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It is now at the National Gallery of Art in Washington, DC.","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_293":425,"_295":426,"_297":427},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_289":290,"_291":292},{"_223":414,"_125":415,"_284":416},{"_275":411,"_277":412,"_279":394,"_281":413},49.5,42.3094482421875,18.3094482421875,{"_286":223,"_123":423,"_154":424,"_140":97},{"_286":125,"_123":420,"_154":421,"_140":422},{"_286":284,"_123":417,"_154":418,"_140":419},"era/19-britain","19th-century Britain",40,"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_309":445,"_311":446},{"_309":443,"_311":444},{"_309":441,"_311":442},{"_309":439,"_311":440},{"_309":437,"_311":438},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"David Lucas","david-lucas","British, 1802–1881","British",1802,1881,"Geddington Chase, Northamptonshire","London","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":321,"_220":322,"_323":324,"_325":326,"_327":328,"_329":330,"_331":-5,"_332":-5,"_333":334,"_140":99},"n.d.","Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[486,487,488,489,490],{"_219":299,"_220":300,"_42":301,"_302":303},"1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_293":483,"_295":484,"_297":485},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_289":290,"_291":292},{"_223":480,"_125":481,"_284":482},{"_275":477,"_277":478,"_279":462,"_281":479},53,44.521086780210865,20.52108678021087,{"_286":223,"_123":171,"_154":170,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":53},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg",{"_309":499,"_311":500},{"_309":497,"_311":498},{"_309":495,"_311":496},{"_309":493,"_311":494},{"_309":491,"_311":492},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":549,"_220":550,"_323":551,"_325":326,"_327":552,"_329":553,"_331":554,"_332":454,"_333":555,"_140":97},"early 1770s (not later than 1772)","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[534,535,536,537,538],{"_219":299,"_220":300,"_42":301,"_302":303},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_293":531,"_295":532,"_297":533},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_289":290,"_291":292},{"_223":526,"_125":527,"_284":528},{"_275":523,"_277":524,"_279":507,"_281":525},79,66.1776611694153,42.177661169415295,{"_286":223,"_123":529,"_154":530,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":53},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_309":547,"_311":548},{"_309":545,"_311":546},{"_309":543,"_311":544},{"_309":541,"_311":542},{"_309":539,"_311":540},"#75643b",0.1438,"#483b21",0.1553,"#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":609,"_220":610,"_323":611,"_325":326,"_327":612,"_329":613,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1792","painting","Painting","Oil on canvas","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",36,0.7591623036649214,[594,595,596,597,598],{"_219":299,"_220":300,"_42":301,"_302":303},"2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_293":591,"_295":592,"_297":593},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_289":589,"_291":590},{"_223":581,"_125":582,"_284":583},{"_275":578,"_277":579,"_279":580,"_281":564},42.32984293193717,51,27.329842931937172,{"_286":223,"_123":587,"_154":588,"_140":89},{"_286":125,"_123":584,"_154":585,"_140":586},{"_286":284,"_123":167,"_154":166,"_140":169},"style/painting-18","More paintings of the 18th century",168,"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","natural","ivory","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg",{"_309":607,"_311":608},{"_309":605,"_311":606},{"_309":603,"_311":604},{"_309":601,"_311":602},{"_309":599,"_311":600},"#89694e",0.141,"#26261b",0.1523,"#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,"portrait-of-colonel-charles-heathcote-cma-302209","Portrait of Colonel Charles Heathcote",{"_42":669,"_220":670,"_323":671,"_325":326,"_327":672,"_329":673,"_331":674,"_332":674,"_333":675,"_140":99},"c. 1771–72","127 x 100 cm (50 x 39 3/8 