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It is now at the Art Institute of Chicago.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_296":447,"_298":448,"_300":449},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_292":293,"_294":295},{"_225":439,"_125":440,"_286":441},{"_277":436,"_279":437,"_281":438,"_282":169},55.65007857517025,64,31.650078575170248,{"_288":225,"_123":445,"_154":446,"_140":99},{"_288":125,"_123":442,"_154":443,"_140":444},{"_288":286,"_123":372,"_154":373,"_140":374},"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":467,"_314":468},{"_312":465,"_314":466},{"_312":463,"_314":464},{"_312":461,"_314":462},{"_312":459,"_314":460},"#796237",0.064,"#5c493a",0.0907,"#8a7b65",0.1271,"#baae9b",0.3131,"#d1c7b6",0.4051,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":407,"_222":408,"_326":409,"_328":410,"_330":411,"_332":412,"_334":413,"_336":413,"_338":414,"_140":99},"1779","Paintings","40 x 50 in. (101.6 x 127 cm)",101.6,1.2404942965779469,[508,509,510,511,512],{"_221":504,"_222":505,"_42":506,"_305":507},"Courtesy of The Metropolitan Museum of Art","2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_296":501,"_298":502,"_300":503},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_292":380,"_294":381},{"_225":498,"_125":499,"_286":500},{"_277":367,"_279":496,"_281":350,"_282":497},117.37854406130268,102.37854406130268,{"_288":225,"_123":378,"_154":379,"_140":99},{"_288":125,"_123":375,"_154":376,"_140":377},{"_288":286,"_123":372,"_154":373,"_140":374},"https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_312":521,"_314":522},{"_312":519,"_314":520},{"_312":517,"_314":518},{"_312":515,"_314":516},{"_312":513,"_314":514},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":469,"_222":470,"_326":471,"_328":410,"_330":472,"_332":473,"_334":-5,"_336":-5,"_338":-5,"_140":99},0.7912998446400829,[546,547,548,549,550],{"_221":450,"_222":451,"_42":452,"_305":453},"1946.404","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.",{"_296":543,"_298":544,"_300":545},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_292":293,"_294":295},{"_225":540,"_125":541,"_286":542},{"_277":538,"_279":437,"_281":539,"_282":169},55.65199378560331,31.651993785603313,{"_288":225,"_123":445,"_154":446,"_140":99},{"_288":125,"_123":442,"_154":443,"_140":444},{"_288":286,"_123":372,"_154":373,"_140":374},"https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg",{"_312":558,"_314":559},{"_312":556,"_314":557},{"_312":555,"_314":464},{"_312":553,"_314":554},{"_312":551,"_314":552},"#766942",0.061,"#684c41",0.0717,"#94856f","#bcb09d",0.3294,"#d2c8b7",0.4108,"turtur-risorius-nga-53854","Turtur Risorius",{"_42":607,"_222":608,"_326":609,"_328":610,"_330":611,"_332":612,"_334":-5,"_336":-5,"_338":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,17,0.655517578125,[592,593,594,595,596],{"_221":302,"_222":303,"_42":304,"_305":306},"1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_296":589,"_298":590,"_300":591},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_292":293,"_294":295},{"_225":584,"_125":585,"_286":586},{"_277":580,"_279":581,"_281":582,"_282":583},40.387939453125,49,16.387939453125,25,{"_288":225,"_123":587,"_154":588,"_140":89},{"_288":125,"_123":442,"_154":443,"_140":444},{"_288":286,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_312":605,"_314":606},{"_312":603,"_314":604},{"_312":601,"_314":602},{"_312":599,"_314":600},{"_312":597,"_314":598},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1788,1859,"the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":663,"_222":664,"_326":665,"_328":410,"_330":666,"_332":667,"_334":-5,"_336":-5,"_338":-5,"_140":101},"1834","Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",38,24,1.6425614803993183,[648,649,650,651,652],{"_221":450,"_222":451,"_42":452,"_305":453},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_296":645,"_298":646,"_300":647},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_292":380,"_294":381},{"_225":637,"_125":638,"_286":639},{"_277":634,"_279":635,"_281":619,"_282":636},53,38.1345982804625,23.134598280462495,{"_288":225,"_123":643,"_154":644,"_140":89},{"_288":125,"_123":640,"_154":641,"_140":642},{"_288":286,"_123":167,"_154":166,"_140":169},"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_312":661,"_314":662},{"_312":659,"_314":660},{"_312":657,"_314":658},{"_312":655,"_314":656},{"_312":653,"_314":654},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1792,1882,"anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":714,"_222":715,"_326":716,"_328":329,"_330":717,"_332":718,"_334":719,"_336":337,"_338":720,"_140":91},"c. 