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It is now at the Art Institute of Chicago.","note","A work made of oil on panel.","images",{"_296":297,"_298":299,"_300":301},"download_url","https://img.ochreeditions.com/m/384.jpg?dl=1","page_url","/art/the-sand-pits-hampstead-heath-aic-250453","walk_url","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453","frame",{"_292":293,"_294":295},{"_226":284,"_125":285,"_286":287},"size",{"_277":278,"_279":280,"_281":245,"_282":283},"w",53,"h",38.1345982804625,"image_w","image_h",23.134598280462495,{"_288":226,"_123":171,"_154":170,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},"era",{"_288":286,"_123":167,"_154":166,"_140":169},"facet","style/painting-19","More paintings of the 19th century",432,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/384/480.jpg","960","https://img.ochreeditions.com/a/384/960.jpg","1920","https://img.ochreeditions.com/a/384/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_312":322,"_314":323},{"_312":320,"_314":321},{"_312":318,"_314":319},{"_312":316,"_314":317},{"_312":313,"_314":315},"hex","#815e2f","weight",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","bio","English, 1792–1882","nationality","English","birth_year",1792,"death_year",1882,"birth_place","death_place","about_excerpt","stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":397,"_223":398,"_326":399,"_328":400,"_330":401,"_332":402,"_334":403,"_335":404,"_336":405,"_140":97},"1830","print","Print","mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[382,383,384,385,386],{"_222":378,"_223":379,"_42":380,"_305":381},"Courtesy National Gallery of Art, Washington","2001.118.27","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_296":375,"_298":376,"_300":377},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_292":373,"_294":374},{"_226":365,"_125":366,"_286":367},{"_277":362,"_279":363,"_281":345,"_282":364},49.2,41.94638671875,17.94638671875,{"_288":226,"_123":371,"_154":372,"_140":97},{"_288":125,"_123":368,"_154":369,"_140":370},{"_288":286,"_123":167,"_154":166,"_140":169},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","white","snow","https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_312":395,"_314":396},{"_312":393,"_314":394},{"_312":391,"_314":392},{"_312":389,"_314":390},{"_312":387,"_314":388},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"David Lucas","david-lucas","British, 1802–1881","British",1802,1881,"Geddington Chase, Northamptonshire","London","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":453,"_223":454,"_326":455,"_328":400,"_330":456,"_332":457,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1816","oil on canvas","overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",231,150,1.522110739502044,[438,439,440,441,442],{"_222":378,"_223":379,"_42":380,"_305":381},"2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_296":435,"_298":436,"_300":437},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_292":293,"_294":295},{"_226":430,"_125":431,"_286":432},{"_277":427,"_279":428,"_281":412,"_282":429},246,166.762939453125,151.762939453125,{"_288":226,"_123":433,"_154":434,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_312":451,"_314":452},{"_312":449,"_314":450},{"_312":447,"_314":448},{"_312":445,"_314":446},{"_312":443,"_314":444},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,"anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":512,"_223":513,"_326":514,"_328":400,"_330":515,"_332":516,"_334":517,"_335":404,"_336":518,"_140":91},"c. 1805",18,"Oil on canvas","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",65,78,0.8287557603686636,[497,498,499,500,501],{"_222":302,"_223":303,"_42":304,"_305":306},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_296":494,"_298":495,"_300":496},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_292":293,"_294":295},{"_226":483,"_125":484,"_286":485},{"_277":480,"_279":481,"_281":482,"_282":466},79.64294930875576,93,64.64294930875576,{"_288":226,"_123":492,"_154":493,"_140":91},{"_288":125,"_123":489,"_154":490,"_140":491},{"_288":286,"_123":486,"_154":487,"_140":488},"era/18-britain","18th-century Britain",42,"style/painting-18","More paintings of the 18th century",168,"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_312":510,"_314":511},{"_312":508,"_314":509},{"_312":506,"_314":507},{"_312":504,"_314":505},{"_312":502,"_314":503},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":574,"_223":575,"_326":576,"_328":400,"_330":577,"_332":578,"_334":-5,"_335":-5,"_336":579,"_140":99},"after 