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The bird has sharp features and spread wings. The background contains swirling clouds. The scene is framed with a border, and there is text at the bottom. The lines are bold and the shades are muted.",{"_293":439,"_295":440,"_297":441},"https://img.ochreeditions.com/m/1571.jpg?dl=1","/art/saint-john-the-evangelist-nga-54043","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54043",{"_289":290,"_291":292},{"_224":431,"_125":432,"_284":433},{"_275":427,"_277":428,"_279":429,"_281":430},42.560791015625,49,18.560791015625,25,{"_286":224,"_123":437,"_154":438,"_140":89},{"_286":125,"_123":434,"_154":435,"_140":436},{"_286":284,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1571/480.jpg","https://img.ochreeditions.com/a/1571/960.jpg","https://img.ochreeditions.com/a/1571/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_309":459,"_311":460},{"_309":457,"_311":458},{"_309":455,"_311":456},{"_309":453,"_311":454},{"_309":451,"_311":452},"#b69e75",0.1243,"#877257",0.1513,"#9a8362",0.1745,"#cab68c",0.2161,"#d5c39a",0.3338,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":513,"_221":514,"_323":515,"_325":399,"_327":516,"_329":517,"_331":-5,"_333":-5,"_335":518,"_140":99},"n.d.","Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[498,499,500,501,502],{"_220":299,"_221":300,"_42":301,"_302":303},"1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_293":495,"_295":496,"_297":497},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_289":290,"_291":292},{"_224":490,"_125":491,"_284":492},{"_275":487,"_277":488,"_279":472,"_281":489},53,44.521086780210865,20.52108678021087,{"_286":224,"_123":493,"_154":494,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":53},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg",{"_309":511,"_311":512},{"_309":509,"_311":510},{"_309":507,"_311":508},{"_309":505,"_311":506},{"_309":503,"_311":504},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":578,"_221":579,"_323":580,"_325":326,"_327":581,"_329":582,"_331":583,"_333":334,"_335":584,"_140":95},"c. 1761","oil on canvas","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[563,564,565,566,567],{"_220":559,"_221":560,"_42":561,"_302":562},"Courtesy of the Cleveland Museum of Art","1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":556,"_557":558},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_293":553,"_295":554,"_297":555},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_289":376,"_291":377},{"_224":545,"_125":546,"_284":547},{"_275":542,"_277":543,"_279":544,"_281":526},185.63529411764705,211,170.63529411764705,{"_286":224,"_123":551,"_154":552,"_140":95},{"_286":125,"_123":548,"_154":549,"_140":550},{"_286":284,"_123":167,"_154":166,"_140":169},"style/painting-18","More paintings of the 18th century",168,"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":576,"_311":577},{"_309":574,"_311":575},{"_309":572,"_311":573},{"_309":570,"_311":571},{"_309":568,"_311":569},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":638,"_221":639,"_323":640,"_325":641,"_327":642,"_329":643,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1834","drawing","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[624,625,626,627,628],{"_220":559,"_221":560,"_42":561,"_302":562},"1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":623,"_557":558},"Descent into the Plain of Granada, by David Roberts, 1834",{"_293":620,"_295":621,"_297":622},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_289":290,"_291":292},{"_224":612,"_125":613,"_284":614},{"_275":609,"_277":610,"_279":593,"_281":611},56.5,47.45735294117647,23.45735294117647,{"_286":224,"_123":618,"_154":619,"_140":89},{"_286":125,"_123":615,"_154":616,"_140":617},{"_286":284,"_123":368,"_154":369,"_140":370},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.",{"_309":636,"_311":637},{"_309":635,"_311":391},{"_309":633,"_311":634},{"_309":631,"_311":632},{"_309":629,"_311":630},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b","#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864","Scottish",1796,1864,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":693,"_221":694,"_323":695,"_325":326,"_327":696,"_329":697,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1807","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[678,679,680,681,682],{"_220":559,"_221":560,"_42":561,"_302":562},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":677,"_557":558},"Bray Church Yard, by John Varley, 1807",{"_293":674,"_295":675,"_297":676},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_289":290,"_291":292},{"_224":669,"_125":670,"_284":671},{"_275":666,"_277":667,"_279":650,"_281":668},60.9,48.95091176470588,24.950911764705882,{"_286":224,"_123":672,"_154":673,"_140":89},{"_286":125,"_123":615,"_154":616,"_140":617},{"_286":284,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_309":691,"_311":692},{"_309":689,"_311":690},{"_309":687,"_311":688},{"_309":685,"_311":686},{"_309":683,"_311":684},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"lord-rothes-si-saam-1956-11-60","Lord