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A donkey pulls a small carriage with two people near a bridge that crosses the lake in the distance to our left. The brick manor house is visible through a break in the full, deep green trees that line the horizon, which comes halfway up the composition. The clouds cast noticeable shadows in the brightly sunlit scene.","images",{"_295":296,"_297":298,"_299":300},"download_url","https://img.ochreeditions.com/m/1327.jpg?dl=1","page_url","/art/wivenhoe-park-essex-nga-1147","walk_url","/galleries/style/georgian-britain/wivenhoe-park-essex-nga-1147","frame",{"_291":292,"_293":294},{"_224":283,"_125":284,"_285":286},"size",{"_276":277,"_278":279,"_280":243,"_281":282},"w",116.2,"h",69.8001953125,"image_w","image_h",54.8001953125,{"_287":224,"_123":170,"_154":169,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},"era",{"_287":285,"_123":166,"_154":165,"_140":168},"facet","style/painting-19","More paintings of the 19th century",432,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1327/480.jpg","960","https://img.ochreeditions.com/a/1327/960.jpg","1920","https://img.ochreeditions.com/a/1327/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_311":321,"_313":322},{"_311":319,"_313":320},{"_311":317,"_313":318},{"_311":315,"_313":316},{"_311":312,"_313":314},"hex","#796b3d","weight",0.0911,"#7c8b94",0.0987,"#4d442a",0.2058,"#322d1a",0.2536,"#837f77",0.3508,"John Constable","john-constable","bio","English, 1776–1837","nationality","English","birth_year",1776,"death_year",1837,"birth_place","death_place","about_excerpt","Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","sir-thomas-rumbold-bt-aic-84707","Sir Thomas Rumbold, Bt.",{"_42":395,"_221":396,"_325":397,"_327":398,"_329":399,"_331":400,"_333":401,"_334":402,"_335":403,"_140":95},"1788",18,"Oil on canvas","126.7 × 101.3 cm (49 7/8 × 39 7/8 in.); Framed: 149 × 123.2 × 8.3 cm (58 5/8 × 48 1/2 × 3 1/4 in.)",101,126,0.7977275284058949,[380,381,382,383,384],{"_220":376,"_221":377,"_42":378,"_304":379},"Courtesy of the Art Institute of Chicago","1955.1202","Joshua Reynolds painted this in 1788, aged 65. 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It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a seated figure on a large bird. The image depicts a classically draped figure seated on a stylized bird. The figure holds an open book and gazes into the distance. The bird has sharp features and spread wings. The background contains swirling clouds. The scene is framed with a border, and there is text at the bottom. The lines are bold and the shades are muted.",{"_295":441,"_297":442,"_299":443},"https://img.ochreeditions.com/m/1571.jpg?dl=1","/art/saint-john-the-evangelist-nga-54043","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54043",{"_291":439,"_293":440},{"_224":431,"_125":432,"_285":433},{"_276":427,"_278":428,"_280":429,"_281":430},42.560791015625,49,18.560791015625,25,{"_287":224,"_123":437,"_154":438,"_140":89},{"_287":125,"_123":434,"_154":435,"_140":436},{"_287":285,"_123":365,"_154":366,"_140":367},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","white","snow","https://img.ochreeditions.com/a/1571/480.jpg","https://img.ochreeditions.com/a/1571/960.jpg","https://img.ochreeditions.com/a/1571/1920.jpg",{"_311":457,"_313":458},{"_311":455,"_313":456},{"_311":453,"_313":454},{"_311":451,"_313":452},{"_311":449,"_313":450},"#b69e75",0.1243,"#877257",0.1513,"#9a8362",0.1745,"#cab68c",0.2161,"#d5c39a",0.3338,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":519,"_221":520,"_325":521,"_327":328,"_329":522,"_331":523,"_333":402,"_334":402,"_335":524,"_140":97},"1835","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,92,1.3465346534653466,[504,505,506,507,508],{"_220":500,"_221":501,"_42":502,"_304":503},"Courtesy of the Cleveland Museum of Art","1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":497,"_498":499},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_295":494,"_297":495,"_299":496},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_291":292,"_293":294},{"_224":489,"_125":490,"_285":491},{"_276":486,"_278":487,"_280":469,"_281":488},138.2,106.49411764705881,91.49411764705881,{"_287":224,"_123":492,"_154":493,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":517,"_313":518},{"_311":515,"_313":516},{"_311":513,"_313":514},{"_311":511,"_313":512},{"_311":509,"_313":510},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","noon-nga-119642","Noon",{"_42":576,"_221":577,"_325":578,"_327":398,"_329":579,"_331":580,"_333":581,"_334":402,"_335":582,"_140":97},"1830","mezzotint