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The lines are bold and the shades are muted.",{"_295":443,"_297":444,"_299":445},"https://img.ochreeditions.com/m/1571.jpg?dl=1","/art/saint-john-the-evangelist-nga-54043","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54043",{"_291":379,"_293":380},{"_224":435,"_125":436,"_285":437},{"_276":431,"_278":432,"_280":433,"_282":434},42.560791015625,49,18.560791015625,25,{"_287":224,"_123":441,"_154":442,"_140":89},{"_287":125,"_123":438,"_154":439,"_140":440},{"_287":285,"_123":166,"_154":165,"_140":168},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1571/480.jpg","https://img.ochreeditions.com/a/1571/960.jpg","https://img.ochreeditions.com/a/1571/1920.jpg",{"_311":459,"_313":460},{"_311":457,"_313":458},{"_311":455,"_313":456},{"_311":453,"_313":454},{"_311":451,"_313":452},"#b69e75",0.1243,"#877257",0.1513,"#9a8362",0.1745,"#cab68c",0.2161,"#d5c39a",0.3338,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"small-landscape-si-saam-1956-11-20","Small Landscape","Unrecorded British maker","ca. 1750-1800","Painting","oil on canvas","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[503,504,505,506,507],{"_220":500,"_221":501,"_42":502,"_304":387},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_295":497,"_297":498,"_299":499},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_291":292,"_293":294},{"_224":492,"_125":493,"_285":494},{"_276":489,"_278":490,"_280":473,"_282":491},70.2,58.4424,43.4424,{"_287":224,"_123":495,"_154":496,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_311":516,"_313":517},{"_311":514,"_313":515},{"_311":512,"_313":513},{"_311":510,"_313":511},{"_311":508,"_313":509},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","A Hero Born on a Bier, from The Master of Giants Portfolio",{"_42":574,"_221":575,"_325":576,"_327":328,"_329":577,"_331":578,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1779","watercolour","Drawing and Watercolor","Brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper","38 × 56.5 cm (15 × 22 1/4 in.)",56,38,1.4658835950904052,[559,560,561,562,563],{"_220":555,"_221":556,"_42":557,"_304":558},"Courtesy of the Art Institute of Chicago","2023.3179","Prince Hoare painted this in 1779, aged 24. It is now at the Art Institute of Chicago.","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.",{"_295":552,"_297":553,"_299":554},"https://img.ochreeditions.com/m/433.jpg?dl=1","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",{"_291":379,"_293":380},{"_224":545,"_125":546,"_285":547},{"_276":542,"_278":543,"_280":526,"_282":544},80,62.20221481948321,38.20221481948321,{"_287":224,"_123":550,"_154":551,"_140":89},{"_287":125,"_123":548,"_154":549,"_140":53},{"_287":285,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","artist/contemporaries-of-prince-hoare","Prince Hoare's contemporaries","https://img.ochreeditions.com/a/433/480.jpg","https://img.ochreeditions.com/a/433/960.jpg","https://img.ochreeditions.com/a/433/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":572,"_313":573},{"_311":570,"_313":571},{"_311":568,"_313":569},{"_311":566,"_313":567},{"_311":564,"_313":565},"#585149",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","British, 1755–1834",1755,1834,"stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":403,"_221":404,"_325":405,"_327":328,"_329":406,"_331":407,"_333":408,"_335":336,"_337":409,"_140":97},"mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,1.4041823791566679,[607,608,609,610,611],{"_220":384,"_221":385,"_42":386,"_304":387},"2001.118.27","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_295":604,"_297":605,"_299":606},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_291":379,"_293":380},{"_224":601,"_125":602,"_285":603},{"_276":598,"_278":599,"_280":584,"_282":600},49.2,41.94638671875,17.94638671875,{"_287":224,"_123":377,"_154":378,"_140":97},{"_287":125,"_123":374,"_154":375,"_140":376},{"_287":285,"_123":371,"_154":372,"_140":373},"https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_311":620,"_313":621},{"_311":618,"_313":619},{"_311":616,"_313":617},{"_311":614,"_313":615},{"_311":612,"_313":613},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":670,"_221":671,"_325":672,"_327":673,"_329":674,"_331":675,"_333":676,"_335":336,"_337":677,"_140":97},"early 