in.)",100,127,0.7991176470588235,[654,655,656,657,658],{"_219":650,"_220":651,"_42":652,"_302":653},"Courtesy of the Cleveland Museum of Art","2017.100","Joseph Wright of Derby painted this in about 1771–72, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":647,"_648":649},"Portrait of Colonel Charles Heathcote, by Joseph Wright of Derby, c. 1771–72",{"_293":644,"_295":645,"_297":646},"https://img.ochreeditions.com/m/784.jpg?dl=1","/art/portrait-of-colonel-charles-heathcote-cma-302209","/galleries/style/georgian-britain/portrait-of-colonel-charles-heathcote-cma-302209",{"_289":589,"_291":590},{"_223":639,"_125":640,"_284":641},{"_275":636,"_277":637,"_279":638,"_281":620},116.48794117647058,142,101.48794117647058,{"_286":223,"_123":642,"_154":643,"_140":99},{"_286":125,"_123":584,"_154":585,"_140":586},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/784/480.jpg","https://img.ochreeditions.com/a/784/960.jpg","https://img.ochreeditions.com/a/784/1920.jpg","Assuming a relaxed but commanding pose, Colonel Charles Heathcote (1734–1797) stands beside a large oak tree in the foreground of an expansive landscape. He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":667,"_311":668},{"_309":665,"_311":666},{"_309":663,"_311":664},{"_309":661,"_311":662},{"_309":659,"_311":660},"#762820",0.0221,"#977d5d",0.0414,"#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","isabella-wolff-aic-4773","Isabella Wolff",{"_42":727,"_220":728,"_323":729,"_325":450,"_327":730,"_329":731,"_331":732,"_332":454,"_333":733,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[713,714,715,716,717],{"_219":299,"_220":300,"_42":301,"_302":303},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":711,"_648":712},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_293":708,"_295":709,"_297":710},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_289":589,"_291":590},{"_223":700,"_125":701,"_284":702},{"_275":697,"_277":698,"_279":699,"_281":682},116.09951287404314,143,101.09951287404314,{"_286":223,"_123":706,"_154":707,"_140":91},{"_286":125,"_123":703,"_154":704,"_140":705},{"_286":284,"_123":417,"_154":418,"_140":419},"style/painting-19","More paintings of the 19th century",432,"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","Text from the Art Institute of Chicago.",{"_309":725,"_311":726},{"_309":723,"_311":724},{"_309":721,"_311":722},{"_309":720,"_311":602},{"_309":718,"_311":719},"#d0b89c",0.1026,"#8b6a53","#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":447,"_220":448,"_323":449,"_325":450,"_327":451,"_329":452,"_331":453,"_332":454,"_333":455,"_140":97},"mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,1.4041823791566679,[762,763,764,765,766],{"_219":428,"_220":429,"_42":430,"_302":431},"2001.118.27","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_293":759,"_295":760,"_297":761},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_289":290,"_291":292},{"_223":756,"_125":757,"_284":758},{"_275":753,"_277":754,"_279":739,"_281":755},49.2,41.94638671875,17.94638671875,{"_286":223,"_123":423,"_154":424,"_140":97},{"_286":125,"_123":420,"_154":421,"_140":422},{"_286":284,"_123":417,"_154":418,"_140":419},"https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_309":775,"_311":776},{"_309":773,"_311":774},{"_309":771,"_311":772},{"_309":769,"_311":770},{"_309":767,"_311":768},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"small-landscape-si-saam-1956-11-20","Small Landscape","ca. 1750-1800","oil on canvas","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[810,811,812,813,814],{"_219":807,"_220":808,"_42":809,"_302":431},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_293":804,"_295":805,"_297":806},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_289":589,"_291":590},{"_223":801,"_125":802,"_284":803},{"_275":798,"_277":799,"_279":782,"_281":800},70.2,58.4424,43.4424,{"_286":223,"_123":367,"_154":368,"_140":97},{"_286":125,"_123":584,"_154":585,"_140":586},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_309":823,"_311":824},{"_309":821,"_311":822},{"_309":819,"_311":820},{"_309":817,"_311":818},{"_309":815,"_311":816},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