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It is now at the Art Institute of Chicago.",{"_118":496,"_429":497},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_293":493,"_295":494,"_297":495},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_289":290,"_291":292},{"_223":482,"_125":483,"_283":484},{"_274":479,"_276":480,"_278":481,"_280":464},115.83991565971941,142,100.83991565971941,{"_285":223,"_123":491,"_154":492,"_140":89},{"_285":125,"_123":488,"_154":489,"_140":490},{"_285":283,"_123":485,"_154":486,"_140":487},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.","Text from the Art Institute of Chicago.",{"_309":511,"_311":512},{"_309":509,"_311":510},{"_309":507,"_311":508},{"_309":505,"_311":506},{"_309":503,"_311":504},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1782,1847,"sir-thomas-rumbold-bt-aic-84707","Sir Thomas Rumbold, Bt.",{"_42":450,"_220":451,"_323":452,"_325":382,"_327":453,"_329":454,"_331":455,"_332":386,"_333":456,"_140":95},"1788","126.7 × 101.3 cm (49 7/8 × 39 7/8 in.); Framed: 149 × 123.2 × 8.3 cm (58 5/8 × 48 1/2 × 3 1/4 in.)",126,0.7977275284058949,[545,546,547,548,549],{"_219":299,"_220":300,"_42":301,"_302":303},"1955.1202","Joshua Reynolds painted this in 1788, aged 65. It is now at the Art Institute of Chicago.",{"_293":542,"_295":543,"_297":544},"https://img.ochreeditions.com/m/230.jpg?dl=1","/art/sir-thomas-rumbold-bt-aic-84707","/galleries/style/georgian-britain/sir-thomas-rumbold-bt-aic-84707",{"_289":290,"_291":292},{"_223":539,"_125":540,"_283":541},{"_274":536,"_276":537,"_278":538,"_280":523},115.51366857914276,141,100.51366857914276,{"_285":223,"_123":423,"_154":424,"_140":95},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/230/480.jpg","https://img.ochreeditions.com/a/230/960.jpg","https://img.ochreeditions.com/a/230/1920.jpg",{"_309":558,"_311":559},{"_309":556,"_311":557},{"_309":554,"_311":555},{"_309":552,"_311":553},{"_309":550,"_311":551},"#4e3c1b",0.0861,"#7b5f30",0.1161,"#652304",0.1777,"#301904",0.2331,"#201605",0.387,"stoke-by-nayland-aic-4758","Stoke-by-Nayland",{"_42":607,"_220":608,"_323":609,"_325":326,"_327":610,"_329":611,"_331":-5,"_332":-5,"_333":612,"_140":99},"1836","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)",169,1.358449273096764,[592,593,594,595,596],{"_219":299,"_220":300,"_42":301,"_302":303},"1922.4453","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":591,"_429":497},"Large English country landscape painting, farmers with horses, green trees.",{"_293":588,"_295":589,"_297":590},"https://img.ochreeditions.com/m/7.jpg?dl=1","/art/stoke-by-nayland-aic-4758","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758",{"_289":290,"_291":292},{"_223":583,"_125":584,"_283":585},{"_274":580,"_276":581,"_278":565,"_280":582},184,139.40655926352127,124.40655926352129,{"_285":223,"_123":586,"_154":587,"_140":99},{"_285":125,"_123":488,"_154":489,"_140":490},{"_285":283,"_123":485,"_154":486,"_140":487},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/7/960.jpg","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.",{"_309":605,"_311":606},{"_309":603,"_311":604},{"_309":601,"_311":602},{"_309":599,"_311":600},{"_309":597,"_311":598},"#a8b3b4",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":661,"_220":662,"_323":663,"_325":326,"_327":664,"_329":665,"_331":386,"_332":386,"_333":666,"_140":97},"1835","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,92,1.3465346534653466,[646,647,648,649,650],{"_219":431,"_220":432,"_42":433,"_302":434},"1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":645,"_429":430},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_293":642,"_295":643,"_297":644},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_289":290,"_291":292},{"_223":637,"_125":638,"_283":639},{"_274":634,"_276":635,"_278":618,"_280":636},138.2,106.49411764705881,91.49411764705881,{"_285":223,"_123":640,"_154":641,"_140":97},{"_285":125,"_123":488,"_154":489,"_140":490},{"_285":283,"_123":485,"_154":486,"_140":487},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.",{"_309":659,"_311":660},{"_309":657,"_311":658},{"_309":655,"_311":656},{"_309":653,"_311":654},{"_309":651,"_311":652},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":450,"_220":451,"_323":452,"_325":382,"_327":453,"_329":454,"_331":455,"_332":386,"_333":456,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[698,699,700,701,702],{"_219":431,"_220":432,"_42":433,"_302":434},"1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