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The background includes palm trees, rocky outcrops, and distant hills.",{"_295":442,"_297":443,"_299":444},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_291":292,"_293":294},{"_224":431,"_125":432,"_285":433},{"_276":427,"_278":428,"_280":429,"_281":430},49,39.68603515625,25,15.686035156249998,{"_287":224,"_123":440,"_154":441,"_140":89},{"_287":125,"_123":437,"_154":438,"_140":439},{"_287":285,"_123":434,"_154":435,"_140":436},"era/18-britain","18th-century Britain",42,"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":462,"_316":463},{"_314":460,"_316":461},{"_314":458,"_316":459},{"_314":456,"_316":457},{"_314":454,"_316":455},"#294d6a",0.0227,"#666947",0.0414,"#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"William Home Lizars","william-home-lizars","Scottish, 1788–1859",1788,1859,"the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":516,"_221":517,"_328":518,"_330":519,"_332":520,"_334":521,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1785","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[501,502,503,504,505],{"_220":445,"_221":446,"_42":447,"_307":448},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_295":498,"_297":499,"_299":500},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_291":292,"_293":294},{"_224":493,"_125":494,"_285":495},{"_276":490,"_278":491,"_280":475,"_281":492},60.9,49.927294921875,25.927294921875,{"_287":224,"_123":496,"_154":497,"_140":89},{"_287":125,"_123":437,"_154":438,"_140":439},{"_287":285,"_123":434,"_154":435,"_140":436},"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_314":514,"_316":515},{"_314":512,"_316":513},{"_314":510,"_316":511},{"_314":508,"_316":509},{"_314":506,"_316":507},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827","British",1756,1827,"recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[552,553,554,555,556],{"_220":378,"_221":379,"_42":380,"_307":381},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_295":549,"_297":550,"_299":551},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_291":292,"_293":294},{"_224":544,"_125":545,"_285":546},{"_276":427,"_278":542,"_280":429,"_281":543},48.48828746872867,24.488287468728675,{"_287":224,"_123":547,"_154":548,"_140":97},{"_287":125,"_123":437,"_154":438,"_140":439},{"_287":285,"_123":434,"_154":435,"_140":436},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_314":565,"_316":566},{"_314":563,"_316":564},{"_314":561,"_316":562},{"_314":559,"_316":560},{"_314":557,"_316":558},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"sir-thomas-rumbold-bt-aic-84707","Sir Thomas Rumbold, Bt.",{"_42":617,"_221":618,"_328":619,"_330":519,"_332":620,"_334":401,"_336":621,"_337":622,"_338":623,"_140":95},"1788","Oil on canvas","126.7 × 101.3 cm (49 7/8 × 39 7/8 in.); Framed: 149 × 123.2 × 8.3 cm (58 5/8 × 48 1/2 × 3 1/4 in.)",101,126,0.7977275284058949,[602,603,604,605,606],{"_220":378,"_221":379,"_42":380,"_307":381},"1955.1202","Joshua Reynolds painted this in 1788, aged 65. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_295":599,"_297":600,"_299":601},"https://img.ochreeditions.com/m/230.jpg?dl=1","/art/sir-thomas-rumbold-bt-aic-84707","/galleries/style/georgian-britain/sir-thomas-rumbold-bt-aic-84707",{"_291":373,"_293":374},{"_224":591,"_125":592,"_285":593},{"_276":588,"_278":589,"_280":590,"_281":574},115.51366857914276,141,100.51366857914276,{"_287":224,"_123":597,"_154":598,"_140":95},{"_287":125,"_123":594,"_154":595,"_140":596},{"_287":285,"_123":434,"_154":435,"_140":436},"style/painting-18","More paintings of the 18th century",168,"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/230/480.jpg","https://img.ochreeditions.com/a/230/960.jpg","https://img.ochreeditions.com/a/230/1920.jpg",{"_314":615,"_316":616},{"_314":613,"_316":614},{"_314":611,"_316":612},{"_314":609,"_316":610},{"_314":607,"_316":608},"#4e3c1b",0.0861,"#7b5f30",0.1161,"#652304",0.1777,"#301904",0.2331,"#201605",0.387,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,"Plympton","London","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","self-portrait-in-a-fur-cap-aic-76295","Self-Portrait