-coloured engraving, each blossom numbered and keyed to a list of names. It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.",{"_294":909,"_296":910,"_298":911},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_290":291,"_292":293},{"_223":906,"_125":907,"_284":908},{"_275":904,"_277":647,"_279":905,"_280":168},55.79270227392914,31.792702273929137,{"_286":223,"_123":655,"_154":656,"_140":99},{"_286":125,"_123":652,"_154":653,"_140":654},{"_286":284,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg",{"_310":925,"_312":926},{"_310":923,"_312":924},{"_310":921,"_312":922},{"_310":919,"_312":920},{"_310":917,"_312":918},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":973,"_220":974,"_324":975,"_326":405,"_328":976,"_330":977,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1784, after the drawing of 1775","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",65,0.7011965811965812,[958,959,960,961,962],{"_219":501,"_220":502,"_42":503,"_303":504},"2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_294":955,"_296":956,"_298":957},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_290":291,"_292":293},{"_223":950,"_125":951,"_284":952},{"_275":947,"_277":948,"_279":949,"_280":933},69.57777777777778,89,45.57777777777778,{"_286":223,"_123":953,"_154":954,"_140":89},{"_286":125,"_123":652,"_154":653,"_140":654},{"_286":284,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_310":971,"_312":972},{"_310":969,"_312":970},{"_310":967,"_312":968},{"_310":965,"_312":966},{"_310":963,"_312":964},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"self-portrait-in-a-fur-cap-aic-76295","Self-Portrait in a Fur Cap",{"_42":402,"_220":403,"_324":404,"_326":405,"_328":406,"_330":407,"_332":408,"_334":408,"_336":409,"_140":99},"1765/68","Monochrome pastel (grisaille) on blue-gray laid paper","42.5 × 29.5 cm (16 3/4 × 11 5/8 in.)",29,0.6958228202971685,[1008,1009,1010,1011,1012],{"_219":501,"_220":502,"_42":503,"_303":504},"1990.141","Joseph Wright of Derby painted this in 1765/68, aged about 31. It is now at the Art Institute of Chicago.","Joseph Wright of Derby portrays himself in a fur cap, drawn in monochrome pastel on blue-grey paper, with greys and blacks building the face and the soft texture of the fur.","Black, gray pastel portrait of man in a fur hat.",{"_294":1005,"_296":1006,"_298":1007},"https://img.ochreeditions.com/m/193.jpg?dl=1","/art/self-portrait-in-a-fur-cap-aic-76295","/galleries/style/georgian-britain/self-portrait-in-a-fur-cap-aic-76295",{"_290":291,"_292":293},{"_223":1002,"_125":1003,"_284":1004},{"_275":999,"_277":1000,"_279":1001,"_280":372},53.22455845248108,66,29.224558452481077,{"_286":223,"_123":376,"_154":377,"_140":99},{"_286":125,"_123":765,"_154":766,"_140":53},{"_286":284,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/193/480.jpg","https://img.ochreeditions.com/a/193/960.jpg","https://img.ochreeditions.com/a/193/1920.jpg",{"_310":1021,"_312":1022},{"_310":1019,"_312":1020},{"_310":1017,"_312":1018},{"_310":1015,"_312":1016},{"_310":1013,"_312":1014},"#85817a",0.0524,"#5b4224",0.0632,"#5e5a55",0.0962,"#403d37",0.2066,"#2f2d29",0.5816,"francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":1069,"_220":1070,"_324":1071,"_326":327,"_328":1072,"_330":1073,"_332":1074,"_334":335,"_336":1075,"_140":91},"c. 1822/1823","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[1055,1056,1057,1058,1059],{"_219":300,"_220":301,"_42":302,"_303":304},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_294":1052,"_296":1053,"_298":1054},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_290":378,"_292":379},{"_223":1047,"_125":1048,"_284":1049},{"_275":1044,"_277":1045,"_279":1046,"_280":1029},116.6768798828125,143.5,101.6768798828125,{"_286":223,"_123":1050,"_154":1051,"_140":91},{"_286":125,"_123":438,"_154":439,"_140":440},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_310":1067,"_312":1068},{"_310":1065,"_312":1066},{"_310":1063,"_312":1064},{"_310":1062,"_312":1061},{"_310":1060,"_312":1061},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby",{"_42":1069,"_220":1070,"_324":1071,"_326":327,"_328":1072,"_330":1073,"_332":1074,"_334":335,"_336":1075,"_140":91},"1790","94 in. × 57 1/2 in. (238.8 × 146.1 cm)",146.1,238.8,0.6134193548387097,[1106,1107,1108,1109,1110],{"_219":383,"_220":384,"_42":385,"_303":386},"50.135.5","Thomas Lawrence painted this in 1790, aged 21. It is now at The Met in New York.","The celebrated comic actress Elizabeth Farren turns to look at us as she walks through a windswept landscape, wrapped in a white silk cloak lined with fur and carrying a muff.","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, by Thomas Lawrence, 1790",{"_294":1103,"_296":1104,"_298":1105},"https://img.ochreeditions.com/m/1113.jpg?dl=1","/art/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","/galleries/style/georgian-britain/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851",{"_290":378,"_292":379},{"_223":1100,"_125":1101,"_284":1102},{"_275":1097,"_277":1098,"_279":1099,"_280":1082},161.4845419354839,253.8,146.4845419354839,{"_286":223,"_123":1050,"_154":1051,"_140":91},{"_286":125,"_123":373,"_154":374,"_140":375},{"_286":284,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/1113/480.jpg","https://img.ochreeditions.com/a/1113/960.jpg","https://img.ochreeditions.com/a/1113/1920.jpg",{"_310":1119,"_312":1120},{"_310":1117,"_312":1118},{"_310":1115,"_312":1116},{"_310":1113,"_312":1114},{"_310":1111,"_312":1112},"#6e5e40",0.1382,"#afa284",0.1538,"#3c3422",0.2055,"#3b5150",0.2432,"#6f7361",0.2593,{"_1122":-5,"_1123":1124,"_1125":1126,"_1127":8,"_1128":1129,"_1130":8},"user","csrf","dc80d92e7d1bcf3bae880d3c658ddf0225f2192c","cartCount",0,"dropLive","legal",[1131,1132,1133,1134,1135,1136,1137,1138,1139,1140,1141,1142],"uploadsEnabled",{"_220":1165,"_20":1166},{"_220":1163,"_20":1164},{"_220":1161,"_20":1162},{"_220":1159,"_20":1160},{"_220":1157,"_20":1158},{"_220":1155,"_20":1156},{"_220":1153,"_20":1154},{"_220":1151,"_20":1152},{"_220":1149,"_20":1150},{"_220":1147,"_20":1148},{"_220":1145,"_20":1146},{"_220":1143,"_20":1144},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]