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The sky above is blue and filled with white and gray clouds.",{"_295":427,"_297":428,"_299":429},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_291":374,"_293":375},{"_226":422,"_125":423,"_285":424},{"_276":419,"_278":420,"_280":404,"_281":421},167.6,105.38271484375,90.38271484375,{"_287":226,"_123":425,"_154":426,"_140":89},{"_287":125,"_123":369,"_154":370,"_140":371},{"_287":285,"_123":366,"_154":367,"_140":368},"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_311":443,"_313":444},{"_311":441,"_313":442},{"_311":439,"_313":440},{"_311":437,"_313":438},{"_311":435,"_313":436},"#9f8033",0.1271,"#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,"elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby",{"_42":507,"_223":508,"_325":509,"_327":328,"_329":510,"_331":511,"_333":512,"_334":513,"_335":514,"_140":91},"1790","Paintings","Oil on canvas","94 in. × 57 1/2 in. (238.8 × 146.1 cm)",146.1,238.8,0.6134193548387097,[492,493,494,495,496],{"_222":488,"_223":489,"_42":490,"_304":491},"Courtesy of The Metropolitan Museum of Art","50.135.5","Thomas Lawrence painted this in 1790, aged 21. It is now at The Met in New York.","The celebrated comic actress Elizabeth Farren turns to look at us as she walks through a windswept landscape, wrapped in a white silk cloak lined with fur and carrying a muff.","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, by Thomas Lawrence, 1790",{"_295":485,"_297":486,"_299":487},"https://img.ochreeditions.com/m/1113.jpg?dl=1","/art/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","/galleries/style/georgian-britain/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851",{"_291":374,"_293":375},{"_226":477,"_125":478,"_285":479},{"_276":474,"_278":475,"_280":476,"_281":458},161.4845419354839,253.8,146.4845419354839,{"_287":226,"_123":483,"_154":484,"_140":91},{"_287":125,"_123":480,"_154":481,"_140":482},{"_287":285,"_123":166,"_154":165,"_140":168},"style/painting-18","More paintings of the 18th century",168,"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/1113/480.jpg","https://img.ochreeditions.com/a/1113/960.jpg","https://img.ochreeditions.com/a/1113/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":505,"_313":506},{"_311":503,"_313":504},{"_311":501,"_313":502},{"_311":499,"_313":500},{"_311":497,"_313":498},"#6e5e40",0.1382,"#afa284",0.1538,"#3c3422",0.2055,"#3b5150",0.2432,"#6f7361",0.2593,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","London","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":571,"_223":572,"_325":573,"_327":574,"_329":575,"_331":576,"_333":-5,"_334":-5,"_335":-5,"_140":101},"n.d.","watercolour","Drawing and Watercolor","Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[556,557,558,559,560],{"_222":552,"_223":553,"_42":554,"_304":555},"Courtesy of the Art Institute of Chicago","1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_295":549,"_297":550,"_299":551},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_291":292,"_293":294},{"_226":542,"_125":543,"_285":544},{"_276":539,"_278":540,"_280":523,"_281":541},70,56.1976386036961,32.1976386036961,{"_287":226,"_123":547,"_154":548,"_140":89},{"_287":125,"_123":545,"_154":546,"_140":368},{"_287":285,"_123":366,"_154":367,"_140":368},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":569,"_313":570},{"_311":567,"_313":568},{"_311":565,"_313":566},{"_311":563,"_313":564},{"_311":561,"_313":562},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878","English",1808,1878,"mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":623,"_223":624,"_325":625,"_327":574,"_329":626,"_331":627,"_333":628,"_334":513,"_335":629,"_140":97},"c. 1776/1777","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",71,84,0.837890625,[608,609,610,611,612],{"_222":301,"_223":302,"_42":303,"_304":305},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_295":605,"_297":606,"_299":607},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_291":374,"_293":375},{"_226":600,"_125":601,"_285":602},{"_276":598,"_278":345,"_280":599,"_281":583},85.3828125,70.3828125,{"_287":226,"_123":603,"_154":604,"_140":97},{"_287":125,"_123":480,"_154":481,"_140":482},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_311":621,"_313":622},{"_311":619,"_313":620},{"_311":617,"_313":618},{"_311":615,"_313":616},{"_311":613,"_313":614},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":507,"_223":508,"_325":509,"_327":328,"_329":510,"_331":511,"_333":512,"_334":513,"_335":514,"_140":91},"c. 