1788","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[559,560,561,562,563],{"_222":555,"_223":556,"_42":557,"_305":558},"Courtesy of the Cleveland Museum of Art","1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":552,"_553":554},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_296":549,"_298":550,"_300":551},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_292":293,"_294":295},{"_226":544,"_125":545,"_286":546},{"_277":541,"_279":542,"_281":543,"_282":525},83.17205882352941,90.5,68.17205882352941,{"_288":226,"_123":547,"_154":548,"_140":99},{"_288":125,"_123":489,"_154":490,"_140":491},{"_288":286,"_123":486,"_154":487,"_140":488},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":572,"_314":573},{"_312":570,"_314":571},{"_312":568,"_314":569},{"_312":566,"_314":567},{"_312":564,"_314":565},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":632,"_223":633,"_326":634,"_328":329,"_330":635,"_332":636,"_334":637,"_335":404,"_336":638,"_140":97},"early 1770s (not later than 1772)","watercolour","Drawing and Watercolor","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[617,618,619,620,621],{"_222":302,"_223":303,"_42":304,"_305":306},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_296":614,"_298":615,"_300":616},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_292":373,"_294":374},{"_226":607,"_125":608,"_286":609},{"_277":604,"_279":605,"_281":588,"_282":606},79,66.1776611694153,42.177661169415295,{"_288":226,"_123":612,"_154":613,"_140":97},{"_288":125,"_123":610,"_154":611,"_140":53},{"_288":286,"_123":486,"_154":487,"_140":488},"style/watercolour-18","More watercolours of the 18th century","artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_312":630,"_314":631},{"_312":628,"_314":629},{"_312":626,"_314":627},{"_312":624,"_314":625},{"_312":622,"_314":623},"#75643b",0.1438,"#483b21",0.1553,"#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":688,"_223":689,"_326":690,"_328":329,"_330":691,"_332":692,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1827","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",101,127,0.7940150839347985,[673,674,675,676,677],{"_222":302,"_223":303,"_42":304,"_305":306},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":671,"_553":672},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_296":668,"_298":669,"_300":670},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_292":293,"_294":295},{"_226":663,"_125":664,"_286":665},{"_277":660,"_279":661,"_281":662,"_282":645},115.83991565971941,142,100.83991565971941,{"_288":226,"_123":666,"_154":667,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.","Text from the Art Institute of Chicago.",{"_312":686,"_314":687},{"_312":684,"_314":685},{"_312":682,"_314":683},{"_312":680,"_314":681},{"_312":678,"_314":679},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1782,1847,"two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":512,"_223":513,"_326":514,"_328":400,"_330":515,"_332":516,"_334":517,"_335":404,"_336":518,"_140":91},"July 26, 1800","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",35,0.6863089606703608,[722,723,724,725,726],{"_222":302,"_223":303,"_42":304,"_305":306},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_296":719,"_298":720,"_300":721},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_292":373,"_294":374},{"_226":716,"_125":717,"_286":718},{"_277":713,"_279":714,"_281":715,"_282":699},48.02081362346263,59,24.02081362346263,{"_288":226,"_123":492,"_154":493,"_140":91},{"_288":125,"_123":610,"_154":611,"_140":53},{"_288":286,"_123":486,"_154":487,"_140":488},"https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_312":735,"_314":736},{"_312":733,"_314":734},{"_312":731,"_314":732},{"_312":729,"_314":730},{"_312":727,"_314":728},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":512,"_223":513,"_326":514,"_328":400,"_330":515,"_332":516,"_334":517,"_335":404,"_336":518,"_140":91},"c. 1822/1823","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[767,768,769,770,771],{"_222":378,"_223":379,"_42":380,"_305":381},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_296":764,"_298":765,"_300":766},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_292":293,"_294":295},{"_226":761,"_125":762,"_286":763},{"_277":758,"_279":759,"_281":760,"_282":743},116.6768798828125,143.5,101.6768798828125,{"_288":226,"_123":492,"_154":493,"_140":91},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_312":779,"_314":780},{"_312":777,"_314":778},{"_312":775,"_314":776},{"_312":774,"_314":773},{"_312":772,"_314":773},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":632,"_223":633,"_326":634,"_328":329,"_330":635,"_332":636,"_334":637,"_335":404,"_336":638,"_140":97},"c. 