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Landscape with Village Scene","artist",{"_42":323,"_222":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_140":97},"unrecorded","date","early 1770s (not later than 1772)","century",18,"place","britain","movement","georgian-britain","watercolour","classification","Drawing and Watercolor","medium","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","dimensions","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)","width_cm",55,"height_cm",43,"aspect",1.3040078201368523,"palette",[306,307,308,309,310],"museum",{"_221":301,"_222":302,"_42":303,"_304":305},"credit","Courtesy of the Art Institute of Chicago","accession","2012.80","licence","CC0","story","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","note","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.","images",{"_295":296,"_297":298,"_299":300},"download_url","https://img.ochreeditions.com/m/345.jpg?dl=1","page_url","/art/wooded-landscape-with-village-scene-aic-186081","walk_url","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081","frame",{"_291":292,"_293":294},{"_225":284,"_125":285,"_286":287},"size",{"_277":278,"_279":280,"_281":244,"_282":283},"w",79,"h",66.1776611694153,"image_w","image_h",42.177661169415295,{"_288":225,"_123":171,"_154":170,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":53},"era",{"_288":286,"_123":167,"_154":166,"_140":169},"facet","style/watercolour-18","More watercolours of the 18th century","moulding","white","mount","snow","480","https://img.ochreeditions.com/a/345/480.jpg","960","https://img.ochreeditions.com/a/345/960.jpg","1920","https://img.ochreeditions.com/a/345/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_311":321,"_313":322},{"_311":319,"_313":320},{"_311":317,"_313":318},{"_311":315,"_313":316},{"_311":312,"_313":314},"hex","#75643b","weight",0.1438,"#483b21",0.1553,"#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"Thomas Gainsborough","thomas-gainsborough","bio","English, 1727–1788","nationality","English","birth_year",1727,"death_year",1788,"birth_place","Sudbury","death_place","London","about_excerpt","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":406,"_222":407,"_325":408,"_327":328,"_329":409,"_331":410,"_333":336,"_335":336,"_337":411,"_140":97},"1835",19,"painting","Painting","oil on canvas","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,92,1.3465346534653466,[391,392,393,394,395],{"_221":387,"_222":388,"_42":389,"_304":390},"Courtesy of the Cleveland Museum of Art","1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":384,"_385":386},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_295":381,"_297":382,"_299":383},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_291":379,"_293":380},{"_225":368,"_125":369,"_286":370},{"_277":365,"_279":366,"_281":348,"_282":367},138.2,106.49411764705881,91.49411764705881,{"_288":225,"_123":377,"_154":378,"_140":97},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":371,"_154":372,"_140":373},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","natural","ivory","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":404,"_313":405},{"_311":402,"_313":403},{"_311":400,"_313":401},{"_311":398,"_313":399},{"_311":396,"_313":397},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","turtur-risorius-nga-53854","Turtur Risorius",{"_42":469,"_222":470,"_325":471,"_327":472,"_329":332,"_331":473,"_333":-5,"_335":-5,"_337":-5,"_140":101},"print","Print","hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,17,0.655517578125,[454,455,456,457,458],{"_221":450,"_222":451,"_42":452,"_304":453},"Courtesy National Gallery of Art, Washington","1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_295":447,"_297":448,"_299":449},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_291":292,"_293":294},{"_225":439,"_125":440,"_286":441},{"_277":435,"_279":436,"_281":437,"_282":438},40.387939453125,49,16.387939453125,25,{"_288":225,"_123":445,"_154":446,"_140":89},{"_288":125,"_123":442,"_154":443,"_140":444},{"_288":286,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_311":467,"_313":468},{"_311":465,"_313":466},{"_311":463,"_313":464},{"_311":461,"_313":462},{"_311":459,"_313":460},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1859,"portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":525,"_222":526,"_325":527,"_327":528,"_329":529,"_331":530,"_333":531,"_335":336,"_337":532,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[510,511,512,513,514],{"_221":387,"_222":388,"_42":389,"_304":390},"1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":509,"_385":386},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_295":506,"_297":507,"_299":508},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_291":379,"_293":380},{"_225":498,"_125":499,"_286":500},{"_277":495,"_279":496,"_281":497,"_282":480},185.63529411764705,211,170.63529411764705,{"_288":225,"_123":504,"_154":505,"_140":95},{"_288":125,"_123":501,"_154":502,"_140":503},{"_288":286,"_123":167,"_154":166,"_140":169},"style/painting-18","More