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It is now at the Art Institute of Chicago.",{"_118":300,"_301":302},"note","Large English country landscape painting, farmers with horses, green trees.","images",{"_294":295,"_296":297,"_298":299},"download_url","https://img.ochreeditions.com/m/7.jpg?dl=1","page_url","/art/stoke-by-nayland-aic-4758","walk_url","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758","frame",{"_290":291,"_292":293},{"_223":282,"_125":283,"_284":285},"size",{"_275":276,"_277":278,"_279":242,"_280":281},"w",184,"h",139.40655926352127,"image_w","image_h",124.40655926352129,{"_286":223,"_123":171,"_154":170,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},"era",{"_286":284,"_123":167,"_154":166,"_140":169},"facet","style/painting-19","More paintings of the 19th century",432,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/7/480.jpg","960","https://img.ochreeditions.com/a/7/960.jpg","1920","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.","source","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_313":323,"_315":324},{"_313":321,"_315":322},{"_313":319,"_315":320},{"_313":317,"_315":318},{"_313":314,"_315":316},"hex","#a8b3b4","weight",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"John Constable","john-constable","bio","English, 1776–1837","nationality","English","birth_year",1776,"death_year",1837,"birth_place","death_place","about_excerpt","Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","isabella-wolff-aic-4773","Isabella Wolff",{"_42":387,"_220":388,"_327":389,"_329":390,"_331":391,"_333":392,"_335":393,"_336":394,"_337":395,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[372,373,374,375,376],{"_219":303,"_220":304,"_42":305,"_306":307},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. 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Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.",{"_313":385,"_315":386},{"_313":383,"_315":384},{"_313":381,"_315":382},{"_313":379,"_315":380},{"_313":377,"_315":378},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"Thomas Lawrence","thomas-lawrence","English, 1769–1830","British",1769,1830,"Bristol","London","Lawrence was a child prodigy in pastel portraiture and largely self-taught. 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It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_294":425,"_296":426,"_298":427},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_290":291,"_292":293},{"_223":422,"_125":423,"_284":424},{"_275":419,"_277":420,"_279":421,"_280":403},116.6768798828125,143.5,101.6768798828125,{"_286":223,"_123":366,"_154":367,"_140":91},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_313":444,"_315":445},{"_313":442,"_315":443},{"_313":440,"_315":441},{"_313":439,"_315":438},{"_313":437,"_315":438},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":503,"_220":504,"_327":505,"_329":330,"_331":506,"_333":507,"_335":-5,"_336":-5,"_337":-5,"_140":99},"n.d.",18,"print","Print","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912519643792562,[488,489,490,491,492],{"_219":303,"_220":304,"_42":305,"_306":307},"1946.405","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_294":485,"_296":486,"_298":487},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_290":483,"_292":484},{"_223":472,"_125":473,"_284":474},{"_275":469,"_277":470,"_279":471,"_280":169},55.65007857517025,64,31.650078575170248,{"_286":223,"_123":481,"_154":482,"_140":99},{"_286":125,"_123":478,"_154":479,"_140":480},{"_286":284,"_123":475,"_154":476,"_140":477},"era/18-britain","18th-century Britain",42,"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","white","snow","https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg",{"_313":501,"_315":502},{"_313":499,"_315":500},{"_313":497,"_315":498},{"_313":495,"_315":496},{"_313":493,"_315":494},"#796237",0.064,"#5c493a",0.0907,"#8a7b65",0.1271,"#baae9b",0.3131,"#d1c7b6",0.4051,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"self-portrait-in-a-fur-cap-aic-76295","Self-Portrait in a Fur Cap",{"_42":559,"_220":560,"_327":561,"_329":330,"_331":562,"_333":563,"_335":564,"_336":564,"_337":565,"_140":99},"1765/68","watercolour","Drawing and Watercolor","Monochrome pastel (grisaille) on blue-gray laid paper","42.5 × 29.5 cm (16 3/4 × 11 5/8 in.)",29,0.6958228202971685,[544,545,546,547,548],{"_219":303,"_220":304,"_42":305,"_306":307},"1990.141","Joseph Wright of Derby painted this in 1765/68, aged about 31. It is now at the Art Institute of Chicago.","Joseph Wright of Derby portrays himself in a fur cap, drawn in