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It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_295":441,"_297":442,"_299":443},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_291":373,"_293":374},{"_225":436,"_125":437,"_285":438},{"_276":432,"_278":433,"_280":434,"_282":435},34.62890625,40,19.62890625,25,{"_287":225,"_123":439,"_154":440,"_140":99},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_311":461,"_313":462},{"_311":459,"_313":460},{"_311":457,"_313":458},{"_311":455,"_313":456},{"_311":453,"_313":454},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","bray-church-yard-cma-119729","Bray Church Yard",{"_42":526,"_222":527,"_325":528,"_327":403,"_329":529,"_331":530,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1807",19,"drawing","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[511,512,513,514,515],{"_221":381,"_222":382,"_42":383,"_304":384},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":510,"_379":380},"Bray Church Yard, by John Varley, 1807",{"_295":507,"_297":508,"_299":509},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_291":292,"_293":294},{"_225":497,"_125":498,"_285":499},{"_276":494,"_278":495,"_280":478,"_282":496},60.9,48.95091176470588,24.950911764705882,{"_287":225,"_123":505,"_154":506,"_140":89},{"_287":125,"_123":502,"_154":503,"_140":504},{"_287":285,"_123":500,"_154":501,"_140":433},"era/19-britain","19th-century Britain","style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_311":524,"_313":525},{"_311":522,"_313":523},{"_311":520,"_313":521},{"_311":518,"_313":519},{"_311":516,"_313":517},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":578,"_222":579,"_325":580,"_327":403,"_329":581,"_331":582,"_333":583,"_334":407,"_335":584,"_140":95},"1776–81","Oil on canvas","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[563,564,565,566,567],{"_221":301,"_222":302,"_42":303,"_304":305},"2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_295":560,"_297":561,"_299":562},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_291":373,"_293":374},{"_225":555,"_125":556,"_285":557},{"_276":552,"_278":553,"_280":554,"_282":538},76.14076281287247,88,61.14076281287247,{"_287":225,"_123":558,"_154":559,"_140":95},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg",{"_311":576,"_313":577},{"_311":574,"_313":575},{"_311":572,"_313":573},{"_311":570,"_313":571},{"_311":568,"_313":569},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":635,"_222":636,"_325":637,"_327":328,"_329":638,"_331":639,"_333":-5,"_334":-5,"_335":640,"_140":99},"c. 1783","watercolour","Drawing and Watercolor","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",34,1.2970566411080882,[620,621,622,623,624],{"_221":301,"_222":302,"_42":303,"_304":305},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_295":617,"_297":618,"_299":619},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_291":292,"_293":294},{"_225":610,"_125":611,"_285":612},{"_276":607,"_278":608,"_280":244,"_282":609},71,60.23588863463005,36.23588863463005,{"_287":225,"_123":615,"_154":616,"_140":99},{"_287":125,"_123":613,"_154":614,"_140":53},{"_287":285,"_123":167,"_154":166,"_140":169},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_311":633,"_313":634},{"_311":631,"_313":632},{"_311":629,"_313":630},{"_311":627,"_313":628},{"_311":625,"_313":626},"#a49483",0.0883,"#c2b09c",0.1626,"#8d7e6f",0.1783,"#ddc8b1",0.2793,"#d1b79b",0.2915,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":463,"_222":464,"_325":465,"_327":403,"_329":466,"_331":467,"_333":-5,"_334":-5,"_335":468,"_140":99},"after 1788","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[672,673,674,675,676],{"_221":381,"_222":382,"_42":383,"_304":384},"1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":671,"_379":380},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_295":668,"_297":669,"_299":670},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_291":373,"_293":374},{"_225":665,"_125":666,"_285":667},{"_276":662,"_278":663,"_280":664,"_282":647},83.17205882352941,90.5,68.17205882352941,{"_287":225,"_123":439,"_154":440,"_140":99},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.",{"_311":685,"_313":686},{"_311":683,"_313":684},{"_311":681,"_313":682},{"_311":679,"_313":680},{"_311":677,"_313":678},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"weymouth-bay-met-682931","Weymouth Bay",{"_42":744,"_222":745,"_325":746,"_327":403,"_329":747,"_331":748,"_333":749,"_334":407,"_335":750,"_140":97},"1830","Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[729,730,731,732,733],{"_221":725,"_222":726,"_42":727,"_304":728},"Courtesy of The Metropolitan Museum of