paintings of the 18th century",168,"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.",{"_311":523,"_313":524},{"_311":521,"_313":522},{"_311":519,"_313":520},{"_311":517,"_313":518},{"_311":515,"_313":516},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"Joshua Reynolds","joshua-reynolds","English, 1723–1792","British",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":580,"_222":581,"_325":582,"_327":328,"_329":583,"_331":584,"_333":-5,"_335":-5,"_337":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912998446400829,[565,566,567,568,569],{"_221":301,"_222":302,"_42":303,"_304":305},"1946.404","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_295":562,"_297":563,"_299":564},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_291":292,"_293":294},{"_225":557,"_125":558,"_286":559},{"_277":554,"_279":555,"_281":556,"_282":373},55.65199378560331,64,31.651993785603313,{"_288":225,"_123":560,"_154":561,"_140":99},{"_288":125,"_123":442,"_154":443,"_140":444},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg",{"_311":578,"_313":579},{"_311":576,"_313":577},{"_311":574,"_313":575},{"_311":572,"_313":573},{"_311":570,"_313":571},"#766942",0.061,"#684c41",0.0717,"#94856f",0.1271,"#bcb09d",0.3294,"#d2c8b7",0.4108,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","John Johnstone, Betty Johnstone, and Miss Wedderburn",{"_42":631,"_222":632,"_325":633,"_327":472,"_329":634,"_331":635,"_333":-5,"_335":-5,"_337":-5,"_140":103},"c. 1790/1795","overall: 101.5 x 120 cm (39 15/16 x 47 1/4 in.) framed: 119.4 x 138.4 x 6.4 cm (47 x 54 1/2 x 2 1/2 in.)",120,101.5,1.1770114942528735,[616,617,618,619,620],{"_221":450,"_222":451,"_42":452,"_304":453},"1945.10.3","Sir Henry Raeburn painted this in about 1790/1795, aged about 34. It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_295":613,"_297":614,"_299":615},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_291":379,"_293":380},{"_225":608,"_125":609,"_286":610},{"_277":605,"_279":606,"_281":590,"_282":607},135,116.953125,101.953125,{"_288":225,"_123":611,"_154":612,"_140":89},{"_288":125,"_123":501,"_154":502,"_140":503},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg",{"_311":629,"_313":630},{"_311":627,"_313":628},{"_311":625,"_313":626},{"_311":623,"_313":624},{"_311":621,"_313":622},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823",1756,1823,"virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":690,"_222":691,"_325":692,"_327":328,"_329":693,"_331":694,"_333":695,"_335":695,"_337":696,"_140":99},"1779","Paintings","Oil on canvas","40 x 50 in. (101.6 x 127 cm)",127,101.6,1.2404942965779469,[675,676,677,678,679],{"_221":671,"_222":672,"_42":673,"_304":674},"Courtesy of The Metropolitan Museum of Art","2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_295":668,"_297":669,"_299":670},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_291":379,"_293":380},{"_225":663,"_125":664,"_286":665},{"_277":660,"_279":661,"_281":643,"_282":662},142,117.37854406130268,102.37854406130268,{"_288":225,"_123":666,"_154":667,"_140":99},{"_288":125,"_123":501,"_154":502,"_140":503},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":688,"_313":689},{"_311":686,"_313":687},{"_311":684,"_313":685},{"_311":682,"_313":683},{"_311":680,"_313":681},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","A Hero Born on a Bier, from The Master of Giants Portfolio",{"_42":743,"_222":744,"_325":745,"_327":528,"_329":746,"_331":747,"_333":-5,"_335":-5,"_337":-5,"_140":103},"Brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper","38 × 56.5 cm (15 × 22 1/4 in.)",56,38,1.4658835950904052,[728,729,730,731,732],{"_221":301,"_222":302,"_42":303,"_304":305},"2023.3179","Prince Hoare painted this in 1779, aged 24. It is now at the Art Institute of Chicago.","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.",{"_295":725,"_297":726,"_299":727},"https://img.ochreeditions.com/m/433.jpg?dl=1","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",{"_291":292,"_293":294},{"_225":720,"_125":721,"_286":722},{"_277":717,"_279":718,"_281":702,"_282":719},80,62.20221481948321,38.20221481948321,{"_288":225,"_123":723,"_154":724,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":53},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-prince-hoare","Prince