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It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_294":433,"_296":434,"_298":435},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_290":431,"_292":432},{"_222":423,"_125":424,"_284":425},{"_274":420,"_276":421,"_278":422,"_280":405},85.3828125,99,70.3828125,{"_286":222,"_123":429,"_154":430,"_140":97},{"_286":125,"_123":426,"_154":427,"_140":428},{"_286":284,"_123":365,"_154":366,"_140":367},"style/painting-18","More paintings of the 18th century",168,"artist/thomas-gainsborough","More by Thomas Gainsborough","natural","ivory","https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_310":449,"_312":450},{"_310":447,"_312":448},{"_310":445,"_312":446},{"_310":443,"_312":444},{"_310":441,"_312":442},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788","English",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":451,"_219":452,"_324":453,"_326":454,"_328":455,"_330":456,"_332":457,"_334":335,"_336":458,"_140":97},"early 1770s (not later than 1772)","watercolour","Drawing and Watercolor","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[499,500,501,502,503],{"_218":495,"_219":496,"_42":497,"_303":498},"Courtesy of the Art Institute of Chicago","2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_294":492,"_296":493,"_298":494},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_290":291,"_292":293},{"_222":487,"_125":488,"_284":489},{"_274":484,"_276":485,"_278":467,"_280":486},79,66.1776611694153,42.177661169415295,{"_286":222,"_123":429,"_154":430,"_140":97},{"_286":125,"_123":490,"_154":491,"_140":53},{"_286":284,"_123":365,"_154":366,"_140":367},"style/watercolour-18","More watercolours of the 18th century","https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":512,"_312":513},{"_310":510,"_312":511},{"_310":508,"_312":509},{"_310":506,"_312":507},{"_310":504,"_312":505},"#75643b",0.1438,"#483b21",0.1553,"#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":575,"_219":576,"_324":577,"_326":327,"_328":578,"_330":579,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1807","drawing","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[560,561,562,563,564],{"_218":556,"_219":557,"_42":558,"_303":559},"Courtesy of the Cleveland Museum of Art","1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":553,"_554":555},"Bray Church Yard, by John Varley, 1807",{"_294":550,"_296":551,"_298":552},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_290":291,"_292":293},{"_222":542,"_125":543,"_284":544},{"_274":539,"_276":540,"_278":522,"_280":541},60.9,48.95091176470588,24.950911764705882,{"_286":222,"_123":548,"_154":549,"_140":89},{"_286":125,"_123":545,"_154":546,"_140":547},{"_286":284,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":573,"_312":574},{"_310":571,"_312":572},{"_310":569,"_312":570},{"_310":567,"_312":568},{"_310":565,"_312":566},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":627,"_219":628,"_324":629,"_326":327,"_328":630,"_330":631,"_332":632,"_334":335,"_336":633,"_140":91},"c. 1805","Oil on canvas","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",65,78,0.8287557603686636,[612,613,614,615,616],{"_218":495,"_219":496,"_42":497,"_303":498},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_294":609,"_296":610,"_298":611},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_290":431,"_292":432},{"_222":604,"_125":605,"_284":606},{"_274":601,"_276":602,"_278":603,"_280":587},79.64294930875576,93,64.64294930875576,{"_286":222,"_123":607,"_154":608,"_140":91},{"_286":125,"_123":426,"_154":427,"_140":428},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_310":625,"_312":626},{"_310":623,"_312":624},{"_310":621,"_312":622},{"_310":619,"_312":620},{"_310":617,"_312":618},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":687,"_219":688,"_324":689,"_326":454,"_328":690,"_330":691,"_332":692,"_334":692,"_336":693,"_140":99},"1779","Paintings","40 x 50 in. (101.6 x 127 cm)",127,101.6,1.2404942965779469,[672,673,674,675,676],{"_218":668,"_219":669,"_42":670,"_303":671},"Courtesy of The Metropolitan Museum of