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It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.",{"_316":390,"_318":391},{"_316":388,"_318":389},{"_316":386,"_318":387},{"_316":384,"_318":385},{"_316":382,"_318":383},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797","British",1754,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","lord-rothes-si-saam-1956-11-60","Lord Rothes","Unrecorded British maker","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[434,435,436,437,438],{"_222":430,"_223":431,"_42":432,"_309":433},"Courtesy of the Smithsonian American Art Museum","1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_297":427,"_299":428,"_301":429},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_293":294,"_295":296},{"_226":422,"_125":423,"_287":424},{"_278":419,"_280":420,"_282":421,"_284":404},117.51170000000002,143.3,102.51170000000002,{"_289":226,"_123":425,"_154":426,"_140":97},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg","si","smithsonian","Smithsonian Institution","Washington, DC",{"_316":447,"_318":448},{"_316":445,"_318":446},{"_316":443,"_318":444},{"_316":441,"_318":442},{"_316":439,"_318":440},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015",0.3131,"theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":500,"_223":501,"_330":502,"_332":395,"_334":503,"_336":504,"_338":505,"_340":506,"_341":507,"_140":95},"1776–81","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[485,486,487,488,489],{"_222":481,"_223":482,"_42":483,"_309":484},"Courtesy of the Art Institute of Chicago","2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_297":478,"_299":479,"_301":480},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_293":294,"_295":296},{"_226":473,"_125":474,"_287":475},{"_278":470,"_280":471,"_282":472,"_284":455},76.14076281287247,88,61.14076281287247,{"_289":226,"_123":476,"_154":477,"_140":95},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_316":498,"_318":499},{"_316":496,"_318":497},{"_316":494,"_318":495},{"_316":492,"_318":493},{"_316":490,"_318":491},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","London","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":562,"_223":563,"_330":564,"_332":333,"_334":565,"_336":566,"_338":-5,"_340":-5,"_341":-5,"_140":103},"1784, after the drawing of 1775","print","Print","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",47,65,0.7011965811965812,[547,548,549,550,551],{"_222":481,"_223":482,"_42":483,"_309":484},"2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_297":544,"_299":545,"_301":546},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_293":542,"_295":543},{"_226":534,"_125":535,"_287":536},{"_278":531,"_280":532,"_282":533,"_284":517},69.57777777777778,89,45.57777777777778,{"_289":226,"_123":540,"_154":541,"_140":89},{"_289":125,"_123":537,"_154":538,"_140":539},{"_289":287,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","white","snow","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_316":560,"_318":561},{"_316":558,"_318":559},{"_316":556,"_318":557},{"_316":554,"_318":555},{"_316":552,"_318":553},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":611,"_223":612,"_330":613,"_332":395,"_334":614,"_336":615,"_338":616,"_340":506,"_341":617,"_140":91},"c. 1805","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",78,0.8287557603686636,[596,597,598,599,600],{"_222":481,"_223":482,"_42":483,"_309":484},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.",{"_297":593,"_299":594,"_301":595},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_293":294,"_295":296},{"_226":588,"_125":589,"_287":590},{"_278":585,"_280":586,"_282":587,"_284":572},79.64294930875576,93,64.64294930875576,{"_289":226,"_123":591,"_154":592,"_140":91},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_316":609,"_318":610},{"_316":607,"_318":608},{"_316":605,"_318":606},{"_316":603,"_318":604},{"_316":601,"_318":602},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","wivenhoe-park-essex-nga-1147","Wivenhoe Park, Essex",{"_42":676,"_223":677,"_330":678,"_332":333,"_334":679,"_336":680,"_338":-5,"_340":-5,"_341":681,"_140":99},"1816",19,"overall: 56.1 x 101.2 cm (22 1/16 x 39 13/16 in.) framed: 77.8 x 122.5 x 8.8 cm (30 5/8 x 48 1/4 x 3 7/16 in.)",101.2,56.1,1.8467087466185752,[661,662,663,664,665],{"_222":658,"_223":659,"_42":660,"_309":433},"Courtesy