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It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_296":438,"_298":439,"_300":440},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_292":293,"_294":295},{"_224":431,"_125":432,"_286":433},{"_276":428,"_278":429,"_280":412,"_282":430},53,44.521086780210865,20.52108678021087,{"_288":224,"_123":436,"_154":437,"_140":99},{"_288":125,"_123":434,"_154":435,"_140":53},{"_288":286,"_123":369,"_154":370,"_140":371},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":458,"_314":459},{"_312":456,"_314":457},{"_312":454,"_314":455},{"_312":452,"_314":453},{"_312":450,"_314":451},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"John Flaxman","john-flaxman","English, 1755–1826","English",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","noon-nga-119642","Noon",{"_42":324,"_221":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":97},"mezzotint on laid paper","plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,18.5,1.3927235634138049,[497,498,499,500,501],{"_220":380,"_221":381,"_42":382,"_305":383},"2001.118.23","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_296":494,"_298":495,"_300":496},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_292":293,"_294":295},{"_224":491,"_125":492,"_286":493},{"_276":488,"_278":489,"_280":472,"_282":490},49.5,42.3094482421875,18.3094482421875,{"_288":224,"_123":171,"_154":170,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_312":510,"_314":511},{"_312":508,"_314":509},{"_312":506,"_314":507},{"_312":504,"_314":505},{"_312":502,"_314":503},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"the-white-horse-nga-1146","The White Horse",{"_42":566,"_221":567,"_326":568,"_328":463,"_330":569,"_332":570,"_334":-5,"_336":-5,"_338":571,"_140":99},"1818-1819","painting","Painting","oil on canvas","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,127,1.4306671323786238,[551,552,553,554,555],{"_220":380,"_221":381,"_42":382,"_305":383},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_296":548,"_298":549,"_300":550},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_292":546,"_294":547},{"_224":539,"_125":540,"_286":541},{"_276":536,"_278":537,"_280":520,"_282":538},198,142.912353515625,127.912353515625,{"_288":224,"_123":544,"_154":545,"_140":99},{"_288":125,"_123":542,"_154":543,"_140":135},{"_288":286,"_123":167,"_154":166,"_140":169},"style/painting-19","More paintings of the 19th century","artist/john-constable","More by John Constable","natural","ivory","https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_312":564,"_314":565},{"_312":562,"_314":563},{"_312":560,"_314":561},{"_312":558,"_314":559},{"_312":556,"_314":557},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":624,"_221":625,"_326":626,"_328":329,"_330":627,"_332":628,"_334":337,"_336":337,"_338":-5,"_140":103},"ca. 1803–5","drawing","Drawings","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[609,610,611,612,613],{"_220":302,"_221":303,"_42":304,"_305":306},"14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_296":606,"_298":607,"_300":608},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_292":293,"_294":295},{"_224":598,"_125":599,"_286":600},{"_276":595,"_278":596,"_280":597,"_282":581},50.26670344827586,63.2,26.266703448275862,{"_288":224,"_123":604,"_154":605,"_140":89},{"_288":125,"_123":601,"_154":602,"_140":603},{"_288":286,"_123":369,"_154":370,"_140":371},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg",{"_312":622,"_314":623},{"_312":620,"_314":621},{"_312":618,"_314":619},{"_312":616,"_314":617},{"_312":614,"_314":615},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,1827,"seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":679,"_221":680,"_326":681,"_328":463,"_330":682,"_332":683,"_334":684,"_336":337,"_338":685,"_140":97},"c. 1781/1782","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[664,665,666,667,668],{"_220":380,"_221":381,"_42":382,"_305":383},"1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_296":661,"_298":662,"_300":663},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_292":546,"_294":547},{"_224":653,"_125":654,"_286":655},{"_276":650,"_278":651,"_280":634,"_282":652},142.6,116.65009765625,101.65009765625,{"_288":224,"_123":659,"_154":660,"_140":97},{"_288":125,"_123":656,"_154":657,"_140":658},{"_288":286,"_123":369,"_154":370,"_140":371},"style/painting-18","More paintings of the 18th