Art","2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_294":665,"_296":666,"_298":667},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_290":431,"_292":432},{"_222":660,"_125":661,"_284":662},{"_274":657,"_276":658,"_278":640,"_280":659},142,117.37854406130268,102.37854406130268,{"_286":222,"_123":663,"_154":664,"_140":99},{"_286":125,"_123":426,"_154":427,"_140":428},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":685,"_312":686},{"_310":683,"_312":684},{"_310":681,"_312":682},{"_310":679,"_312":680},{"_310":677,"_312":678},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":322,"_219":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_140":97},"mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[723,724,725,726,727],{"_218":300,"_219":301,"_42":302,"_303":304},"2001.118.27","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_294":720,"_296":721,"_298":722},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_290":291,"_292":293},{"_222":717,"_125":718,"_284":719},{"_274":714,"_276":715,"_278":699,"_280":716},49.2,41.94638671875,17.94638671875,{"_286":222,"_123":171,"_154":170,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_310":736,"_312":737},{"_310":734,"_312":735},{"_310":732,"_312":733},{"_310":730,"_312":731},{"_310":728,"_312":729},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":786,"_219":787,"_324":788,"_326":327,"_328":789,"_330":790,"_332":-5,"_334":-5,"_336":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",123.2,0.79638671875,[771,772,773,774,775],{"_218":300,"_219":301,"_42":302,"_303":304},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_294":768,"_296":769,"_298":770},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_290":431,"_292":432},{"_222":760,"_125":761,"_284":762},{"_274":757,"_276":758,"_278":759,"_280":743},113.11484375,138.2,98.11484375,{"_286":222,"_123":766,"_154":767,"_140":89},{"_286":125,"_123":763,"_154":764,"_140":765},{"_286":284,"_123":167,"_154":166,"_140":169},"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_310":784,"_312":785},{"_310":782,"_312":783},{"_310":780,"_312":781},{"_310":778,"_312":779},{"_310":776,"_312":777},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"self-portrait-in-a-fur-cap-aic-76295","Self-Portrait in a Fur Cap",{"_42":687,"_219":688,"_324":689,"_326":454,"_328":690,"_330":691,"_332":692,"_334":692,"_336":693,"_140":99},"1765/68","Monochrome pastel (grisaille) on blue-gray laid paper","42.5 × 29.5 cm (16 3/4 × 11 5/8 in.)",29,0.6958228202971685,[821,822,823,824,825],{"_218":495,"_219":496,"_42":497,"_303":498},"1990.141","Joseph Wright of Derby painted this in 1765/68, aged about 31. It is now at the Art Institute of Chicago.","Joseph Wright of Derby portrays himself in a fur cap, drawn in monochrome pastel on blue-grey paper, with greys and blacks building the face and the soft texture of the fur.","Black, gray pastel portrait of man in a fur hat.",{"_294":818,"_296":819,"_298":820},"https://img.ochreeditions.com/m/193.jpg?dl=1","/art/self-portrait-in-a-fur-cap-aic-76295","/galleries/style/georgian-britain/self-portrait-in-a-fur-cap-aic-76295",{"_290":291,"_292":293},{"_222":815,"_125":816,"_284":817},{"_274":812,"_276":813,"_278":814,"_280":367},53.22455845248108,66,29.224558452481077,{"_286":222,"_123":663,"_154":664,"_140":99},{"_286":125,"_123":490,"_154":491,"_140":53},{"_286":284,"_123":365,"_154":366,"_140":367},"https://img.ochreeditions.com/a/193/480.jpg","https://img.ochreeditions.com/a/193/960.jpg","https://img.ochreeditions.com/a/193/1920.jpg",{"_310":834,"_312":835},{"_310":832,"_312":833},{"_310":830,"_312":831},{"_310":828,"_312":829},{"_310":826,"_312":827},"#85817a",0.0524,"#5b4224",0.0632,"#5e5a55",0.0962,"#403d37",0.2066,"#2f2d29",0.5816,"the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":883,"_219":884,"_324":885,"_326":454,"_328":886,"_330":887,"_332":-5,"_334":-5,"_336":-5,"_140":101},"1834","Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",38,24,1.6425614803993183,[868,869,870,871,872],{"_218":495,"_219":496,"_42":497,"_303":498},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_294":865,"_296":866,"_298":867},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_290":431,"_292":432},{"_222":860,"_125":861,"_284":862},{"_274":857,"_276":858,"_278":842,"_280":859},53,38.1345982804625,23.134598280462495,{"_286":222,"_123":863,"_154":864,"_140":89},{"_286":125,"_123":763,"_154":764,"_140":765},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_310":881,"_312":882},{"_310":879,"_312":880},{"_310":877,"_312":878},{"_310":875,"_312":876},{"_310":873,"_312":874},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1792,1882,"a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","A Hero Born on a Bier, from The Master of Giants Portfolio",{"_42":933,"_219":934,"_324":935,"_326":327,"_328":936,"_330":937,"_332":-5,"_334":-5,"_336":-5,"_140":103},"Brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper","38 × 56.5 cm (15 × 22 1/4 in.)",56,1.4658835950904052,[918,919,920,921,922],{"_218":495,"_219":496,"_42":497,"_303":498},"2023.3179","Prince Hoare painted this in 1779, aged 24. It is now at the Art Institute of Chicago.","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.",{"_294":915,"_296":916,"_298":917},"https://img.ochreeditions.com/m/433.jpg?dl=1","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",{"_290":291,"_292":293},{"_222":910,"_125":911,"_284":912},{"_274":907,"_276":908,"_278":893,"_280":909},80,62.20221481948321,38.20221481948321,{"_286":222,"_123":913,"_154":914,"_140":89},{"_286":125,"_123":490,"_154":491,"_140":53},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-prince-hoare","Prince