National Gallery of Art, Washington","1942.9.10","John Constable painted this in 1816, aged 40. It is now at the National Gallery of Art in Washington, DC.","Black and white cows graze beyond a fence, two men haul in a net from a boat near a pair of swans, and a donkey cart crosses a distant bridge, while the brick house of Wivenhoe Park appears through the trees beneath towering summer clouds.","We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting. A wooden fence closer to us crosses the landscape from the lower left corner and disappears where the land slopes down to meet the water at the center of the painting. Several black and white cows graze in the field beyond the fence to our left. Two men in a wooden boat pull in nets on the lake to our right near a pair of swans. The lake crosses the composition in the near distance, disappearing into a culvert farther back. A donkey pulls a small carriage with two people near a bridge that crosses the lake in the distance to our left. The brick manor house is visible through a break in the full, deep green trees that line the horizon, which comes halfway up the composition. The clouds cast noticeable shadows in the brightly sunlit scene.",{"_297":655,"_299":656,"_301":657},"https://img.ochreeditions.com/m/1327.jpg?dl=1","/art/wivenhoe-park-essex-nga-1147","/galleries/style/georgian-britain/wivenhoe-park-essex-nga-1147",{"_293":294,"_295":296},{"_226":644,"_125":645,"_287":646},{"_278":641,"_280":642,"_282":624,"_284":643},116.2,69.8001953125,54.8001953125,{"_289":226,"_123":653,"_154":654,"_140":99},{"_289":125,"_123":650,"_154":651,"_140":652},{"_289":287,"_123":647,"_154":648,"_140":649},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1327/480.jpg","https://img.ochreeditions.com/a/1327/960.jpg","https://img.ochreeditions.com/a/1327/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_316":674,"_318":675},{"_316":672,"_318":673},{"_316":670,"_318":671},{"_316":668,"_318":669},{"_316":666,"_318":667},"#796b3d",0.0911,"#7c8b94",0.0987,"#4d442a",0.2058,"#322d1a",0.2536,"#837f77",0.3508,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","captain-george-k-h-coussmaker-1759-1801-met-437447","Captain George K. H. Coussmaker (1759–1801)",{"_42":500,"_223":501,"_330":502,"_332":395,"_334":503,"_336":504,"_338":505,"_340":506,"_341":507,"_140":95},"1782","Paintings","93 3/4 x 57 1/4 in. (238.1 x 145.4 cm)",145.4,238.1,0.619244697361614,[718,719,720,721,722],{"_222":714,"_223":715,"_42":716,"_309":717},"Courtesy of The Metropolitan Museum of Art","20.155.3","Joshua Reynolds painted this in 1782, aged 59. It is now at The Met in New York.","Captain George Coussmaker leans against a tree with his legs casually crossed, his red coat glowing against the dark woodland, while his horse lowers its head behind him.","Captain George K. H. Coussmaker (1759–1801), by Joshua Reynolds, 1782",{"_297":711,"_299":712,"_301":713},"https://img.ochreeditions.com/m/1146.jpg?dl=1","/art/captain-george-k-h-coussmaker-1759-1801-met-437447","/galleries/style/georgian-britain/captain-george-k-h-coussmaker-1759-1801-met-437447",{"_293":294,"_295":296},{"_226":708,"_125":709,"_287":710},{"_278":705,"_280":706,"_282":707,"_284":689},162.4421624418003,253.1,147.4421624418003,{"_289":226,"_123":476,"_154":477,"_140":95},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1146/480.jpg","https://img.ochreeditions.com/a/1146/960.jpg","https://img.ochreeditions.com/a/1146/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_316":731,"_318":732},{"_316":729,"_318":730},{"_316":727,"_318":728},{"_316":725,"_318":726},{"_316":723,"_318":724},"#4f2114",0.0473,"#ab9f82",0.0813,"#756850",0.0978,"#463929",0.2103,"#221b14",0.5633,"weymouth-bay-met-682931","Weymouth Bay",{"_42":786,"_223":787,"_330":788,"_332":395,"_334":789,"_336":790,"_338":791,"_340":506,"_341":792,"_140":97},"1830","Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[771,772,773,774,775],{"_222":714,"_223":715,"_42":716,"_309":717},"39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_297":768,"_299":769,"_301":770},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_293":542,"_295":543},{"_226":760,"_125":761,"_287":762},{"_278":756,"_280":757,"_282":758,"_284":759},49,43.859539602028875,25,19.85953960202887,{"_289":226,"_123":766,"_154":767,"_140":97},{"_289":125,"_123":763,"_154":764,"_140":765},{"_289":287,"_123":647,"_154":648,"_140":649},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg",{"_316":784,"_318":785},{"_316":782,"_318":783},{"_316":780,"_318":781},{"_316":778,"_318":779},{"_316":776,"_318":777},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","isabella-wolff-aic-4773","Isabella