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Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","self-portrait-in-a-fur-cap-aic-76295","Self-Portrait in a Fur Cap",{"_42":393,"_219":394,"_323":395,"_325":326,"_327":396,"_329":397,"_331":398,"_333":398,"_334":399,"_140":99},"1765/68",18,"watercolour","Drawing and Watercolor","Monochrome pastel (grisaille) on blue-gray laid paper","42.5 × 29.5 cm (16 3/4 × 11 5/8 in.)",29,42,0.6958228202971685,[378,379,380,381,382],{"_218":299,"_219":300,"_42":301,"_302":303},"1990.141","Joseph Wright of Derby painted this in 1765/68, aged about 31. 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It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_293":430,"_295":431,"_297":432},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_289":373,"_291":374},{"_222":425,"_125":426,"_283":427},{"_274":422,"_276":423,"_278":424,"_279":407},41.0926483233018,54,17.092648323301805,{"_285":222,"_123":428,"_154":429,"_140":99},{"_285":125,"_123":369,"_154":370,"_140":53},{"_285":283,"_123":367,"_154":368,"_140":346},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_309":446,"_311":447},{"_309":444,"_311":445},{"_309":442,"_311":443},{"_309":440,"_311":441},{"_309":438,"_311":439},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","isabella-wolff-aic-4773","Isabella Wolff",{"_42":504,"_219":505,"_323":506,"_325":507,"_327":508,"_329":509,"_331":510,"_333":332,"_334":511,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[489,490,491,492,493],{"_218":299,"_219":300,"_42":301,"_302":303},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":486,"_487":488},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_293":483,"_295":484,"_297":485},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_289":290,"_291":292},{"_222":478,"_125":479,"_283":480},{"_274":475,"_276":476,"_278":477,"_279":460},116.09951287404314,143,101.09951287404314,{"_285":222,"_123":481,"_154":482,"_140":91},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","source","Text from the Art Institute of Chicago.",{"_309":502,"_311":503},{"_309":500,"_311":501},{"_309":498,"_311":499},{"_309":496,"_311":497},{"_309":494,"_311":495},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"Thomas Lawrence","thomas-lawrence","English, 1769–1830","British",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","noon-nga-119642","Noon",{"_42":570,"_219":571,"_323":572,"_325":507,"_327":573,"_329":574,"_331":575,"_333":332,"_334":576,"_140":97},"1830","print","Print","mezzotint on laid paper","plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,18.5,1.3927235634138049,[555,556,557,558,559],{"_218":551,"_219":552,"_42":553,"_302":554},"Courtesy National Gallery of Art, Washington","2001.118.23","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_293":548,"_295":549,"_297":550},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_289":373,"_291":374},{"_222":540,"_125":541,"_283":542},{"_274":537,"_276":538,"_278":520,"_279":539},49.5,42.3094482421875,18.3094482421875,{"_285":222,"_123":546,"_154":547,"_140":97},{"_285":125,"_123":543,"_154":544,"_140":545},{"_285":283,"_123":166,"_154":165,"_140":168},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_309":568,"_311":569},{"_309":566,"_311":567},{"_309":564,"_311":565},{"_309":562,"_311":563},{"_309":560,"_311":561},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":636,"_219":637,"_323":638,"_325":639,"_327":640,"_329":641,"_331":-5,"_333":-5,"_334":-5,"_140":103},"1834","drawing","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[622,623,624,625,626],{"_218":618,"_219":619,"_42":620,"_302":621},"Courtesy of the Cleveland Museum of Art","1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":616,"_487":617},"Descent into the Plain of Granada, by David Roberts, 1834",{"_293":613,"_295":614,"_297":615},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_289":373,"_291":374},{"_222":605,"_125":606,"_283":607},{"_274":602,"_276":603,"_278":585,"_279":604},56.5,47.45735294117647,23.45735294117647,{"_285":222,"_123":611,"_154":612,"_140":89},{"_285":125,"_123":608,"_154":609,"_140":610},{"_285":283,"_123":166,"_154":165,"_140":168},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":634,"_311":635},{"_309":633,"_311":316},{"_309":631,"_311":632},{"_309":629,"_311":630},{"_309":627,"_311":628},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b","#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864","Scottish",1796,1864,"peamore-devon-nga-137152","Peamore, Devon",{"_42":692,"_219":693,"_323":694,"_325":507,"_327":695,"_329":330,"_331":-5,"_333":-5,"_334":-5,"_140":103},"1799","wash