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(147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[440,441,442,443,444],{"_221":436,"_222":437,"_42":438,"_308":439},"Courtesy of The Metropolitan Museum of Art","50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_296":433,"_298":434,"_300":435},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_292":293,"_294":295},{"_225":428,"_125":429,"_286":430},{"_277":425,"_279":426,"_281":427,"_282":409},135.62100077780656,162.6,120.62100077780657,{"_288":225,"_123":431,"_154":432,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_315":453,"_317":454},{"_315":451,"_317":452},{"_315":449,"_317":450},{"_315":447,"_317":448},{"_315":445,"_317":446},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788","English",1727,1788,"Sudbury","London","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","bray-church-yard-cma-119729","Bray Church Yard",{"_42":523,"_222":524,"_329":525,"_331":397,"_333":526,"_335":527,"_337":-5,"_338":-5,"_339":-5,"_140":103},"1807",19,"drawing","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[508,509,510,511,512],{"_221":305,"_222":306,"_42":307,"_308":309},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":507,"_303":304},"Bray Church Yard, by John Varley, 1807",{"_296":504,"_298":505,"_300":506},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_292":502,"_294":503},{"_225":492,"_125":493,"_286":494},{"_277":489,"_279":490,"_281":473,"_282":491},60.9,48.95091176470588,24.950911764705882,{"_288":225,"_123":500,"_154":501,"_140":89},{"_288":125,"_123":497,"_154":498,"_140":499},{"_288":286,"_123":495,"_154":496,"_140":364},"era/19-britain","19th-century Britain","style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-john-varley","John Varley's contemporaries","white","snow","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_315":521,"_317":522},{"_315":519,"_317":520},{"_315":517,"_317":518},{"_315":515,"_317":516},{"_315":513,"_317":514},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"may-from-twelve-months-of-flowers-aic-127984","May, from Twelve Months of Flowers",{"_42":585,"_222":586,"_329":587,"_331":458,"_333":588,"_335":589,"_337":-5,"_338":-5,"_339":-5,"_140":99},"n.d.","print","Print","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7948175568482284,[570,571,572,573,574],{"_221":566,"_222":567,"_42":568,"_308":569},"Courtesy of the Art Institute of Chicago","1946.402","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A lavish bouquet of the flowers that bloom in May fills this hand-coloured engraving, each blossom numbered and keyed to a list of names. It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_296":563,"_298":564,"_300":565},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_292":502,"_294":503},{"_225":555,"_125":556,"_286":557},{"_277":552,"_279":553,"_281":554,"_282":364},55.79270227392914,64,31.792702273929137,{"_288":225,"_123":561,"_154":562,"_140":99},{"_288":125,"_123":558,"_154":559,"_140":560},{"_288":286,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_315":583,"_317":584},{"_315":581,"_317":582},{"_315":579,"_317":580},{"_315":577,"_317":578},{"_315":575,"_317":576},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","Heroic Landscape with Fisherman, Cows, and Horsemen",{"_42":636,"_222":637,"_329":638,"_331":397,"_333":639,"_335":640,"_337":-5,"_338":-5,"_339":-5,"_140":101},"1744","chiaroscuro woodcut printed in color on laid paper","sheet: 42 x 58.5 cm (16 9/16 x 23 1/16 in.)",58.5,1.3880040664181634,[621,622,623,624,625],{"_221":375,"_222":376,"_42":377,"_308":378},"2012.92.61","John Baptist Jackson made this in 1744, aged 43. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape scene from an elevated viewpoint. There are large columns of a classical ruin and a leafy tree on the left. On the right, there is a spreading tree with intricate leaves. In the background, there is a pastoral landscape with figures and animals. A shepherd and a cow are guiding a flock of sheep, and buildings can be seen in the distance. The horizon divides the image into sky and earth. The brushstrokes are detailed, capturing textures effectively. The color palette consists of earthy tones with touches of brighter colors on the figures' clothing.",{"_296":618,"_298":619,"_300":620},"https://img.ochreeditions.com/m/1656.jpg?dl=1","/art/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","/galleries/style/georgian-britain/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866",{"_292":502,"_294":503},{"_225":613,"_125":614,"_286":615},{"_277":610,"_279":611,"_281":596,"_282":612},82.5,66.1468505859375,42.1468505859375,{"_288":225,"_123":616,"_154":617,"_140":89},{"_288":125,"_123":558,"_154":559,"_140":560},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1656/480.jpg","https://img.ochreeditions.com/a/1656/960.jpg","https://img.ochreeditions.com/a/1656/1920.jpg",{"_315":634,"_317":635},{"_315":632,"_317":633},{"_315":630,"_317":631},{"_315":628,"_317":629},{"_315":626,"_317":627},"#878e7d",0.1386,"#4e4232",0.1457,"#b3a284",0.1756,"#8b7c60",0.2035,"#6a5f48",0.3366,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"sir-thomas-rumbold-bt-aic-84707","Sir Thomas Rumbold, Bt.",{"_42":687,"_222":688,"_329":689,"_331":397,"_333":690,"_335":691,"_337":692,"_338":462,"_339":693,"_140":95},"1788","126.7 × 101.3 cm (49 7/8 × 39 7/8 in.); Framed: 149 × 123.2 × 8.3 cm (58 5/8 × 48 1/2 × 3 1/4 in.)",101,126,0.7977275284058949,[672,673,674,675,676],{"_221":566,"_222":567,"_42":568,"_308":569},"1955.1202","Joshua Reynolds painted this in 1788, aged 65. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_296":669,"_298":670,"_300":671},"https://img.ochreeditions.com/m/230.jpg?dl=1","/art/sir-thomas-rumbold-bt-aic-84707","/galleries/style/georgian-britain/sir-thomas-rumbold-bt-aic-84707",{"_292":293,"_294":295},{"_225":664,"_125":665,"_286":666},{"_277":661,"_279":662,"_281":663,"_282":647},115.51366857914276,141,100.51366857914276,{"_288":225,"_123":667,"_154":668,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/230/480.jpg","https://img.ochreeditions.com/a/230/960.jpg","https://img.ochreeditions.com/a/230/1920.jpg",{"_315":685,"_317":686},{"_315":683,"_317":684},{"_315":681,"_317":682},{"_315":679,"_317":680},{"_315":677,"_317":678},"#4e3c1b",0.0861,"#7b5f30",0.1161,"#652304",0.1777,"#301904",0.2331,"#201605",0.387,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":744,"_222":745,"_329":746,"_331":458,"_333":747,"_335":748,"_337":-5,"_338":-5,"_339":749,"_140":99},"c. 1783","watercolour","Drawing and Watercolor","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",47,34,1.2970566411080882,[730,731,732,733,734],{"_221":566,"_222":567,"_42":568,"_308":569},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_296":727,"_298":728,"_300":729},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_292":502,"_294":503},{"_225":720,"_125":721,"_286":722},{"_277":717,"_279":718,"_281":702,"_282":719},71,60.23588863463005,36.23588863463005,{"_288":225,"_123":725,"_154":726,"_140":99},{"_288":125,"_123":723,"_154":724,"_140":53},{"_288":286,"_123":167,"_154":166,"_140":169},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_315":742,"_317":743},{"_315":740,"_317":741},{"_315":739,"_317":318},{"_315":737,"_317":738},{"_315":735,"_317":736},"#a49483",0.0883,"#c2b09c",0.1626,"#8d7e6f","#ddc8b1",0.2793,"#d1b79b",0.2915,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","georgiana-duchess-of-devonshire-nga-52263","Georgiana, Duchess of Devonshire",{"_42":394,"_222":395,"_329":396,"_331":397,"_333":398,"_335":399,"_337":-5,"_338":-5,"_339":400,"_140":99},"c. 1787/1796","overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.) framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in.)",39.9,59.1,0.666748046875,[780,781,782,783,784],{"_221":375,"_222":376,"_42":377,"_308":378},"1970.17.119","Gainsborough Dupont painted this in about 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","Georgiana, Duchess of Devonshire, political hostess and leader of fashion in Georgian society, stands at full length in a light silk dress and a large dark feathered hat, gathering her skirts in her arms beside tall trees.","This painting is a full-length portrait of a woman with her body facing the