monochrome pastel on blue-grey paper, with greys and blacks building the face and the soft texture of the fur.","Black, gray pastel portrait of man in a fur hat.",{"_294":541,"_296":542,"_298":543},"https://img.ochreeditions.com/m/193.jpg?dl=1","/art/self-portrait-in-a-fur-cap-aic-76295","/galleries/style/georgian-britain/self-portrait-in-a-fur-cap-aic-76295",{"_290":483,"_292":484},{"_223":534,"_125":535,"_284":536},{"_275":531,"_277":532,"_279":533,"_280":477},53.22455845248108,66,29.224558452481077,{"_286":223,"_123":539,"_154":540,"_140":99},{"_286":125,"_123":537,"_154":538,"_140":53},{"_286":284,"_123":475,"_154":476,"_140":477},"style/watercolour-18","More watercolours of the 18th century","artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/193/480.jpg","https://img.ochreeditions.com/a/193/960.jpg","https://img.ochreeditions.com/a/193/1920.jpg",{"_313":557,"_315":558},{"_313":555,"_315":556},{"_313":553,"_315":554},{"_313":551,"_315":552},{"_313":549,"_315":550},"#85817a",0.0524,"#5b4224",0.0632,"#5e5a55",0.0962,"#403d37",0.2066,"#2f2d29",0.5816,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","captain-george-k-h-coussmaker-1759-1801-met-437447","Captain George K. H. Coussmaker (1759–1801)",{"_42":622,"_220":623,"_327":624,"_329":390,"_331":625,"_333":626,"_335":627,"_336":394,"_337":628,"_140":95},"1782","Paintings","93 3/4 x 57 1/4 in. (238.1 x 145.4 cm)",145.4,238.1,0.619244697361614,[607,608,609,610,611],{"_219":603,"_220":604,"_42":605,"_306":606},"Courtesy of The Metropolitan Museum of Art","20.155.3","Joshua Reynolds painted this in 1782, aged 59. It is now at The Met in New York.","Captain George Coussmaker leans against a tree with his legs casually crossed, his red coat glowing against the dark woodland, while his horse lowers its head behind him.","Captain George K. H. Coussmaker (1759–1801), by Joshua Reynolds, 1782",{"_294":600,"_296":601,"_298":602},"https://img.ochreeditions.com/m/1146.jpg?dl=1","/art/captain-george-k-h-coussmaker-1759-1801-met-437447","/galleries/style/georgian-britain/captain-george-k-h-coussmaker-1759-1801-met-437447",{"_290":291,"_292":293},{"_223":592,"_125":593,"_284":594},{"_275":589,"_277":590,"_279":591,"_280":573},162.4421624418003,253.1,147.4421624418003,{"_286":223,"_123":598,"_154":599,"_140":95},{"_286":125,"_123":595,"_154":596,"_140":597},{"_286":284,"_123":475,"_154":476,"_140":477},"style/painting-18","More paintings of the 18th century",168,"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/1146/480.jpg","https://img.ochreeditions.com/a/1146/960.jpg","https://img.ochreeditions.com/a/1146/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_313":620,"_315":621},{"_313":618,"_315":619},{"_313":616,"_315":617},{"_313":614,"_315":615},{"_313":612,"_315":613},"#4f2114",0.0473,"#ab9f82",0.0813,"#756850",0.0978,"#463929",0.2103,"#221b14",0.5633,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":681,"_220":682,"_327":683,"_329":390,"_331":684,"_333":685,"_335":394,"_336":394,"_337":-5,"_140":103},"ca. 1803–5","drawing","Drawings","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[666,667,668,669,670],{"_219":603,"_220":604,"_42":605,"_306":606},"14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_294":663,"_296":664,"_298":665},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_290":483,"_292":484},{"_223":655,"_125":656,"_284":657},{"_275":652,"_277":653,"_279":654,"_280":638},50.26670344827586,63.2,26.266703448275862,{"_286":223,"_123":661,"_154":662,"_140":89},{"_286":125,"_123":658,"_154":659,"_140":660},{"_286":284,"_123":475,"_154":476,"_140":477},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg",{"_313":679,"_315":680},{"_313":677,"_315":678},{"_313":675,"_315":676},{"_313":673,"_315":674},{"_313":671,"_315":672},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,1827,"two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":387,"_220":388,"_327":389,"_329":390,"_331":391,"_333":392,"_335":393,"_336":394,"_337":395,"_140":91},"July 26, 