Hoare's contemporaries","https://img.ochreeditions.com/a/433/480.jpg","https://img.ochreeditions.com/a/433/960.jpg","https://img.ochreeditions.com/a/433/1920.jpg",{"_310":931,"_312":932},{"_310":929,"_312":930},{"_310":927,"_312":928},{"_310":925,"_312":926},{"_310":923,"_312":924},"#585149",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","British, 1755–1834",1755,1834,"angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":989,"_219":990,"_324":991,"_326":327,"_328":992,"_330":993,"_332":335,"_334":335,"_336":-5,"_140":103},"ca. 1803–5","Drawings","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[974,975,976,977,978],{"_218":668,"_219":669,"_42":670,"_303":671},"14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_294":971,"_296":972,"_298":973},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_290":291,"_292":293},{"_222":963,"_125":964,"_284":965},{"_274":960,"_276":961,"_278":962,"_280":946},50.26670344827586,63.2,26.266703448275862,{"_286":222,"_123":969,"_154":970,"_140":89},{"_286":125,"_123":966,"_154":967,"_140":968},{"_286":284,"_123":365,"_154":366,"_140":367},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg",{"_310":987,"_312":988},{"_310":985,"_312":986},{"_310":983,"_312":984},{"_310":981,"_312":982},{"_310":979,"_312":980},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,1827,"turtur-risorius-nga-53854","Turtur Risorius",{"_42":1039,"_219":1040,"_324":1041,"_326":1042,"_328":456,"_330":1043,"_332":-5,"_334":-5,"_336":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,17,0.655517578125,[1024,1025,1026,1027,1028],{"_218":300,"_219":301,"_42":302,"_303":304},"1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_294":1021,"_296":1022,"_298":1023},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_290":291,"_292":293},{"_222":1016,"_125":1017,"_284":1018},{"_274":1014,"_276":275,"_278":1015,"_280":279},40.387939453125,16.387939453125,{"_286":222,"_123":1019,"_154":1020,"_140":89},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_310":1037,"_312":1038},{"_310":1035,"_312":1036},{"_310":1033,"_312":1034},{"_310":1031,"_312":1032},{"_310":1029,"_312":1030},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1859,"noon-nga-119642","Noon",{"_42":322,"_219":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_140":97},"plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,1.3927235634138049,[1071,1072,1073,1074,1075],{"_218":300,"_219":301,"_42":302,"_303":304},"2001.118.23","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_294":1068,"_296":1069,"_298":1070},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_290":291,"_292":293},{"_222":1065,"_125":1066,"_284":1067},{"_274":1062,"_276":1063,"_278":1048,"_280":1064},49.5,42.3094482421875,18.3094482421875,{"_286":222,"_123":171,"_154":170,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_310":1084,"_312":1085},{"_310":1082,"_312":1083},{"_310":1080,"_312":1081},{"_310":1078,"_312":1079},{"_310":1076,"_312":1077},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":627,"_219":628,"_324":629,"_326":327,"_328":630,"_330":631,"_332":632,"_334":335,"_336":633,"_140":91},"1801","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,0.7955882352941176,[1116,1117,1118,1119,1120],{"_218":556,"_219":557,"_42":558,"_303":559},"1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":1115,"_554":555},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_294":1112,"_296":1113,"_298":1114},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_290":431,"_292":432},{"_222":1109,"_125":1110,"_284":1111},{"_274":1106,"_276":1107,"_278":1108,"_280":370},117.63088235294117,144,102.63088235294117,{"_286":222,"_123":607,"_154":608,"_140":91},{"_286":125,"_123":763,"_154":764,"_140":765},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.",{"_310":1129,"_312":1130},{"_310":1127,"_312":1128},{"_310":1125,"_312":1126},{"_310":1123,"_312":1124},{"_310":1121,"_312":1122},"#bc9f72",0.1057,"#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,{"_1132":-5,"_1133":1134,"_1135":1136,"_1137":8,"_1138":1139,"_1140":8},"user","csrf","f3fc0d6ae814ecb62762d5b00683d8d16ec5f61c","cartCount",0,"dropLive","legal",[1141,1142,1143,1144,1145,1146,1147,1148,1149,1150,1151,1152],"uploadsEnabled",{"_219":1175,"_20":1176},{"_219":1173,"_20":1174},{"_219":1171,"_20":1172},{"_219":1169,"_20":1170},{"_219":1167,"_20":1168},{"_219":1165,"_20":1166},{"_219":1163,"_20":1164},{"_219":1161,"_20":1162},{"_219":1159,"_20":1160},{"_219":1157,"_20":1158},{"_219":1155,"_20":1156},{"_219":1153,"_20":1154},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]