in a Fur Cap",{"_42":675,"_221":676,"_328":677,"_330":400,"_332":678,"_334":679,"_336":680,"_337":680,"_338":681,"_140":99},"1765/68","watercolour","Drawing and Watercolor","Monochrome pastel (grisaille) on blue-gray laid paper","42.5 × 29.5 cm (16 3/4 × 11 5/8 in.)",29,0.6958228202971685,[660,661,662,663,664],{"_220":378,"_221":379,"_42":380,"_307":381},"1990.141","Joseph Wright of Derby painted this in 1765/68, aged about 31. It is now at the Art Institute of Chicago.","Joseph Wright of Derby portrays himself in a fur cap, drawn in monochrome pastel on blue-grey paper, with greys and blacks building the face and the soft texture of the fur.","Black, gray pastel portrait of man in a fur hat.",{"_295":657,"_297":658,"_299":659},"https://img.ochreeditions.com/m/193.jpg?dl=1","/art/self-portrait-in-a-fur-cap-aic-76295","/galleries/style/georgian-britain/self-portrait-in-a-fur-cap-aic-76295",{"_291":292,"_293":294},{"_224":650,"_125":651,"_285":652},{"_276":647,"_278":648,"_280":649,"_281":436},53.22455845248108,66,29.224558452481077,{"_287":224,"_123":655,"_154":656,"_140":99},{"_287":125,"_123":653,"_154":654,"_140":53},{"_287":285,"_123":434,"_154":435,"_140":436},"style/watercolour-18","More watercolours of the 18th century","artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/193/480.jpg","https://img.ochreeditions.com/a/193/960.jpg","https://img.ochreeditions.com/a/193/1920.jpg",{"_314":673,"_316":674},{"_314":671,"_316":672},{"_314":669,"_316":670},{"_314":667,"_316":668},{"_314":665,"_316":666},"#85817a",0.0524,"#5b4224",0.0632,"#5e5a55",0.0962,"#403d37",0.2066,"#2f2d29",0.5816,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","may-from-twelve-months-of-flowers-aic-127984","May, from Twelve Months of Flowers",{"_42":729,"_221":730,"_328":731,"_330":400,"_332":732,"_334":733,"_336":-5,"_337":-5,"_338":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7948175568482284,[714,715,716,717,718],{"_220":378,"_221":379,"_42":380,"_307":381},"1946.402","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A lavish bouquet of the flowers that bloom in May fills this hand-coloured engraving, each blossom numbered and keyed to a list of names. It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_295":711,"_297":712,"_299":713},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_291":292,"_293":294},{"_224":706,"_125":707,"_285":708},{"_276":703,"_278":704,"_280":705,"_281":168},55.79270227392914,64,31.792702273929137,{"_287":224,"_123":709,"_154":710,"_140":99},{"_287":125,"_123":437,"_154":438,"_140":439},{"_287":285,"_123":434,"_154":435,"_140":436},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg",{"_314":727,"_316":728},{"_314":725,"_316":726},{"_314":723,"_316":724},{"_314":721,"_316":722},{"_314":719,"_316":720},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":675,"_221":676,"_328":677,"_330":400,"_332":678,"_334":679,"_336":680,"_337":680,"_338":681,"_140":99},"1779","Paintings","40 x 50 in. (101.6 x 127 cm)",127,101.6,1.2404942965779469,[770,771,772,773,774],{"_220":766,"_221":767,"_42":768,"_307":769},"Courtesy of The Metropolitan Museum of Art","2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_295":763,"_297":764,"_299":765},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_291":373,"_293":374},{"_224":760,"_125":761,"_285":762},{"_276":757,"_278":758,"_280":740,"_281":759},142,117.37854406130268,102.37854406130268,{"_287":224,"_123":655,"_154":656,"_140":99},{"_287":125,"_123":594,"_154":595,"_140":596},{"_287":285,"_123":434,"_154":435,"_140":436},"https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_314":783,"_316":784},{"_314":781,"_316":782},{"_314":779,"_316":780},{"_314":777,"_316":778},{"_314":775,"_316":776},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"small-landscape-si-saam-1956-11-20","Small Landscape","ca. 1750-1800","oil on