and watercolor with pen and black ink over graphite on eight joined sheets of laid paper, on the artist's original mount","image: 45.2 x 57.3 cm (17 13/16 x 22 9/16 in.)",57.3,45.2,1.2337349397590363,[677,678,679,680,681],{"_218":551,"_219":552,"_42":553,"_302":554},"2007.16.1","John White Abbott painted this in 1799, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image shows a forest by a serene, tree-lined body of water. The horizon is high with tall trees extending close to it, creating a sense of depth. The brushstrokes and watercolor application are delicate, capturing textures of leaves and water gently. The color palette includes muted greens, soft browns, and hints of blue and cream. Closest to us is a dense cluster of trees on the right, curving over the water. Across the water, other tree clusters and shrubs recede into the misty background towards the left.",{"_293":674,"_295":675,"_297":676},"https://img.ochreeditions.com/m/1666.jpg?dl=1","/art/peamore-devon-nga-137152","/galleries/style/georgian-britain/peamore-devon-nga-137152",{"_289":373,"_291":374},{"_222":666,"_125":667,"_283":668},{"_274":663,"_276":664,"_278":648,"_279":665},81.3,70.4443359375,46.44433593749999,{"_285":222,"_123":672,"_154":673,"_140":89},{"_285":125,"_123":669,"_154":670,"_140":671},{"_285":283,"_123":367,"_154":368,"_140":346},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-john-white-abbott","John White Abbott's contemporaries","https://img.ochreeditions.com/a/1666/480.jpg","https://img.ochreeditions.com/a/1666/960.jpg","https://img.ochreeditions.com/a/1666/1920.jpg",{"_309":690,"_311":691},{"_309":688,"_311":689},{"_309":686,"_311":687},{"_309":684,"_311":685},{"_309":682,"_311":683},"#afad94",0.085,"#ab9571",0.1157,"#6f624e",0.1563,"#8a7c62",0.2097,"#d9c9b1",0.4333,"John White Abbott","john-white-abbott","British, 1763–1851",1763,"a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","A Hero Born on a Bier, from The Master of Giants Portfolio",{"_42":743,"_219":744,"_323":745,"_325":507,"_327":451,"_329":746,"_331":-5,"_333":-5,"_334":-5,"_140":103},"1779","Brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper","38 × 56.5 cm (15 × 22 1/4 in.)",56,38,1.4658835950904052,[728,729,730,731,732],{"_218":299,"_219":300,"_42":301,"_302":303},"2023.3179","Prince Hoare painted this in 1779, aged 24. It is now at the Art Institute of Chicago.","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.",{"_293":725,"_295":726,"_297":727},"https://img.ochreeditions.com/m/433.jpg?dl=1","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",{"_289":373,"_291":374},{"_222":720,"_125":721,"_283":722},{"_274":717,"_276":718,"_278":702,"_279":719},80,62.20221481948321,38.20221481948321,{"_285":222,"_123":723,"_154":724,"_140":89},{"_285":125,"_123":369,"_154":370,"_140":53},{"_285":283,"_123":367,"_154":368,"_140":346},"artist/contemporaries-of-prince-hoare","Prince Hoare's contemporaries","https://img.ochreeditions.com/a/433/480.jpg","https://img.ochreeditions.com/a/433/960.jpg","https://img.ochreeditions.com/a/433/1920.jpg",{"_309":741,"_311":742},{"_309":739,"_311":740},{"_309":737,"_311":738},{"_309":735,"_311":736},{"_309":733,"_311":734},"#585149",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","British, 1755–1834",1834,"phasianus-versicolor-nga-53855","Phasianus Versicolor",{"_42":796,"_219":797,"_323":798,"_325":639,"_327":799,"_329":800,"_331":-5,"_333":-5,"_334":-5,"_140":101},"hand-colored etching","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)",10.8,1.593774319066148,[781,782,783,784,785],{"_218":551,"_219":552,"_42":553,"_302":554},"1973.26.28","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.",{"_293":778,"_295":779,"_297":780},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_289":373,"_291":374},{"_222":770,"_125":771,"_283":772},{"_274":766,"_276":767,"_278":768,"_279":769},49,39.68603515625,25,15.686035156249998,{"_285":222,"_123":776,"_154":777,"_140":89},{"_285":125,"_123":773,"_154":774,"_140":775},{"_285":283,"_123":367,"_154":368,"_140":346},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg",{"_309":794,"_311":795},{"_309":792,"_311":793},{"_309":790,"_311":791},{"_309":788,"_311":789},{"_309":786,"_311":787},"#294d6a",0.0227,"#666947",0.0414,"#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"William