1805","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",65,78,0.8287557603686636,[659,660,661,662,663],{"_222":552,"_223":553,"_42":554,"_304":555},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_295":656,"_297":657,"_299":658},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_291":374,"_293":375},{"_226":653,"_125":654,"_285":655},{"_276":650,"_278":651,"_280":652,"_281":636},79.64294930875576,93,64.64294930875576,{"_287":226,"_123":483,"_154":484,"_140":91},{"_287":125,"_123":480,"_154":481,"_140":482},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_311":672,"_313":673},{"_311":670,"_313":671},{"_311":668,"_313":669},{"_311":666,"_313":667},{"_311":664,"_313":665},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"sir-thomas-rumbold-bt-aic-84707","Sir Thomas Rumbold, Bt.",{"_42":718,"_223":719,"_325":720,"_327":328,"_329":721,"_331":722,"_333":723,"_334":513,"_335":724,"_140":95},"1788","126.7 × 101.3 cm (49 7/8 × 39 7/8 in.); Framed: 149 × 123.2 × 8.3 cm (58 5/8 × 48 1/2 × 3 1/4 in.)",101,126,0.7977275284058949,[703,704,705,706,707],{"_222":552,"_223":553,"_42":554,"_304":555},"1955.1202","Joshua Reynolds painted this in 1788, aged 65. It is now at the Art Institute of Chicago.",{"_295":700,"_297":701,"_299":702},"https://img.ochreeditions.com/m/230.jpg?dl=1","/art/sir-thomas-rumbold-bt-aic-84707","/galleries/style/georgian-britain/sir-thomas-rumbold-bt-aic-84707",{"_291":374,"_293":375},{"_226":695,"_125":696,"_285":697},{"_276":693,"_278":191,"_280":694,"_281":680},115.51366857914276,100.51366857914276,{"_287":226,"_123":698,"_154":699,"_140":95},{"_287":125,"_123":480,"_154":481,"_140":482},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/230/480.jpg","https://img.ochreeditions.com/a/230/960.jpg","https://img.ochreeditions.com/a/230/1920.jpg",{"_311":716,"_313":717},{"_311":714,"_313":715},{"_311":712,"_313":713},{"_311":710,"_313":711},{"_311":708,"_313":709},"#4e3c1b",0.0861,"#7b5f30",0.1161,"#652304",0.1777,"#301904",0.2331,"#201605",0.387,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","self-portrait-aic-11706","Self-Portrait",{"_42":775,"_223":776,"_325":777,"_327":574,"_329":778,"_331":779,"_333":-5,"_334":-5,"_335":780,"_140":99},"c. 1779","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",17,30,0.5697549441100602,[760,761,762,763,764],{"_222":552,"_223":553,"_42":554,"_304":555},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_295":757,"_297":758,"_299":759},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_291":292,"_293":294},{"_226":750,"_125":751,"_285":752},{"_276":747,"_278":748,"_280":749,"_281":732},41.0926483233018,54,17.092648323301805,{"_287":226,"_123":755,"_154":756,"_140":99},{"_287":125,"_123":753,"_154":754,"_140":53},{"_287":285,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_311":773,"_313":774},{"_311":771,"_313":772},{"_311":769,"_313":770},{"_311":767,"_313":768},{"_311":765,"_313":766},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":718,"_223":719,"_325":720,"_327":328,"_329":721,"_331":722,"_333":723,"_334":513,"_335":724,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[819,820,821,822,823],{"_222":815,"_223":816,"_42":817,"_304":818},"Courtesy of the Cleveland Museum of Art","1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":812,"_813":814},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_295":809,"_297":810,"_299":811},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_291":374,"_293":375},{"_226":806,"_125":807,"_285":808},{"_276":803,"_278":804,"_280":805,"_281":787},185.63529411764705,211,170.63529411764705,{"_287":226,"_123":698,"_154":699,"_140":95},{"_287":125,"_123":480,"_154":481,"_140":482},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":832,"_313":833},{"_311":830,"_313":831},{"_311":828,"_313":829},{"_311":826,"_313":827},{"_311":824,"_313":825},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