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It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape scene from an elevated viewpoint. There are large columns of a classical ruin and a leafy tree on the left. On the right, there is a spreading tree with intricate leaves. In the background, there is a pastoral landscape with figures and animals. A shepherd and a cow are guiding a flock of sheep, and buildings can be seen in the distance. The horizon divides the image into sky and earth. The brushstrokes are detailed, capturing textures effectively. The color palette consists of earthy tones with touches of brighter colors on the figures' clothing.",{"_299":439,"_301":440,"_303":441},"https://img.ochreeditions.com/m/1656.jpg?dl=1","/art/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","/galleries/style/georgian-britain/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866",{"_295":381,"_297":382},{"_227":434,"_125":435,"_289":436},{"_279":431,"_281":432,"_283":417,"_285":433},82.5,66.1468505859375,42.1468505859375,{"_291":227,"_123":437,"_154":438,"_140":89},{"_291":125,"_123":376,"_154":377,"_140":378},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1656/480.jpg","https://img.ochreeditions.com/a/1656/960.jpg","https://img.ochreeditions.com/a/1656/1920.jpg",{"_318":455,"_320":456},{"_318":453,"_320":454},{"_318":451,"_320":452},{"_318":449,"_320":450},{"_318":447,"_320":448},"#878e7d",0.1386,"#4e4232",0.1457,"#b3a284",0.1756,"#8b7c60",0.2035,"#6a5f48",0.3366,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":521,"_224":522,"_332":523,"_334":524,"_336":525,"_338":526,"_340":-5,"_342":-5,"_344":-5,"_140":101},"1834",19,"Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",38,24,1.6425614803993183,[506,507,508,509,510],{"_223":502,"_224":503,"_42":504,"_311":505},"Courtesy of the Art Institute of Chicago","2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_299":499,"_301":500,"_303":501},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_295":296,"_297":298},{"_227":488,"_125":489,"_289":490},{"_279":485,"_281":486,"_283":469,"_285":487},53,38.1345982804625,23.134598280462495,{"_291":227,"_123":497,"_154":498,"_140":89},{"_291":125,"_123":494,"_154":495,"_140":496},{"_291":289,"_123":491,"_154":492,"_140":493},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_318":519,"_320":520},{"_318":517,"_320":518},{"_318":515,"_320":516},{"_318":513,"_320":514},{"_318":511,"_320":512},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882","English",1792,1882,"small-landscape-si-saam-1956-11-20","Small Landscape","Unrecorded British maker","ca. 1750-1800","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[562,563,564,565,566],{"_223":559,"_224":560,"_42":561,"_311":389},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_299":556,"_301":557,"_303":558},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_295":296,"_297":298},{"_227":551,"_125":552,"_289":553},{"_279":548,"_281":549,"_283":532,"_285":550},70.2,58.4424,43.4424,{"_291":227,"_123":554,"_154":555,"_140":97},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_318":575,"_320":576},{"_318":573,"_320":574},{"_318":571,"_320":572},{"_318":569,"_320":570},{"_318":567,"_320":568},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":634,"_224":635,"_332":636,"_334":335,"_336":637,"_338":638,"_340":343,"_342":343,"_344":-5,"_140":103},"1796–97","drawing","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[619,620,621,622,623],{"_223":615,"_224":616,"_42":617,"_311":618},"Courtesy of The Metropolitan Museum of Art","06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_299":612,"_301":613,"_303":614},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_295":381,"_297":382},{"_227":604,"_125":605,"_289":606},{"_279":601,"_281":602,"_283":585,"_285":603},76,62.26731078904992,38.26731078904992,{"_291":227,"_123":610,"_154":611,"_140":89},{"_291":125,"_123":607,"_154":608,"_140":609},{"_291":289,"_123":167,"_154":166,"_140":169},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_318":632,"_320":633},{"_318":630,"_320":631},{"_318":628,"_320":629},{"_318":626,"_320":627},{"_318":624,"_320":625},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1775,1802,"august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":685,"_224":686,"_332":687,"_334":524,"_336":688,"_338":689,"_340":-5,"_342":-5,"_344":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912519643792562,[670,671,672,673,674],{"_223":502,"_224":503,"_42":504,"_311":505},"1946.405","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_299":667,"_301":668,"_303":669},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_295":381,"_297":382},{"_227":662,"_125":663,"_289":664},{"_279":659,"_281":660,"_283":661,"_285":493},55.65007857517025,64,31.650078575170248,{"_291":227,"_123":665,"_154":666,"_140":99},{"_291":125,"_123":376,"_154":377,"_140":378},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg",{"_318":683,"_320":684},{"_318":681,"_320":682},{"_318":679,"_320":680},{"_318":677,"_320":678},{"_318":675,"_320":676},"#796237",0.064,"#5c493a",0.0907,"#8a7b65",0.1271,"#baae9b",0.3131,"#d1c7b6",0.4051,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"stoke-by-nayland-aic-4758","Stoke-by-Nayland",{"_42":740,"_224":741,"_332":742,"_334":524,"_336":743,"_338":744,"_340":-5,"_342":-5,"_344":745,"_140":99},"1836","Oil