canvas","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[818,819,820,821,822],{"_220":815,"_221":816,"_42":817,"_307":448},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_295":812,"_297":813,"_299":814},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_291":373,"_293":374},{"_224":809,"_125":810,"_285":811},{"_276":806,"_278":807,"_280":790,"_281":808},70.2,58.4424,43.4424,{"_287":224,"_123":547,"_154":548,"_140":97},{"_287":125,"_123":594,"_154":595,"_140":596},{"_287":285,"_123":434,"_154":435,"_140":436},"https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_314":831,"_316":832},{"_314":829,"_316":830},{"_314":827,"_316":828},{"_314":825,"_316":826},{"_314":823,"_316":824},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":880,"_221":881,"_328":882,"_330":400,"_332":883,"_334":467,"_336":884,"_337":622,"_338":885,"_140":97},"c. 1781/1782","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[865,866,867,868,869],{"_220":445,"_221":446,"_42":447,"_307":448},"1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_295":862,"_297":863,"_299":864},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_291":373,"_293":374},{"_224":857,"_125":858,"_285":859},{"_276":854,"_278":855,"_280":838,"_281":856},142.6,116.65009765625,101.65009765625,{"_287":224,"_123":860,"_154":861,"_140":97},{"_287":125,"_123":594,"_154":595,"_140":596},{"_287":285,"_123":434,"_154":435,"_140":436},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg",{"_314":878,"_316":879},{"_314":876,"_316":877},{"_314":874,"_316":875},{"_314":872,"_316":873},{"_314":870,"_316":871},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","william-pitt-nga-52264","William Pitt",{"_42":933,"_221":934,"_328":935,"_330":519,"_332":936,"_334":679,"_336":-5,"_337":-5,"_338":937,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[918,919,920,921,922],{"_220":445,"_221":446,"_42":447,"_307":448},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_295":915,"_297":916,"_299":917},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_291":373,"_293":374},{"_224":910,"_125":911,"_285":912},{"_276":908,"_278":168,"_280":909,"_281":429},34.62890625,19.62890625,{"_287":224,"_123":913,"_154":914,"_140":99},{"_287":125,"_123":594,"_154":595,"_140":596},{"_287":285,"_123":434,"_154":435,"_140":436},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_314":931,"_316":932},{"_314":929,"_316":930},{"_314":927,"_316":928},{"_314":925,"_316":926},{"_314":923,"_316":924},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","John Johnstone, Betty Johnstone, and Miss Wedderburn",{"_42":984,"_221":985,"_328":986,"_330":331,"_332":520,"_334":987,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1790/1795","overall: 101.5 x 120 cm (39 15/16 x 47 1/4 in.) framed: 119.4 x 138.4 x 6.4 cm (47 x 54 1/2 x 2 1/2 in.)",120,101.5,1.1770114942528735,[969,970,971,972,973],{"_220":445,"_221":446,"_42":447,"_307":448},"1945.10.3","Sir Henry Raeburn painted this in about 1790/1795, aged about 34. It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_295":966,"_297":967,"_299":968},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_291":373,"_293":374},{"_224":961,"_125":962,"_285":963},{"_276":958,"_278":959,"_280":943,"_281":960},135,116.953125,101.953125,{"_287":224,"_123":964,"_154":965,"_140":89},{"_287":125,"_123":594,"_154":595,"_140":596},{"_287":285,"_123":434,"_154":435,"_140":436},"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg",{"_314":982,"_316":983},{"_314":980,"_316":981},{"_314":978,"_316":979},{"_314":976,"_316":977},{"_314":974,"_316":975},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823",1823,"wivenhoe-park-essex-nga-1147","Wivenhoe Park, Essex",{"_42":1035,"_221":1036,"_328":1037,"_330":400,"_332":1038,"_334":1039,"_336":-5,"_337":-5,"_338":1040,"_140":99},"1816","overall: 56.1 x 101.2 cm (22 1/16 x 39 13/16 in.) framed: 77.8 x 122.5 x 8.8 cm (30 5/8 x 48 1/4 x 3 7/16 in.)",101.2,56.1,1.8467087466185752,[1020,1021,1022,1023,1024],{"_220":445,"_221":446,"_42":447,"_307":448},"1942.9.10","John Constable painted this in 1816, aged 40. It is now at the National Gallery of Art in Washington, DC.","Black and white cows