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on canvas","dimensions","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)","width_cm",169,"height_cm",126,"aspect",1.358449273096764,"palette",[309,310,311,312,313],"museum",{"_220":304,"_221":305,"_42":306,"_307":308},"credit","Courtesy of the Art Institute of Chicago","accession","1922.4453","licence","CC0","story","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":301,"_302":303},"note","Large English country landscape painting, farmers with horses, green trees.","images",{"_295":296,"_297":298,"_299":300},"download_url","https://img.ochreeditions.com/m/7.jpg?dl=1","page_url","/art/stoke-by-nayland-aic-4758","walk_url","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758","frame",{"_291":292,"_293":294},{"_224":283,"_125":284,"_285":286},"size",{"_276":277,"_278":279,"_280":243,"_281":282},"w",184,"h",139.40655926352127,"image_w","image_h",124.40655926352129,{"_287":224,"_123":171,"_154":170,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},"era",{"_287":285,"_123":167,"_154":166,"_140":169},"facet","style/painting-19","More paintings of the 19th century",432,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/7/480.jpg","960","https://img.ochreeditions.com/a/7/960.jpg","1920","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.","source","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_314":324,"_316":325},{"_314":322,"_316":323},{"_314":320,"_316":321},{"_314":318,"_316":319},{"_314":315,"_316":317},"hex","#a8b3b4","weight",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"John Constable","john-constable","bio","English, 1776–1837","nationality","English","birth_year",1776,"death_year",1837,"birth_place","death_place","about_excerpt","Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":400,"_221":401,"_328":402,"_330":331,"_332":403,"_334":404,"_336":405,"_337":406,"_338":407,"_140":97},"c. 1781/1782",18,"oil on canvas","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[385,386,387,388,389],{"_220":381,"_221":382,"_42":383,"_307":384},"Courtesy National Gallery of Art, Washington","1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_295":378,"_297":379,"_299":380},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_291":292,"_293":294},{"_224":367,"_125":368,"_285":369},{"_276":364,"_278":365,"_280":347,"_281":366},142.6,116.65009765625,101.65009765625,{"_287":224,"_123":376,"_154":377,"_140":97},{"_287":125,"_123":373,"_154":374,"_140":375},{"_287":285,"_123":370,"_154":371,"_140":372},"era/18-britain","18th-century Britain",42,"style/painting-18","More paintings of the 18th century",168,"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":398,"_316":399},{"_314":396,"_316":397},{"_314":394,"_316":395},{"_314":392,"_316":393},{"_314":390,"_316":391},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","London","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":461,"_221":462,"_328":463,"_330":331,"_332":464,"_334":465,"_336":-5,"_337":-5,"_338":-5,"_140":101},"n.d.","watercolour","Drawing and Watercolor","Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[446,447,448,449,450],{"_220":304,"_221":305,"_42":306,"_307":308},"1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_295":443,"_297":444,"_299":445},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_291":441,"_293":442},{"_224":434,"_125":435,"_285":436},{"_276":431,"_278":432,"_280":416,"_281":433},70,56.1976386036961,32.1976386036961,{"_287":224,"_123":439,"_154":440,"_140":89},{"_287":125,"_123":437,"_154":438,"_140":169},{"_287":285,"_123":167,"_154":166,"_140":169},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","white","snow","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg",{"_314":459,"_316":460},{"_314":457,"_316":458},{"_314":455,"_316":456},{"_314":453,"_316":454},{"_314":451,"_316":452},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":518,"_221":519,"_328":520,"_330":521,"_332":522,"_334":523,"_336":-5,"_337":-5,"_338":-5,"_140":101},"1739","print","Print","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[503,504,505,506,507],{"_220":381,"_221":382,"_42":383,"_307":384},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_295":500,"_297":501,"_299":502},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_291":441,"_293":442},{"_224":492,"_125":493,"_285":494},{"_276":489,"_278":490,"_280":491,"_281":475},59.630419921874996,77.4,35.630419921874996,{"_287":224,"_123":498,"_154":499,"_140":89},{"_287":125,"_123":495,"_154":496,"_140":497},{"_287":285,"_123":370,"_154":371,"_140":372},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_314":516,"_316":517},{"_314":514,"_316":515},{"_314":512,"_316":513},{"_314":510,"_316":511},{"_314":508,"_316":509},