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The sky above is blue and filled with white and gray clouds.",{"_297":443,"_299":444,"_301":445},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_293":441,"_295":442},{"_227":430,"_125":431,"_288":432},{"_279":427,"_281":428,"_283":412,"_285":429},167.6,105.38271484375,90.38271484375,{"_290":227,"_123":439,"_154":440,"_140":89},{"_290":125,"_123":436,"_154":437,"_140":438},{"_290":288,"_123":433,"_154":434,"_140":435},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","natural","ivory","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_313":459,"_315":460},{"_313":457,"_315":458},{"_313":455,"_315":456},{"_313":453,"_315":454},{"_313":451,"_315":452},"#9f8033",0.1271,"#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,"lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":523,"_224":524,"_327":525,"_329":400,"_331":526,"_333":527,"_335":528,"_336":528,"_337":-5,"_140":103},"1796–97","drawing","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[508,509,510,511,512],{"_223":504,"_224":505,"_42":506,"_306":507},"Courtesy of The Metropolitan Museum of Art","06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_297":501,"_299":502,"_301":503},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_293":294,"_295":296},{"_227":493,"_125":494,"_288":495},{"_279":490,"_281":491,"_283":474,"_285":492},76,62.26731078904992,38.26731078904992,{"_290":227,"_123":499,"_154":500,"_140":89},{"_290":125,"_123":496,"_154":497,"_140":498},{"_290":288,"_123":167,"_154":166,"_140":169},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_313":521,"_315":522},{"_313":519,"_315":520},{"_313":517,"_315":518},{"_313":515,"_315":516},{"_313":513,"_315":514},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1775,1802,"London","portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":583,"_224":584,"_327":585,"_329":400,"_331":586,"_333":587,"_335":588,"_336":528,"_337":589,"_140":91},"1801","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,0.7955882352941176,[568,569,570,571,572],{"_223":564,"_224":565,"_42":566,"_306":567},"Courtesy of the Cleveland Museum of Art","1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":561,"_562":563},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_297":558,"_299":559,"_301":560},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_293":441,"_295":442},{"_227":553,"_125":554,"_288":555},{"_279":550,"_281":551,"_283":552,"_285":372},117.63088235294117,144,102.63088235294117,{"_290":227,"_123":556,"_154":557,"_140":91},{"_290":125,"_123":436,"_154":437,"_140":438},{"_290":288,"_123":433,"_154":434,"_140":435},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_313":581,"_315":582},{"_313":579,"_315":580},{"_313":577,"_315":578},{"_313":575,"_315":576},{"_313":573,"_315":574},"#bc9f72",0.1057,"#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":641,"_224":642,"_327":643,"_329":400,"_331":527,"_333":644,"_335":645,"_336":528,"_337":646,"_140":97},"1830","mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[626,627,628,629,630],{"_223":378,"_224":379,"_42":380,"_306":381},"2001.118.27","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_297":623,"_299":624,"_301":625},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_293":294,"_295":296},{"_227":615,"_125":616,"_288":617},{"_279":612,"_281":613,"_283":596,"_285":614},49.2,41.94638671875,17.94638671875,{"_290":227,"_123":621,"_154":622,"_140":97},{"_290":125,"_123":618,"_154":619,"_140":620},{"_290":288,"_123":433,"_154":434,"_140":435},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_313":639,"_315":640},{"_313":637,"_315":638},{"_313":635,"_315":636},{"_313":633,"_315":634},{"_313":631,"_315":632},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"David Lucas","david-lucas","British, 1802–1881",1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","wivenhoe-park-essex-nga-1147","Wivenhoe