1800","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",24,35,0.6863089606703608,[716,717,718,719,720],{"_219":303,"_220":304,"_42":305,"_306":307},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_294":713,"_296":714,"_298":715},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_290":483,"_292":484},{"_223":710,"_125":711,"_284":712},{"_275":707,"_277":708,"_279":709,"_280":693},48.02081362346263,59,24.02081362346263,{"_286":223,"_123":366,"_154":367,"_140":91},{"_286":125,"_123":537,"_154":538,"_140":53},{"_286":284,"_123":475,"_154":476,"_140":477},"https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_313":729,"_315":730},{"_313":727,"_315":728},{"_313":725,"_315":726},{"_313":723,"_315":724},{"_313":721,"_315":722},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[763,764,765,766,767],{"_219":303,"_220":304,"_42":305,"_306":307},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_294":760,"_296":761,"_298":762},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_290":483,"_292":484},{"_223":755,"_125":756,"_284":757},{"_275":751,"_277":752,"_279":753,"_280":754},49,48.48828746872867,25,24.488287468728675,{"_286":223,"_123":758,"_154":759,"_140":97},{"_286":125,"_123":478,"_154":479,"_140":480},{"_286":284,"_123":475,"_154":476,"_140":477},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_313":776,"_315":777},{"_313":774,"_315":775},{"_313":772,"_315":773},{"_313":770,"_315":771},{"_313":768,"_315":769},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":825,"_220":826,"_327":827,"_329":390,"_331":828,"_333":685,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1785","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[810,811,812,813,814],{"_219":428,"_220":429,"_42":430,"_306":431},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_294":807,"_296":808,"_298":809},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_290":483,"_292":484},{"_223":802,"_125":803,"_284":804},{"_275":799,"_277":800,"_279":784,"_280":801},60.9,49.927294921875,25.927294921875,{"_286":223,"_123":805,"_154":806,"_140":89},{"_286":125,"_123":478,"_154":479,"_140":480},{"_286":284,"_123":475,"_154":476,"_140":477},"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_313":823,"_315":824},{"_313":821,"_315":822},{"_313":819,"_315":820},{"_313":817,"_315":818},{"_313":815,"_315":816},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,"heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","Heroic Landscape with Fisherman, Cows, and Horsemen",{"_42":875,"_220":876,"_327":877,"_329":390,"_331":878,"_333":879,"_335":-5,"_336":-5,"_337":-5,"_140":101},"1744","chiaroscuro woodcut printed in color on laid paper","sheet: 42 x 58.5 cm (16 9/16 x 23 1/16 in.)",58.5,1.3880040664181634,[860,861,862,863,864],{"_219":428,"_220":429,"_42":430,"_306":431},"2012.92.61","John Baptist Jackson made this in 1744, aged 43. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape scene from an elevated viewpoint. There are large columns of a classical ruin and a leafy tree on the left. On the right, there is a spreading tree with intricate leaves. In the background, there is a pastoral landscape with figures and animals. A shepherd and a cow are guiding a flock of sheep, and buildings can be seen in the distance. The horizon divides the image into sky and earth. The brushstrokes are detailed, capturing textures effectively. The color palette consists of earthy tones with touches of brighter colors on the figures' clothing.",{"_294":857,"_296":858,"_298":859},"https://img.ochreeditions.com/m/1656.jpg?dl=1","/art/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","/galleries/style/georgian-britain/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866",{"_290":483,"_292":484},{"_223":852,"_125":853,"_284":854},{"_275":849,"_277":850,"_279":835,"_280":851},82.5,66.1468505859375,42.1468505859375,{"_286":223,"_123":855,"_154":856,"_140":89},{"_286":125,"_123":478,"_154":479,"_140":480},{"_286":284,"_123":475,"_154":476,"_140":477},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1656/480.jpg","https://img.ochreeditions.com/a/1656/960.jpg","https://img.ochreeditions.com/a/1656/1920.jpg",{"_313":873,"_315":874},{"_313":871,"_315":872},{"_313":869,"_315":870},{"_313":867,"_315":868},{"_313":865,"_315":866},"#878e7d",0.1386,"#4e4232",0.1457,"#b3a284",0.1756,"#8b7c60",0.2035,"#6a5f48",0.3366,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":927,"_220":928,"_327":929,"_329":330,"_331":930,"_333":931,"_335":932,"_336":394,"_337":933,"_140":97},"1787","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[912,913,914,915,916],{"_219":603,"_220":604,"_42":605,"_306":606},"50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_294":909,"_296":910,"_298":911},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_290":291,"_292":293},{"_223":904,"_125":905,"_284":906},{"_275":901,"_277":902,"_279":903,"_280":886},135.62100077780656,162.6,120.62100077780657,{"_286":223,"_123":907,"_154":908,"_140":97},{"_286":125,"_123":595,"_154":596,"_140":597},{"_286":284,"_123":475,"_154":476,"_140":477},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg",{"_313":925,"_315":926},{"