on laid paper","plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,18.5,1.3927235634138049,[561,562,563,564,565],{"_220":301,"_221":302,"_42":303,"_304":305},"2001.118.23","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_295":558,"_297":559,"_299":560},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_291":439,"_293":440},{"_224":550,"_125":551,"_285":552},{"_276":547,"_278":548,"_280":531,"_281":549},49.5,42.3094482421875,18.3094482421875,{"_287":224,"_123":556,"_154":557,"_140":97},{"_287":125,"_123":553,"_154":554,"_140":555},{"_287":285,"_123":166,"_154":165,"_140":168},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_311":574,"_313":575},{"_311":572,"_313":573},{"_311":570,"_313":571},{"_311":568,"_313":569},{"_311":566,"_313":567},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","bray-church-yard-cma-119729","Bray Church Yard",{"_42":636,"_221":637,"_325":638,"_327":398,"_329":639,"_331":640,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1807","drawing","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[621,622,623,624,625],{"_220":500,"_221":501,"_42":502,"_304":503},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":620,"_498":499},"Bray Church Yard, by John Varley, 1807",{"_295":617,"_297":618,"_299":619},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_291":439,"_293":440},{"_224":610,"_125":611,"_285":612},{"_276":607,"_278":608,"_280":591,"_281":609},60.9,48.95091176470588,24.950911764705882,{"_287":224,"_123":615,"_154":616,"_140":89},{"_287":125,"_123":613,"_154":614,"_140":470},{"_287":285,"_123":166,"_154":165,"_140":168},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_311":634,"_313":635},{"_311":632,"_313":633},{"_311":630,"_313":631},{"_311":628,"_313":629},{"_311":626,"_313":627},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":688,"_221":689,"_325":690,"_327":328,"_329":691,"_331":692,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1784, after the drawing of 1775","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",47,65,0.7011965811965812,[673,674,675,676,677],{"_220":376,"_221":377,"_42":378,"_304":379},"2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_295":670,"_297":671,"_299":672},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_291":439,"_293":440},{"_224":665,"_125":666,"_285":667},{"_276":662,"_278":663,"_280":664,"_281":648},69.57777777777778,89,45.57777777777778,{"_287":224,"_123":668,"_154":669,"_140":89},{"_287":125,"_123":434,"_154":435,"_140":436},{"_287":285,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_311":686,"_313":687},{"_311":684,"_313":685},{"_311":682,"_313":683},{"_311":680,"_313":681},{"_311":678,"_313":679},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":744,"_221":745,"_325":746,"_327":328,"_329":747,"_331":748,"_333":-5,"_334":-5,"_335":-5,"_140":101},"n.d.","watercolour","Drawing and Watercolor","Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[729,730,731,732,733],{"_220":376,"_221":377,"_42":378,"_304":379},"1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_295":726,"_297":727,"_299":728},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_291":439,"_293":440},{"_224":719,"_125":720,"_285":721},{"_276":716,"_278":717,"_280":701,"_281":718},70,56.1976386036961,32.1976386036961,{"_287":224,"_123":724,"_154":725,"_140":89},{"_287":125,"_123":722,"_154":723,"_140":168},{"_287":285,"_123":166,"_154":165,"_140":168},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg",{"_311":742,"_313":743},{"_311":740,"_313":741},{"_311":738,"_313":739},{"_311":736,"_313":737},{"_311":734,"_313":735},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":797,"_221":798,"_325":799,"_327":328,"_329":800,"_331":801,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1827","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",127,0.7940150839347985,[782,783,784,785,786],{"_220":376,"_221":377,"_42":378,"_304":379},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":780,"_498":781},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_295":777,"_297":778,"_299":779},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_291":292,"_293":294},{"_224":772,"_125":773,"_285":774},{"_276":769,"_278":770,"_280":771,"_281":754},115.83991565971941,142,100.83991565971941,{"_287":224,"_123":775,"_154":776,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.","Text