Home Lizars","william-home-lizars","Scottish, 1788–1859",1788,1859,"weymouth-bay-met-682931","Weymouth Bay",{"_42":570,"_219":571,"_323":572,"_325":507,"_327":573,"_329":574,"_331":575,"_333":332,"_334":576,"_140":97},"Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[836,837,838,839,840],{"_218":832,"_219":833,"_42":834,"_302":835},"Courtesy of The Metropolitan Museum of Art","39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_293":829,"_295":830,"_297":831},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_289":373,"_291":374},{"_222":826,"_125":827,"_283":828},{"_274":766,"_276":824,"_278":768,"_279":825},43.859539602028875,19.85953960202887,{"_285":222,"_123":546,"_154":547,"_140":97},{"_285":125,"_123":543,"_154":544,"_140":545},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_309":849,"_311":850},{"_309":847,"_311":848},{"_309":845,"_311":846},{"_309":843,"_311":844},{"_309":841,"_311":842},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"georgiana-duchess-of-devonshire-nga-52263","Georgiana, Duchess of Devonshire",{"_42":902,"_219":903,"_323":904,"_325":507,"_327":905,"_329":397,"_331":-5,"_333":-5,"_334":906,"_140":99},"c. 1787/1796","oil on canvas","overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.) framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in.)",39.9,59.1,0.666748046875,[887,888,889,890,891],{"_218":551,"_219":552,"_42":553,"_302":554},"1970.17.119","Gainsborough Dupont painted this in about 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","Georgiana, Duchess of Devonshire, political hostess and leader of fashion in Georgian society, stands at full length in a light silk dress and a large dark feathered hat, gathering her skirts in her arms beside tall trees.","This painting is a full-length portrait of a woman with her body facing the right and her head turned toward us. She has light skin, curly gray hair, arched eyebrows, and a small mouth in a neutral expression. She wears an elegant light-colored dress with a large bow on the back and a large, dark, feathered hat, and she has a flower tucked in her arms, which also gather up some of her skirts. The background shows tall trees, with the edge of a wall visible in the upper-right corner. The color scheme of the painting is mostly olive-green, and everything has a green tint.",{"_293":884,"_295":885,"_297":886},"https://img.ochreeditions.com/m/1550.jpg?dl=1","/art/georgiana-duchess-of-devonshire-nga-52263","/galleries/style/georgian-britain/georgiana-duchess-of-devonshire-nga-52263",{"_289":290,"_291":292},{"_222":876,"_125":877,"_283":878},{"_274":873,"_276":874,"_278":875,"_279":858},54.4048095703125,74.1,39.4048095703125,{"_285":222,"_123":882,"_154":883,"_140":99},{"_285":125,"_123":879,"_154":880,"_140":881},{"_285":283,"_123":367,"_154":368,"_140":346},"style/painting-18","More paintings of the 18th century",168,"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1550/480.jpg","https://img.ochreeditions.com/a/1550/960.jpg","https://img.ochreeditions.com/a/1550/1920.jpg",{"_309":900,"_311":901},{"_309":898,"_311":899},{"_309":896,"_311":897},{"_309":894,"_311":895},{"_309":892,"_311":893},"#bba987",0.0696,"#3b2e29",0.1916,"#917f5d",0.2158,"#7a6236",0.2411,"#5b462d",0.2819,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":504,"_219":505,"_323":506,"_325":507,"_327":508,"_329":509,"_331":510,"_333":332,"_334":511,"_140":91},"c. 1805","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",65,78,0.8287557603686636,[936,937,938,939,940],{"_218":299,"_219":300,"_42":301,"_302":303},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_293":933,"_295":934,"_297":935},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_289":290,"_291":292},{"_222":930,"_125":931,"_283":932},{"_274":927,"_276":928,"_278":929,"_279":913},79.64294930875576,93,64.64294930875576,{"_285":222,"_123":481,"_154":482,"_140":91},{"_285":125,"_123":879,"_154":880,"_140":881},{"_285":283,"_123":367,"_154":368,"_140":346},"https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_309":949,"_311":950},{"_309":947,"_311":948},{"_309":945,"_311":946},{"_309":943,"_311":944},{"_309":941,"_311":942},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":393,"_219":394,"_323":395,"_325":326,"_327":396,"_329":397,"_331":398,"_333":398,"_334":399,"_140":99},"Paintings","40 