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Burning of the Houses of Lords and Commons, 16 October 1834","artist",{"_42":325,"_220":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":336,"_338":339,"_140":97},"unrecorded","date","1835","century",19,"place","britain","movement","georgian-britain","painting","classification","Painting","medium","oil on canvas","dimensions","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)","width_cm",123.2,"height_cm",92,"aspect",1.3465346534653466,"palette",[308,309,310,311,312],"museum",{"_219":303,"_220":304,"_42":305,"_306":307},"credit","Courtesy of the Cleveland Museum of Art","accession","1942.647","licence","CC0","story","Joseph Mallord William Turner painted this in 1835, aged 60. 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Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_313":323,"_315":324},{"_313":321,"_315":322},{"_313":319,"_315":320},{"_313":317,"_315":318},{"_313":314,"_315":316},"hex","#bd914f","weight",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","bio","English, 1775–1851","nationality","English","birth_year",1775,"death_year",1851,"birth_place","London","death_place","about_excerpt","Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","the-white-horse-nga-1146","The White Horse",{"_42":392,"_220":393,"_327":394,"_329":330,"_331":395,"_333":396,"_335":-5,"_337":-5,"_338":397,"_140":99},"1818-1819","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,127,1.4306671323786238,[377,378,379,380,381],{"_219":373,"_220":374,"_42":375,"_306":376},"Courtesy National Gallery of Art, Washington","1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. 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It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_294":427,"_296":428,"_298":429},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/georgian-britain/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_290":291,"_292":293},{"_223":424,"_125":425,"_284":426},{"_275":421,"_277":422,"_279":404,"_280":423},239,188.10233393177737,173.10233393177737,{"_286":223,"_123":171,"_154":170,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_313":447,"_315":448},{"_313":445,"_315":446},{"_313":443,"_315":444},{"_313":441,"_315":442},{"_313":439,"_315":440},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438",0.2133,"#736551",0.2481,"#9e886b",0.2634,"weymouth-bay-met-682931","Weymouth Bay",{"_42":510,"_220":511,"_327":512,"_329":513,"_331":514,"_333":515,"_335":516,"_337":336,"_338":517,"_140":97},"1830","print","Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[495,496,497,498,499],{"_219":491,"_220":492,"_42":493,"_306":494},"Courtesy of The Metropolitan Museum of Art","39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_294":488,"_296":489,"_298":490},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_290":486,"_292":487},{"_223":478,"_125":479,"_284":480},{"_275":474,"_277":475,"_279":476,"_280":477},49,43.859539602028875,25,19.85953960202887,{"_286":223,"_123":484,"_154":485,"_140":97},{"_286":125,"_123":481,"_154":482,"_140":483},{"_286":284,"_123":167,"_154":166,"_140":169},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","white","snow","https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_313":508,"_315":509},{"_313":506,"_315":507},{"_313":504,"_315":505},{"_313":502,"_315":503},{"_313":500,"_315":501},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"David Lucas","david-lucas","British, 1802–1881","British",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","isabella-wolff-aic-4773","Isabella Wolff",{"_42":567,"_220":568,"_327":569,"_329":513,"_331":570,"_333":571,"_335":572,"_337":336,"_338":573,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[552,553,554,555,556],{"_219":430,"_220":431,"_42":432,"_306":433},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":550,"_301":551},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_294":547,"_296":548,"_298":549},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_290":291,"_292":293},{"_223":542,"_125":543,"_284":544},{"_275":539,"_277":540,"_279":541,"_280":524},116.09951287404314,143,101.09951287404314,{"_286":223,"_123":545,"_154":546,"_140":91},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","Text from the Art Institute of