":872,"_220":873,"_323":874,"_325":326,"_327":875,"_329":876,"_331":454,"_332":454,"_333":877,"_140":97},"1837–38","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[857,858,859,860,861],{"_219":299,"_220":300,"_42":301,"_302":303},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_293":854,"_295":855,"_297":856},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/georgian-britain/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_289":589,"_291":590},{"_223":849,"_125":850,"_284":851},{"_275":846,"_277":847,"_279":830,"_281":848},239,188.10233393177737,173.10233393177737,{"_286":223,"_123":852,"_154":853,"_140":97},{"_286":125,"_123":703,"_154":704,"_140":705},{"_286":284,"_123":417,"_154":418,"_140":419},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_309":870,"_311":871},{"_309":868,"_311":869},{"_309":866,"_311":867},{"_309":864,"_311":865},{"_309":862,"_311":863},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438",0.2133,"#736551",0.2481,"#9e886b",0.2634,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","self-portrait-in-a-fur-cap-aic-76295","Self-Portrait in a Fur Cap",{"_42":669,"_220":670,"_323":671,"_325":326,"_327":672,"_329":673,"_331":674,"_332":674,"_333":675,"_140":99},"1765/68","Monochrome pastel (grisaille) on blue-gray laid paper","42.5 × 29.5 cm (16 3/4 × 11 5/8 in.)",0.6958228202971685,[907,908,909,910,911],{"_219":299,"_220":300,"_42":301,"_302":303},"1990.141","Joseph Wright of Derby painted this in 1765/68, aged about 31. It is now at the Art Institute of Chicago.","Joseph Wright of Derby portrays himself in a fur cap, drawn in monochrome pastel on blue-grey paper, with greys and blacks building the face and the soft texture of the fur.","Black, gray pastel portrait of man in a fur hat.",{"_293":904,"_295":905,"_297":906},"https://img.ochreeditions.com/m/193.jpg?dl=1","/art/self-portrait-in-a-fur-cap-aic-76295","/galleries/style/georgian-britain/self-portrait-in-a-fur-cap-aic-76295",{"_289":290,"_291":292},{"_223":901,"_125":902,"_284":903},{"_275":898,"_277":899,"_279":900,"_281":169},53.22455845248108,66,29.224558452481077,{"_286":223,"_123":642,"_154":643,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":53},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/193/480.jpg","https://img.ochreeditions.com/a/193/960.jpg","https://img.ochreeditions.com/a/193/1920.jpg",{"_309":920,"_311":921},{"_309":918,"_311":919},{"_309":916,"_311":917},{"_309":914,"_311":915},{"_309":912,"_311":913},"#85817a",0.0524,"#5b4224",0.0632,"#5e5a55",0.0962,"#403d37",0.2066,"#2f2d29",0.5816,"the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":968,"_220":969,"_323":970,"_325":326,"_327":971,"_329":972,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1827","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",101,0.7940150839347985,[953,954,955,956,957],{"_219":299,"_220":300,"_42":301,"_302":303},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":952,"_648":712},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_293":949,"_295":950,"_297":951},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_289":589,"_291":590},{"_223":944,"_125":945,"_284":946},{"_275":942,"_277":637,"_279":943,"_281":620},115.83991565971941,100.83991565971941,{"_286":223,"_123":947,"_154":948,"_140":89},{"_286":125,"_123":703,"_154":704,"_140":705},{"_286":284,"_123":417,"_154":418,"_140":419},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.",{"_309":966,"_311":967},{"_309":964,"_311":965},{"_309":962,"_311":963},{"_309":960,"_311":961},{"_309":958,"_311":959},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1782,1847,"heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","Heroic Landscape with Fisherman, Cows, and Horsemen",{"_42":1019,"_220":1020,"_323":1021,"_325":450,"_327":1022,"_329":1023,"_331":-5,"_332":-5,"_333":-5,"_140":101},"1744","chiaroscuro woodcut printed in color on laid paper","sheet: 42 x 58.5 cm (16 9/16 x 23 1/16 in.)",58.5,1.3880040664181634,[1004,1005,1006,1007,1008],{"_219":428,"_220":429,"_42":430,"_302":431},"2012.92.61","John Baptist Jackson made this in 1744, aged 43. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape scene from an elevated viewpoint. There are large columns of a classical ruin and a leafy tree on the left. On the right, there is a spreading tree with intricate leaves. In the background, there is a pastoral landscape with figures and animals. A shepherd and a cow are guiding a flock of sheep, and buildings can be seen in the distance. The horizon divides the image into sky and earth. The brushstrokes are detailed, capturing textures effectively. The color palette consists of earthy tones with touches of brighter colors on the figures' clothing.",{"_293":1001,"_295":1002,"_297":1003},"https://img.ochreeditions.com/m/1656.jpg?dl=1","/art/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","/galleries/style/georgian-britain/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866",{"_289":290,"_291":292},{"_223":996,"_125":997,"_284":998},{"_275":993,"_277":994,"_279":979,"_281":995},82.5,66.1468505859375,42.1468505859375,{"_286":223,"_123":999,"_154":1000,"_140":89},{"_286":125,"_123":364,"_154":365,"_140":366},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1656/480.jpg","https://img.ochreeditions.com/a/1656/960.jpg","https://img.ochreeditions.com/a/1656/1920.jpg",{"_309":1017,"_311":1018},{"_309":1015,"_311":1016},{"_309":1013,"_311":1014},{"_309":1011,"_311":1012},{"_309":1009,"_311":1010},"#878e7d",0.1386,"#4e4232",0.1457,"#b3a284",0.1756,"#8b7c60",0.2035,"#6a5f48",0.3366,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"phasianus-versicolor-nga-53855","Phasianus Versicolor",{"_42":1067,"_220":1068,"_323":1069,"_325":1070,"_327":553,"_329":1071,"_331":-5,"_332":-5,"_333":-5,"_140":101},"hand-colored etching","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)",10.8,1.593774319066148,[1053,1054,1055,1056,1057],{"_219":428,"_220":429,"_42":430,"_302":431},"1973.26.28","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.",{"_293":1050,"_295":1051,"_297":1052},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_289":290,"_291":292},{"_223":1045,"_125":1046,"_284":1047},{"_275":357,"_277":1043,"_279":359,"_281":1044},39.68603515625,15.686035156249998,{"_286":223,"_123":1048,"_154":1049,"_140":89},{"_286":125,"_123":364,"_154":365,"_140":366},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg",{"_309":1065,"_311":1066},{"_309":1063,"_311":1064},{"_309":1061,"_311":1062},{"_309":1060,"_311":662},{"_309":1058,"_311":1059},"#294d6a",0.0227,"#666947","#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1859,"portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":1120,"_220":1121,"_323":1122,"_325":450,"_327":1123,"_329":1124,"_331":1125,"_332":454,"_333":1126,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[1105,1106,1107,1108,1109],{"_219":650,"_220":651,"_42":652,"_302":653},"1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":1104,"_648":649},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_293":1101,"_295":1102,"_297":1103},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_289":589,"_291":590},{"_223":1096,"_125":1097,"_284":1098},{"_275":1093,"_277":1094,"_279":1095,"_281":1078},185.63529411764705,211,170.63529411764705,{"_286":223,"_123":1099,"_154":1100,"_140":95},{"_286":125,"_123":584,"_154":585,"_140":586},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.",{"_309":1118,"_311":1119},{"_309":1116,"_311":1117},{"_309":1114,"_311":1115},{"_309":1112,"_311":1113},{"_309":1110,"_311":1111},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.",{"_1128":-5,"_1129":1130,"_1131":1132,"_1133":8,"_1134":1135,"_1136":8},"user","csrf","83bd570870ae07133698f26284f999531472e4b1","cartCount",0,"dropLive","legal",[1137,1138,1139,1140,1141,1142,1143,1144,1145,1146,1147,1148],"uploadsEnabled",{"_220":1171,"_20":1172},{"_220":1169,"_20":1170},{"_220":1167,"_20":1168},{"_220":1165,"_20":1166},{"_220":1163,"_20":1164},{"_220":1161,"_20":1162},{"_220":1159,"_20":1160},{"_220":1157,"_20":1158},{"_220":1155,"_20":1156},{"_220":1153,"_20":1154},{"_220":1151,"_20":1152},{"_220":1149,"_20":1150},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]