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It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_294":427,"_296":428,"_298":429},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_290":373,"_292":374},{"_224":422,"_125":423,"_284":424},{"_275":419,"_277":420,"_279":421,"_280":405},69.57777777777778,89,45.57777777777778,{"_286":224,"_123":425,"_154":426,"_140":89},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_310":443,"_312":444},{"_310":441,"_312":442},{"_310":439,"_312":440},{"_310":437,"_312":438},{"_310":435,"_312":436},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"turtur-risorius-nga-53854","Turtur Risorius",{"_42":502,"_221":503,"_324":504,"_326":505,"_328":506,"_330":507,"_332":-5,"_333":-5,"_334":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,17,0.655517578125,[487,488,489,490,491],{"_220":483,"_221":484,"_42":485,"_303":486},"Courtesy National Gallery of Art, Washington","1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_294":480,"_296":481,"_298":482},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_290":373,"_292":374},{"_224":475,"_125":476,"_284":477},{"_275":471,"_277":472,"_279":473,"_280":474},40.387939453125,49,16.387939453125,25,{"_286":224,"_123":478,"_154":479,"_140":89},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":500,"_312":501},{"_310":498,"_312":499},{"_310":496,"_312":497},{"_310":494,"_312":495},{"_310":492,"_312":493},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1788,1859,"portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":563,"_221":564,"_324":565,"_326":566,"_328":567,"_330":568,"_332":569,"_333":570,"_334":571,"_140":91},"1801","oil on canvas","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,0.7955882352941176,[548,549,550,551,552],{"_220":544,"_221":545,"_42":546,"_303":547},"Courtesy of the Cleveland Museum of Art","1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":541,"_542":543},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_294":538,"_296":539,"_298":540},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_290":291,"_292":293},{"_224":533,"_125":534,"_284":535},{"_275":530,"_277":531,"_279":532,"_280":370},117.63088235294117,144,102.63088235294117,{"_286":224,"_123":536,"_154":537,"_140":91},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":561,"_312":562},{"_310":559,"_312":560},{"_310":557,"_312":558},{"_310":555,"_312":556},{"_310":553,"_312":554},"#bc9f72",0.1057,"#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"Thomas Lawrence","thomas-lawrence","English, 1769–1830","British",1769,1830,"Bristol","London","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","small-landscape-si-saam-1956-11-20","Small Landscape","Unrecorded British maker","ca. 1750-1800","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[610,611,612,613,614],{"_220":607,"_221":608,"_42":609,"_303":486},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_294":604,"_296":605,"_298":606},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_290":291,"_292":293},{"_224":596,"_125":597,"_284":598},{"_275":593,"_277":594,"_279":577,"_280":595},70.2,58.4424,43.4424,{"_286":224,"_123":602,"_154":603,"_140":97},{"_286":125,"_123":599,"_154":600,"_140":601},{"_286":284,"_123":365,"_154":366,"_140":367},"style/painting-18","More paintings of the 18th century",168,"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_310":623,"_312":624},{"_310":621,"_312":622},{"_310":619,"_312":620},{"_310":617,"_312":618},{"_310":615,"_312":616},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":672,"_221":673,"_324":674,"_326":566,"_328":675,"_330":676,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1785","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[657,658,659,660,661],{"_220":483,"_221":484,"_42":485,"_303":486},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_294":654,"_296":655,"_298":656},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_290":373,"_292":374},{"_224":649,"_125":650,"_284":651},{"_275":646,"_277":647,"_279":631,"_280":648},60.9,49.927294921875,25.927294921875,{"_286":224,"_123":652,"_154":653,"_140":89},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_310":670,"_312":671},{"_310":668,"_312":669},{"_310":666,"_312":667},{"_310":664,"_312":665},{"_310":662,"_312":663},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,1827,"william-pitt-nga-52264","William