Chicago.",{"_313":565,"_315":566},{"_313":563,"_315":564},{"_313":561,"_315":562},{"_313":559,"_315":560},{"_313":557,"_315":558},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","bray-church-yard-cma-119729","Bray Church Yard",{"_42":627,"_220":628,"_327":629,"_329":513,"_331":630,"_333":631,"_335":-5,"_337":-5,"_338":-5,"_140":103},"1807","drawing","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[612,613,614,615,616],{"_219":303,"_220":304,"_42":305,"_306":307},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":611,"_301":302},"Bray Church Yard, by John Varley, 1807",{"_294":608,"_296":609,"_298":610},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_290":486,"_292":487},{"_223":601,"_125":602,"_284":603},{"_275":598,"_277":599,"_279":582,"_280":600},60.9,48.95091176470588,24.950911764705882,{"_286":223,"_123":606,"_154":607,"_140":89},{"_286":125,"_123":604,"_154":605,"_140":244},{"_286":284,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_313":625,"_315":626},{"_313":623,"_315":624},{"_313":621,"_315":622},{"_313":619,"_315":620},{"_313":617,"_315":618},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":687,"_220":688,"_327":689,"_329":330,"_331":690,"_333":691,"_335":-5,"_337":-5,"_338":692,"_140":99},"c. 1783",18,"watercolour","Drawing and Watercolor","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",47,34,1.2970566411080882,[672,673,674,675,676],{"_219":430,"_220":431,"_42":432,"_306":433},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_294":669,"_296":670,"_298":671},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_290":486,"_292":487},{"_223":659,"_125":660,"_284":661},{"_275":656,"_277":657,"_279":641,"_280":658},71,60.23588863463005,36.23588863463005,{"_286":223,"_123":667,"_154":668,"_140":99},{"_286":125,"_123":665,"_154":666,"_140":53},{"_286":284,"_123":662,"_154":663,"_140":664},"era/18-britain","18th-century Britain",42,"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_313":685,"_315":686},{"_313":683,"_315":684},{"_313":681,"_315":682},{"_313":679,"_315":680},{"_313":677,"_315":678},"#a49483",0.0883,"#c2b09c",0.1626,"#8d7e6f",0.1783,"#ddc8b1",0.2793,"#d1b79b",0.2915,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":567,"_220":568,"_327":569,"_329":513,"_331":570,"_333":571,"_335":572,"_337":336,"_338":573,"_140":91},"1801","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,129,0.7955882352941176,[724,725,726,727,728],{"_219":303,"_220":304,"_42":305,"_306":307},"1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":723,"_301":302},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_294":720,"_296":721,"_298":722},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_290":291,"_292":293},{"_223":717,"_125":718,"_284":719},{"_275":714,"_277":715,"_279":716,"_280":699},117.63088235294117,144,102.63088235294117,{"_286":223,"_123":545,"_154":546,"_140":91},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.",{"_313":737,"_315":738},{"_313":735,"_315":736},{"_313":733,"_315":734},{"_313":731,"_315":732},{"_313":729,"_315":730},"#bc9f72",0.1057,"#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":787,"_220":788,"_327":789,"_329":330,"_331":790,"_333":791,"_335":-5,"_337":-5,"_338":-5,"_140":103},"1792","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",27,36,0.7591623036649214,[773,774,775,776,777],{"_219":430,"_220":431,"_42":432,"_306":433},"2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_294":770,"_296":771,"_298":772},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_290":291,"_292":293},{"_223":762,"_125":763,"_284":764},{"_275":759,"_277":760,"_279":761,"_280":745},42.32984293193717,51,27.329842931937172,{"_286":223,"_123":768,"_154":769,"_140":89},{"_286":125,"_123":765,"_154":766,"_140":767},{"_286":284,"_123":662,"_154":663,"_140":664},"style/painting-18","More paintings of the 18th