Art","39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_295":722,"_297":723,"_299":724},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_291":292,"_293":294},{"_225":714,"_125":715,"_285":716},{"_276":711,"_278":712,"_280":435,"_282":713},49,43.859539602028875,19.85953960202887,{"_287":225,"_123":720,"_154":721,"_140":97},{"_287":125,"_123":717,"_154":718,"_140":719},{"_287":285,"_123":500,"_154":501,"_140":433},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":742,"_313":743},{"_311":740,"_313":741},{"_311":738,"_313":739},{"_311":736,"_313":737},{"_311":734,"_313":735},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":798,"_222":799,"_325":800,"_327":801,"_329":802,"_331":803,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",127,101.5,1.2560029553010712,[784,785,786,787,788],{"_221":381,"_222":382,"_42":383,"_304":384},"2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":783,"_379":380},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_295":780,"_297":781,"_299":782},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_291":373,"_293":374},{"_225":775,"_125":776,"_285":777},{"_276":772,"_278":773,"_280":756,"_282":774},142,116.11441176470589,101.11441176470589,{"_287":225,"_123":778,"_154":779,"_140":89},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.",{"_311":796,"_313":797},{"_311":794,"_313":795},{"_311":792,"_313":793},{"_311":790,"_313":791},{"_311":789,"_313":630},"#3a352c","#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":853,"_222":854,"_325":855,"_327":328,"_329":856,"_331":857,"_333":-5,"_334":-5,"_335":-5,"_140":101},"n.d.","Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[838,839,840,841,842],{"_221":301,"_222":302,"_42":303,"_304":305},"1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_295":835,"_297":836,"_299":837},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_291":292,"_293":294},{"_225":828,"_125":829,"_285":830},{"_276":825,"_278":826,"_280":810,"_282":827},70,56.1976386036961,32.1976386036961,{"_287":225,"_123":833,"_154":834,"_140":89},{"_287":125,"_123":831,"_154":832,"_140":433},{"_287":285,"_123":500,"_154":501,"_140":433},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg",{"_311":851,"_313":852},{"_311":849,"_313":850},{"_311":847,"_313":848},{"_311":845,"_313":846},{"_311":843,"_313":844},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":400,"_222":401,"_325":402,"_327":403,"_329":404,"_331":405,"_333":406,"_334":407,"_335":408,"_140":91},"c. 1822/1823","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[891,892,893,894,895],{"_221":444,"_222":445,"_42":446,"_304":447},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_295":888,"_297":889,"_299":890},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_291":373,"_293":374},{"_225":882,"_125":883,"_285":884},{"_276":879,"_278":880,"_280":881,"_282":864},116.6768798828125,143.5,101.6768798828125,{"_287":225,"_123":371,"_154":372,"_140":91},{"_287":125,"_123":885,"_154":886,"_140":887},{"_287":285,"_123":500,"_154":501,"_140":433},"style/painting-19","More paintings of the 19th century",432,"https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_311":903,"_313":904},{"_311":901,"_313":902},{"_311":899,"_313":900},{"_311":898,"_313":897},{"_311":896,"_313":897},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"georgiana-duchess-of-devonshire-nga-52263","Georgiana, Duchess of Devonshire",{"_42":463,"_222":464,"_325":465,"_327":403,"_329":466,"_331":467,"_333":-5,"_334":-5,"_335":468,"_140":99},"c. 1787/1796","overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.) framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in.)",39.9,59.1,0.666748046875,[935,936,937,938,939],{"_221":444,"_222":445,"_42":446,"_304":447},"1970.17.119","Gainsborough Dupont painted this in about 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","Georgiana, Duchess of Devonshire, political hostess and leader of fashion in Georgian society, stands at full length in a light silk dress and a large dark feathered hat, gathering her skirts in her arms beside tall trees.","This painting is a full-length portrait of a woman with her body facing the right and her head turned toward us. She has light skin, curly gray hair, arched eyebrows, and a small mouth in a neutral expression. She wears an elegant light-colored dress with a large bow on the back and a large, dark, feathered hat, and she has a flower tucked in her arms, which also gather up some of her skirts. The background shows tall trees, with the edge of a wall visible in the upper-right corner. The color scheme of the painting is mostly olive-green, and everything has a green