right and her head turned toward us. She has light skin, curly gray hair, arched eyebrows, and a small mouth in a neutral expression. She wears an elegant light-colored dress with a large bow on the back and a large, dark, feathered hat, and she has a flower tucked in her arms, which also gather up some of her skirts. The background shows tall trees, with the edge of a wall visible in the upper-right corner. The color scheme of the painting is mostly olive-green, and everything has a green tint.",{"_296":777,"_298":778,"_300":779},"https://img.ochreeditions.com/m/1550.jpg?dl=1","/art/georgiana-duchess-of-devonshire-nga-52263","/galleries/style/georgian-britain/georgiana-duchess-of-devonshire-nga-52263",{"_292":293,"_294":295},{"_225":774,"_125":775,"_286":776},{"_277":771,"_279":772,"_281":773,"_282":756},54.4048095703125,74.1,39.4048095703125,{"_288":225,"_123":370,"_154":371,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1550/480.jpg","https://img.ochreeditions.com/a/1550/960.jpg","https://img.ochreeditions.com/a/1550/1920.jpg",{"_315":793,"_317":794},{"_315":791,"_317":792},{"_315":789,"_317":790},{"_315":787,"_317":788},{"_315":785,"_317":786},"#bba987",0.0696,"#3b2e29",0.1916,"#917f5d",0.2158,"#7a6236",0.2411,"#5b462d",0.2819,"august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":585,"_222":586,"_329":587,"_331":458,"_333":588,"_335":589,"_337":-5,"_338":-5,"_339":-5,"_140":99},0.7912519643792562,[817,818,819,820,821],{"_221":566,"_222":567,"_42":568,"_308":569},"1946.405",{"_296":814,"_298":815,"_300":816},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_292":502,"_294":503},{"_225":811,"_125":812,"_286":813},{"_277":809,"_279":553,"_281":810,"_282":364},55.65007857517025,31.650078575170248,{"_288":225,"_123":561,"_154":562,"_140":99},{"_288":125,"_123":558,"_154":559,"_140":560},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg",{"_315":830,"_317":831},{"_315":828,"_317":829},{"_315":826,"_317":827},{"_315":824,"_317":825},{"_315":822,"_317":823},"#796237",0.064,"#5c493a",0.0907,"#8a7b65",0.1271,"#baae9b",0.3131,"#d1c7b6",0.4051,"portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":882,"_222":883,"_329":884,"_331":397,"_333":885,"_335":886,"_337":887,"_338":462,"_339":888,"_140":91},"1801","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,0.7955882352941176,[867,868,869,870,871],{"_221":305,"_222":306,"_42":307,"_308":309},"1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":866,"_303":304},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_296":863,"_298":864,"_300":865},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_292":293,"_294":295},{"_225":855,"_125":856,"_286":857},{"_277":852,"_279":853,"_281":854,"_282":560},117.63088235294117,144,102.63088235294117,{"_288":225,"_123":861,"_154":862,"_140":91},{"_288":125,"_123":858,"_154":859,"_140":860},{"_288":286,"_123":495,"_154":496,"_140":364},"style/painting-19","More paintings of the 19th century",432,"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.",{"_315":880,"_317":881},{"_315":878,"_317":879},{"_315":876,"_317":877},{"_315":874,"_317":875},{"_315":872,"_317":873},"#bc9f72",0.1057,"#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":935,"_222":936,"_329":937,"_331":397,"_333":938,"_335":939,"_337":-5,"_338":-5,"_339":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,123.2,0.79638671875,[920,921,922,923,924],{"_221":375,"_222":376,"_42":377,"_308":378},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_296":917,"_298":918,"_300":919},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_292":293,"_294":295},{"_225":912,"_125":913,"_286":914},{"_277":909,"_279":910,"_281":911,"_282":895},113.11484375,138.2,98.11484375,{"_288":225,"_123":915,"_154":916,"_140":89},{"_288":125,"_123":858,"_154":859,"_140":860},{"_288":286,"_123":495,"_154":496,"_140":364},"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_315":933,"_317":934},{"_315":931,"_317":932},{"_315":929,"_317":930},{"_315":927,"_317":928},{"_315":925,"_317":926},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":882,"_222":883,"_329":884,"_331":397,"_333":885,"_335":886,"_337":887,"_338":462,"_339":888,"_140":91},"c. 