Wolff",{"_42":611,"_223":612,"_330":613,"_332":395,"_334":614,"_336":615,"_338":616,"_340":506,"_341":617,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[825,826,827,828,829],{"_222":481,"_223":482,"_42":483,"_309":484},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":823,"_304":824},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_297":820,"_299":821,"_301":822},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_293":294,"_295":296},{"_226":817,"_125":818,"_287":819},{"_278":814,"_280":815,"_282":816,"_284":799},116.09951287404314,143,101.09951287404314,{"_289":226,"_123":591,"_154":592,"_140":91},{"_289":125,"_123":650,"_154":651,"_140":652},{"_289":287,"_123":647,"_154":648,"_140":649},"https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","Text from the Art Institute of Chicago.",{"_316":838,"_318":839},{"_316":836,"_318":837},{"_316":834,"_318":835},{"_316":832,"_318":833},{"_316":830,"_318":831},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":611,"_223":612,"_330":613,"_332":395,"_334":614,"_336":615,"_338":616,"_340":506,"_341":617,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[872,873,874,875,876],{"_222":306,"_223":307,"_42":308,"_309":310},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":871,"_304":305},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_297":868,"_299":869,"_301":870},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_293":294,"_295":296},{"_226":865,"_125":866,"_287":867},{"_278":861,"_280":862,"_282":863,"_284":864},163.0235294117647,255,148.0235294117647,240,{"_289":226,"_123":591,"_154":592,"_140":91},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_316":885,"_318":886},{"_316":883,"_318":884},{"_316":881,"_318":882},{"_316":879,"_318":880},{"_316":877,"_318":878},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"self-portrait-aic-11706","Self-Portrait",{"_42":939,"_223":940,"_330":941,"_332":333,"_334":942,"_336":943,"_338":-5,"_340":-5,"_341":944,"_140":99},"c. 1779","watercolour","Drawing and Watercolor","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",17,30,0.5697549441100602,[924,925,926,927,928],{"_222":481,"_223":482,"_42":483,"_309":484},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_297":921,"_299":922,"_301":923},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_293":542,"_295":543},{"_226":914,"_125":915,"_287":916},{"_278":911,"_280":912,"_282":913,"_284":896},41.0926483233018,54,17.092648323301805,{"_289":226,"_123":919,"_154":920,"_140":99},{"_289":125,"_123":917,"_154":918,"_140":53},{"_289":287,"_123":167,"_154":166,"_140":169},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_316":937,"_318":938},{"_316":935,"_318":936},{"_316":933,"_318":934},{"_316":931,"_318":932},{"_316":929,"_318":930},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":992,"_223":993,"_330":994,"_332":333,"_334":995,"_336":996,"_338":506,"_340":506,"_341":997,"_140":97},"1837–38","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[977,978,979,980,981],{"_222":481,"_223":482,"_42":483,"_309":484},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_297":974,"_299":975,"_301":976},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/georgian-britain/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_293":294,"_295":296},{"_226":969,"_125":970,"_287":971},{"_278":966,"_280":967,"_282":950,"_284":968},239,188.10233393177737,173.10233393177737,{"_289":226,"_123":972,"_154":973,"_140":97},{"_289":125,"_123":650,"_154":651,"_140":652},{"_289":287,"_123":647,"_154":648,"_140":649},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_316":990,"_318":991},{"_316":988,"_318":989},{"_316":986,"_318":987},{"_316":984,"_318":985},{"_316":982,"_318":983},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438",0.2133,"#736551",0.2481,"#9e886b",0.2634,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":1042,"_223":1043,"_330":1044,"_332":333,"_334":1045,"_336":1046,"_338":-5,"_340":-5,"_341":-5,"_140":103},"1792","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",27,36,