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He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_308":462,"_310":463},{"_308":460,"_310":461},{"_308":458,"_310":459},{"_308":456,"_310":457},{"_308":454,"_310":455},"#762820",0.0221,"#977d5d",0.0414,"#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","stoke-by-nayland-aic-4758","Stoke-by-Nayland",{"_42":523,"_220":524,"_322":525,"_324":325,"_326":526,"_328":527,"_330":-5,"_331":-5,"_332":528,"_140":99},"1836","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)",169,126,1.358449273096764,[508,509,510,511,512],{"_219":298,"_220":299,"_42":300,"_301":302},"1922.4453","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":506,"_443":507},"Large English country landscape painting, farmers with horses, green trees.",{"_292":503,"_294":504,"_296":505},"https://img.ochreeditions.com/m/7.jpg?dl=1","/art/stoke-by-nayland-aic-4758","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758",{"_288":437,"_290":438},{"_223":495,"_125":496,"_283":497},{"_274":492,"_276":493,"_278":476,"_279":494},184,139.40655926352127,124.40655926352129,{"_285":223,"_123":501,"_154":502,"_140":99},{"_285":125,"_123":498,"_154":499,"_140":500},{"_285":283,"_123":165,"_154":164,"_140":167},"style/painting-19","More paintings of the 19th century",432,"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/7/960.jpg","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.","Text from the Art Institute of Chicago.",{"_308":521,"_310":522},{"_308":519,"_310":520},{"_308":517,"_310":518},{"_308":515,"_310":516},{"_308":513,"_310":514},"#a8b3b4",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","a-dell-at-helmingham-park-suffolk-nga-119643","A Dell at Helmingham Park, Suffolk",{"_42":588,"_220":589,"_322":590,"_324":397,"_326":399,"_328":591,"_330":592,"_331":400,"_332":593,"_140":97},"1830","print","Print","mezzotint on laid paper","plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.)",22.2,17.8,1.2397094430992737,[573,574,575,576,577],{"_219":569,"_220":570,"_42":571,"_301":572},"Courtesy National Gallery of Art, Washington","2001.118.21","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","A rough wooden footbridge crosses a shadowy ravine in the old woodland of Helmingham Park in Suffolk, with light filtering through the canopy and a path leading on into the trees.","The image shows a landscape scene with a frontal view of a dense forest. A wooden bridge spans across a narrow ravine or creek. The painting features vigorous and textural brushstrokes with dark tones creating a shadowy effect. The color palette includes deep blacks, dark browns, and occasional highlights of light filtering through the canopy. In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.",{"_292":566,"_294":567,"_296":568},"https://img.ochreeditions.com/m/1651.jpg?dl=1","/art/a-dell-at-helmingham-park-suffolk-nga-119643","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643",{"_288":289,"_290":291},{"_223":558,"_125":559,"_283":560},{"_274":554,"_276":555,"_278":556,"_279":557},49,44.166015625,25,20.166015625,{"_285":223,"_123":564,"_154":565,"_140":97},{"_285":125,"_123":561,"_154":562,"_140":563},{"_285":283,"_123":165,"_154":164,"_140":167},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/1651/960.jpg","https://img.ochreeditions.com/a/1651/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_308":586,"_310":587},{"_308":584,"_310":585},{"_308":582,"_310":583},{"_308":580,"_310":581},{"_308":578,"_310":579},"#cbb99e",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"David Lucas","david-lucas","British, 1802–1881",1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","isabella-wolff-aic-4773","Isabella Wolff",{"_42":642,"_220":643,"_322":644,"_324":397,"_326":645,"_328":646,"_330":647,"_331":400,"_332":648,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[627,628,629,630,631],{"_219":298,"_220":299,"_42":300,"_301":302},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":626,"_443":507},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_292":623,"_294":624,"_296":625},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_288":437,"_290":438},{"_223":618,"_125":619,"_283":620},{"_274":615,"_276":616,"_278":617,"_279":600},116.09951287404314,143,101.09951287404314,{"_285":223,"_123":621,"_154":622,"_140":91},{"_285":125,"_123":498,"_154":499,"_140":500},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.",{"_308":640,"_310":641},{"_308":638,"_310":639},{"_308":636,"_310":637},{"_308":634,"_310":635},{"_308":632,"_310":633},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","self-portrait-aic-11706","Self-Portrait",{"_42":699,"_220":700,"_322":701,"_324":325,"_326":702,"_328":703,"_330":-5,"_331":-5,"_332":704,"_140":99},"c. 