from the Art Institute of Chicago.",{"_311":795,"_313":796},{"_311":793,"_313":794},{"_311":791,"_313":792},{"_311":789,"_313":790},{"_311":787,"_313":788},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1782,1847,"portrait-of-mrs-george-collier-cma-101852","Portrait of Mrs. George Collier",{"_42":395,"_221":396,"_325":397,"_327":398,"_329":399,"_331":400,"_333":401,"_334":402,"_335":403,"_140":95},"18th century",17,"Framed: 112 x 101 x 12 cm (44 1/8 x 39 3/4 x 4 3/4 in.); Unframed: 80 x 67.3 cm (31 1/2 x 26 1/2 in.)",67.3,80,0.8194117647058824,[839,840,841,842,843],{"_220":500,"_221":501,"_42":502,"_304":503},"1920.514","Joshua Reynolds painted this in 18th century. It is now at the Cleveland Museum of Art.",{"_118":838,"_498":499},"Portrait of Mrs. George Collier, by Joshua Reynolds, 18th century",{"_295":835,"_297":836,"_299":837},"https://img.ochreeditions.com/m/498.jpg?dl=1","/art/portrait-of-mrs-george-collier-cma-101852","/galleries/style/georgian-britain/portrait-of-mrs-george-collier-cma-101852",{"_291":292,"_293":294},{"_224":827,"_125":828,"_285":829},{"_276":824,"_278":825,"_280":826,"_281":809},80.5529411764706,95,65.5529411764706,{"_287":224,"_123":371,"_154":372,"_140":95},{"_287":125,"_123":833,"_154":834,"_140":370},{"_287":285,"_123":830,"_154":831,"_140":832},"era/17","The 17th century",266,"style/painting-17","More paintings of the 17th century","https://img.ochreeditions.com/a/498/480.jpg","https://img.ochreeditions.com/a/498/960.jpg","https://img.ochreeditions.com/a/498/1920.jpg","Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds. However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time.",{"_311":852,"_313":853},{"_311":850,"_313":851},{"_311":848,"_313":849},{"_311":846,"_313":847},{"_311":844,"_313":845},"#dbae62",0.0772,"#543416",0.0793,"#a17433",0.0962,"#784818",0.1532,"#312311",0.5941,"lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":910,"_221":911,"_325":912,"_327":398,"_329":522,"_331":579,"_333":402,"_334":402,"_335":-5,"_140":103},"1796–97","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[895,896,897,898,899],{"_220":891,"_221":892,"_42":893,"_304":894},"Courtesy of The Metropolitan Museum of Art","06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_295":888,"_297":889,"_299":890},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_291":439,"_293":440},{"_224":880,"_125":881,"_285":882},{"_276":877,"_278":878,"_280":861,"_281":879},76,62.26731078904992,38.26731078904992,{"_287":224,"_123":886,"_154":887,"_140":89},{"_287":125,"_123":883,"_154":884,"_140":885},{"_287":285,"_123":365,"_154":366,"_140":367},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":908,"_313":909},{"_311":906,"_313":907},{"_311":904,"_313":905},{"_311":902,"_313":903},{"_311":900,"_313":901},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802","cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":961,"_221":962,"_325":963,"_327":328,"_329":964,"_331":965,"_333":966,"_334":402,"_335":967,"_140":97},"1787","Paintings","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[946,947,948,949,950],{"_220":891,"_221":892,"_42":893,"_304":894},"50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_295":943,"_297":944,"_299":945},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_291":292,"_293":294},{"_224":938,"_125":939,"_285":940},{"_276":935,"_278":936,"_280":937,"_281":920},135.62100077780656,162.6,120.62100077780657,{"_287":224,"_123":941,"_154":942,"_140":97},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":365,"_154":366,"_140":367},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg",{"_311":959,"_313":960},{"_311":957,"_313":958},{"_311":955,"_313":956},{"_311":953,"_313":954},{"_311":951,"_313":952},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":1015,"_221":1016,"_325":1017,"_327":398,"_329":1018,"_331":1019,"_333":402,"_334":402,"_335":-5,"_140":103},"ca. 