0.7591623036649214,[1028,1029,1030,1031,1032],{"_222":481,"_223":482,"_42":483,"_309":484},"2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.",{"_297":1025,"_299":1026,"_301":1027},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_293":294,"_295":296},{"_226":1020,"_125":1021,"_287":1022},{"_278":1017,"_280":1018,"_282":1019,"_284":1004},42.32984293193717,51,27.329842931937172,{"_289":226,"_123":1023,"_154":1024,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg",{"_316":1040,"_318":1041},{"_316":1038,"_318":1039},{"_316":1036,"_318":1037},{"_316":1035,"_318":833},{"_316":1033,"_318":1034},"#89694e",0.141,"#26261b","#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,"peamore-devon-nga-137152","Peamore, Devon",{"_42":1099,"_223":1100,"_330":1101,"_332":395,"_334":1102,"_336":996,"_338":-5,"_340":-5,"_341":-5,"_140":103},"1799","drawing","Drawing","wash and watercolor with pen and black ink over graphite on eight joined sheets of laid paper, on the artist's original mount","image: 45.2 x 57.3 cm (17 13/16 x 22 9/16 in.)",57.3,45.2,1.2337349397590363,[1084,1085,1086,1087,1088],{"_222":658,"_223":659,"_42":660,"_309":433},"2007.16.1","John White Abbott painted this in 1799, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image shows a forest by a serene, tree-lined body of water. The horizon is high with tall trees extending close to it, creating a sense of depth. The brushstrokes and watercolor application are delicate, capturing textures of leaves and water gently. The color palette includes muted greens, soft browns, and hints of blue and cream. Closest to us is a dense cluster of trees on the right, curving over the water. Across the water, other tree clusters and shrubs recede into the misty background towards the left.",{"_297":1081,"_299":1082,"_301":1083},"https://img.ochreeditions.com/m/1666.jpg?dl=1","/art/peamore-devon-nga-137152","/galleries/style/georgian-britain/peamore-devon-nga-137152",{"_293":542,"_295":543},{"_226":1073,"_125":1074,"_287":1075},{"_278":1070,"_280":1071,"_282":1055,"_284":1072},81.3,70.4443359375,46.44433593749999,{"_289":226,"_123":1079,"_154":1080,"_140":89},{"_289":125,"_123":1076,"_154":1077,"_140":1078},{"_289":287,"_123":167,"_154":166,"_140":169},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-john-white-abbott","John White Abbott's contemporaries","https://img.ochreeditions.com/a/1666/480.jpg","https://img.ochreeditions.com/a/1666/960.jpg","https://img.ochreeditions.com/a/1666/1920.jpg",{"_316":1097,"_318":1098},{"_316":1095,"_318":1096},{"_316":1093,"_318":1094},{"_316":1091,"_318":1092},{"_316":1089,"_318":1090},"#afad94",0.085,"#ab9571",0.1157,"#6f624e",0.1563,"#8a7c62",0.2097,"#d9c9b1",0.4333,"John White Abbott","john-white-abbott","British, 1763–1851",1763,"noon-nga-119642","Noon",{"_42":786,"_223":787,"_330":788,"_332":395,"_334":789,"_336":790,"_338":791,"_340":506,"_341":792,"_140":97},"mezzotint on laid paper","plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,18.5,1.3927235634138049,[1133,1134,1135,1136,1137],{"_222":658,"_223":659,"_42":660,"_309":433},"2001.118.23","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_297":1130,"_299":1131,"_301":1132},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_293":542,"_295":543},{"_226":1127,"_125":1128,"_287":1129},{"_278":1124,"_280":1125,"_282":1108,"_284":1126},49.5,42.3094482421875,18.3094482421875,{"_289":226,"_123":766,"_154":767,"_140":97},{"_289":125,"_123":763,"_154":764,"_140":765},{"_289":287,"_123":647,"_154":648,"_140":649},"https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_316":1146,"_318":1147},{"_316":1144,"_318":1145},{"_316":1142,"_318":1143},{"_316":1140,"_318":1141},{"_316":1138,"_318":1139},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,{"_1149":-5,"_1150":1151,"_1152":1153,"_1154":8,"_1155":1156,"_1157":8},"user","csrf","cd7e282a1d8633bbaff2b6e98cc76e90c4d9d844","cartCount",0,"dropLive","legal",[1158,1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169],"uploadsEnabled",{"_223":1192,"_20":1193},{"_223":1190,"_20":1191},{"_223":1188,"_20":1189},{"_223":1186,"_20":1187},{"_223":1184,"_20":1185},{"_223":1182,"_20":1183},{"_223":1180,"_20":1181},{"_223":1178,"_20":1179},{"_223":1176,"_20":1177},{"_223":1174,"_20":1175},{"_223":1172,"_20":1173},{"_223":1170,"_20":1171},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]