":885,"_223":886,"_325":887,"_327":328,"_329":888,"_331":889,"_333":890,"_334":513,"_335":891,"_140":97},"1830","mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[870,871,872,873,874],{"_222":301,"_223":302,"_42":303,"_304":305},"2001.118.27","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_295":867,"_297":868,"_299":869},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_291":292,"_293":294},{"_226":859,"_125":860,"_285":861},{"_276":856,"_278":857,"_280":840,"_281":858},49.2,41.94638671875,17.94638671875,{"_287":226,"_123":865,"_154":866,"_140":97},{"_287":125,"_123":862,"_154":863,"_140":864},{"_287":285,"_123":366,"_154":367,"_140":368},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_311":883,"_313":884},{"_311":881,"_313":882},{"_311":879,"_313":880},{"_311":877,"_313":878},{"_311":875,"_313":876},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","wivenhoe-park-essex-nga-1147","Wivenhoe Park, Essex",{"_42":939,"_223":940,"_325":941,"_327":574,"_329":942,"_331":943,"_333":-5,"_334":-5,"_335":944,"_140":99},"1816","overall: 56.1 x 101.2 cm (22 1/16 x 39 13/16 in.) framed: 77.8 x 122.5 x 8.8 cm (30 5/8 x 48 1/4 x 3 7/16 in.)",101.2,56.1,1.8467087466185752,[924,925,926,927,928],{"_222":301,"_223":302,"_42":303,"_304":305},"1942.9.10","John Constable painted this in 1816, aged 40. It is now at the National Gallery of Art in Washington, DC.","Black and white cows graze beyond a fence, two men haul in a net from a boat near a pair of swans, and a donkey cart crosses a distant bridge, while the brick house of Wivenhoe Park appears through the trees beneath towering summer clouds.","We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting. A wooden fence closer to us crosses the landscape from the lower left corner and disappears where the land slopes down to meet the water at the center of the painting. Several black and white cows graze in the field beyond the fence to our left. Two men in a wooden boat pull in nets on the lake to our right near a pair of swans. The lake crosses the composition in the near distance, disappearing into a culvert farther back. A donkey pulls a small carriage with two people near a bridge that crosses the lake in the distance to our left. The brick manor house is visible through a break in the full, deep green trees that line the horizon, which comes halfway up the composition. The clouds cast noticeable shadows in the brightly sunlit scene.",{"_295":921,"_297":922,"_299":923},"https://img.ochreeditions.com/m/1327.jpg?dl=1","/art/wivenhoe-park-essex-nga-1147","/galleries/style/georgian-britain/wivenhoe-park-essex-nga-1147",{"_291":374,"_293":375},{"_226":916,"_125":917,"_285":918},{"_276":913,"_278":914,"_280":897,"_281":915},116.2,69.8001953125,54.8001953125,{"_287":226,"_123":919,"_154":920,"_140":99},{"_287":125,"_123":369,"_154":370,"_140":371},{"_287":285,"_123":366,"_154":367,"_140":368},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1327/480.jpg","https://img.ochreeditions.com/a/1327/960.jpg","https://img.ochreeditions.com/a/1327/1920.jpg",{"_311":937,"_313":938},{"_311":935,"_313":936},{"_311":933,"_313":934},{"_311":931,"_313":932},{"_311":929,"_313":930},"#796b3d",0.0911,"#7c8b94",0.0987,"#4d442a",0.2058,"#322d1a",0.2536,"#837f77",0.3508,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":623,"_223":624,"_325":625,"_327":574,"_329":626,"_331":627,"_333":628,"_334":513,"_335":629,"_140":97},"early 1770s (not later than 1772)","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[976,977,978,979,980],{"_222":552,"_223":553,"_42":554,"_304":555},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_295":973,"_297":974,"_299":975},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_291":292,"_293":294},{"_226":970,"_125":971,"_285":972},{"_276":967,"_278":968,"_280":951,"_281":969},79,66.1776611694153,42.177661169415295,{"_287":226,"_123":603,"_154":604,"_140":97},{"_287":125,"_123":753,"_154":754,"_140":53},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_311":989,"_313":990},{"_311":987,"_313":988},{"_311":985,"_313":986},{"_311":983,"_313":984},{"_311":981,"_313":982},"#75643b",0.1438,"#483b21",0.1553,"#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":507,"_223":508,"_325":509,"_327":328,"_329":510,"_331":511,"_333":512,"_334":513,"_335":514,"_140":91},"July 