":697,"_429":430},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_293":694,"_295":695,"_297":696},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_289":290,"_291":292},{"_223":691,"_125":692,"_283":693},{"_274":688,"_276":689,"_278":690,"_280":673},185.63529411764705,211,170.63529411764705,{"_285":223,"_123":423,"_154":424,"_140":95},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.",{"_309":711,"_311":712},{"_309":709,"_311":710},{"_309":707,"_311":708},{"_309":705,"_311":706},{"_309":703,"_311":704},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":760,"_220":761,"_323":762,"_325":326,"_327":454,"_329":763,"_331":-5,"_332":-5,"_333":-5,"_140":101},"1834","Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",38,24,1.6425614803993183,[745,746,747,748,749],{"_219":299,"_220":300,"_42":301,"_302":303},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_293":742,"_295":743,"_297":744},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_289":290,"_291":292},{"_223":737,"_125":738,"_283":739},{"_274":734,"_276":735,"_278":719,"_280":736},53,38.1345982804625,23.134598280462495,{"_285":223,"_123":740,"_154":741,"_140":89},{"_285":125,"_123":488,"_154":489,"_140":490},{"_285":283,"_123":485,"_154":486,"_140":487},"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_309":758,"_311":759},{"_309":756,"_311":757},{"_309":754,"_311":755},{"_309":752,"_311":753},{"_309":750,"_311":751},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1882,"portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":379,"_220":380,"_323":381,"_325":382,"_327":383,"_329":384,"_331":385,"_332":386,"_333":387,"_140":91},"1801","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,129,0.7955882352941176,[795,796,797,798,799],{"_219":431,"_220":432,"_42":433,"_302":434},"1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":794,"_429":430},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_293":791,"_295":792,"_297":793},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_289":290,"_291":292},{"_223":788,"_125":789,"_283":790},{"_274":785,"_276":786,"_278":787,"_280":770},117.63088235294117,144,102.63088235294117,{"_285":223,"_123":359,"_154":360,"_140":91},{"_285":125,"_123":488,"_154":489,"_140":490},{"_285":283,"_123":485,"_154":486,"_140":487},"https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.",{"_309":807,"_311":808},{"_309":805,"_311":806},{"_309":803,"_311":804},{"_309":801,"_311":802},{"_309":800,"_311":706},"#bc9f72","#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","print","Print","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",1.0208962154631995,[846,847,848,849,850],{"_219":299,"_220":300,"_42":301,"_302":303},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_293":843,"_295":844,"_297":845},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_289":841,"_291":842},{"_223":834,"_125":835,"_283":836},{"_274":830,"_276":831,"_278":832,"_280":833},49,48.48828746872867,25,24.488287468728675,{"_285":223,"_123":839,"_154":840,"_140":97},{"_285":125,"_123":837,"_154":838,"_140":770},{"_285":283,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century","artist/unrecorded-britain","More by unrecorded makers of Britain","white","snow","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_309":859,"_311":860},{"_309":857,"_311":858},{"_309":855,"_311":856},{"_309":853,"_311":854},{"_309":851,"_311":852},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"weymouth-bay-met-682931","Weymouth Bay",{"_42":917,"_220":918,"_323":919,"_325":382,"_327":920,"_329":921,"_331":922,"_332":386,"_333":923,"_140":97},"1830","Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[902,903,904,905,906],{"_219":898,"_220":899,"_42":900,"_302":901},"Courtesy of The Metropolitan Museum of Art","39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_293":895,"_295":896,"_297":897},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_289":841,"_291":842},{"_223":887,"_125":888,"_283":889},{"_274":830,"_276":885,"_278":832,"_280":886},43.859539602028875,19.85953960202887,{"_285":223,"_123":893,"_154":894,"_140":97},{"_285":125,"_123":890,"_154":891,"_140":892},{"_285":283,"_123":485,"_154":486,"_140":487},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_309":915,"_311":916},{"_309":913,"_311":914},{"_309":911,"_311":912},{"_309":909,"_311":910},{"_309":907,"_311":908},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":975,"_220":976,"_323":977,"_325":326,"_327":978,"_329":979,"_331":980,"_332":386,"_333":981,"_140":97},"early 