x 50 in. (101.6 x 127 cm)",127,101.6,1.2404942965779469,[981,982,983,984,985],{"_218":832,"_219":833,"_42":834,"_302":835},"2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_293":978,"_295":979,"_297":980},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_289":290,"_291":292},{"_222":975,"_125":976,"_283":977},{"_274":972,"_276":973,"_278":956,"_279":974},142,117.37854406130268,102.37854406130268,{"_285":222,"_123":371,"_154":372,"_140":99},{"_285":125,"_123":879,"_154":880,"_140":881},{"_285":283,"_123":367,"_154":368,"_140":346},"https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg",{"_309":994,"_311":995},{"_309":992,"_311":993},{"_309":990,"_311":991},{"_309":988,"_311":989},{"_309":986,"_311":987},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":1042,"_219":1043,"_323":1044,"_325":326,"_327":1045,"_329":1046,"_331":-5,"_333":-5,"_334":-5,"_140":103},"1827","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",101,0.7940150839347985,[1027,1028,1029,1030,1031],{"_218":299,"_219":300,"_42":301,"_302":303},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":1026,"_487":488},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_293":1023,"_295":1024,"_297":1025},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_289":290,"_291":292},{"_222":1018,"_125":1019,"_283":1020},{"_274":1016,"_276":972,"_278":1017,"_279":956},115.83991565971941,100.83991565971941,{"_285":222,"_123":1021,"_154":1022,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.",{"_309":1040,"_311":1041},{"_309":1038,"_311":1039},{"_309":1036,"_311":1037},{"_309":1034,"_311":1035},{"_309":1032,"_311":1033},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1782,1847,"the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":1096,"_219":1097,"_323":1098,"_325":326,"_327":1099,"_329":1100,"_331":-5,"_333":-5,"_334":-5,"_140":101},"n.d.","Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[1081,1082,1083,1084,1085],{"_218":299,"_219":300,"_42":301,"_302":303},"1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_293":1078,"_295":1079,"_297":1080},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_289":373,"_291":374},{"_222":1071,"_125":1072,"_283":1073},{"_274":1068,"_276":1069,"_278":1053,"_279":1070},70,56.1976386036961,32.1976386036961,{"_285":222,"_123":1076,"_154":1077,"_140":89},{"_285":125,"_123":1074,"_154":1075,"_140":168},{"_285":283,"_123":166,"_154":165,"_140":168},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg",{"_309":1094,"_311":1095},{"_309":1092,"_311":1093},{"_309":1090,"_311":1091},{"_309":1088,"_311":1089},{"_309":1086,"_311":1087},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":1145,"_219":1146,"_323":1147,"_325":326,"_327":1148,"_329":1149,"_331":-5,"_333":-5,"_334":-5,"_140":103},"1792","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",27,36,0.7591623036649214,[1131,1132,1133,1134,1135],{"_218":299,"_219":300,"_42":301,"_302":303},"2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.",{"_293":1128,"_295":1129,"_297":1130},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_289":290,"_291":292},{"_222":1123,"_125":1124,"_283":1125},{"_274":1120,"_276":1121,"_278":1122,"_279":1107},42.32984293193717,51,27.329842931937172,{"_285":222,"_123":1126,"_154":1127,"_140":89},{"_285":125,"_123":879,"_154":880,"_140":881},{"_285":283,"_123":367,"_154":368,"_140":346},"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg",{"_309":1143,"_311":1144},{"_309":1141,"_311":1142},{"_309":1139,"_311":1140},{"_309":1138,"_311":497},{"_309":1136,"_311":1137},"#89694e",0.141,"#26261b","#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,{"_1151":-5,"_1152":1153,"_1154":1155,"_1156":8,"_1157":1158,"_1159":8},"user","csrf","0b32920f0d51b6e266dcad01b69e580befd38efc","cartCount",0,"dropLive","legal",[1160,1161,1162,1163,1164,1165,1166,1167,1168,1169,1170,1171],"uploadsEnabled",{"_219":1194,"_20":1195},{"_219":1192,"_20":1193},{"_219":1190,"_20":1191},{"_219":1188,"_20":1189},{"_219":1186,"_20":1187},{"_219":1184,"_20":1185},{"_219":1182,"_20":1183},{"_219":1180,"_20":1181},{"_219":1178,"_20":1179},{"_219":1176,"_20":1177},{"_219":1174,"_20":1175},{"_219":1172,"_20":1173},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]