on canvas","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)",169,126,1.358449273096764,[725,726,727,728,729],{"_223":502,"_224":503,"_42":504,"_311":505},"1922.4453","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":723,"_306":724},"Large English country landscape painting, farmers with horses, green trees.",{"_299":720,"_301":721,"_303":722},"https://img.ochreeditions.com/m/7.jpg?dl=1","/art/stoke-by-nayland-aic-4758","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758",{"_295":296,"_297":298},{"_227":715,"_125":716,"_289":717},{"_279":712,"_281":713,"_283":696,"_285":714},184,139.40655926352127,124.40655926352129,{"_291":227,"_123":718,"_154":719,"_140":99},{"_291":125,"_123":494,"_154":495,"_140":496},{"_291":289,"_123":491,"_154":492,"_140":493},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/7/960.jpg","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.","Text from the Art Institute of Chicago.",{"_318":738,"_320":739},{"_318":736,"_320":737},{"_318":734,"_320":735},{"_318":732,"_320":733},{"_318":730,"_320":731},"#a8b3b4",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","the-white-horse-nga-1146","The White Horse",{"_42":740,"_224":741,"_332":742,"_334":524,"_336":743,"_338":744,"_340":-5,"_342":-5,"_344":745,"_140":99},"1818-1819","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,127,1.4306671323786238,[776,777,778,779,780],{"_223":386,"_224":387,"_42":388,"_311":389},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_299":773,"_301":774,"_303":775},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_295":296,"_297":298},{"_227":770,"_125":771,"_289":772},{"_279":767,"_281":768,"_283":751,"_285":769},198,142.912353515625,127.912353515625,{"_291":227,"_123":718,"_154":719,"_140":99},{"_291":125,"_123":494,"_154":495,"_140":496},{"_291":289,"_123":491,"_154":492,"_140":493},"https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_318":789,"_320":790},{"_318":787,"_320":788},{"_318":785,"_320":786},{"_318":783,"_320":784},{"_318":781,"_320":782},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":839,"_224":840,"_332":841,"_334":524,"_336":842,"_338":409,"_340":843,"_342":343,"_344":844,"_140":97},"1787","Paintings","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[824,825,826,827,828],{"_223":615,"_224":616,"_42":617,"_311":618},"50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_299":821,"_301":822,"_303":823},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_295":296,"_297":298},{"_227":816,"_125":817,"_289":818},{"_279":813,"_281":814,"_283":815,"_285":798},135.62100077780656,162.6,120.62100077780657,{"_291":227,"_123":819,"_154":820,"_140":97},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg",{"_318":837,"_320":838},{"_318":835,"_320":836},{"_318":833,"_320":834},{"_318":831,"_320":832},{"_318":829,"_320":830},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","John Johnstone, Betty Johnstone, and Miss Wedderburn",{"_42":891,"_224":892,"_332":893,"_334":408,"_336":894,"_338":895,"_340":-5,"_342":-5,"_344":-5,"_140":103},"c. 1790/1795","overall: 101.5 x 120 cm (39 15/16 x 47 1/4 in.) framed: 119.4 x 138.4 x 6.4 cm (47 x 54 1/2 x 2 1/2 in.)",120,101.5,1.1770114942528735,[876,877,878,879,880],{"_223":386,"_224":387,"_42":388,"_311":389},"1945.10.3","Sir Henry Raeburn painted this in about 1790/1795, aged about 34. It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_299":873,"_301":874,"_303":875},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_295":296,"_297":298},{"_227":868,"_125":869,"_289":870},{"_279":865,"_281":866,"_283":850,"_285":867},135,116.953125,101.953125,{"_291":227,"_123":871,"_154":872,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg",{"_318":889,"_320":890},{"_318":887,"_320":888},{"_318":885,"_320":886},{"_318":883,"_320":884},{"_318":881,"_320":882},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823",1756,1823,"weymouth-bay-met-682931","Weymouth