century",168,"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg",{"_312":677,"_314":678},{"_312":675,"_314":676},{"_312":673,"_314":674},{"_312":671,"_314":672},{"_312":669,"_314":670},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","self-portrait-aic-11706","Self-Portrait",{"_42":460,"_221":461,"_326":462,"_328":463,"_330":464,"_332":465,"_334":-5,"_336":-5,"_338":466,"_140":99},"c. 1779","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",17,30,0.5697549441100602,[717,718,719,720,721],{"_220":441,"_221":442,"_42":443,"_305":444},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_296":714,"_298":715,"_300":716},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_292":293,"_294":295},{"_224":711,"_125":712,"_286":713},{"_276":708,"_278":709,"_280":710,"_282":693},41.0926483233018,54,17.092648323301805,{"_288":224,"_123":436,"_154":437,"_140":99},{"_288":125,"_123":434,"_154":435,"_140":53},{"_288":286,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_312":730,"_314":731},{"_312":728,"_314":729},{"_312":726,"_314":727},{"_312":724,"_314":725},{"_312":722,"_314":723},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":788,"_221":789,"_326":790,"_328":329,"_330":791,"_332":792,"_334":793,"_336":337,"_338":794,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[773,774,775,776,777],{"_220":769,"_221":770,"_42":771,"_305":772},"Courtesy of the Cleveland Museum of Art","1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":766,"_767":768},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_296":763,"_298":764,"_300":765},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_292":546,"_294":547},{"_224":758,"_125":759,"_286":760},{"_276":754,"_278":755,"_280":756,"_282":757},163.0235294117647,255,148.0235294117647,240,{"_288":224,"_123":761,"_154":762,"_140":91},{"_288":125,"_123":656,"_154":657,"_140":658},{"_288":286,"_123":369,"_154":370,"_140":371},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":786,"_314":787},{"_312":784,"_314":785},{"_312":782,"_314":783},{"_312":780,"_314":781},{"_312":778,"_314":779},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":788,"_221":789,"_326":790,"_328":329,"_330":791,"_332":792,"_334":793,"_336":337,"_338":794,"_140":91},"July 26, 1800","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",24,35,0.6863089606703608,[825,826,827,828,829],{"_220":441,"_221":442,"_42":443,"_305":444},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_296":822,"_298":823,"_300":824},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_292":293,"_294":295},{"_224":819,"_125":820,"_286":821},{"_276":816,"_278":817,"_280":818,"_282":802},48.02081362346263,59,24.02081362346263,{"_288":224,"_123":761,"_154":762,"_140":91},{"_288":125,"_123":434,"_154":435,"_140":53},{"_288":286,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_312":838,"_314":839},{"_312":836,"_314":837},{"_312":834,"_314":835},{"_312":832,"_314":833},{"_312":830,"_314":831},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":679,"_221":680,"_326":681,"_328":463,"_330":682,"_332":683,"_334":684,"_336":337,"_338":685,"_140":97},"1787","Paintings","Oil on canvas","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[872,873,874,875,876],{"_220":302,"_221":303,"_42":304,"_305":306},"50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_296":869,"_298":870,"_300":871},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_292":546,"_294":547},{"_224":866,"_125":867,"_286":868},{"_276":863,"_278":864,"_280":865,"_282":848},135.62100077780656,162.6,120.62100077780657,{"_288":224,"_123":659,"_154":660,"_140":97},{"_288":125,"_123":656,"_154":657,"_140":658},{"_288":286,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg",{"_312":885,"_314":886},{"_312":883,"_314":884},{"_312":881,"_314":882},{"_312":879,"_314":880},{"_312":877,"_314":878},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"small-landscape-si-saam-1956-11-20","Small Landscape","Unrecorded British maker","ca. 