1779","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",17,30,0.5697549441100602,[684,685,686,687,688],{"_219":298,"_220":299,"_42":300,"_301":302},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_292":681,"_294":682,"_296":683},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_288":289,"_290":291},{"_223":674,"_125":675,"_283":676},{"_274":671,"_276":672,"_278":673,"_279":656},41.0926483233018,54,17.092648323301805,{"_285":223,"_123":679,"_154":680,"_140":99},{"_285":125,"_123":677,"_154":678,"_140":53},{"_285":283,"_123":364,"_154":365,"_140":366},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_308":697,"_310":698},{"_308":695,"_310":696},{"_308":693,"_310":694},{"_308":691,"_310":692},{"_308":689,"_310":690},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","weymouth-bay-met-682931","Weymouth Bay",{"_42":588,"_220":589,"_322":590,"_324":397,"_326":399,"_328":591,"_330":592,"_331":400,"_332":593,"_140":97},"Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[735,736,737,738,739],{"_219":375,"_220":376,"_42":377,"_301":378},"39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_292":732,"_294":733,"_296":734},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_288":289,"_290":291},{"_223":729,"_125":730,"_283":731},{"_274":554,"_276":727,"_278":556,"_279":728},43.859539602028875,19.85953960202887,{"_285":223,"_123":564,"_154":565,"_140":97},{"_285":125,"_123":561,"_154":562,"_140":563},{"_285":283,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg",{"_308":748,"_310":749},{"_308":746,"_310":747},{"_308":744,"_310":745},{"_308":742,"_310":743},{"_308":740,"_310":741},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":799,"_220":800,"_322":801,"_324":325,"_326":398,"_328":802,"_330":400,"_331":400,"_332":803,"_140":97},"1835","oil on canvas","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,92,1.3465346534653466,[784,785,786,787,788],{"_219":445,"_220":446,"_42":447,"_301":448},"1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":783,"_443":444},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_292":780,"_294":781,"_296":782},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_288":437,"_290":438},{"_223":775,"_125":776,"_283":777},{"_274":772,"_276":773,"_278":756,"_279":774},138.2,106.49411764705881,91.49411764705881,{"_285":223,"_123":778,"_154":779,"_140":97},{"_285":125,"_123":498,"_154":499,"_140":500},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.",{"_308":797,"_310":798},{"_308":795,"_310":796},{"_308":793,"_310":794},{"_308":791,"_310":792},{"_308":789,"_310":790},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":856,"_220":857,"_322":858,"_324":859,"_326":860,"_328":861,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1834","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[841,842,843,844,845],{"_219":445,"_220":446,"_42":447,"_301":448},"1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":840,"_443":444},"Descent into the Plain of Granada, by David Roberts, 1834",{"_292":837,"_294":838,"_296":839},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_288":289,"_290":291},{"_223":830,"_125":831,"_283":832},{"_274":827,"_276":828,"_278":811,"_279":829},56.5,47.45735294117647,23.45735294117647,{"_285":223,"_123":835,"_154":836,"_140":89},{"_285":125,"_123":833,"_154":834,"_140":757},{"_285":283,"_123":165,"_154":164,"_140":167},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.",{"_308":854,"_310":855},{"_308":852,"_310":853},{"_308":850,"_310":851},{"_308":848,"_310":849},{"_308":846,"_310":847},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864","Scottish",1796,1864,"portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":910,"_220":911,"_322":912,"_324":397,"_326":913,"_328":914,"_330":915,"_331":400,"_332":916,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[895,896,897,898,899],{"_219":445,"_220":446,"_42":447,"_301":448},"1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":894,"_443":444},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_292":891,"_294":892,"_296":893},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_288":437,"_290":438},{"_223":886,"_125":887,"_283":888},{"_274":883,"_276":884,"_278":885,"_279":868},185.63529411764705,211,170.63529411764705,{"_285":223,"_123":889,"_154":890,"_140":95},{"_285":125,"_123":432,"_154":433,"_140":434},{"_285":283,"_123":364,"_154":365,"_140":366},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.",{"_308":908,"_310":909},{"_308":906,"_310":907},{"_308":904,"_310":905},{"_308":902,"_310":903},{"_308":900,"_310":901},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":799,"_220":800,"_322":801,"_324":325,"_326":398,"_328":802,"_330":400,"_331":400,"_332":803,"_140":97},"1837–38","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[947,948,949,950,951],{"_219":298,"_220":299,"_42":300,"_301":302},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_292":944,"_294":945,"_296":946},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/georgian-britain/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_288":437,"_290":438},{"_223":941,"_125":942,"_283":943},{"_274":938,"_276":939,"_278":922,"_279":940},239,188.10233393177737,173.10233393177737,{"_285":223,"_123":778,"_154":779,"_140":97},{"_285":125,"_123":498,"_154":499,"_140":500},{"_285":283,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_308":959,"_310":960},{"_308":957,"_310":958},{"_308":956,"_310":853},{"_308":954,"_310":955},{"_308":952,"_310":953},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438","#736551",0.2481,"#9e886b",0.2634,"a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","A