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780","British",1701,1780,"july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":570,"_221":571,"_328":572,"_330":331,"_332":573,"_334":574,"_336":-5,"_337":-5,"_338":-5,"_140":99},"Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912998446400829,[555,556,557,558,559],{"_220":304,"_221":305,"_42":306,"_307":308},"1946.404","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_295":552,"_297":553,"_299":554},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_291":441,"_293":442},{"_224":547,"_125":548,"_285":549},{"_276":544,"_278":545,"_280":546,"_281":169},55.65199378560331,64,31.651993785603313,{"_287":224,"_123":550,"_154":551,"_140":99},{"_287":125,"_123":495,"_154":496,"_140":497},{"_287":285,"_123":370,"_154":371,"_140":372},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg",{"_314":568,"_316":569},{"_314":566,"_316":567},{"_314":564,"_316":565},{"_314":562,"_316":563},{"_314":560,"_316":561},"#766942",0.061,"#684c41",0.0717,"#94856f",0.1271,"#bcb09d",0.3294,"#d2c8b7",0.4108,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","A Hero Born on a Bier, from The Master of Giants Portfolio",{"_42":624,"_221":625,"_328":626,"_330":521,"_332":627,"_334":628,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1779","Brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper","38 × 56.5 cm (15 × 22 1/4 in.)",56,38,1.4658835950904052,[609,610,611,612,613],{"_220":304,"_221":305,"_42":306,"_307":308},"2023.3179","Prince Hoare painted this in 1779, aged 24. It is now at the Art Institute of Chicago.","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.",{"_295":606,"_297":607,"_299":608},"https://img.ochreeditions.com/m/433.jpg?dl=1","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",{"_291":441,"_293":442},{"_224":599,"_125":600,"_285":601},{"_276":596,"_278":597,"_280":581,"_281":598},80,62.20221481948321,38.20221481948321,{"_287":224,"_123":604,"_154":605,"_140":89},{"_287":125,"_123":602,"_154":603,"_140":53},{"_287":285,"_123":370,"_154":371,"_140":372},"style/watercolour-18","More watercolours of the 18th century","artist/contemporaries-of-prince-hoare","Prince Hoare's contemporaries","https://img.ochreeditions.com/a/433/480.jpg","https://img.ochreeditions.com/a/433/960.jpg","https://img.ochreeditions.com/a/433/1920.jpg",{"_314":622,"_316":623},{"_314":620,"_316":621},{"_314":618,"_316":619},{"_314":616,"_316":617},{"_314":614,"_316":615},"#585149",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","British, 1755–1834",1755,1834,"portrait-of-mrs-george-collier-cma-101852","Portrait of Mrs. George Collier",{"_42":688,"_221":689,"_328":690,"_330":521,"_332":691,"_334":692,"_336":693,"_337":406,"_338":694,"_140":95},"18th century",17,"Framed: 112 x 101 x 12 cm (44 1/8 x 39 3/4 x 4 3/4 in.); Unframed: 80 x 67.3 cm (31 1/2 x 26 1/2 in.)",67.3,0.8194117647058824,[673,674,675,676,677],{"_220":669,"_221":670,"_42":671,"_307":672},"Courtesy of the Cleveland Museum of Art","1920.514","Joshua Reynolds painted this in 18th century. It is now at the Cleveland Museum of Art.",{"_118":667,"_302":668},"Portrait of Mrs. George Collier, by Joshua Reynolds, 18th century",{"_295":664,"_297":665,"_299":666},"https://img.ochreeditions.com/m/498.jpg?dl=1","/art/portrait-of-mrs-george-collier-cma-101852","/galleries/style/georgian-britain/portrait-of-mrs-george-collier-cma-101852",{"_291":292,"_293":294},{"_224":654,"_125":655,"_285":656},{"_276":651,"_278":652,"_280":653,"_281":596},80.5529411764706,95,65.5529411764706,{"_287":224,"_123":662,"_154":663,"_140":95},{"_287":125,"_123":660,"_154":661,"_140":375},{"_287":285,"_123":657,"_154":658,"_140":659},"era/17","The 17th century",266,"style/painting-17","More paintings of the 17th century","artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/498/480.jpg","https://img.ochreeditions.com/a/498/960.jpg","https://img.ochreeditions.com/a/498/1920.jpg","Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds. However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_314":686,"_316":687},{"_314":684,"_316":685},{"_314":682,"_316":683},{"_314":680,"_316":681},{"_314":678,"_316":679},"#dbae62",0.0772,"#543416",0.0793,"#a17433",0.0962,"#784818",0.1532,"#312311",0.5941,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[727,728,729,730,731],{"_220":304,"_221":305,"_42":306,"_307":308},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_295":724,"_297":725,"_299":726},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_291":441,"_293":442},{"_224":719,"_125":720,"_285":721},{"_276":715,"_278":716,"_280":717,"_281":718},49,48.48828746872867,25,24.488287468728675,{"_287":224,"_123":722,"_154":723,"_140":97},{"_287":125,"_123":495,"_154":496,"_140":497},{"_287":285,"_123":370