tint.",{"_295":932,"_297":933,"_299":934},"https://img.ochreeditions.com/m/1550.jpg?dl=1","/art/georgiana-duchess-of-devonshire-nga-52263","/galleries/style/georgian-britain/georgiana-duchess-of-devonshire-nga-52263",{"_291":373,"_293":374},{"_225":929,"_125":930,"_285":931},{"_276":926,"_278":927,"_280":928,"_282":911},54.4048095703125,74.1,39.4048095703125,{"_287":225,"_123":439,"_154":440,"_140":99},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1550/480.jpg","https://img.ochreeditions.com/a/1550/960.jpg","https://img.ochreeditions.com/a/1550/1920.jpg",{"_311":948,"_313":949},{"_311":946,"_313":947},{"_311":944,"_313":945},{"_311":942,"_313":943},{"_311":940,"_313":941},"#bba987",0.0696,"#3b2e29",0.1916,"#917f5d",0.2158,"#7a6236",0.2411,"#5b462d",0.2819,"wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":998,"_222":999,"_325":1000,"_327":328,"_329":1001,"_331":1002,"_333":1003,"_334":407,"_335":1004,"_140":97},"early 1770s (not later than 1772)","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[983,984,985,986,987],{"_221":301,"_222":302,"_42":303,"_304":305},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_295":980,"_297":981,"_299":982},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_291":292,"_293":294},{"_225":975,"_125":976,"_285":977},{"_276":972,"_278":973,"_280":956,"_282":974},79,66.1776611694153,42.177661169415295,{"_287":225,"_123":978,"_154":979,"_140":97},{"_287":125,"_123":613,"_154":614,"_140":53},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_311":996,"_313":997},{"_311":994,"_313":995},{"_311":992,"_313":993},{"_311":990,"_313":991},{"_311":988,"_313":989},"#75643b",0.1438,"#483b21",0.1553,"#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":400,"_222":401,"_325":402,"_327":403,"_329":404,"_331":405,"_333":406,"_334":407,"_335":408,"_140":91},"c. 1805","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",78,0.8287557603686636,[1032,1033,1034,1035,1036],{"_221":301,"_222":302,"_42":303,"_304":305},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.",{"_295":1029,"_297":1030,"_299":1031},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_291":373,"_293":374},{"_225":1026,"_125":1027,"_285":1028},{"_276":1023,"_278":1024,"_280":1025,"_282":1010},79.64294930875576,93,64.64294930875576,{"_287":225,"_123":371,"_154":372,"_140":91},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_311":1045,"_313":1046},{"_311":1043,"_313":1044},{"_311":1041,"_313":1042},{"_311":1039,"_313":1040},{"_311":1037,"_313":1038},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":1093,"_222":1094,"_325":1095,"_327":403,"_329":1096,"_331":1097,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1816","overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",231,150,1.522110739502044,[1078,1079,1080,1081,1082],{"_221":444,"_222":445,"_42":446,"_304":447},"2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_295":1075,"_297":1076,"_299":1077},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_291":373,"_293":374},{"_225":1070,"_125":1071,"_285":1072},{"_276":1067,"_278":1068,"_280":1052,"_282":1069},246,166.762939453125,151.762939453125,{"_287":225,"_123":1073,"_154":1074,"_140":89},{"_287":125,"_123":885,"_154":886,"_140":887},{"_287":285,"_123":500,"_154":501,"_140":433},"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_311":1091,"_313":1092},{"_311":1089,"_313":1090},{"_311":1087,"_313":1088},{"_311":1085,"_313":1086},{"_311":1083,"_313":1084},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,"recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[1128,1129,1130,1131,1132],{"_221":301,"_222":302,"_42":303,"_304":305},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_295":1125,"_297":1126,"_299":1127},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_291":292,"_293":294},{"_225":1120,"_125":1121,"_285":1122},{"_276":711,"_278":1118,"_280":435,"_282":1119},48.48828746872867,24.488287468728675,{"_287":225,"_123":1123,"_154":1124,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_311":1141,"_313":1142},{"_311":1139,"_313":1140},{"_311":1137,"_313":1138},{"_311":1135,"_313":1136},{"_311":1133,"_313":1134},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,{"_1144":-5,"_1145":1146,"_1147":1148,"_1149":8,"_1150":1151,"_1152":8},"user","csrf","c22847878975a01c59e0d3cb775aae015fc23f94","cartCount",0,"dropLive","legal",[1153,1154,1155,1156,1157,1158,1159,1160,1161,1162,1163,1164],"uploadsEnabled",{"_222":1187,"_20":1188},{"_222":1185,"_20":1186},{"_222":1183,"_20":1184},{"_222":1181,"_20":1182},{"_222":1179,"_20":1180},{"_222":1177,"_20":1178},{"_222":1175,"_20":1176},{"_222":1173,"_20":1174},{"_222":1171,"_20":1172},{"_222":1169,"_20":1170},{"_222":1167,"_20":1168},{"_222":1165,"_20":1166},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]