1805","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",65,78,0.8287557603686636,[699,700,701,702,703],{"_221":450,"_222":451,"_42":452,"_305":453},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_296":696,"_298":697,"_300":698},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_292":380,"_294":381},{"_225":691,"_125":692,"_286":693},{"_277":688,"_279":689,"_281":690,"_282":674},79.64294930875576,93,64.64294930875576,{"_288":225,"_123":694,"_154":695,"_140":91},{"_288":125,"_123":375,"_154":376,"_140":377},{"_288":286,"_123":372,"_154":373,"_140":374},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_312":712,"_314":713},{"_312":710,"_314":711},{"_312":708,"_314":709},{"_312":706,"_314":707},{"_312":704,"_314":705},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":768,"_222":769,"_326":770,"_328":329,"_330":771,"_332":772,"_334":-5,"_336":-5,"_338":-5,"_140":103},"c. 1830-1880","oil on canvas","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,123.2,0.79638671875,[753,754,755,756,757],{"_221":302,"_222":303,"_42":304,"_305":306},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_296":750,"_298":751,"_300":752},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_292":380,"_294":381},{"_225":745,"_125":746,"_286":747},{"_277":742,"_279":743,"_281":744,"_282":728},113.11484375,138.2,98.11484375,{"_288":225,"_123":748,"_154":749,"_140":89},{"_288":125,"_123":640,"_154":641,"_140":642},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_312":766,"_314":767},{"_312":764,"_314":765},{"_312":762,"_314":763},{"_312":760,"_314":761},{"_312":758,"_314":759},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"a-dell-at-helmingham-park-suffolk-nga-119643","A Dell at Helmingham Park, Suffolk",{"_42":324,"_222":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":97},"plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.)",22.2,17.8,1.2397094430992737,[800,801,802,803,804],{"_221":302,"_222":303,"_42":304,"_305":306},"2001.118.21","A rough wooden footbridge crosses a shadowy ravine in the old woodland of Helmingham Park in Suffolk, with light filtering through the canopy and a path leading on into the trees.","The image shows a landscape scene with a frontal view of a dense forest. A wooden bridge spans across a narrow ravine or creek. The painting features vigorous and textural brushstrokes with dark tones creating a shadowy effect. The color palette includes deep blacks, dark browns, and occasional highlights of light filtering through the canopy. In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.",{"_296":797,"_298":798,"_300":799},"https://img.ochreeditions.com/m/1651.jpg?dl=1","/art/a-dell-at-helmingham-park-suffolk-nga-119643","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643",{"_292":293,"_294":295},{"_225":794,"_125":795,"_286":796},{"_277":581,"_279":792,"_281":583,"_282":793},44.166015625,20.166015625,{"_288":225,"_123":171,"_154":170,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/1651/960.jpg","https://img.ochreeditions.com/a/1651/1920.jpg",{"_312":813,"_314":814},{"_312":811,"_314":812},{"_312":809,"_314":810},{"_312":807,"_314":808},{"_312":805,"_314":806},"#cbb99e",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","Heroic Landscape with Fisherman, Cows, and Horsemen",{"_42":861,"_222":862,"_326":863,"_328":329,"_330":864,"_332":865,"_334":-5,"_336":-5,"_338":-5,"_140":101},"1744","chiaroscuro woodcut printed in color on laid paper","sheet: 42 x 58.5 cm (16 9/16 x 23 1/16 in.)",58.5,1.3880040664181634,[846,847,848,849,850],{"_221":302,"_222":303,"_42":304,"_305":306},"2012.92.61","John Baptist Jackson made this in 1744, aged 43. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape scene from an elevated viewpoint. There are large columns of a classical ruin and a leafy tree on the left. On the right, there is a spreading tree with intricate leaves. In the background, there is a pastoral landscape with figures and animals. A shepherd and a cow are guiding a flock of sheep, and buildings can be seen in the distance. The horizon divides the image into sky and earth. The brushstrokes are detailed, capturing textures effectively. The color palette consists of earthy tones with touches of brighter colors on the figures' clothing.",{"_296":843,"_298":844,"_300":845},"https://img.ochreeditions.com/m/1656.jpg?dl=1","/art/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","/galleries/style/georgian-britain/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866",{"_292":293,"_294":295},{"_225":838,"_125":839,"_286":840},{"_277":835,"_279":836,"_281":821,"_282":837},82.5,66.1468505859375,42.1468505859375,{"_288":225,"_123":841,"_154":842,"_140":89},{"_288":125,"_123":442,"_154":443,"_140":444},{"_288":286,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1656/480.jpg","https://img.ochreeditions.com/a/1656/960.jpg","https://img.ochreeditions.com/a/1656/1920.jpg",{"_312":859,"_314":860},{"_312":857,"_314":858},{"_312":855,"_314":856},{"_312":853,"_314":854},{"_312":851,"_314":852},"#878e7d",0.1386,"#4e4232",0.1457,"#b3a284",0.1756,"#8b7c60",0.2035,"#6a5f48",0.3366,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":861,"_222":862,"_326":863,"_328":329,"_330":864,"_332":865,"_334":-5,"_336":-5,"_338":-5,"_140":101},"1739","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[896,897,898,899,900],{"_221":302,"_222":303,"_42":304,"_305":306},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