,"_154":371,"_140":372},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_314":740,"_316":741},{"_314":738,"_316":739},{"_314":736,"_316":737},{"_314":734,"_316":735},{"_314":732,"_316":733},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":788,"_221":789,"_328":790,"_330":521,"_332":791,"_334":792,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,123.2,0.79638671875,[773,774,775,776,777],{"_220":381,"_221":382,"_42":383,"_307":384},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_295":770,"_297":771,"_299":772},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_291":292,"_293":294},{"_224":765,"_125":766,"_285":767},{"_276":762,"_278":763,"_280":764,"_281":748},113.11484375,138.2,98.11484375,{"_287":224,"_123":768,"_154":769,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_314":786,"_316":787},{"_314":784,"_316":785},{"_314":782,"_316":783},{"_314":780,"_316":781},{"_314":778,"_316":779},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":400,"_221":401,"_328":402,"_330":331,"_332":403,"_334":404,"_336":405,"_337":406,"_338":407,"_140":97},"c. 1776/1777","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",71,84,0.837890625,[822,823,824,825,826],{"_220":381,"_221":382,"_42":383,"_307":384},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_295":819,"_297":820,"_299":821},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_291":292,"_293":294},{"_224":816,"_125":817,"_285":818},{"_276":814,"_278":747,"_280":815,"_281":799},85.3828125,70.3828125,{"_287":224,"_123":376,"_154":377,"_140":97},{"_287":125,"_123":373,"_154":374,"_140":375},{"_287":285,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_314":835,"_316":836},{"_314":833,"_316":834},{"_314":831,"_316":832},{"_314":829,"_316":830},{"_314":827,"_316":828},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"a-dell-at-helmingham-park-suffolk-nga-119643","A Dell at Helmingham Park, Suffolk",{"_42":887,"_221":888,"_328":889,"_330":521,"_332":890,"_334":891,"_336":892,"_337":406,"_338":893,"_140":97},"1830","mezzotint on laid paper","plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.)",22.2,17.8,1.2397094430992737,[872,873,874,875,876],{"_220":381,"_221":382,"_42":383,"_307":384},"2001.118.21","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","A rough wooden footbridge crosses a shadowy ravine in the old woodland of Helmingham Park in Suffolk, with light filtering through the canopy and a path leading on into the trees.","The image shows a landscape scene with a frontal view of a dense forest. A wooden bridge spans across a narrow ravine or creek. The painting features vigorous and textural brushstrokes with dark tones creating a shadowy effect. The color palette includes deep blacks, dark browns, and occasional highlights of light filtering through the canopy. In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.",{"_295":869,"_297":870,"_299":871},"https://img.ochreeditions.com/m/1651.jpg?dl=1","/art/a-dell-at-helmingham-park-suffolk-nga-119643","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643",{"_291":441,"_293":442},{"_224":861,"_125":862,"_285":863},{"_276":715,"_278":859,"_280":717,"_281":860},44.166015625,20.166015625,{"_287":224,"_123":867,"_154":868,"_140":97},{"_287":125,"_123":864,"_154":865,"_140":866},{"_287":285,"_123":167,"_154":166,"_140":169},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/1651/960.jpg","https://img.ochreeditions.com/a/1651/1920.jpg",{"_314":885,"_316":886},{"_314":883,"_316":884},{"_314":881,"_316":882},{"_314":879,"_316":880},{"_314":877,"_316":878},"#cbb99e",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":941,"_221":942,"_328":943,"_330":521,"_332":944,"_334":945,"_336":946,"_337":406,"_338":947,"_140":91},"July 26, 1800","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",24,35,0.6863089606703608,[926,927,928,929,930],{"_220":304,"_221":305,"_42":306,"_307":308},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_295":923,"_297":924,"_299":925},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_291":441,"_293":442},{"_224":918,"_125":919,"_285":920},{"_276":915,"_278":916,"_280":917,"_281":901},48.02081362346263,59,24.02081362346263,{"_287":224,"_123":921,"_154":922,"_140":91},{"_287":125,"_123":602,"_154":603,"_140":53},{"_287":285,"_123":370,"_154":371,"_140":372},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_314":939,"_316":940},{"_314":937,"_316":938},{"_314":935,"_316":936},{"_314":933,"_316":934},{"_314":931,"_316":932},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","saint-john-the-evangelist-nga-54043","Saint John the Evangelist",{"_42":994,"_221":995,"_328":996,"_330":521,"_332":997,"_334":998,"_336":-5,"_337":-5,"_338":-5,"_140":101},"1771","chiaroscuro woodcut in light and