Pitt",{"_42":724,"_221":725,"_324":726,"_326":566,"_328":727,"_330":728,"_332":-5,"_333":-5,"_334":729,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[709,710,711,712,713],{"_220":483,"_221":484,"_42":485,"_303":486},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_294":706,"_296":707,"_298":708},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_290":291,"_292":293},{"_224":701,"_125":702,"_284":703},{"_275":699,"_277":168,"_279":700,"_280":474},34.62890625,19.62890625,{"_286":224,"_123":704,"_154":705,"_140":99},{"_286":125,"_123":599,"_154":600,"_140":601},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_310":722,"_312":723},{"_310":720,"_312":721},{"_310":718,"_312":719},{"_310":716,"_312":717},{"_310":714,"_312":715},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":783,"_221":784,"_324":785,"_326":505,"_328":786,"_330":787,"_332":-5,"_333":-5,"_334":-5,"_140":103},"drawing","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[768,769,770,771,772],{"_220":544,"_221":545,"_42":546,"_303":547},"1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":767,"_542":543},"Descent into the Plain of Granada, by David Roberts, 1834",{"_294":764,"_296":765,"_298":766},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_290":373,"_292":374},{"_224":756,"_125":757,"_284":758},{"_275":753,"_277":754,"_279":737,"_280":755},56.5,47.45735294117647,23.45735294117647,{"_286":224,"_123":762,"_154":763,"_140":89},{"_286":125,"_123":759,"_154":760,"_140":761},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.",{"_310":781,"_312":782},{"_310":779,"_312":780},{"_310":777,"_312":778},{"_310":775,"_312":776},{"_310":773,"_312":774},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864",1796,1864,"noon-nga-119642","Noon",{"_42":839,"_221":840,"_324":841,"_326":566,"_328":842,"_330":843,"_332":844,"_333":570,"_334":845,"_140":97},"1830","mezzotint on laid paper","plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,18.5,1.3927235634138049,[824,825,826,827,828],{"_220":483,"_221":484,"_42":485,"_303":486},"2001.118.23","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_294":821,"_296":822,"_298":823},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_290":373,"_292":374},{"_224":813,"_125":814,"_284":815},{"_275":810,"_277":811,"_279":794,"_280":812},49.5,42.3094482421875,18.3094482421875,{"_286":224,"_123":819,"_154":820,"_140":97},{"_286":125,"_123":816,"_154":817,"_140":818},{"_286":284,"_123":166,"_154":165,"_140":168},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_310":837,"_312":838},{"_310":835,"_312":836},{"_310":833,"_312":834},{"_310":831,"_312":832},{"_310":829,"_312":830},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":894,"_221":895,"_324":896,"_326":897,"_328":898,"_330":899,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",127,101.5,1.2560029553010712,[879,880,881,882,883],{"_220":544,"_221":545,"_42":546,"_303":547},"2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":878,"_542":543},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_294":875,"_296":876,"_298":877},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_290":291,"_292":293},{"_224":870,"_125":871,"_284":872},{"_275":867,"_277":868,"_279":851,"_280":869},142,116.11441176470589,101.11441176470589,{"_286":224,"_123":873,"_154":874,"_140":89},{"_286":125,"_123":599,"_154":600,"_140":601},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.",{"_310":892,"_312":893},{"_310":890,"_312":891},{"_310":888,"_312":889},{"_310":886,"_312":887},{"_310":884,"_312":885},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":946,"_221":947,"_324":948,"_326":566,"_328":949,"_330":950,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1816","overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",231,150,1.522110739502044,[931,932,933,934,935],{"_220":483,"_221":484,"_42":485,"_303":486},"2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_294":928,"_296":929,"_298":930},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_290":291,"_292":293},{"_224":923,"_125":924,"_284":925},{"_275":920,"_277":921,"_279":905,"_280":922},246,166.762939453125,151.762939453125,{"_286":224,"_123":926,"_154":927,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_310":944,"_312":945},{"_310":942,"_312":943},{"_310":940,"_312":941},{"_310":938,"_312":939},{"_310":936,"_312":937},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,"elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby",{"_42":563,"_221":564,"_324":565,"_326":566,"_328":567,"_330":568,"_332":569,"_333":570,"_334":571,"_140":91},"1790","Paintings","Oil on canvas","94 in. × 57 1/2 in. (238.8 × 146.1 