_296":893,"_298":894,"_300":895},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_292":293,"_294":295},{"_225":890,"_125":891,"_286":892},{"_277":887,"_279":888,"_281":889,"_282":873},59.630419921874996,77.4,35.630419921874996,{"_288":225,"_123":841,"_154":842,"_140":89},{"_288":125,"_123":442,"_154":443,"_140":444},{"_288":286,"_123":372,"_154":373,"_140":374},"https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_312":909,"_314":910},{"_312":907,"_314":908},{"_312":905,"_314":906},{"_312":903,"_314":904},{"_312":901,"_314":902},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":956,"_222":957,"_326":958,"_328":329,"_330":959,"_332":666,"_334":960,"_336":337,"_338":961,"_140":95},"1776–81","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[941,942,943,944,945],{"_221":450,"_222":451,"_42":452,"_305":453},"2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.",{"_296":938,"_298":939,"_300":940},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_292":380,"_294":381},{"_225":933,"_125":934,"_286":935},{"_277":930,"_279":931,"_281":932,"_282":917},76.14076281287247,88,61.14076281287247,{"_288":225,"_123":936,"_154":937,"_140":95},{"_288":125,"_123":375,"_154":376,"_140":377},{"_288":286,"_123":372,"_154":373,"_140":374},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg",{"_312":954,"_314":955},{"_312":952,"_314":953},{"_312":950,"_314":951},{"_312":948,"_314":949},{"_312":946,"_314":947},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":1012,"_222":1013,"_326":1014,"_328":410,"_330":1015,"_332":1016,"_334":-5,"_336":-5,"_338":1017,"_140":99},"c. 1783","watercolour","Drawing and Watercolor","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",47,34,1.2970566411080882,[998,999,1000,1001,1002],{"_221":450,"_222":451,"_42":452,"_305":453},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_296":995,"_298":996,"_300":997},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_292":293,"_294":295},{"_225":988,"_125":989,"_286":990},{"_277":985,"_279":986,"_281":970,"_282":987},71,60.23588863463005,36.23588863463005,{"_288":225,"_123":993,"_154":994,"_140":99},{"_288":125,"_123":991,"_154":992,"_140":53},{"_288":286,"_123":372,"_154":373,"_140":374},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_312":1010,"_314":1011},{"_312":1008,"_314":1009},{"_312":1006,"_314":1007},{"_312":1004,"_314":1005},{"_312":1003,"_314":514},"#a49483","#c2b09c",0.1626,"#8d7e6f",0.1783,"#ddc8b1",0.2793,"#d1b79b",0.2915,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":1064,"_222":1065,"_326":1066,"_328":410,"_330":1067,"_332":1068,"_334":337,"_336":337,"_338":1069,"_140":97},"1835","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",92,1.3465346534653466,[1049,1050,1051,1052,1053],{"_221":388,"_222":389,"_42":390,"_305":391},"1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":1048,"_386":387},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_296":1045,"_298":1046,"_300":1047},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_292":380,"_294":381},{"_225":1040,"_125":1041,"_286":1042},{"_277":743,"_279":1038,"_281":728,"_282":1039},106.49411764705881,91.49411764705881,{"_288":225,"_123":1043,"_154":1044,"_140":97},{"_288":125,"_123":640,"_154":641,"_140":642},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.",{"_312":1062,"_314":1063},{"_312":1060,"_314":1061},{"_312":1058,"_314":1059},{"_312":1056,"_314":1057},{"_312":1054,"_314":1055},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","lord-rothes-si-saam-1956-11-60","Lord Rothes","Unrecorded British maker","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[1105,1106,1107,1108,1109],{"_221":1102,"_222":1103,"_42":1104,"_305":306},"Courtesy of the Smithsonian American Art Museum","1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_296":1099,"_298":1100,"_300":1101},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_292":380,"_294":381},{"_225":1094,"_125":1095,"_286":1096},{"_277":1091,"_279":1092,"_281":1093,"_282":1076},117.51170000000002,143.3,102.51170000000002,{"_288":225,"_123":1097,"_154":1098,"_140":97},{"_288":125,"_123":375,"_154":376,"_140":377},{"_288":286,"_123":372,"_154":373,"_140":374},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg","si","smithsonian","Smithsonian Institution",{"_312":1118,"_314":466},{"_312":1116,"_314":1117},{"_312":1114,"_314":1115},{"_312":1112,"_314":1113},{"_312":1110,"_314":1111},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015",{"_1120":-5,"_1121":1122,"_1123":1124,"_1125":8,"_1126":1127,"_1128":8},"user","csrf","2cdcd0c09013f79b17829523305a449130432add","cartCount",0,"dropLive","legal",[1129,1130,1131,1132,1133,1134,1135,1136,1137,1138,1139,1140],"uploadsEnabled",{"_222":1163,"_20":1164},{"_222":1161,"_20":1162},{"_222":1159,"_20":1160},{"_222":1157,"_20":1158},{"_222":1155,"_20":1156},{"_222":1153,"_20":1154},{"_222":1151,"_20":1152},{"_222":1149,"_20":1150},{"_222":1147,"_20":1148},{"_222":1145,"_20":1146},{"_222":1143,"_20":1144},{"_222":1141,"_20":1142},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]