1776/1777","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",71,84,0.837890625,[811,812,813,814,815],{"_222":378,"_223":379,"_42":380,"_305":381},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_296":808,"_298":809,"_300":810},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_292":293,"_294":295},{"_226":805,"_125":806,"_286":807},{"_277":802,"_279":803,"_281":804,"_282":787},85.3828125,99,70.3828125,{"_288":226,"_123":612,"_154":613,"_140":97},{"_288":125,"_123":489,"_154":490,"_140":491},{"_288":286,"_123":486,"_154":487,"_140":488},"https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_312":824,"_314":825},{"_312":822,"_314":823},{"_312":820,"_314":821},{"_312":818,"_314":819},{"_312":816,"_314":817},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":874,"_223":875,"_326":876,"_328":329,"_330":877,"_332":878,"_334":404,"_335":404,"_336":879,"_140":97},"1835","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,92,1.3465346534653466,[859,860,861,862,863],{"_222":555,"_223":556,"_42":557,"_305":558},"1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":858,"_553":554},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_296":855,"_298":856,"_300":857},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_292":293,"_294":295},{"_226":850,"_125":851,"_286":852},{"_277":847,"_279":848,"_281":831,"_282":849},138.2,106.49411764705881,91.49411764705881,{"_288":226,"_123":853,"_154":854,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.",{"_312":872,"_314":873},{"_312":870,"_314":871},{"_312":868,"_314":869},{"_312":866,"_314":867},{"_312":864,"_314":865},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":874,"_223":875,"_326":876,"_328":329,"_330":877,"_332":878,"_334":404,"_335":404,"_336":879,"_140":97},"1837–38","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[910,911,912,913,914],{"_222":302,"_223":303,"_42":304,"_305":306},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_296":907,"_298":908,"_300":909},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/georgian-britain/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_292":293,"_294":295},{"_226":904,"_125":905,"_286":906},{"_277":901,"_279":902,"_281":885,"_282":903},239,188.10233393177737,173.10233393177737,{"_288":226,"_123":853,"_154":854,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_312":923,"_314":924},{"_312":921,"_314":922},{"_312":919,"_314":920},{"_312":917,"_314":918},{"_312":915,"_314":916},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438",0.2133,"#736551",0.2481,"#9e886b",0.2634,"stoke-by-nayland-aic-4758","Stoke-by-Nayland",{"_42":972,"_223":973,"_326":974,"_328":329,"_330":975,"_332":976,"_334":-5,"_335":-5,"_336":977,"_140":99},"1836","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)",169,126,1.358449273096764,[958,959,960,961,962],{"_222":302,"_223":303,"_42":304,"_305":306},"1922.4453","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":957,"_553":672},"Large English country landscape painting, farmers with horses, green trees.",{"_296":954,"_298":955,"_300":956},"https://img.ochreeditions.com/m/7.jpg?dl=1","/art/stoke-by-nayland-aic-4758","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758",{"_292":293,"_294":295},{"_226":949,"_125":950,"_286":951},{"_277":946,"_279":947,"_281":930,"_282":948},184,139.40655926352127,124.40655926352129,{"_288":226,"_123":952,"_154":953,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/7/960.jpg","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.",{"_312":970,"_314":971},{"_312":968,"_314":969},{"_312":966,"_314":967},{"_312":965,"_314":625},{"_312":963,"_314":964},"#a8b3b4",0.111,"#706346","#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","Heroic Landscape with Fisherman, Cows, and Horsemen",{"_42":1027,"_223":1028,"_326":1029,"_328":400,"_330":1030,"_332":1031,"_334":-5,"_335":-5,"_336":-5,"_140":101},"1744","chiaroscuro woodcut printed in color on laid paper","sheet: 42 x 58.5 cm (16 9/16 x 23 1/16 in.)",58.5,1.3880040664181634,[1012,1013,1014,1015,1016],{"_222":378,"_223":379,"_42":380,"_305":381},"2012.92.61","John Baptist Jackson made this in 1744, aged 43. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape scene from an elevated viewpoint. There are large columns of a classical ruin and a leafy tree on the left. On the right, there is a spreading tree with intricate leaves. In the background, there is a pastoral landscape with figures and animals. A shepherd and a cow are guiding a flock of sheep, and buildings can be seen in the distance. The horizon divides the image into sky and earth. The brushstrokes are detailed, capturing textures effectively. The color palette consists of earthy tones with touches of brighter colors on the figures' clothing.",{"_296":1009,"_298":1010,"_300":1011},"https://img.ochreeditions.com/m/1656.jpg?dl=1","/art/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","/galleries/style/georgian-britain/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866",{"_292":373,"_294":374},{"_226":1001,"_125":1002,"_286":1003},{"_277":998,"_279":999,"_281":984,"_282":1000},82.5,66.1468505859375,42.1468505859375,{"_288":226,"_123":1007,"_154":1008,"_140":89},{"_288":125,"_123":1004,"_154":1005,"_140":1006},{"_288":286,"_123":486,"_154":487,"_140":488},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1656/480.jpg","https://img.ochreeditions.com/a/1656/960.jpg","https://img.ochreeditions.com/a/1656/1920.jpg",{"_312":1025,"_314":1026},{"_312":1023,"_314":1024},{"_312":1021,"_314":1022},{"_312":1019,"_314":1020},{"_312":1017,"_314":1018},"#878e7d",0.1386,"#4e4232",0.1457,"#b3a284",0.1756,"#8b7c60",0.2035,"#6a5f48",0.3366,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"small-landscape-si-saam-1956-11-20","Small Landscape","Unrecorded British maker","ca. 1750-1800","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[1067,1068,1069,1070,1071],{"_222":1064,"_223":1065,"_42":1066,"_305":381},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_296":1061,"_298":1062,"_300":1063},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_292":293,"_294":295},{"_226":1056,"_125":1057,"_286":1058},{"_277":1053,"_279":1054,"_281":1037,"_282":1055},70.2,58.4424,43.4424,{"_288":226,"_123":1059,"_154":1060,"_140":97},{"_288":125,"_123":489,"_154":490,"_140":491},{"_288":286,"_123":486,"_154":487,"_140":488},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_312":1080,"_314":1081},{"_312":1078,"_314":1079},{"_312":1076,"_314":1077},{"_312":1074,"_314":1075},{"_312":1072,"_314":1073},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"saint-john-the-evangelist-nga-54044","Saint John the Evangelist",{"_42":1130,"_223":1131,"_326":1132,"_328":400,"_330":1133,"_332":1134,"_334":-5,"_335":-5,"_336":-5,"_140":101},"1771","chiaroscuro woodcut in tan and brown","sheet: 19.7 × 15.4 cm (7 3/4 × 6 1/16 in.) other (text beneath image): 3.2 × 15.7 cm (1 1/4 × 6 3/16 in.) mount: 38.2 × 27.1 cm (15 1/16 × 10 11/16 in.)",15.4,19.7,0.702880859375,[1115,1116,1117,1118,1119],{"_222":378,"_223":379,"_42":380,"_305":381},"1973.58.3","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a winged figure seated on a bird. The image depicts a figure with flowing robes, wings outstretched, holding an open book in one hand. The figure appears to be looking off to the side, with a serene expression. The lower part of the image includes a bird upon which the figure is seated. The bird's head is turned slightly upwards, following the direction in which the figure is gazing. The image is rendered in a warm, monochromatic palette. In the lower section of the image, there is some text, likely Latin.",{"_296":1112,"_298":1113,"_300":1114},"https://img.ochreeditions.com/m/1572.jpg?dl=1","/art/saint-john-the-evangelist-nga-54044","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54044",{"_292":373,"_294":374},{"_226":1107,"_125":1108,"_286":1109},{"_277":1103,"_279":1104,"_281":1105,"_282":1106},41.572021484375,49,17.572021484375,25,{"_288":226,"_123":1110,"_154":1111,"_140":89},{"_288":125,"_123":1004,"_154":1005,"_140":1006},{"_288":286,"_123":486,"_154":487,"_140":488},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1572/480.jpg","https://img.ochreeditions.com/a/1572/960.jpg","https://img.ochreeditions.com/a/1572/1920.jpg",{"_312":1128,"_314":1129},{"_312":1126,"_314":1127},{"_312":1124,"_314":1125},{"_312":1122,"_314":1123},{"_312":1120,"_314":1121},"#a28a5c",0.1319,"#d5b378",0.1774,"#b29562",0.1816,"#c1a26a",0.2372,"#d5c19a",0.2719,"John Skippe","john-skippe","British, 1742–1812",1742,1811,{"_1136":-5,"_1137":1138,"_1139":1140,"_1141":8,"_1142":1143,"_1144":8},"user","csrf","0be9fe7c5e70a1b70e8d23e80dfbc92779730ce4","cartCount",0,"dropLive","legal",[1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156],"uploadsEnabled",{"_223":1179,"_20":1180},{"_223":1177,"_20":1178},{"_223":1175,"_20":1176},{"_223":1173,"_20":1174},{"_223":1171,"_20":1172},{"_223":1169,"_20":1170},{"_223":1167,"_20":1168},{"_223":1165,"_20":1166},{"_223":1163,"_20":1164},{"_223":1161,"_20":1162},{"_223":1159,"_20":1160},{"_223":1157,"_20":1158},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]