Bay",{"_42":947,"_224":948,"_332":949,"_334":335,"_336":638,"_338":950,"_340":951,"_342":343,"_344":952,"_140":97},"1830","Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[932,933,934,935,936],{"_223":615,"_224":616,"_42":617,"_311":618},"39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_299":929,"_301":930,"_303":931},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_295":381,"_297":382},{"_227":921,"_125":922,"_289":923},{"_279":369,"_281":919,"_283":371,"_285":920},43.859539602028875,19.85953960202887,{"_291":227,"_123":927,"_154":928,"_140":97},{"_291":125,"_123":924,"_154":925,"_140":926},{"_291":289,"_123":491,"_154":492,"_140":493},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg",{"_318":945,"_320":946},{"_318":943,"_320":944},{"_318":941,"_320":942},{"_318":939,"_320":940},{"_318":937,"_320":938},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"David Lucas","david-lucas","British, 1802–1881",1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":330,"_224":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_342":343,"_344":345,"_140":91},"c. 1822/1823","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[983,984,985,986,987],{"_223":386,"_224":387,"_42":388,"_311":389},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_299":980,"_301":981,"_303":982},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_295":296,"_297":298},{"_227":977,"_125":978,"_289":979},{"_279":974,"_281":975,"_283":976,"_285":959},116.6768798828125,143.5,101.6768798828125,{"_291":227,"_123":171,"_154":170,"_140":91},{"_291":125,"_123":494,"_154":495,"_140":496},{"_291":289,"_123":491,"_154":492,"_140":493},"https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_318":995,"_320":996},{"_318":993,"_320":994},{"_318":991,"_320":992},{"_318":990,"_320":989},{"_318":988,"_320":989},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[1024,1025,1026,1027,1028],{"_223":502,"_224":503,"_42":504,"_311":505},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_299":1021,"_301":1022,"_303":1023},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_295":381,"_297":382},{"_227":1018,"_125":1019,"_289":1020},{"_279":369,"_281":1016,"_283":371,"_285":1017},48.48828746872867,24.488287468728675,{"_291":227,"_123":554,"_154":555,"_140":97},{"_291":125,"_123":376,"_154":377,"_140":378},{"_291":289,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_318":1037,"_320":1038},{"_318":1035,"_320":1036},{"_318":1033,"_320":1034},{"_318":1031,"_320":1032},{"_318":1029,"_320":1030},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":839,"_224":840,"_332":841,"_334":524,"_336":842,"_338":409,"_340":843,"_342":343,"_344":844,"_140":97},"c. 1781/1782","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[1069,1070,1071,1072,1073],{"_223":386,"_224":387,"_42":388,"_311":389},"1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_299":1066,"_301":1067,"_303":1068},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_295":296,"_297":298},{"_227":1063,"_125":1064,"_289":1065},{"_279":1060,"_281":1061,"_283":1044,"_285":1062},142.6,116.65009765625,101.65009765625,{"_291":227,"_123":819,"_154":820,"_140":97},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg",{"_318":1082,"_320":1083},{"_318":1080,"_320":1081},{"_318":1078,"_320":1079},{"_318":1076,"_320":1077},{"_318":1074,"_320":1075},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":1130,"_224":1131,"_332":1132,"_334":335,"_336":1133,"_338":1134,"_340":-5,"_342":-5,"_344":-5,"_140":103},"1816","overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",231,150,1.522110739502044,[1115,1116,1117,1118,1119],{"_223":386,"_224":387,"_42":388,"_311":389},"2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_299":1112,"_301":1113,"_303":1114},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_295":296,"_297":298},{"_227":1107,"_125":1108,"_289":1109},{"_279":1104,"_281":1105,"_283":1089,"_285":1106},246,166.762939453125,151.762939453125,{"_291":227,"_123":1110,"_154":1111,"_140":89},{"_291":125,"_123":494,"_154":495,"_140":496},{"_291":289,"_123":491,"_154":492,"_140":493},"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_318":1128,"_320":1129},{"_318":1126,"_320":1127},{"_318":1124,"_320":1125},{"_318":1122,"_320":1123},{"_318":1120,"_320":1121},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,{"_1136":-5,"_1137":1138,"_1139":1140,"_1141":8,"_1142":1143,"_1144":8},"user","csrf","34ecdb4a609e95894425b1e69f9dc54a9a95735e","cartCount",0,"dropLive","legal",[1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156],"uploadsEnabled",{"_224":1179,"_20":1180},{"_224":1177,"_20":1178},{"_224":1175,"_20":1176},{"_224":1173,"_20":1174},{"_224":1171,"_20":1172},{"_224":1169,"_20":1170},{"_224":1167,"_20":1168},{"_224":1165,"_20":1166},{"_224":1163,"_20":1164},{"_224":1161,"_20":1162},{"_224":1159,"_20":1160},{"_224":1157,"_20":1158},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]