Park, Essex",{"_42":694,"_224":695,"_327":696,"_329":330,"_331":697,"_333":698,"_335":-5,"_336":-5,"_337":699,"_140":99},"1816","overall: 56.1 x 101.2 cm (22 1/16 x 39 13/16 in.) framed: 77.8 x 122.5 x 8.8 cm (30 5/8 x 48 1/4 x 3 7/16 in.)",101.2,56.1,1.8467087466185752,[679,680,681,682,683],{"_223":378,"_224":379,"_42":380,"_306":381},"1942.9.10","John Constable painted this in 1816, aged 40. It is now at the National Gallery of Art in Washington, DC.","Black and white cows graze beyond a fence, two men haul in a net from a boat near a pair of swans, and a donkey cart crosses a distant bridge, while the brick house of Wivenhoe Park appears through the trees beneath towering summer clouds.","We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting. A wooden fence closer to us crosses the landscape from the lower left corner and disappears where the land slopes down to meet the water at the center of the painting. Several black and white cows graze in the field beyond the fence to our left. Two men in a wooden boat pull in nets on the lake to our right near a pair of swans. The lake crosses the composition in the near distance, disappearing into a culvert farther back. A donkey pulls a small carriage with two people near a bridge that crosses the lake in the distance to our left. The brick manor house is visible through a break in the full, deep green trees that line the horizon, which comes halfway up the composition. The clouds cast noticeable shadows in the brightly sunlit scene.",{"_297":676,"_299":677,"_301":678},"https://img.ochreeditions.com/m/1327.jpg?dl=1","/art/wivenhoe-park-essex-nga-1147","/galleries/style/georgian-britain/wivenhoe-park-essex-nga-1147",{"_293":441,"_295":442},{"_227":671,"_125":672,"_288":673},{"_279":668,"_281":669,"_283":652,"_285":670},116.2,69.8001953125,54.8001953125,{"_290":227,"_123":674,"_154":675,"_140":99},{"_290":125,"_123":436,"_154":437,"_140":438},{"_290":288,"_123":433,"_154":434,"_140":435},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1327/480.jpg","https://img.ochreeditions.com/a/1327/960.jpg","https://img.ochreeditions.com/a/1327/1920.jpg",{"_313":692,"_315":693},{"_313":690,"_315":691},{"_313":688,"_315":689},{"_313":686,"_315":687},{"_313":684,"_315":685},"#796b3d",0.0911,"#7c8b94",0.0987,"#4d442a",0.2058,"#322d1a",0.2536,"#837f77",0.3508,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":748,"_224":749,"_327":750,"_329":330,"_331":526,"_333":751,"_335":528,"_336":528,"_337":752,"_140":97},"1837–38","Oil on canvas","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[733,734,735,736,737],{"_223":303,"_224":304,"_42":305,"_306":307},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_297":730,"_299":731,"_301":732},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/georgian-britain/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_293":441,"_295":442},{"_227":725,"_125":726,"_288":727},{"_279":722,"_281":723,"_283":706,"_285":724},239,188.10233393177737,173.10233393177737,{"_290":227,"_123":728,"_154":729,"_140":97},{"_290":125,"_123":436,"_154":437,"_140":438},{"_290":288,"_123":433,"_154":434,"_140":435},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_313":746,"_315":747},{"_313":744,"_315":745},{"_313":742,"_315":743},{"_313":740,"_315":741},{"_313":738,"_315":739},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438",0.2133,"#736551",0.2481,"#9e886b",0.2634,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":325,"_224":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":-5,"_336":-5,"_337":338,"_140":99},"c. 