1770s (not later than 1772)","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[655,656,657,658,659],{"_220":555,"_221":556,"_42":557,"_304":558},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_295":652,"_297":653,"_299":654},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_291":379,"_293":380},{"_224":647,"_125":648,"_285":649},{"_276":644,"_278":645,"_280":628,"_282":646},79,66.1776611694153,42.177661169415295,{"_287":224,"_123":650,"_154":651,"_140":97},{"_287":125,"_123":548,"_154":549,"_140":53},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_311":668,"_313":669},{"_311":666,"_313":667},{"_311":664,"_313":665},{"_311":662,"_313":663},{"_311":660,"_313":661},"#75643b",0.1438,"#483b21",0.1553,"#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788","English",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","wivenhoe-park-essex-nga-1147","Wivenhoe Park, Essex",{"_42":728,"_221":729,"_325":730,"_327":673,"_329":731,"_331":732,"_333":-5,"_335":-5,"_337":733,"_140":99},"1816","overall: 56.1 x 101.2 cm (22 1/16 x 39 13/16 in.) framed: 77.8 x 122.5 x 8.8 cm (30 5/8 x 48 1/4 x 3 7/16 in.)",101.2,56.1,1.8467087466185752,[713,714,715,716,717],{"_220":384,"_221":385,"_42":386,"_304":387},"1942.9.10","John Constable painted this in 1816, aged 40. It is now at the National Gallery of Art in Washington, DC.","Black and white cows graze beyond a fence, two men haul in a net from a boat near a pair of swans, and a donkey cart crosses a distant bridge, while the brick house of Wivenhoe Park appears through the trees beneath towering summer clouds.","We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting. A wooden fence closer to us crosses the landscape from the lower left corner and disappears where the land slopes down to meet the water at the center of the painting. Several black and white cows graze in the field beyond the fence to our left. Two men in a wooden boat pull in nets on the lake to our right near a pair of swans. The lake crosses the composition in the near distance, disappearing into a culvert farther back. A donkey pulls a small carriage with two people near a bridge that crosses the lake in the distance to our left. The brick manor house is visible through a break in the full, deep green trees that line the horizon, which comes halfway up the composition. The clouds cast noticeable shadows in the brightly sunlit scene.",{"_295":710,"_297":711,"_299":712},"https://img.ochreeditions.com/m/1327.jpg?dl=1","/art/wivenhoe-park-essex-nga-1147","/galleries/style/georgian-britain/wivenhoe-park-essex-nga-1147",{"_291":292,"_293":294},{"_224":702,"_125":703,"_285":704},{"_276":699,"_278":700,"_280":683,"_282":701},116.2,69.8001953125,54.8001953125,{"_287":224,"_123":708,"_154":709,"_140":99},{"_287":125,"_123":705,"_154":706,"_140":707},{"_287":285,"_123":371,"_154":372,"_140":373},"style/painting-19","More paintings of the 19th century",432,"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1327/480.jpg","https://img.ochreeditions.com/a/1327/960.jpg","https://img.ochreeditions.com/a/1327/1920.jpg",{"_311":726,"_313":727},{"_311":724,"_313":725},{"_311":722,"_313":723},{"_311":720,"_313":721},{"_311":718,"_313":719},"#796b3d",0.0911,"#7c8b94",0.0987,"#4d442a",0.2058,"#322d1a",0.2536,"#837f77",0.3508,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":780,"_221":781,"_325":782,"_327":328,"_329":783,"_331":784,"_333":-5,"_335":-5,"_337":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,123.2,0.79638671875,[765,766,767,768,769],{"_220":384,"_221":385,"_42":386,"_304":387},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_295":