1822/1823","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[970,971,972,973,974],{"_221":375,"_222":376,"_42":377,"_308":378},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_296":967,"_298":968,"_300":969},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_292":293,"_294":295},{"_225":964,"_125":965,"_286":966},{"_277":961,"_279":962,"_281":963,"_282":946},116.6768798828125,143.5,101.6768798828125,{"_288":225,"_123":861,"_154":862,"_140":91},{"_288":125,"_123":858,"_154":859,"_140":860},{"_288":286,"_123":495,"_154":496,"_140":364},"https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_315":982,"_317":983},{"_315":980,"_317":981},{"_315":978,"_317":979},{"_315":977,"_317":976},{"_315":975,"_317":976},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":455,"_222":456,"_329":457,"_331":458,"_333":459,"_335":460,"_337":461,"_338":462,"_339":463,"_140":97},"early 1770s (not later than 1772)","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[1015,1016,1017,1018,1019],{"_221":566,"_222":567,"_42":568,"_308":569},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_296":1012,"_298":1013,"_300":1014},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_292":502,"_294":503},{"_225":1009,"_125":1010,"_286":1011},{"_277":1006,"_279":1007,"_281":990,"_282":1008},79,66.1776611694153,42.177661169415295,{"_288":225,"_123":431,"_154":432,"_140":97},{"_288":125,"_123":723,"_154":724,"_140":53},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_315":1028,"_317":1029},{"_315":1026,"_317":1027},{"_315":1024,"_317":1025},{"_315":1022,"_317":1023},{"_315":1020,"_317":1021},"#75643b",0.1438,"#483b21",0.1553,"#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":1081,"_222":1082,"_329":1083,"_331":397,"_333":1084,"_335":1085,"_337":1086,"_338":462,"_339":1087,"_140":97},"1830","mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[1066,1067,1068,1069,1070],{"_221":375,"_222":376,"_42":377,"_308":378},"2001.118.27","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_296":1063,"_298":1064,"_300":1065},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_292":502,"_294":503},{"_225":1055,"_125":1056,"_286":1057},{"_277":1052,"_279":1053,"_281":1036,"_282":1054},49.2,41.94638671875,17.94638671875,{"_288":225,"_123":1061,"_154":1062,"_140":97},{"_288":125,"_123":1058,"_154":1059,"_140":1060},{"_288":286,"_123":495,"_154":496,"_140":364},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_315":1079,"_317":1080},{"_315":1077,"_317":1078},{"_315":1075,"_317":1076},{"_315":1073,"_317":1074},{"_315":1071,"_317":1072},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":394,"_222":395,"_329":396,"_331":397,"_333":398,"_335":399,"_337":-5,"_338":-5,"_339":400,"_140":99},"after 1788","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[1119,1120,1121,1122,1123],{"_221":305,"_222":306,"_42":307,"_308":309},"1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":1118,"_303":304},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_296":1115,"_298":1116,"_300":1117},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_292":293,"_294":295},{"_225":1112,"_125":1113,"_286":1114},{"_277":1109,"_279":1110,"_281":1111,"_282":1094},83.17205882352941,90.5,68.17205882352941,{"_288":225,"_123":370,"_154":371,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.",{"_315":1132,"_317":1133},{"_315":1130,"_317":1131},{"_315":1128,"_317":1129},{"_315":1126,"_317":1127},{"_315":1124,"_317":1125},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,{"_1135":-5,"_1136":1137,"_1138":1139,"_1140":8,"_1141":1142,"_1143":8},"user","csrf","28d6d281f6fb00c4907340505f6534331a07fb02","cartCount",0,"dropLive","legal",[1144,1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155],"uploadsEnabled",{"_222":1178,"_20":1179},{"_222":1176,"_20":1177},{"_222":1174,"_20":1175},{"_222":1172,"_20":1173},{"_222":1170,"_20":1171},{"_222":1168,"_20":1169},{"_222":1166,"_20":1167},{"_222":1164,"_20":1165},{"_222":1162,"_20":1163},{"_222":1160,"_20":1161},{"_222":1158,"_20":1159},{"_222":1156,"_20":1157},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]