Hoare's contemporaries","https://img.ochreeditions.com/a/433/480.jpg","https://img.ochreeditions.com/a/433/960.jpg","https://img.ochreeditions.com/a/433/1920.jpg",{"_311":741,"_313":742},{"_311":739,"_313":740},{"_311":737,"_313":738},{"_311":735,"_313":736},{"_311":733,"_313":734},"#585149",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","British, 1755–1834",1755,1834,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":801,"_222":802,"_325":803,"_327":528,"_329":804,"_331":805,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1807","drawing","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[786,787,788,789,790],{"_221":387,"_222":388,"_42":389,"_304":390},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":785,"_385":386},"Bray Church Yard, by John Varley, 1807",{"_295":782,"_297":783,"_299":784},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_291":292,"_293":294},{"_225":775,"_125":776,"_286":777},{"_277":772,"_279":773,"_281":756,"_282":774},60.9,48.95091176470588,24.950911764705882,{"_288":225,"_123":780,"_154":781,"_140":89},{"_288":125,"_123":778,"_154":779,"_140":349},{"_288":286,"_123":371,"_154":372,"_140":373},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_311":799,"_313":800},{"_311":797,"_313":798},{"_311":795,"_313":796},{"_311":793,"_313":794},{"_311":791,"_313":792},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":850,"_222":851,"_325":852,"_327":528,"_329":853,"_331":854,"_333":-5,"_335":-5,"_337":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,0.79638671875,[835,836,837,838,839],{"_221":450,"_222":451,"_42":452,"_304":453},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_295":832,"_297":833,"_299":834},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_291":379,"_293":380},{"_225":827,"_125":828,"_286":829},{"_277":825,"_279":365,"_281":826,"_282":348},113.11484375,98.11484375,{"_288":225,"_123":830,"_154":831,"_140":89},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_311":848,"_313":849},{"_311":846,"_313":847},{"_311":844,"_313":845},{"_311":842,"_313":843},{"_311":840,"_313":841},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[885,886,887,888,889],{"_221":301,"_222":302,"_42":303,"_304":305},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_295":882,"_297":883,"_299":884},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_291":292,"_293":294},{"_225":877,"_125":878,"_286":879},{"_277":436,"_279":875,"_281":438,"_282":876},48.48828746872867,24.488287468728675,{"_288":225,"_123":880,"_154":881,"_140":97},{"_288":125,"_123":442,"_154":443,"_140":444},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_311":898,"_313":899},{"_311":896,"_313":897},{"_311":894,"_313":895},{"_311":892,"_313":893},{"_311":890,"_313":891},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":951,"_222":952,"_325":953,"_327":528,"_329":954,"_331":955,"_333":956,"_335":336,"_337":957,"_140":97},"1830","mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[936,937,938,939,940],{"_221":450,"_222":451,"_42":452,"_304":453},"2001.118.27","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_295":933,"_297":934,"_299":935},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_291":292,"_293":294},{"_225":925,"_125":926,"_286":927},{"_277":922,"_279":923,"_281":906,"_282":924},49.2,41.94638671875,17.94638671875,{"_288":225,"_123":931,"_154":932,"_140":97},{"_288":125,"_123":928,"_154":929,"_140":930},{"_288":286,"_123":371,"_154":372,"_140":373},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_311":949,"_313":950},{"_311":947,"_313":948},{"_311":945,"_313":946},{"_311":943,"_313":944},{"_311":941,"_313":942},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","georgiana-duchess-of-devonshire-nga-52263","Georgiana, Duchess of Devonshire",{"_42":1005,"_222":1006,"_325":1007,"_327":528,"_329":1008,"_331":694,"_333":-5,"_335":-5,"_337":1009,"_140":99},"c. 1787/1796","overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.) framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in.)",39.9,59.1,0.666748046875,[990,991,992,993,994],{"_221":450,"_222":451,"_42":452,"_304":453},"1970.17.119","Gainsborough Dupont painted this in about 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","Georgiana, Duchess of Devonshire, political hostess and leader of fashion in Georgian society, stands at full length in a light silk dress and a large dark feathered hat, gathering her skirts in her arms beside tall trees.","This painting is a full-length portrait of a woman with her body facing the right and her head turned toward us. She has light skin, curly gray hair, arched eyebrows, and a small mouth in a neutral expression. She