762,"_297":763,"_299":764},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_291":292,"_293":294},{"_224":757,"_125":758,"_285":759},{"_276":754,"_278":755,"_280":756,"_282":740},113.11484375,138.2,98.11484375,{"_287":224,"_123":760,"_154":761,"_140":89},{"_287":125,"_123":705,"_154":706,"_140":707},{"_287":285,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_311":778,"_313":779},{"_311":776,"_313":777},{"_311":774,"_313":775},{"_311":772,"_313":773},{"_311":770,"_313":771},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":841,"_221":842,"_325":843,"_327":328,"_329":844,"_331":845,"_333":846,"_335":336,"_337":847,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[826,827,828,829,830],{"_220":822,"_221":823,"_42":824,"_304":825},"Courtesy of the Cleveland Museum of Art","1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":819,"_820":821},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_295":816,"_297":817,"_299":818},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_291":292,"_293":294},{"_224":811,"_125":812,"_285":813},{"_276":807,"_278":808,"_280":809,"_282":810},163.0235294117647,255,148.0235294117647,240,{"_287":224,"_123":814,"_154":815,"_140":91},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":839,"_313":840},{"_311":837,"_313":838},{"_311":835,"_313":836},{"_311":833,"_313":834},{"_311":831,"_313":832},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":895,"_221":896,"_325":897,"_327":328,"_329":898,"_331":899,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1785","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[880,881,882,883,884],{"_220":384,"_221":385,"_42":386,"_304":387},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_295":877,"_297":878,"_299":879},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_291":379,"_293":380},{"_224":872,"_125":873,"_285":874},{"_276":869,"_278":870,"_280":854,"_282":871},60.9,49.927294921875,25.927294921875,{"_287":224,"_123":875,"_154":876,"_140":89},{"_287":125,"_123":438,"_154":439,"_140":440},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_311":893,"_313":894},{"_311":891,"_313":892},{"_311":889,"_313":890},{"_311":887,"_313":888},{"_311":885,"_313":886},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,1827,"the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":949,"_221":950,"_325":951,"_327":673,"_329":952,"_331":953,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1827","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",101,127,0.7940150839347985,[934,935,936,937,938],{"_220":555,"_221":556,"_42":557,"_304":558},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":932,"_820":933},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_295":929,"_297":930,"_299":931},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_291":292,"_293":294},{"_224":924,"_125":925,"_285":926},{"_276":921,"_278":922,"_280":923,"_282":906},115.83991565971941,142,100.83991565971941,{"_287":224,"_123":927,"_154":928,"_140":89},{"_287":125,"_123":705,"_154":706,"_140":707},{"_287":285,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.","Text from the Art Institute of Chicago.",{"_311":947,"_313":948},{"_311":945,"_313":946},{"_311":943,"_313":944},{"_311":941,"_313":942},{"_311":939,"_313":940},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1782,1847,"hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":1001,"_221":1002,"_325":1003,"_327":673,"_329":577,"_331":1004,"_333":-5,"_335":-5,"_337":1005,"_140":99},"c. 1783","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",47,34,1.2970566411080882,[986,987,988,989,990],{"_220":555,"_221":556,"_42":557,"_304":558},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_295":983,"_297":984,"_299":985},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_291":379,"_293":380},{"_224":978,"_125":979,"_285":980},{"_276":975,"_278":976,"_280":960,"_282":977},71,60.23588863463005,36.23588863463005,{"_287":224,"_123":981,"_154":982,"_140":99},{"_287":125,"_123":548,"_154":549,"_140":53},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_311":999,"_313":1000},{"_311":997,"_313":998},{"_311":995,"_313":996},{"_311":993,"_313":994},{"_311":991,"_313":992},"#a49483",0.0883,"#c2b09c",0.1626,"#8d7e6f",0.1783,"#ddc8b1",0.2793,"#d1b79b",0.2915,"John