1783","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",47,34,1.2970566411080882,[783,784,785,786,787],{"_223":303,"_224":304,"_42":305,"_306":307},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_297":780,"_299":781,"_301":782},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_293":294,"_295":296},{"_227":777,"_125":778,"_288":779},{"_279":774,"_281":775,"_283":759,"_285":776},71,60.23588863463005,36.23588863463005,{"_290":227,"_123":171,"_154":170,"_140":99},{"_290":125,"_123":291,"_154":292,"_140":53},{"_290":288,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_313":796,"_315":797},{"_313":794,"_315":795},{"_313":792,"_315":793},{"_313":790,"_315":791},{"_313":788,"_315":789},"#a49483",0.0883,"#c2b09c",0.1626,"#8d7e6f",0.1783,"#ddc8b1",0.2793,"#d1b79b",0.2915,"elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby",{"_42":583,"_224":584,"_327":585,"_329":400,"_331":586,"_333":587,"_335":588,"_336":528,"_337":589,"_140":91},"1790","Paintings","94 in. × 57 1/2 in. (238.8 × 146.1 cm)",146.1,238.8,0.6134193548387097,[832,833,834,835,836],{"_223":504,"_224":505,"_42":506,"_306":507},"50.135.5","Thomas Lawrence painted this in 1790, aged 21. It is now at The Met in New York.","The celebrated comic actress Elizabeth Farren turns to look at us as she walks through a windswept landscape, wrapped in a white silk cloak lined with fur and carrying a muff.","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, by Thomas Lawrence, 1790",{"_297":829,"_299":830,"_301":831},"https://img.ochreeditions.com/m/1113.jpg?dl=1","/art/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","/galleries/style/georgian-britain/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851",{"_293":441,"_295":442},{"_227":823,"_125":824,"_288":825},{"_279":820,"_281":821,"_283":822,"_285":805},161.4845419354839,253.8,146.4845419354839,{"_290":227,"_123":556,"_154":557,"_140":91},{"_290":125,"_123":826,"_154":827,"_140":828},{"_290":288,"_123":167,"_154":166,"_140":169},"style/painting-18","More paintings of the 18th century",168,"https://img.ochreeditions.com/a/1113/480.jpg","https://img.ochreeditions.com/a/1113/960.jpg","https://img.ochreeditions.com/a/1113/1920.jpg",{"_313":845,"_315":846},{"_313":843,"_315":844},{"_313":841,"_315":842},{"_313":839,"_315":840},{"_313":837,"_315":838},"#6e5e40",0.1382,"#afa284",0.1538,"#3c3422",0.2055,"#3b5150",0.2432,"#6f7361",0.2593,"landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":893,"_224":894,"_327":895,"_329":400,"_331":896,"_333":897,"_335":-5,"_336":-5,"_337":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,123.2,0.79638671875,[878,879,880,881,882],{"_223":378,"_224":379,"_42":380,"_306":381},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_297":875,"_299":876,"_301":877},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_293":441,"_295":442},{"_227":870,"_125":871,"_288":872},{"_279":867,"_281":868,"_283":869,"_285":853},113.11484375,138.2,98.11484375,{"_290":227,"_123":873,"_154":874,"_140":89},{"_290":125,"_123":436,"_154":437,"_140":438},{"_290":288,"_123":433,"_154":434,"_140":435},"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_313":891,"_315":892},{"_313":889,"_315":890},{"_313":887,"_315":888},{"_313":885,"_315":886},{"_313":883,"_315":884},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"noon-nga-119642","Noon",{"_42":641,"_224":642,"_327":643,"_329":400,"_331":527,"_333":644,"_335":645,"_336":528,"_337":646,"_140":97},"mezzotint on laid paper","plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,1.3927235634138049,[926,927,928,929,930],{"_223":378,"_224":379,"_42":380,"_306":381},"2001.118.23","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_297":923,"_299":924,"_301":925},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_293":294,"_295":296},{"_227":920,"_125":921,"_288":922},{"_279":917,"_281":918,"_283":903,"_285":919},49.5,42.3094482421875,18.3094482421875,{"_290":227,"_123":621,"_154":622,"_140":97},{"_290":125,"_123":618,"_154":619,"_140":620},{"_290":288,"_123":433,"_154":434,"_140":435},"https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_313":939,"_315":940},{"_313":937,"_315":938},{"_313":935,"_315":936},{"_313":933,"_315":934},{"_313":931,"_315":932},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":583,"_224":584,"_327":585,"_329":400,"_331":586,"_333":587,"_335":588,"_336":528,