century",168,"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg",{"_313":785,"_315":786},{"_313":783,"_315":784},{"_313":781,"_315":782},{"_313":780,"_315":560},{"_313":778,"_315":779},"#89694e",0.141,"#26261b","#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,"lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":843,"_220":844,"_327":845,"_329":513,"_331":332,"_333":514,"_335":336,"_337":336,"_338":-5,"_140":103},"1796–97","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[828,829,830,831,832],{"_219":491,"_220":492,"_42":493,"_306":494},"06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_294":825,"_296":826,"_298":827},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_290":486,"_292":487},{"_223":817,"_125":818,"_284":819},{"_275":814,"_277":815,"_279":799,"_280":816},76,62.26731078904992,38.26731078904992,{"_286":223,"_123":823,"_154":824,"_140":89},{"_286":125,"_123":820,"_154":821,"_140":822},{"_286":284,"_123":662,"_154":663,"_140":664},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg",{"_313":841,"_315":842},{"_313":839,"_315":840},{"_313":837,"_315":838},{"_313":835,"_315":836},{"_313":833,"_315":834},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802","saint-john-the-evangelist-nga-54043","Saint John the Evangelist",{"_42":894,"_220":895,"_327":896,"_329":513,"_331":897,"_333":898,"_335":-5,"_337":-5,"_338":-5,"_140":101},"1771","Print","chiaroscuro woodcut in light and dark olive green","sheet: 19.7 × 15.3 cm (7 3/4 × 6 in.) other (text beneath image): 3.2 × 15.2 cm (1 1/4 × 6 in.) mount (irreg.): 43.7 × 31.9 cm (17 3/16 × 12 9/16 in.)",15.3,19.7,0.742431640625,[880,881,882,883,884],{"_219":373,"_220":374,"_42":375,"_306":376},"1973.58.2","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a seated figure on a large bird. The image depicts a classically draped figure seated on a stylized bird. The figure holds an open book and gazes into the distance. The bird has sharp features and spread wings. The background contains swirling clouds. The scene is framed with a border, and there is text at the bottom. The lines are bold and the shades are muted.",{"_294":877,"_296":878,"_298":879},"https://img.ochreeditions.com/m/1571.jpg?dl=1","/art/saint-john-the-evangelist-nga-54043","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54043",{"_290":486,"_292":487},{"_223":870,"_125":871,"_284":872},{"_275":868,"_277":474,"_279":869,"_280":476},42.560791015625,18.560791015625,{"_286":223,"_123":875,"_154":876,"_140":89},{"_286":125,"_123":873,"_154":874,"_140":699},{"_286":284,"_123":662,"_154":663,"_140":664},"style/print-18","More prints of the 18th century","artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1571/480.jpg","https://img.ochreeditions.com/a/1571/960.jpg","https://img.ochreeditions.com/a/1571/1920.jpg",{"_313":892,"_315":893},{"_313":890,"_315":891},{"_313":889,"_315":782},{"_313":887,"_315":888},{"_313":885,"_315":886},"#b69e75",0.1243,"#877257",0.1513,"#9a8362","#cab68c",0.2161,"#d5c39a",0.3338,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"lord-rothes-si-saam-1956-11-60","Lord Rothes","Unrecorded British maker","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[934,935,936,937,938],{"_219":931,"_220":932,"_42":933,"_306":376},"Courtesy of the Smithsonian American Art Museum","1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_294":928,"_296":929,"_298":930},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_290":291,"_292":293},{"_223":923,"_125":924,"_284":925},{"_275":920,"_277":921,"_279":922,"_280":905},117.51170000000002,143.3,102.51170000000002,{"_286":223,"_123":926,"_154":927,"_140":97},{"_286":125,"_123":765,"_154":766,"_140":767},{"_286":284,"_123":662,"_154":663,"_140":664},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg","si","smithsonian","Smithsonian Institution",{"_313":947,"_315":948},{"_313":945,"_315":946},{"_313":943,"_315":944},{"_313":941,"_315":942},{"_313":939,"_315":940},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015",0.3131,"the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":996,"_220":997,"_327":998,"_329":330,"_331":999,"_333":1000,"_335":-5,"_337":-5,"_338":-5,"_140":103},"1827","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",101,0.7940150839347985,[981,982,983,984,985],{"_219":430,"_220":431,"_42":432,"_306":433},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":980,"_301":551},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_294":977,"_296":978,"_298":979},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_290":291,"_292":293},{"_223":972,"_125":973,"_284":974},{"_275":969,"_277":970,"_279":971,"_280":346},115.83991565971941,142,100.83991565971941,{"_286":223,"_123":975,"_154":976,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