26, 1800","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",24,35,0.6863089606703608,[1021,1022,1023,1024,1025],{"_222":552,"_223":553,"_42":554,"_304":555},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_295":1018,"_297":1019,"_299":1020},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_291":292,"_293":294},{"_226":1015,"_125":1016,"_285":1017},{"_276":1012,"_278":1013,"_280":1014,"_281":998},48.02081362346263,59,24.02081362346263,{"_287":226,"_123":483,"_154":484,"_140":91},{"_287":125,"_123":753,"_154":754,"_140":53},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_311":1034,"_313":1035},{"_311":1032,"_313":1033},{"_311":1030,"_313":1031},{"_311":1028,"_313":1029},{"_311":1026,"_313":1027},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"portrait-of-colonel-charles-heathcote-cma-302209","Portrait of Colonel Charles Heathcote",{"_42":1084,"_223":1085,"_325":1086,"_327":574,"_329":1087,"_331":1088,"_333":1089,"_334":1089,"_335":1090,"_140":99},"c. 1771–72","127 x 100 cm (50 x 39 3/8 in.)",100,127,0.7991176470588235,[1069,1070,1071,1072,1073],{"_222":815,"_223":816,"_42":817,"_304":818},"2017.100","Joseph Wright of Derby painted this in about 1771–72, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":1068,"_813":814},"Portrait of Colonel Charles Heathcote, by Joseph Wright of Derby, c. 1771–72",{"_295":1065,"_297":1066,"_299":1067},"https://img.ochreeditions.com/m/784.jpg?dl=1","/art/portrait-of-colonel-charles-heathcote-cma-302209","/galleries/style/georgian-britain/portrait-of-colonel-charles-heathcote-cma-302209",{"_291":374,"_293":375},{"_226":1060,"_125":1061,"_285":1062},{"_276":1057,"_278":1058,"_280":1059,"_281":1042},116.48794117647058,142,101.48794117647058,{"_287":226,"_123":1063,"_154":1064,"_140":99},{"_287":125,"_123":480,"_154":481,"_140":482},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/784/480.jpg","https://img.ochreeditions.com/a/784/960.jpg","https://img.ochreeditions.com/a/784/1920.jpg","Assuming a relaxed but commanding pose, Colonel Charles Heathcote (1734–1797) stands beside a large oak tree in the foreground of an expansive landscape. He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.",{"_311":1082,"_313":1083},{"_311":1080,"_313":1081},{"_311":1078,"_313":1079},{"_311":1076,"_313":1077},{"_311":1074,"_313":1075},"#762820",0.0221,"#977d5d",0.0414,"#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":1138,"_223":1139,"_325":1140,"_327":574,"_329":1141,"_331":1142,"_333":513,"_334":513,"_335":1143,"_140":97},"1837–38","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[1123,1124,1125,1126,1127],{"_222":552,"_223":553,"_42":554,"_304":555},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_295":1120,"_297":1121,"_299":1122},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/georgian-britain/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_291":374,"_293":375},{"_226":1115,"_125":1116,"_285":1117},{"_276":1112,"_278":1113,"_280":1096,"_281":1114},239,188.10233393177737,173.10233393177737,{"_287":226,"_123":1118,"_154":1119,"_140":97},{"_287":125,"_123":369,"_154":370,"_140":371},{"_287":285,"_123":366,"_154":367,"_140":368},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_311":1136,"_313":1137},{"_311":1134,"_313":1135},{"_311":1132,"_313":1133},{"_311":1130,"_313":1131},{"_311":1128,"_313":1129},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438",0.2133,"#736551",0.2481,"#9e886b",0.2634,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.",{"_1145":-5,"_1146":1147,"_1148":1149,"_1150":8,"_1151":1152,"_1153":8},"user","csrf","5ce158a5b3b8c9cbdb995ae9d4a606062e23c411","cartCount",0,"dropLive","legal",[1154,1155,1156,1157,1158,1159,1160,1161,1162,1163,1164,1165],"uploadsEnabled",{"_223":1188,"_20":1189},{"_223":1186,"_20":1187},{"_223":1184,"_20":1185},{"_223":1182,"_20":1183},{"_223":1180,"_20":1181},{"_223":1178,"_20":1179},{"_223":1176,"_20":1177},{"_223":1174,"_20":1175},{"_223":1172,"_20":1173},{"_223":1170,"_20":1171},{"_223":1168,"_20":1169},{"_223":1166,"_20":1167},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]