"_337":589,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[973,974,975,976,977],{"_223":564,"_224":565,"_42":566,"_306":567},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":972,"_562":563},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_297":969,"_299":970,"_301":971},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_293":441,"_295":442},{"_227":966,"_125":967,"_288":968},{"_279":962,"_281":963,"_283":964,"_285":965},163.0235294117647,255,148.0235294117647,240,{"_290":227,"_123":556,"_154":557,"_140":91},{"_290":125,"_123":826,"_154":827,"_140":828},{"_290":288,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_313":986,"_315":987},{"_313":984,"_315":985},{"_313":982,"_315":983},{"_313":980,"_315":981},{"_313":978,"_315":979},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":1040,"_224":1041,"_327":1042,"_329":400,"_331":1043,"_333":1044,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1807","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[1025,1026,1027,1028,1029],{"_223":564,"_224":565,"_42":566,"_306":567},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":1024,"_562":563},"Bray Church Yard, by John Varley, 1807",{"_297":1021,"_299":1022,"_301":1023},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_293":294,"_295":296},{"_227":1014,"_125":1015,"_288":1016},{"_279":1011,"_281":1012,"_283":995,"_285":1013},60.9,48.95091176470588,24.950911764705882,{"_290":227,"_123":1019,"_154":1020,"_140":89},{"_290":125,"_123":1017,"_154":1018,"_140":413},{"_290":288,"_123":433,"_154":434,"_140":435},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_313":1038,"_315":1039},{"_313":1036,"_315":1037},{"_313":1034,"_315":1035},{"_313":1032,"_315":1033},{"_313":1030,"_315":1031},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[1075,1076,1077,1078,1079],{"_223":303,"_224":304,"_42":305,"_306":307},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_297":1072,"_299":1073,"_301":1074},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_293":294,"_295":296},{"_227":1067,"_125":1068,"_288":1069},{"_279":364,"_281":1065,"_283":366,"_285":1066},48.48828746872867,24.488287468728675,{"_290":227,"_123":1070,"_154":1071,"_140":97},{"_290":125,"_123":370,"_154":371,"_140":372},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_313":1088,"_315":1089},{"_313":1086,"_315":1087},{"_313":1084,"_315":1085},{"_313":1082,"_315":1083},{"_313":1080,"_315":1081},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":1137,"_224":1138,"_327":1139,"_329":330,"_331":1140,"_333":1141,"_335":1142,"_336":528,"_337":1143,"_140":97},"c. 1781/1782","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[1122,1123,1124,1125,1126],{"_223":378,"_224":379,"_42":380,"_306":381},"1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_297":1119,"_299":1120,"_301":1121},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_293":441,"_295":442},{"_227":1114,"_125":1115,"_288":1116},{"_279":1111,"_281":1112,"_283":1095,"_285":1113},142.6,116.65009765625,101.65009765625,{"_290":227,"_123":1117,"_154":1118,"_140":97},{"_290":125,"_123":826,"_154":827,"_140":828},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg",{"_313":1135,"_315":1136},{"_313":1133,"_315":1134},{"_313":1131,"_315":1132},{"_313":1129,"_315":1130},{"_313":1127,"_315":1128},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.",{"_1145":-5,"_1146":1147,"_1148":1149,"_1150":8,"_1151":1152,"_1153":8},"user","csrf","9b35dee7ae5a246d2344558301c3b500bfa3b5d5","cartCount",0,"dropLive","legal",[1154,1155,1156,1157,1158,1159,1160,1161,1162,1163,1164,1165],"uploadsEnabled",{"_224":1188,"_20":1189},{"_224":1186,"_20":1187},{"_224":1184,"_20":1185},{"_224":1182,"_20":1183},{"_224":1180,"_20":1181},{"_224":1178,"_20":1179},{"_224":1176,"_20":1177},{"_224":1174,"_20":1175},{"_224":1172,"_20":1173},{"_224":1170,"_20":1171},{"_224":1168,"_20":1169},{"_224":1166,"_20":1167},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]