graze beyond a fence, two men haul in a net from a boat near a pair of swans, and a donkey cart crosses a distant bridge, while the brick house of Wivenhoe Park appears through the trees beneath towering summer clouds.","We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting. A wooden fence closer to us crosses the landscape from the lower left corner and disappears where the land slopes down to meet the water at the center of the painting. Several black and white cows graze in the field beyond the fence to our left. Two men in a wooden boat pull in nets on the lake to our right near a pair of swans. The lake crosses the composition in the near distance, disappearing into a culvert farther back. A donkey pulls a small carriage with two people near a bridge that crosses the lake in the distance to our left. The brick manor house is visible through a break in the full, deep green trees that line the horizon, which comes halfway up the composition. The clouds cast noticeable shadows in the brightly sunlit scene.",{"_295":1017,"_297":1018,"_299":1019},"https://img.ochreeditions.com/m/1327.jpg?dl=1","/art/wivenhoe-park-essex-nga-1147","/galleries/style/georgian-britain/wivenhoe-park-essex-nga-1147",{"_291":373,"_293":374},{"_224":1012,"_125":1013,"_285":1014},{"_276":1009,"_278":1010,"_280":993,"_281":1011},116.2,69.8001953125,54.8001953125,{"_287":224,"_123":1015,"_154":1016,"_140":99},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1327/480.jpg","https://img.ochreeditions.com/a/1327/960.jpg","https://img.ochreeditions.com/a/1327/1920.jpg",{"_314":1033,"_316":1034},{"_314":1031,"_316":1032},{"_314":1029,"_316":1030},{"_314":1027,"_316":1028},{"_314":1025,"_316":1026},"#796b3d",0.0911,"#7c8b94",0.0987,"#4d442a",0.2058,"#322d1a",0.2536,"#837f77",0.3508,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":617,"_221":618,"_328":619,"_330":519,"_332":620,"_334":401,"_336":621,"_337":622,"_338":623,"_140":95},"1776–81","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[1069,1070,1071,1072,1073],{"_220":378,"_221":379,"_42":380,"_307":381},"2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.",{"_295":1066,"_297":1067,"_299":1068},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_291":373,"_293":374},{"_224":1063,"_125":1064,"_285":1065},{"_276":1060,"_278":1061,"_280":1062,"_281":1047},76.14076281287247,88,61.14076281287247,{"_287":224,"_123":597,"_154":598,"_140":95},{"_287":125,"_123":594,"_154":595,"_140":596},{"_287":285,"_123":434,"_154":435,"_140":436},"https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg",{"_314":1082,"_316":1083},{"_314":1080,"_316":1081},{"_314":1078,"_316":1079},{"_314":1076,"_316":1077},{"_314":1074,"_316":1075},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":1130,"_221":1131,"_328":1132,"_330":400,"_332":1133,"_334":1134,"_336":-5,"_337":-5,"_338":1135,"_140":99},"c. 1783","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",47,34,1.2970566411080882,[1116,1117,1118,1119,1120],{"_220":378,"_221":379,"_42":380,"_307":381},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_295":1113,"_297":1114,"_299":1115},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_291":292,"_293":294},{"_224":1108,"_125":1109,"_285":1110},{"_276":1105,"_278":1106,"_280":1090,"_281":1107},71,60.23588863463005,36.23588863463005,{"_287":224,"_123":1111,"_154":1112,"_140":99},{"_287":125,"_123":653,"_154":654,"_140":53},{"_287":285,"_123":434,"_154":435,"_140":436},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_314":1128,"_316":1129},{"_314":1126,"_316":1127},{"_314":1124,"_316":1125},{"_314":1122,"_316":1123},{"_314":1121,"_316":776},"#a49483","#c2b09c",0.1626,"#8d7e6f",0.1783,"#ddc8b1",0.2793,"#d1b79b",0.2915,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.",{"_1137":-5,"_1138":1139,"_1140":1141,"_1142":8,"_1143":1144,"_1145":8},"user","csrf","5caeeaa45250f4bc7d98e5d1621688ba3eb1d312","cartCount",0,"dropLive","legal",[1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156,1157],"uploadsEnabled",{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]