1750-1800","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[922,923,924,925,926],{"_220":919,"_221":920,"_42":921,"_305":383},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_296":916,"_298":917,"_300":918},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_292":546,"_294":547},{"_224":911,"_125":912,"_286":913},{"_276":908,"_278":909,"_280":892,"_282":910},70.2,58.4424,43.4424,{"_288":224,"_123":914,"_154":915,"_140":97},{"_288":125,"_123":656,"_154":657,"_140":658},{"_288":286,"_123":369,"_154":370,"_140":371},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_312":935,"_314":936},{"_312":933,"_314":934},{"_312":931,"_314":932},{"_312":929,"_314":930},{"_312":927,"_314":928},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":984,"_221":985,"_326":986,"_328":329,"_330":987,"_332":628,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1785","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[969,970,971,972,973],{"_220":380,"_221":381,"_42":382,"_305":383},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_296":966,"_298":967,"_300":968},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_292":293,"_294":295},{"_224":961,"_125":962,"_286":963},{"_276":958,"_278":959,"_280":943,"_282":960},60.9,49.927294921875,25.927294921875,{"_288":224,"_123":964,"_154":965,"_140":89},{"_288":125,"_123":372,"_154":373,"_140":374},{"_288":286,"_123":369,"_154":370,"_140":371},"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_312":982,"_314":983},{"_312":980,"_314":981},{"_312":978,"_314":979},{"_312":976,"_314":977},{"_312":974,"_314":975},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,"the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":1033,"_221":1034,"_326":1035,"_328":463,"_330":1036,"_332":1037,"_334":-5,"_336":-5,"_338":-5,"_140":101},"1834","Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",38,1.6425614803993183,[1018,1019,1020,1021,1022],{"_220":441,"_221":442,"_42":443,"_305":444},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_296":1015,"_298":1016,"_300":1017},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_292":546,"_294":547},{"_224":1010,"_125":1011,"_286":1012},{"_276":428,"_278":1008,"_280":994,"_282":1009},38.1345982804625,23.134598280462495,{"_288":224,"_123":1013,"_154":1014,"_140":89},{"_288":125,"_123":542,"_154":543,"_140":135},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_312":1031,"_314":1032},{"_312":1029,"_314":1030},{"_312":1027,"_314":1028},{"_312":1025,"_314":1026},{"_312":1023,"_314":1024},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1792,1882,"isabella-wolff-aic-4773","Isabella Wolff",{"_42":788,"_221":789,"_326":790,"_328":329,"_330":791,"_332":792,"_334":793,"_336":337,"_338":794,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[1070,1071,1072,1073,1074],{"_220":441,"_221":442,"_42":443,"_305":444},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":1068,"_767":1069},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_296":1065,"_298":1066,"_300":1067},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_292":546,"_294":547},{"_224":1062,"_125":1063,"_286":1064},{"_276":1059,"_278":1060,"_280":1061,"_282":1044},116.09951287404314,143,101.09951287404314,{"_288":224,"_123":761,"_154":762,"_140":91},{"_288":125,"_123":542,"_154":543,"_140":135},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","Text from the Art Institute of Chicago.",{"_312":1083,"_314":1084},{"_312":1081,"_314":1082},{"_312":1079,"_314":1080},{"_312":1077,"_314":1078},{"_312":1075,"_314":1076},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":460,"_221":461,"_326":462,"_328":463,"_330":464,"_332":465,"_334":-5,"_336":-5,"_338":466,"_140":99},"c. 1783","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",47,34,1.2970566411080882,[1115,1116,1117,1118,1119],{"_220":441,"_221":442,"_42":443,"_305":444},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_296":1112,"_298":1113,"_300":1114},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_292":293,"_294":295},{"_224":1109,"_125":1110,"_286":1111},{"_276":1106,"_278":1107,"_280":1091,"_282":1108},71,60.23588863463005,36.23588863463005,{"_288":224,"_123":436,"_154":437,"_140":99},{"_288":125,"_123":434,"_154":435,"_140":53},{"_288":286,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_312":1128,"_314":1129},{"_312":1126,"_314":1127},{"_312":1124,"_314":1125},{"_312":1122,"_314":1123},{"_312":1120,"_314":1121},"#a49483",0.0883,"#c2b09c",0.1626,"#8d7e6f",0.1783,"#ddc8b1",0.2793,"#d1b79b",0.2915,{"_1131":-5,"_1132":1133,"_1134":1135,"_1136":8,"_1137":1138,"_1139":8},"user","csrf","750a9a03dfcf56d36d01ad43fd2a742e81cc81b1","cartCount",0,"dropLive","legal",[1140,1141,1142,1143,1144,1145,1146,1147,1148,1149,1150,1151],"uploadsEnabled",{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},{"_221":1156,"_20":1157},{"_221":1154,"_20":1155},{"_221":1152,"_20":1153},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]