dark olive green","sheet: 19.7 × 15.3 cm (7 3/4 × 6 in.) other (text beneath image): 3.2 × 15.2 cm (1 1/4 × 6 in.) mount (irreg.): 43.7 × 31.9 cm (17 3/16 × 12 9/16 in.)",15.3,19.7,0.742431640625,[979,980,981,982,983],{"_220":381,"_221":382,"_42":383,"_307":384},"1973.58.2","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a seated figure on a large bird. The image depicts a classically draped figure seated on a stylized bird. The figure holds an open book and gazes into the distance. The bird has sharp features and spread wings. The background contains swirling clouds. The scene is framed with a border, and there is text at the bottom. The lines are bold and the shades are muted.",{"_295":976,"_297":977,"_299":978},"https://img.ochreeditions.com/m/1571.jpg?dl=1","/art/saint-john-the-evangelist-nga-54043","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54043",{"_291":441,"_293":442},{"_224":971,"_125":972,"_285":973},{"_276":969,"_278":715,"_280":970,"_281":717},42.560791015625,18.560791015625,{"_287":224,"_123":974,"_154":975,"_140":89},{"_287":125,"_123":495,"_154":496,"_140":497},{"_287":285,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1571/480.jpg","https://img.ochreeditions.com/a/1571/960.jpg","https://img.ochreeditions.com/a/1571/1920.jpg",{"_314":992,"_316":993},{"_314":990,"_316":991},{"_314":988,"_316":989},{"_314":986,"_316":987},{"_314":984,"_316":985},"#b69e75",0.1243,"#877257",0.1513,"#9a8362",0.1745,"#cab68c",0.2161,"#d5c39a",0.3338,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":1051,"_221":1052,"_328":1053,"_330":331,"_332":1054,"_334":1055,"_336":1056,"_337":1056,"_338":1057,"_140":99},"Paintings","40 x 50 in. (101.6 x 127 cm)",127,101.6,1.2404942965779469,[1036,1037,1038,1039,1040],{"_220":1032,"_221":1033,"_42":1034,"_307":1035},"Courtesy of The Metropolitan Museum of Art","2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_295":1029,"_297":1030,"_299":1031},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_291":292,"_293":294},{"_224":1024,"_125":1025,"_285":1026},{"_276":1021,"_278":1022,"_280":1004,"_281":1023},142,117.37854406130268,102.37854406130268,{"_287":224,"_123":1027,"_154":1028,"_140":99},{"_287":125,"_123":373,"_154":374,"_140":375},{"_287":285,"_123":370,"_154":371,"_140":372},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_314":1049,"_316":1050},{"_314":1047,"_316":1048},{"_314":1045,"_316":1046},{"_314":1043,"_316":1044},{"_314":1041,"_316":1042},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":941,"_221":942,"_328":943,"_330":521,"_332":944,"_334":945,"_336":946,"_337":406,"_338":947,"_140":91},"c. 1805","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",65,78,0.8287557603686636,[1087,1088,1089,1090,1091],{"_220":304,"_221":305,"_42":306,"_307":308},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_295":1084,"_297":1085,"_299":1086},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_291":292,"_293":294},{"_224":1081,"_125":1082,"_285":1083},{"_276":1078,"_278":1079,"_280":1080,"_281":1064},79.64294930875576,93,64.64294930875576,{"_287":224,"_123":921,"_154":922,"_140":91},{"_287":125,"_123":373,"_154":374,"_140":375},{"_287":285,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_314":1100,"_316":1101},{"_314":1098,"_316":1099},{"_314":1096,"_316":1097},{"_314":1094,"_316":1095},{"_314":1092,"_316":1093},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"phasianus-versicolor-nga-53855","Phasianus Versicolor",{"_42":1146,"_221":1147,"_328":1148,"_330":1149,"_332":404,"_334":1150,"_336":-5,"_337":-5,"_338":-5,"_140":101},"hand-colored etching","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)",10.8,1.593774319066148,[1131,1132,1133,1134,1135],{"_220":381,"_221":382,"_42":383,"_307":384},"1973.26.28","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.",{"_295":1128,"_297":1129,"_299":1130},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_291":441,"_293":442},{"_224":1123,"_125":1124,"_285":1125},{"_276":715,"_278":1121,"_280":717,"_281":1122},39.68603515625,15.686035156249998,{"_287":224,"_123":1126,"_154":1127,"_140":89},{"_287":125,"_123":495,"_154":496,"_140":497},{"_287":285,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg",{"_314":1144,"_316":1145},{"_314":1142,"_316":1143},{"_314":1140,"_316":1141},{"_314":1138,"_316":1139},{"_314":1136,"_316":1137},"#294d6a",0.0227,"#666947",0.0414,"#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1859,{"_1152":-5,"_1153":1154,"_1155":1156,"_1157":8,"_1158":1159,"_1160":8},"user","csrf","e7aa9786ed12de15d6ecca53f75ede1aac3aaf7f","cartCount",0,"dropLive","legal",[1161,1162,1163,1164,1165,1166,1167,1168,1169,1170,1171,1172],"uploadsEnabled",{"_221":1195,"_20":1196},{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]