Flaxman","john-flaxman","English, 1755–1826",1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":1049,"_221":1050,"_325":1051,"_327":673,"_329":1052,"_331":1053,"_333":1054,"_335":1054,"_337":1055,"_140":99},"40 x 50 in. (101.6 x 127 cm)",101.6,1.2404942965779469,[1035,1036,1037,1038,1039],{"_220":301,"_221":302,"_42":303,"_304":305},"2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_295":1032,"_297":1033,"_299":1034},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_291":292,"_293":294},{"_224":1027,"_125":1028,"_285":1029},{"_276":922,"_278":1025,"_280":906,"_282":1026},117.37854406130268,102.37854406130268,{"_287":224,"_123":1030,"_154":1031,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg",{"_311":1047,"_313":1048},{"_311":1045,"_313":1046},{"_311":1043,"_313":1044},{"_311":1041,"_313":1042},{"_311":1040,"_313":992},"#ab9279","#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","turtur-risorius-nga-53854","Turtur Risorius",{"_42":1101,"_221":1102,"_325":1103,"_327":1104,"_329":675,"_331":1105,"_333":-5,"_335":-5,"_337":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,17,0.655517578125,[1086,1087,1088,1089,1090],{"_220":384,"_221":385,"_42":386,"_304":387},"1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_295":1083,"_297":1084,"_299":1085},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_291":379,"_293":380},{"_224":1078,"_125":1079,"_285":1080},{"_276":1076,"_278":432,"_280":1077,"_282":434},40.387939453125,16.387939453125,{"_287":224,"_123":1081,"_154":1082,"_140":89},{"_287":125,"_123":438,"_154":439,"_140":440},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_311":1099,"_313":1100},{"_311":1097,"_313":1098},{"_311":1095,"_313":1096},{"_311":1093,"_313":1094},{"_311":1091,"_313":1092},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1859,"self-portrait-in-a-fur-cap-aic-76295","Self-Portrait in a Fur Cap",{"_42":1049,"_221":1050,"_325":1051,"_327":673,"_329":1052,"_331":1053,"_333":1054,"_335":1054,"_337":1055,"_140":99},"1765/68","Monochrome pastel (grisaille) on blue-gray laid paper","42.5 × 29.5 cm (16 3/4 × 11 5/8 in.)",29,0.6958228202971685,[1136,1137,1138,1139,1140],{"_220":555,"_221":556,"_42":557,"_304":558},"1990.141","Joseph Wright of Derby painted this in 1765/68, aged about 31. It is now at the Art Institute of Chicago.","Joseph Wright of Derby portrays himself in a fur cap, drawn in monochrome pastel on blue-grey paper, with greys and blacks building the face and the soft texture of the fur.","Black, gray pastel portrait of man in a fur hat.",{"_295":1133,"_297":1134,"_299":1135},"https://img.ochreeditions.com/m/193.jpg?dl=1","/art/self-portrait-in-a-fur-cap-aic-76295","/galleries/style/georgian-britain/self-portrait-in-a-fur-cap-aic-76295",{"_291":379,"_293":380},{"_224":1130,"_125":1131,"_285":1132},{"_276":1127,"_278":1128,"_280":1129,"_282":168},53.22455845248108,66,29.224558452481077,{"_287":224,"_123":1030,"_154":1031,"_140":99},{"_287":125,"_123":548,"_154":549,"_140":53},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/193/480.jpg","https://img.ochreeditions.com/a/193/960.jpg","https://img.ochreeditions.com/a/193/1920.jpg",{"_311":1149,"_313":1150},{"_311":1147,"_313":1148},{"_311":1145,"_313":1146},{"_311":1143,"_313":1144},{"_311":1141,"_313":1142},"#85817a",0.0524,"#5b4224",0.0632,"#5e5a55",0.0962,"#403d37",0.2066,"#2f2d29",0.5816,{"_1152":-5,"_1153":1154,"_1155":1156,"_1157":8,"_1158":1159,"_1160":8},"user","csrf","fa4e9970f18dcd70cd43e5a2b7cfd0d70cd80eb8","cartCount",0,"dropLive","legal",[1161,1162,1163,1164,1165,1166,1167,1168,1169,1170,1171,1172],"uploadsEnabled",{"_221":1195,"_20":1196},{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]