Rothes","Unrecorded British maker","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[733,734,735,736,737],{"_220":730,"_221":731,"_42":732,"_302":445},"Courtesy of the Smithsonian American Art Museum","1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_293":727,"_295":728,"_297":729},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_289":376,"_291":377},{"_224":722,"_125":723,"_284":724},{"_275":719,"_277":720,"_279":721,"_281":704},117.51170000000002,143.3,102.51170000000002,{"_286":224,"_123":725,"_154":726,"_140":97},{"_286":125,"_123":548,"_154":549,"_140":550},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg","si","smithsonian","Smithsonian Institution",{"_309":746,"_311":747},{"_309":744,"_311":745},{"_309":742,"_311":743},{"_309":740,"_311":741},{"_309":738,"_311":739},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015",0.3131,"portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":321,"_221":322,"_323":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[780,781,782,783,784],{"_220":559,"_221":560,"_42":561,"_302":562},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":779,"_557":558},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_293":776,"_295":777,"_297":778},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_289":376,"_291":377},{"_224":773,"_125":774,"_284":775},{"_275":769,"_277":770,"_279":771,"_281":772},163.0235294117647,255,148.0235294117647,240,{"_286":224,"_123":171,"_154":170,"_140":91},{"_286":125,"_123":548,"_154":549,"_140":550},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_309":793,"_311":794},{"_309":791,"_311":792},{"_309":789,"_311":790},{"_309":787,"_311":788},{"_309":785,"_311":786},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"a-dell-at-helmingham-park-suffolk-nga-119643","A Dell at Helmingham Park, Suffolk",{"_42":845,"_221":846,"_323":847,"_325":326,"_327":848,"_329":849,"_331":850,"_333":334,"_335":851,"_140":97},"1830","mezzotint on laid paper","plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.)",22.2,17.8,1.2397094430992737,[830,831,832,833,834],{"_220":442,"_221":443,"_42":444,"_302":445},"2001.118.21","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","A rough wooden footbridge crosses a shadowy ravine in the old woodland of Helmingham Park in Suffolk, with light filtering through the canopy and a path leading on into the trees.","The image shows a landscape scene with a frontal view of a dense forest. A wooden bridge spans across a narrow ravine or creek. The painting features vigorous and textural brushstrokes with dark tones creating a shadowy effect. The color palette includes deep blacks, dark browns, and occasional highlights of light filtering through the canopy. In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.",{"_293":827,"_295":828,"_297":829},"https://img.ochreeditions.com/m/1651.jpg?dl=1","/art/a-dell-at-helmingham-park-suffolk-nga-119643","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643",{"_289":290,"_291":292},{"_224":819,"_125":820,"_284":821},{"_275":428,"_277":817,"_279":430,"_281":818},44.166015625,20.166015625,{"_286":224,"_123":825,"_154":826,"_140":97},{"_286":125,"_123":822,"_154":823,"_140":824},{"_286":284,"_123":368,"_154":369,"_140":370},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/1651/960.jpg","https://img.ochreeditions.com/a/1651/1920.jpg",{"_309":843,"_311":844},{"_309":841,"_311":842},{"_309":839,"_311":840},{"_309":837,"_311":838},{"_309":835,"_311":836},"#cbb99e",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":899,"_221":900,"_323":901,"_325":399,"_327":902,"_329":903,"_331":904,"_333":334,"_335":905,"_140":97},"c. 1781/1782","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[884,885,886,887,888],{"_220":442,"_221":443,"_42":444,"_302":445},"1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_293":881,"_295":882,"_297":883},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_289":376,"_291":377},{"_224":876,"_125":877,"_284":878},{"_275":873,"_277":874,"_279":857,"_281":875},142.6,116.65009765625,101.65009765625,{"_286":224,"_123":879,"_154":880,"_140":97},{"_286":125,"_123":548,"_154":549,"_140":550},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg",{"_309":897,"_311":898},{"_309":895,"_311":896},{"_309":893,"_311":894},{"_309":891,"_311":892},{"_309":889,"_311":890},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":954,"_221":955,"_323":956,"_325":326,"_327":957,"_329":958,"_331":-5,"_333":-5,"_335":959,"_140":99},"after 1788","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[939,940,941,942,943],{"_220":559,"_221":560,"_42":561,"_302":562},"1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":938,"_557":558},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_293":935,"_295":936,"_297":937},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_289":376,"_291":377},{"_224":930,"_125":931,"_284":932},{"_275":927,"_277":928,"_279":929,"_281":912},83.17205882352941,90.5,68.17205882352941,{"_286":224,"_123":933,"_154":934,"_140":99},{"_286":125,"_123":548,"_154":549,"_140":550},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.",{"_309":952,"_311":953},{"_309":950,"_311":951},{"_309":948,"_311":949},{"_309":946,"_311":947},{"_309":944,"_311":945},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","portrait-of-mrs-george-collier-cma-101852","Portrait