cm)",146.1,238.8,0.6134193548387097,[988,989,990,991,992],{"_220":984,"_221":985,"_42":986,"_303":987},"Courtesy of The Metropolitan Museum of Art","50.135.5","Thomas Lawrence painted this in 1790, aged 21. It is now at The Met in New York.","The celebrated comic actress Elizabeth Farren turns to look at us as she walks through a windswept landscape, wrapped in a white silk cloak lined with fur and carrying a muff.","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, by Thomas Lawrence, 1790",{"_294":981,"_296":982,"_298":983},"https://img.ochreeditions.com/m/1113.jpg?dl=1","/art/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","/galleries/style/georgian-britain/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851",{"_290":291,"_292":293},{"_224":978,"_125":979,"_284":980},{"_275":975,"_277":976,"_279":977,"_280":959},161.4845419354839,253.8,146.4845419354839,{"_286":224,"_123":536,"_154":537,"_140":91},{"_286":125,"_123":599,"_154":600,"_140":601},{"_286":284,"_123":365,"_154":366,"_140":367},"https://img.ochreeditions.com/a/1113/480.jpg","https://img.ochreeditions.com/a/1113/960.jpg","https://img.ochreeditions.com/a/1113/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":1001,"_312":1002},{"_310":999,"_312":1000},{"_310":997,"_312":998},{"_310":995,"_312":996},{"_310":993,"_312":994},"#6e5e40",0.1382,"#afa284",0.1538,"#3c3422",0.2055,"#3b5150",0.2432,"#6f7361",0.2593,"august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":393,"_221":394,"_324":395,"_326":327,"_328":396,"_330":397,"_332":-5,"_333":-5,"_334":-5,"_140":99},0.7912519643792562,[1025,1026,1027,1028,1029],{"_220":300,"_221":301,"_42":302,"_303":304},"1946.405",{"_294":1022,"_296":1023,"_298":1024},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_290":373,"_292":374},{"_224":1019,"_125":1020,"_284":1021},{"_275":1017,"_277":360,"_279":1018,"_280":168},55.65007857517025,31.650078575170248,{"_286":224,"_123":371,"_154":372,"_140":99},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":365,"_154":366,"_140":367},"https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg",{"_310":1037,"_312":1038},{"_310":1035,"_312":1036},{"_310":1034,"_312":388},{"_310":1032,"_312":1033},{"_310":1030,"_312":1031},"#796237",0.064,"#5c493a",0.0907,"#8a7b65","#baae9b",0.3131,"#d1c7b6",0.4051,"mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":1086,"_221":1087,"_324":1088,"_326":327,"_328":1089,"_330":506,"_332":1090,"_333":570,"_334":1091,"_140":97},"c. 1776/1777","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",71,84,0.837890625,[1071,1072,1073,1074,1075],{"_220":483,"_221":484,"_42":485,"_303":486},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_294":1068,"_296":1069,"_298":1070},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_290":291,"_292":293},{"_224":1063,"_125":1064,"_284":1065},{"_275":1060,"_277":1061,"_279":1062,"_280":1045},85.3828125,99,70.3828125,{"_286":224,"_123":1066,"_154":1067,"_140":97},{"_286":125,"_123":599,"_154":600,"_140":601},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_310":1084,"_312":1085},{"_310":1082,"_312":1083},{"_310":1080,"_312":1081},{"_310":1078,"_312":1079},{"_310":1076,"_312":1077},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":1141,"_221":1142,"_324":1143,"_326":327,"_328":1144,"_330":1145,"_332":-5,"_333":-5,"_334":1146,"_140":99},"watercolour","Drawing and Watercolor","Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[1126,1127,1128,1129,1130],{"_220":300,"_221":301,"_42":302,"_303":304},"1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_294":1123,"_296":1124,"_298":1125},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_290":373,"_292":374},{"_224":1116,"_125":1117,"_284":1118},{"_275":276,"_277":1114,"_279":1099,"_280":1115},44.521086780210865,20.52108678021087,{"_286":224,"_123":1121,"_154":1122,"_140":99},{"_286":125,"_123":1119,"_154":1120,"_140":53},{"_286":284,"_123":365,"_154":366,"_140":367},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg",{"_310":1139,"_312":1140},{"_310":1137,"_312":1138},{"_310":1135,"_312":1136},{"_310":1133,"_312":1134},{"_310":1131,"_312":1132},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.",{"_1148":-5,"_1149":1150,"_1151":1152,"_1153":8,"_1154":1155,"_1156":8},"user","csrf","a593c57162bd5741970b7b2e11c033db0dd5020a","cartCount",0,"dropLive","legal",[1157,1158,1159,1160,1161,1162,1163,1164,1165,1166,1167,1168],"uploadsEnabled",{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},{"_221":1169,"_20":1170},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]