1803–5","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[1000,1001,1002,1003,1004],{"_220":891,"_221":892,"_42":893,"_304":894},"14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_295":997,"_297":998,"_299":999},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_291":439,"_293":440},{"_224":992,"_125":993,"_285":994},{"_276":989,"_278":990,"_280":991,"_281":975},50.26670344827586,63.2,26.266703448275862,{"_287":224,"_123":995,"_154":996,"_140":89},{"_287":125,"_123":883,"_154":884,"_140":885},{"_287":285,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg",{"_311":1013,"_313":1014},{"_311":1011,"_313":1012},{"_311":1009,"_313":1010},{"_311":1007,"_313":1008},{"_311":1005,"_313":1006},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,1827,"athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":1068,"_221":1069,"_325":1070,"_327":328,"_329":1071,"_331":1072,"_333":-5,"_334":-5,"_335":1073,"_140":99},"Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[1053,1054,1055,1056,1057],{"_220":376,"_221":377,"_42":378,"_304":379},"1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_295":1050,"_297":1051,"_299":1052},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_291":439,"_293":440},{"_224":1043,"_125":1044,"_285":1045},{"_276":1040,"_278":1041,"_280":1025,"_281":1042},53,44.521086780210865,20.52108678021087,{"_287":224,"_123":1048,"_154":1049,"_140":99},{"_287":125,"_123":1046,"_154":1047,"_140":53},{"_287":285,"_123":365,"_154":366,"_140":367},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg",{"_311":1066,"_313":1067},{"_311":1064,"_313":1065},{"_311":1062,"_313":1063},{"_311":1060,"_313":1061},{"_311":1058,"_313":1059},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":395,"_221":396,"_325":397,"_327":398,"_329":399,"_331":400,"_333":401,"_334":402,"_335":403,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[1105,1106,1107,1108,1109],{"_220":500,"_221":501,"_42":502,"_304":503},"1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":1104,"_498":499},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_295":1101,"_297":1102,"_299":1103},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_291":292,"_293":294},{"_224":1098,"_125":1099,"_285":1100},{"_276":1095,"_278":1096,"_280":1097,"_281":1080},185.63529411764705,211,170.63529411764705,{"_287":224,"_123":371,"_154":372,"_140":95},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":365,"_154":366,"_140":367},"https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.",{"_311":1118,"_313":1119},{"_311":1116,"_313":1117},{"_311":1114,"_313":1115},{"_311":1112,"_313":1113},{"_311":1110,"_313":1111},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":1166,"_221":1167,"_325":1168,"_327":1169,"_329":1170,"_331":1171,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",101.5,1.2560029553010712,[1151,1152,1153,1154,1155],{"_220":500,"_221":501,"_42":502,"_304":503},"2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":1150,"_498":499},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_295":1147,"_297":1148,"_299":1149},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_291":292,"_293":294},{"_224":1142,"_125":1143,"_285":1144},{"_276":770,"_278":1140,"_280":754,"_281":1141},116.11441176470589,101.11441176470589,{"_287":224,"_123":1145,"_154":1146,"_140":89},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.",{"_311":1164,"_313":1165},{"_311":1162,"_313":1163},{"_311":1160,"_313":1161},{"_311":1158,"_313":1159},{"_311":1156,"_313":1157},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,{"_1173":-5,"_1174":1175,"_1176":1177,"_1178":8,"_1179":1180,"_1181":8},"user","csrf","6246c6bb1038d561cc0ab86c30dd3a7ef03e96c9","cartCount",0,"dropLive","legal",[1182,1183,1184,1185,1186,1187,1188,1189,1190,1191,1192,1193],"uploadsEnabled",{"_221":1216,"_20":1217},{"_221":1214,"_20":1215},{"_221":1212,"_20":1213},{"_221":1210,"_20":1211},{"_221":1208,"_20":1209},{"_221":1206,"_20":1207},{"_221":1204,"_20":1205},{"_221":1202,"_20":1203},{"_221":1200,"_20":1201},{"_221":1198,"_20":1199},{"_221":1196,"_20":1197},{"_221":1194,"_20":1195},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]