of Mrs. George Collier",{"_42":578,"_221":579,"_323":580,"_325":326,"_327":581,"_329":582,"_331":583,"_333":334,"_335":584,"_140":95},"18th century",17,"Framed: 112 x 101 x 12 cm (44 1/8 x 39 3/4 x 4 3/4 in.); Unframed: 80 x 67.3 cm (31 1/2 x 26 1/2 in.)",67.3,80,0.8194117647058824,[997,998,999,1000,1001],{"_220":559,"_221":560,"_42":561,"_302":562},"1920.514","Joshua Reynolds painted this in 18th century. It is now at the Cleveland Museum of Art.",{"_118":996,"_557":558},"Portrait of Mrs. George Collier, by Joshua Reynolds, 18th century",{"_293":993,"_295":994,"_297":995},"https://img.ochreeditions.com/m/498.jpg?dl=1","/art/portrait-of-mrs-george-collier-cma-101852","/galleries/style/georgian-britain/portrait-of-mrs-george-collier-cma-101852",{"_289":376,"_291":377},{"_224":985,"_125":986,"_284":987},{"_275":982,"_277":983,"_279":984,"_281":967},80.5529411764706,95,65.5529411764706,{"_286":224,"_123":551,"_154":552,"_140":95},{"_286":125,"_123":991,"_154":992,"_140":550},{"_286":284,"_123":988,"_154":989,"_140":990},"era/17","The 17th century",266,"style/painting-17","More paintings of the 17th century","https://img.ochreeditions.com/a/498/480.jpg","https://img.ochreeditions.com/a/498/960.jpg","https://img.ochreeditions.com/a/498/1920.jpg","Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds. However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time.",{"_309":1010,"_311":1011},{"_309":1008,"_311":1009},{"_309":1006,"_311":1007},{"_309":1004,"_311":1005},{"_309":1002,"_311":1003},"#dbae62",0.0772,"#543416",0.0793,"#a17433",0.0962,"#784818",0.1532,"#312311",0.5941,"noon-nga-119642","Noon",{"_42":845,"_221":846,"_323":847,"_325":326,"_327":848,"_329":849,"_331":850,"_333":334,"_335":851,"_140":97},"plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,18.5,1.3927235634138049,[1040,1041,1042,1043,1044],{"_220":442,"_221":443,"_42":444,"_302":445},"2001.118.23","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_293":1037,"_295":1038,"_297":1039},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_289":290,"_291":292},{"_224":1034,"_125":1035,"_284":1036},{"_275":1031,"_277":1032,"_279":1016,"_281":1033},49.5,42.3094482421875,18.3094482421875,{"_286":224,"_123":825,"_154":826,"_140":97},{"_286":125,"_123":822,"_154":823,"_140":824},{"_286":284,"_123":368,"_154":369,"_140":370},"https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_309":1053,"_311":1054},{"_309":1051,"_311":1052},{"_309":1049,"_311":1050},{"_309":1047,"_311":1048},{"_309":1045,"_311":1046},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":1099,"_221":1100,"_323":1101,"_325":399,"_327":1102,"_329":1103,"_331":-5,"_333":-5,"_335":-5,"_140":99},"Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912519643792562,[1085,1086,1087,1088,1089],{"_220":299,"_221":300,"_42":301,"_302":303},"1946.405","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_293":1082,"_295":1083,"_297":1084},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_289":290,"_291":292},{"_224":1077,"_125":1078,"_284":1079},{"_275":1074,"_277":1075,"_279":1076,"_281":370},55.65007857517025,64,31.650078575170248,{"_286":224,"_123":1080,"_154":1081,"_140":99},{"_286":125,"_123":434,"_154":435,"_140":436},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg",{"_309":1097,"_311":1098},{"_309":1096,"_311":747},{"_309":1094,"_311":1095},{"_309":1092,"_311":1093},{"_309":1090,"_311":1091},"#796237",0.064,"#5c493a",0.0907,"#8a7b65",0.1271,"#baae9b","#d1c7b6",0.4051,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":321,"_221":322,"_323":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_140":91},"1801","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,0.7955882352941176,[1134,1135,1136,1137,1138],{"_220":559,"_221":560,"_42":561,"_302":562},"1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":1133,"_557":558},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_293":1130,"_295":1131,"_297":1132},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_289":376,"_291":377},{"_224":1127,"_125":1128,"_284":1129},{"_275":1124,"_277":1125,"_279":1126,"_281":436},117.63088235294117,144,102.63088235294117,{"_286":224,"_123":171,"_154":170,"_140":91},{"_286":125,"_123":371,"_154":372,"_140":373},{"_286":284,"_123":368,"_154":369,"_140":370},"https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.",{"_309":1146,"_311":1147},{"_309":1144,"_311":1145},{"_309":1142,"_311":1143},{"_309":1140,"_311":1141},{"_309":1139,"_311":571},"#bc9f72","#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,{"_1149":-5,"_1150":1151,"_1152":1153,"_1154":8,"_1155":1156,"_1157":8},"user","csrf","40c2a161829efdf80d0b3c9ea06767e4b76e392b","cartCount",0,"dropLive","legal",[1158,1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169],"uploadsEnabled",{"_221":1192,"_20":1193},{"_221":1190,"_20":1191},{"_221":1188,"_20":1189},{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]