_313":923,"_315":924},{"_313":921,"_315":922},{"_313":919,"_315":920},{"_313":917,"_315":918},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":622,"_220":623,"_327":624,"_329":390,"_331":625,"_333":626,"_335":627,"_336":394,"_337":628,"_140":95},"1776–81","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[963,964,965,966,967],{"_219":303,"_220":304,"_42":305,"_306":307},"2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_294":960,"_296":961,"_298":962},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_290":291,"_292":293},{"_223":957,"_125":958,"_284":959},{"_275":954,"_277":955,"_279":956,"_280":940},76.14076281287247,88,61.14076281287247,{"_286":223,"_123":598,"_154":599,"_140":95},{"_286":125,"_123":595,"_154":596,"_140":597},{"_286":284,"_123":475,"_154":476,"_140":477},"https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg",{"_313":976,"_315":977},{"_313":974,"_315":975},{"_313":972,"_315":973},{"_313":970,"_315":971},{"_313":968,"_315":969},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"self-portrait-aic-11706","Self-Portrait",{"_42":1025,"_220":1026,"_327":1027,"_329":330,"_331":1028,"_333":1029,"_335":-5,"_336":-5,"_337":1030,"_140":99},"c. 1779","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",17,0.5697549441100602,[1010,1011,1012,1013,1014],{"_219":303,"_220":304,"_42":305,"_306":307},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_294":1007,"_296":1008,"_298":1009},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_290":483,"_292":484},{"_223":1002,"_125":1003,"_284":1004},{"_275":999,"_277":1000,"_279":1001,"_280":455},41.0926483233018,54,17.092648323301805,{"_286":223,"_123":1005,"_154":1006,"_140":99},{"_286":125,"_123":537,"_154":538,"_140":53},{"_286":284,"_123":475,"_154":476,"_140":477},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_313":1023,"_315":1024},{"_313":1021,"_315":1022},{"_313":1019,"_315":1020},{"_313":1017,"_315":1018},{"_313":1015,"_315":1016},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":387,"_220":388,"_327":389,"_329":390,"_331":391,"_333":392,"_335":393,"_336":394,"_337":395,"_140":91},"1801","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,0.7955882352941176,[1067,1068,1069,1070,1071],{"_219":1063,"_220":1064,"_42":1065,"_306":1066},"Courtesy of the Cleveland Museum of Art","1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":1061,"_301":1062},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_294":1058,"_296":1059,"_298":1060},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_290":291,"_292":293},{"_223":1055,"_125":1056,"_284":1057},{"_275":1052,"_277":1053,"_279":1054,"_280":480},117.63088235294117,144,102.63088235294117,{"_286":223,"_123":366,"_154":367,"_140":91},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_313":1080,"_315":1081},{"_313":1078,"_315":1079},{"_313":1076,"_315":1077},{"_313":1074,"_315":1075},{"_313":1072,"_315":1073},"#bc9f72",0.1057,"#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":1135,"_220":1136,"_327":1137,"_329":1138,"_331":1139,"_333":1140,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1834","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[1120,1121,1122,1123,1124],{"_219":1063,"_220":1064,"_42":1065,"_306":1066},"1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":1119,"_301":1062},"Descent into the Plain of Granada, by David Roberts, 1834",{"_294":1116,"_296":1117,"_298":1118},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_290":483,"_292":484},{"_223":1108,"_125":1109,"_284":1110},{"_275":1105,"_277":1106,"_279":1089,"_280":1107},56.5,47.45735294117647,23.45735294117647,{"_286":223,"_123":1114,"_154":1115,"_140":89},{"_286":125,"_123":1111,"_154":1112,"_140":1113},{"_286":284,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.",{"_313":1133,"_315":1134},{"_313":1131,"_315":1132},{"_313":1129,"_315":1130},{"_313":1127,"_315":1128},{"_313":1125,"_315":1126},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864","Scottish",1796,1864,{"_1142":-5,"_1143":1144,"_1145":1146,"_1147":8,"_1148":1149,"_1150":8},"user","csrf","7d8312fff1f78ef4273cbe4ab1ba559fed2e4d5f","cartCount",0,"dropLive","legal",[1151,1152,1153,1154,1155,1156,1157,1158,1159,1160,1161,1162],"uploadsEnabled",{"_220":1185,"_20":1186},{"_220":1183,"_20":1184},{"_220":1181,"_20":1182},{"_220":1179,"_20":1180},{"_220":1177,"_20":1178},{"_220":1175,"_20":1176},{"_220":1173,"_20":1174},{"_220":1171,"_20":1172},{"_220":1169,"_20":1170},{"_220":1167,"_20":1168},{"_220":1165,"_20":1166},{"_220":1163,"_20":1164},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]