wears an elegant light-colored dress with a large bow on the back and a large, dark, feathered hat, and she has a flower tucked in her arms, which also gather up some of her skirts. The background shows tall trees, with the edge of a wall visible in the upper-right corner. The color scheme of the painting is mostly olive-green, and everything has a green tint.",{"_295":987,"_297":988,"_299":989},"https://img.ochreeditions.com/m/1550.jpg?dl=1","/art/georgiana-duchess-of-devonshire-nga-52263","/galleries/style/georgian-britain/georgiana-duchess-of-devonshire-nga-52263",{"_291":379,"_293":380},{"_225":982,"_125":983,"_286":984},{"_277":979,"_279":980,"_281":981,"_282":964},54.4048095703125,74.1,39.4048095703125,{"_288":225,"_123":985,"_154":986,"_140":99},{"_288":125,"_123":501,"_154":502,"_140":503},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1550/480.jpg","https://img.ochreeditions.com/a/1550/960.jpg","https://img.ochreeditions.com/a/1550/1920.jpg",{"_311":1003,"_313":1004},{"_311":1001,"_313":1002},{"_311":999,"_313":1000},{"_311":997,"_313":998},{"_311":995,"_313":996},"#bba987",0.0696,"#3b2e29",0.1916,"#917f5d",0.2158,"#7a6236",0.2411,"#5b462d",0.2819,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":1005,"_222":1006,"_325":1007,"_327":528,"_329":1008,"_331":694,"_333":-5,"_335":-5,"_337":1009,"_140":99},"after 1788","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[1041,1042,1043,1044,1045],{"_221":387,"_222":388,"_42":389,"_304":390},"1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":1040,"_385":386},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_295":1037,"_297":1038,"_299":1039},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_291":379,"_293":380},{"_225":1034,"_125":1035,"_286":1036},{"_277":1031,"_279":1032,"_281":1033,"_282":1016},83.17205882352941,90.5,68.17205882352941,{"_288":225,"_123":985,"_154":986,"_140":99},{"_288":125,"_123":501,"_154":502,"_140":503},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.",{"_311":1054,"_313":1055},{"_311":1052,"_313":1053},{"_311":1050,"_313":1051},{"_311":1048,"_313":1049},{"_311":1046,"_313":1047},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":1101,"_222":1102,"_325":1103,"_327":328,"_329":1104,"_331":1105,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1792","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",36,0.7591623036649214,[1086,1087,1088,1089,1090],{"_221":301,"_222":302,"_42":303,"_304":305},"2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_295":1083,"_297":1084,"_299":1085},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_291":379,"_293":380},{"_225":1078,"_125":1079,"_286":1080},{"_277":1075,"_279":1076,"_281":1077,"_282":1061},42.32984293193717,51,27.329842931937172,{"_288":225,"_123":1081,"_154":1082,"_140":89},{"_288":125,"_123":501,"_154":502,"_140":503},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg",{"_311":1099,"_313":1100},{"_311":1097,"_313":1098},{"_311":1095,"_313":1096},{"_311":1093,"_313":1094},{"_311":1091,"_313":1092},"#89694e",0.141,"#26261b",0.1523,"#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,"lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":1157,"_222":1158,"_325":1159,"_327":528,"_329":409,"_331":954,"_333":336,"_335":336,"_337":-5,"_140":103},"1796–97","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[1142,1143,1144,1145,1146],{"_221":671,"_222":672,"_42":673,"_304":674},"06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_295":1139,"_297":1140,"_299":1141},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_291":292,"_293":294},{"_225":1131,"_125":1132,"_286":1133},{"_277":1128,"_279":1129,"_281":1113,"_282":1130},76,62.26731078904992,38.26731078904992,{"_288":225,"_123":1137,"_154":1138,"_140":89},{"_288":125,"_123":1134,"_154":1135,"_140":1136},{"_288":286,"_123":167,"_154":166,"_140":169},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg",{"_311":1155,"_313":1156},{"_311":1153,"_313":1154},{"_311":1151,"_313":1152},{"_311":1149,"_313":1150},{"_311":1147,"_313":1148},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",{"_1161":-5,"_1162":1163,"_1164":1165,"_1166":8,"_1167":1168,"_1169":8},"user","csrf","38756dcd1bf79f65b6071b1016f4521e914f3ebb","cartCount",0,"dropLive","legal",[1170,1171,1172,1173,1174,1175,1176,1177,1178,1179,1180,1181],"uploadsEnabled",{"_222":1204,"_20":1205},{"_222":1202,"_20":1203},{"_222":1200,"_20":1201},{"_222":1198,"_20":1199},{"_222":1196,"_20":1197},{"_222":1194,"_20":1195},{"_222":1192,"_20":1193},{"_222":1190,"_20":1191},{"_222":1188,"_20":1189},{"_222":1186,"_20":1187},{"_222":1184,"_20":1185},{"_222":1182,"_20":1183},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]