Hero Born on a Bier, from The Master of Giants Portfolio",{"_42":1008,"_220":1009,"_322":1010,"_324":397,"_326":702,"_328":1011,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1779","Brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper","38 × 56.5 cm (15 × 22 1/4 in.)",56,38,1.4658835950904052,[993,994,995,996,997],{"_219":298,"_220":299,"_42":300,"_301":302},"2023.3179","Prince Hoare painted this in 1779, aged 24. It is now at the Art Institute of Chicago.","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.",{"_292":990,"_294":991,"_296":992},"https://img.ochreeditions.com/m/433.jpg?dl=1","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",{"_288":289,"_290":291},{"_223":985,"_125":986,"_283":987},{"_274":982,"_276":983,"_278":967,"_279":984},80,62.20221481948321,38.20221481948321,{"_285":223,"_123":988,"_154":989,"_140":89},{"_285":125,"_123":677,"_154":678,"_140":53},{"_285":283,"_123":364,"_154":365,"_140":366},"artist/contemporaries-of-prince-hoare","Prince Hoare's contemporaries","https://img.ochreeditions.com/a/433/480.jpg","https://img.ochreeditions.com/a/433/960.jpg","https://img.ochreeditions.com/a/433/1920.jpg",{"_308":1006,"_310":1007},{"_308":1004,"_310":1005},{"_308":1002,"_310":1003},{"_308":1000,"_310":1001},{"_308":998,"_310":999},"#585149",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","British, 1755–1834",1834,"the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":1058,"_220":1059,"_322":1060,"_324":1061,"_326":1062,"_328":1063,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",101.5,1.2560029553010712,[1043,1044,1045,1046,1047],{"_219":445,"_220":446,"_42":447,"_301":448},"2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":1042,"_443":444},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_292":1039,"_294":1040,"_296":1041},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_288":437,"_290":438},{"_223":1034,"_125":1035,"_283":1036},{"_274":427,"_276":1032,"_278":410,"_279":1033},116.11441176470589,101.11441176470589,{"_285":223,"_123":1037,"_154":1038,"_140":89},{"_285":125,"_123":432,"_154":433,"_140":434},{"_285":283,"_123":364,"_154":365,"_140":366},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.",{"_308":1056,"_310":1057},{"_308":1054,"_310":1055},{"_308":1052,"_310":1053},{"_308":1050,"_310":1051},{"_308":1048,"_310":1049},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":1109,"_220":1110,"_322":1111,"_324":325,"_326":914,"_328":1112,"_330":-5,"_331":-5,"_332":-5,"_140":101},"Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",24,1.6425614803993183,[1094,1095,1096,1097,1098],{"_219":298,"_220":299,"_42":300,"_301":302},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_292":1091,"_294":1092,"_296":1093},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_288":437,"_290":438},{"_223":1086,"_125":1087,"_283":1088},{"_274":1083,"_276":1084,"_278":968,"_279":1085},53,38.1345982804625,23.134598280462495,{"_285":223,"_123":1089,"_154":1090,"_140":89},{"_285":125,"_123":498,"_154":499,"_140":500},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_308":1107,"_310":1108},{"_308":1105,"_310":1106},{"_308":1103,"_310":1104},{"_308":1101,"_310":1102},{"_308":1099,"_310":1100},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1882,"the-white-horse-nga-1146","The White Horse",{"_42":523,"_220":524,"_322":525,"_324":325,"_326":526,"_328":527,"_330":-5,"_331":-5,"_332":528,"_140":99},"1818-1819","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,1.4306671323786238,[1142,1143,1144,1145,1146],{"_219":569,"_220":570,"_42":571,"_301":572},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_292":1139,"_294":1140,"_296":1141},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_288":437,"_290":438},{"_223":1136,"_125":1137,"_283":1138},{"_274":1133,"_276":1134,"_278":1118,"_279":1135},198,142.912353515625,127.912353515625,{"_285":223,"_123":501,"_154":502,"_140":99},{"_285":125,"_123":498,"_154":499,"_140":500},{"_285":283,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_308":1155,"_310":1156},{"_308":1153,"_310":1154},{"_308":1151,"_310":1152},{"_308":1149,"_310":1150},{"_308":1147,"_310":1148},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,{"_1158":-5,"_1159":1160,"_1161":1162,"_1163":8,"_1164":1165,"_1166":8},"user","csrf","e02fe5a451e3726969ed3dd792516a21244313eb","cartCount",0,"dropLive","legal",[1167,1168,1169,1170,1171,1172,1173,1174,1175,1176,1177,1178],"uploadsEnabled",{"_220":1201,"_20":1202},{"_220":1199,"_20":1200},{"_220":1197,"_20":1198},{"_220":1195,"_20":1196},{"_220":1193,"_20":1194},{"_220":1191,"_20":1192},{"_220":1189,"_20":1190},{"_220":1187,"_20":1188},{"_220":1185,"_20":1186},{"_220":1183,"_20":1184},{"_220":1181,"_20":1182},{"_220":1179,"_20":1180},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]