1770s (not later than 1772)","watercolour","Drawing and Watercolor","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[961,962,963,964,965],{"_219":299,"_220":300,"_42":301,"_302":303},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_293":958,"_295":959,"_297":960},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_289":841,"_291":842},{"_223":951,"_125":952,"_283":953},{"_274":948,"_276":949,"_278":932,"_280":950},79,66.1776611694153,42.177661169415295,{"_285":223,"_123":956,"_154":957,"_140":97},{"_285":125,"_123":954,"_154":955,"_140":53},{"_285":283,"_123":167,"_154":166,"_140":169},"style/watercolour-18","More watercolours of the 18th century","artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_309":973,"_311":974},{"_309":971,"_311":972},{"_309":969,"_311":970},{"_309":968,"_311":600},{"_309":966,"_311":967},"#75643b",0.1438,"#483b21","#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":1031,"_220":1032,"_323":1033,"_325":382,"_327":1034,"_329":1035,"_331":-5,"_332":-5,"_333":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,0.79638671875,[1016,1017,1018,1019,1020],{"_219":1012,"_220":1013,"_42":1014,"_302":1015},"Courtesy National Gallery of Art, Washington","1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_293":1009,"_295":1010,"_297":1011},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_289":290,"_291":292},{"_223":1004,"_125":1005,"_283":1006},{"_274":1002,"_276":634,"_278":1003,"_280":618},113.11484375,98.11484375,{"_285":223,"_123":1007,"_154":1008,"_140":89},{"_285":125,"_123":488,"_154":489,"_140":490},{"_285":283,"_123":485,"_154":486,"_140":487},"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_309":1029,"_311":1030},{"_309":1027,"_311":1028},{"_309":1025,"_311":1026},{"_309":1023,"_311":1024},{"_309":1021,"_311":1022},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":1089,"_220":1090,"_323":1091,"_325":382,"_327":1092,"_329":1093,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1807","drawing","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[1074,1075,1076,1077,1078],{"_219":431,"_220":432,"_42":433,"_302":434},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":1073,"_429":430},"Bray Church Yard, by John Varley, 1807",{"_293":1070,"_295":1071,"_297":1072},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_289":841,"_291":842},{"_223":1063,"_125":1064,"_283":1065},{"_274":1060,"_276":1061,"_278":1044,"_280":1062},60.9,48.95091176470588,24.950911764705882,{"_285":223,"_123":1068,"_154":1069,"_140":89},{"_285":125,"_123":1066,"_154":1067,"_140":619},{"_285":283,"_123":485,"_154":486,"_140":487},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_309":1087,"_311":1088},{"_309":1085,"_311":1086},{"_309":1083,"_311":1084},{"_309":1081,"_311":1082},{"_309":1079,"_311":1080},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":661,"_220":662,"_323":663,"_325":326,"_327":664,"_329":665,"_331":386,"_332":386,"_333":666,"_140":97},"1837–38","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[1124,1125,1126,1127,1128],{"_219":299,"_220":300,"_42":301,"_302":303},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_293":1121,"_295":1122,"_297":1123},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/georgian-britain/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_289":290,"_291":292},{"_223":1118,"_125":1119,"_283":1120},{"_274":1115,"_276":1116,"_278":1099,"_280":1117},239,188.10233393177737,173.10233393177737,{"_285":223,"_123":640,"_154":641,"_140":97},{"_285":125,"_123":488,"_154":489,"_140":490},{"_285":283,"_123":485,"_154":486,"_140":487},"https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_309":1137,"_311":1138},{"_309":1135,"_311":1136},{"_309":1133,"_311":1134},{"_309":1131,"_311":1132},{"_309":1129,"_311":1130},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438",0.2133,"#736551",0.2481,"#9e886b",0.2634,{"_1140":-5,"_1141":1142,"_1143":1144,"_1145":8,"_1146":1147,"_1148":8},"user","csrf","9d22dc096122fc47dc9e17d9d16b44bdfebd4491","cartCount",0,"dropLive","legal",[1149,1150,1151,1152,1153,1154,1155,1156,1157,1158,1159,1160],"uploadsEnabled",{"_220":1183,"_20":1184},{"_220":1181,"_20":1182},{"_220":1179,"_20":1180},{"_220":1177,"_20":1178},{"_220":1175,"_20":1176},{"_220":1173,"_20":1174},{"_220":1171,"_20":1172},{"_220":1169,"_20":1170},{"_220":1167,"_20":1168},{"_220":1165,"_20":1166},{"_220":1163,"_20":1164},{"_220":1161,"_20":1162},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]