.",{"_313":994,"_315":995},{"_313":992,"_315":993},{"_313":990,"_315":991},{"_313":988,"_315":989},{"_313":986,"_315":987},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1782,1847,"the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":1048,"_220":1049,"_327":1050,"_329":513,"_331":1051,"_333":1052,"_335":-5,"_337":-5,"_338":-5,"_140":101},"1739","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[1033,1034,1035,1036,1037],{"_219":373,"_220":374,"_42":375,"_306":376},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_294":1030,"_296":1031,"_298":1032},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_290":486,"_292":487},{"_223":1025,"_125":1026,"_284":1027},{"_275":1022,"_277":1023,"_279":1024,"_280":1008},59.630419921874996,77.4,35.630419921874996,{"_286":223,"_123":1028,"_154":1029,"_140":89},{"_286":125,"_123":873,"_154":874,"_140":699},{"_286":284,"_123":662,"_154":663,"_140":664},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_313":1046,"_315":1047},{"_313":1044,"_315":1045},{"_313":1042,"_315":1043},{"_313":1040,"_315":1041},{"_313":1038,"_315":1039},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":510,"_220":511,"_327":512,"_329":513,"_331":514,"_333":515,"_335":516,"_337":336,"_338":517,"_140":97},"mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[1083,1084,1085,1086,1087],{"_219":373,"_220":374,"_42":375,"_306":376},"2001.118.27","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_294":1080,"_296":1081,"_298":1082},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_290":486,"_292":487},{"_223":1077,"_125":1078,"_284":1079},{"_275":1074,"_277":1075,"_279":1058,"_280":1076},49.2,41.94638671875,17.94638671875,{"_286":223,"_123":484,"_154":485,"_140":97},{"_286":125,"_123":481,"_154":482,"_140":483},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_313":1096,"_315":1097},{"_313":1094,"_315":1095},{"_313":1092,"_315":1093},{"_313":1090,"_315":1091},{"_313":1088,"_315":1089},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"portrait-of-colonel-charles-heathcote-cma-302209","Portrait of Colonel Charles Heathcote",{"_42":1144,"_220":1145,"_327":1146,"_329":330,"_331":1147,"_333":1148,"_335":1149,"_337":1149,"_338":1150,"_140":99},"c. 1771–72","127 x 100 cm (50 x 39 3/8 in.)",100,0.7991176470588235,[1129,1130,1131,1132,1133],{"_219":303,"_220":304,"_42":305,"_306":307},"2017.100","Joseph Wright of Derby painted this in about 1771–72, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":1128,"_301":302},"Portrait of Colonel Charles Heathcote, by Joseph Wright of Derby, c. 1771–72",{"_294":1125,"_296":1126,"_298":1127},"https://img.ochreeditions.com/m/784.jpg?dl=1","/art/portrait-of-colonel-charles-heathcote-cma-302209","/galleries/style/georgian-britain/portrait-of-colonel-charles-heathcote-cma-302209",{"_290":291,"_292":293},{"_223":1120,"_125":1121,"_284":1122},{"_275":1118,"_277":970,"_279":1119,"_280":346},116.48794117647058,101.48794117647058,{"_286":223,"_123":1123,"_154":1124,"_140":99},{"_286":125,"_123":765,"_154":766,"_140":767},{"_286":284,"_123":662,"_154":663,"_140":664},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/784/480.jpg","https://img.ochreeditions.com/a/784/960.jpg","https://img.ochreeditions.com/a/784/1920.jpg","Assuming a relaxed but commanding pose, Colonel Charles Heathcote (1734–1797) stands beside a large oak tree in the foreground of an expansive landscape. He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.",{"_313":1142,"_315":1143},{"_313":1140,"_315":1141},{"_313":1138,"_315":1139},{"_313":1136,"_315":1137},{"_313":1134,"_315":1135},"#762820",0.0221,"#977d5d",0.0414,"#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.",{"_1152":-5,"_1153":1154,"_1155":1156,"_1157":8,"_1158":1159,"_1160":8},"user","csrf","9bae1f13480426335629c39d3390d3a98341e1c9","cartCount",0,"dropLive","legal",[1161,1162,1163,1164,1165,1166,1167,1168,1169,1170,1171,1172],"uploadsEnabled",{"_220":1195,"_20":1196},{"_220":1193,"_20":1194},{"_220":1191,"_20":1192},{"_220":1189,"_20":1190},{"_220":1187,"_20":1188},{"_220":1185,"_20":1186},{"_220":1183,"_20":1184},{"_220":1181,"_20":1182},{"_220":1179,"_20":1180},{"_220":1177,"_20":1178},{"_220":1175,"_20":1176},{"_220":1173,"_20":1174},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]